Category: Negative body language

Body Language of The Ear Grab

Body Language of The Ear Grab

BodyLanguageProjectCom - Ear Grab 2Cue: Ear Grab

Synonym(s): Ear Rub, Ear Rubbing, Grabbing The Ear, Touching The Ear, Pulling At The Ear, Ear Pull, Ear Touch, Hand To Ear.

Description: The hand reaches up and grabs, scratches, tugs, or lightly touches or partially covers the ear. If an earring is being worn, a person might roll or tug it instead. In more overt ear language, a person might cover their ears completely, which is usual in children who haven’t yet learned to how to minimize the gesture.

In One Sentence: Grabbing the ear is attributed to those experiencing visceral stress but usually simply serves to alleviate an itch.

How To Use it: Touching parts of the face is not advisable as it generally comes across as negative. Do avoid touching the face as much as possible including the ears when trying to appear open and honest.

Context: a), b), c) General.

Verbal Translation: a) “I’m touching my ear because what I’m hearing is causing me stress and touching my ear helps to relieve it.” b) “I can’t believe what I’m hearing.” c) “This is causing me emotional discomfort and which is making my ears flush. To fix the discomfort, I feel like tugging at my ear.”

Variant: See Hand To Nose, Neck Rubbing (back of neck) or Holding The Back Of The Neck.

Cue In Action: a) During court proceedings, a witness began to delve deeper into the case. The defendant didn’t like what she was hearing and she began to flush in the ears causing her to tug at her ears. A used car salesman might talk about the quality of a certain car, then pull on his ear lobe, or more subtly, he might be found rubbing the edge of the ear, indicating that what he has just said is untrue.

Meaning and/or Motivation: The ear grab refers to a subconscious desire to “hear no evil” and is done by reaching up and pulling the ear in response to hearing or saying discomforting things. It also sometimes represents anxiety and nervousness.

Think of the ear grab like rubbing sore muscles or massaging a stiff back, except in this case the damage done is internal and it’s due to something that has been heard, which “hurts” the ears. Anytime someone shows the desire to touch their ear means that they are thinking about hearing, and it will be up to you to tie them to context and decide what it is they are really saying. Other times, the ear is scratched because it really is itchy and has no meaning at all (an adaptor).

The ear grab can be use not only at the conclusion of the lies of others, but also at the conclusion of our own lies as well. The gesture used at the conclusion of our own lies serves to reduce what is called “cognitive dissonance” which is the uncomfortable feeling that comes from holding two contradictory ideas simultaneously.

Cue Cluster: In order for the ear tug to have any true meaning of discomfort other cues must be present such as blushing, touching the face or neck, submissive cues, eye aversion or eyes shifting, head lowered, feet turning away, hands and feet freezing, rubbing the hands on the thighs, rubbing the back of the head or neck, massaging the throat or covering the neck dimple and so forth.

Body Language Category: Adaptors, Auto contact or self touching, Defensive, Displacement behaviour, Doubt or disbelief body language, Embarrassment (nonverbal), Pacifying, Lying or deceptive body language, Negative body language, Shy nonverbal.

Resources:

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Charles v. Ford, Lies! Lies! Lies!: The Psychology of Deceit (Washington, DC: American Psychiatric Press, Inc., 1996), 200.

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Body Language of The Disgusted Facial Expressions

Body Language of The Disgusted Facial Expressions

BodyLanguageProjectCom - Disgust Facial Expression 1Cue: Disgust Facial Expression

Synonym(s): N/A

Description: One of the six main universal facial expressions characterized by eyebrows that are turned inward, raised upper lip, winkled nose and a rise in cheek muscles.
Here, the lower eyelids rise and lines appear in the skin below them.

In One Sentence: Raising the upper lip in disgust signals a negative visceral reaction to a person, idea, or situation.

How To Use it: The disgust expression can be done quickly as a microexpression in order to convey detest for an idea or person. Disgust usually registers just below the conscious radar of the people seeing it. While brief, however, disgust can send a strong negative nonverbal message.

Conversely, the disgust expression can be held for a longer period of time to send a highly potent message that one is not on board with an idea, policy or even a person. One might use this in a negotiation to influence the offers presented. When viewed, others will see the need to ratify the offer to make it more palatable.

Context: General.

Verbal Translation: “I’m so turned off by what I’m seeing and hearing that my face is tightening and contracting due to a sickening discomfort.”

Variant: See Contempt Facial Expression, Scorn, Sneering.

Cue In Action: During an office meeting, Debbie, a long time employee would frequently sneer in disdain when the new girl would make particularly intelligent additions to the dialogue. Her jealousy was obvious.

Meaning and/or Motivation: Disgust is one of the six main universal facial expressions: happiness, sadness, surprise, fear, anger and disgust.

Disgust is a throwback expression to the visceral reaction to eating food that is particularly unpalatable. This is why we see the nose sneer. To replicate this facial expression, just imagine taking a deep breath of rotted flesh that has been plated for a meal!

When disgust is directed to a person with eye contact, its motivation is raw and rooted in deep anger. This person feels repulsed by the situation.

Cue Cluster: Usually coupled with a downward gaze to strengthen the cue and in extreme cases the head comes up making the disgust expression very powerful. If eye contact is added to the disgusted facial expression, it is a salient message that others will find difficult to ignore.

Body Language Category: Closed facial gestures, Dislike (nonverbal), Emotional body language, Microexpressions, Negative body language, Rejection body language, Universal facial expressions.

Resources:

Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public-areas/

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1

Carroll E. 1994. Innate and universal facial expressions: Evidence from developmental and cross-cultural research Izard, Psychological Bulletin. 115(2): 288-299.

Curtis, V., & Biran, A. (2001). Dirt, disgust, and disease: Is hygiene in our genes? Perspectives in biology and medicine, 44(1), 17–31.

Curtis V, Aunger R, Rabie T (2004) Evidence that disgust evolved to protect from risk of disease. Proceedings of the Royal Society of London, Series B 271: S131–S133. doi:10.1098/rsbl.2003.0144. PubMed: 15252963.

Carroll JM, Russell JA (1996) Do facial expressions signal specific emotions? Judging emotion from the face in context. J Pers Soc Psychol 70: 205–218. doi:10.1037/0022-3514.70.2.205. PubMed: 8636880.

Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
http://bodylanguageproject.com/articles/eyes-and-facial-expressions-may-be-biologically-controlled-serve-a-real-non-emotional-purpose-says-research/

Ekman, P. & O’Sullivan, M. (1991). Who can catch a liar? American Psychologist. 46, 913-920.

Ekman, Paul. 1994. Strong evidence for universals in facial expressions: A reply to Russell’s mistaken critique Psychological Bulletin. 115(2): 268-287.

Ekman, Paul. 1986. A new pan-cultural facial expression of emotion. Source: Motivation and Emotion Ekman. 10(2): 159-168.

Ekman, Paul and Friesen, W. V. 1987. Universals and cultural differences in the judgments of facial expressions of emotion. Journal of Personality and Social Psychology. 53(4): 712-717.

Ekman, Paul; Friesen, Wallace V. 1971. Constants across cultures in the face and emotion. Journal of Personality and Social Psychology. 17(2): 124-129.

Ekman, Paul. 1972. Universals and cultural differences in facial expressions of emotion. In J. Cole (Ed.), Nebraska Symposium on Motivation, 1971. 19: 207-282. Lincoln: University of Nebraska Press.

Fulcher, J. S. “Voluntary” facial expression in blind and seeing children. Archives of Psychology, 1942. 38: 272.

Friesen, W. V. 1972. Cultural differences in facial expressions in a social situation: An experimental test of the concept of display rules. Unpublished doctoral dissertation, University of California, San Francisco.

Gagnon, Mathieu ; Gosselin, Pierre ; Hudon-ven der Buhs, Isabelle ; Larocque, Karine ; Milliard, Karine. Children’s Recognition and Discrimination of Fear and Disgust Facial Expressions. Journal of Nonverbal Behavior. 2010. 34(1): 27-42.

Inbar, Y., & Pizarro, D. Disgust, politics, and responses to threat [commentary]. The Behavioral and Brain Sciences. 2014. 37: 315-316.

Inbar, Y., Pizarro, D.A., Iyer, R., and Haidt, J. (2012). Disgust sensitivity, political conservatism, and voting. Social Psychological and Personality Science. 2012. 3: 537-544.

Inbar, Y., Pizarro, D.A., and Bloom Disgusting smells cause decreased liking of gay men. Emotion. 2012. 12: 23-27.

Inbar, Y., Pizarro, D.A., & Bloom, P. Conservatives are more easily disgusted than liberals. Cognition and Emotion. 2009. 23, 714-725.

James A. Russell, Naoto Suzuki and Noriko Ishida. 1993. Canadian, Greek, and Japanese freely produced emotion labels for facial expressions. Motivation and Emotion. 17(4): 337 -351

Kunz, Miriam ; Peter, Jessica ; Huster, Sonja ; Lautenbacher, Stefan Gray, Marcus (Editor). Pain and Disgust: The Facial Signaling of Two Aversive Bodily Experiences (Comparing Facial Expressions of Pain and Disgust). 2013. 8(12): p.e83277

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Mead, M. 1975. Review of “Darwin and facial expression.” Journal of Communication, 25: 209-213.

Pizarro, D.A., Inbar, Y., and Helion, C.. On disgust and moral judgment. Emotion Revie2. 2011. 3: 267–268.

David Pizarro (video) talk about the possible evolution of the disgust facial expression: http://bodylanguageproject.com/articles/evolution-politics-disgust-ted-talk-david-pizarro/

Russell, James A. 1995. Facial Expressions of Emotion: What Lies Beyond Minimal Universality? Psychological bulletin. 118(3): 379-391.

Russell, James A. 1994. Is There Universal Recognition of Emotion From Facial Expression? A Review of the Cross-Cultural Studies. Psychological Bulletin. 115(1): 102-141.

Schnall, S., Haidt, J., Clore, G. L., & Jordan, A. H. (2008). Disgust as embodied moral judgment. Personality and Social Psychology Bulletin, 34, 1096–1109. doi:10.1177/0146167208317771.

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http://bodylanguageproject.com/articles/emotional-facial-expressions-evolve/

Underwood, M. K.. Glares of Contempt, Eye Rolls of Disgust and Turning Away to Exclude: Non-Verbal Forms of Social Aggression among Girls. Feminism & Psychology. 2004 14(3): 371-375

Wolf K, Mass R, Ingenbleek T, Kiefer F, Naber D et al. (2005) The facial pattern of disgust, appetence, excited joy and relaxed joy: an improved facial EMG study. Scand J Psychol 46: 403-409. doi: 10.1111/j.1467-9450.2005.00471.x. PubMed: 16179022.

Zeinstra, Gertrude G.; M.A. Koelen; D. Colindres ; F.J. Kok; C de Graaf. Facial Expressions in School-Aged Children are a Good Indicator of ‘Dislikes’, but not of ‘Likes.’ Food Quality and Preference. 2009. 20: 620-624.
http://bodylanguageproject.com/articles/read-kids-dislike-food-facial-expressions-accurate-detecting-dislike-not-like-children/

Body Language of The Death Grip Handshake

Body Language of The Death Grip Handshake

No picCue: Death Grip Handshake.

Synonym(s): Bone Crusher Handshake.

Description: A handshake that employs a macho bone crushing grip.

In One Sentence: The death grip handshake signifies the need for dominance.

How To Use it: Use the bone crusher to show your physical strength through aggression. The application is suited to situations when you want or need to maintain authority over another person. A boss should use a higher than average amount of force over junior managers and low ranking employees especially when he wishes to assert himself.

Context: General.

Verbal Translation: “I’m really insecure and I’m displaying this by crushing the life out of your hand in hopes you will submit to the pressure of my strength and dominance.”

Variant: See Country Handshake (The), Cold Dead Wet Fish Handshake, Double Gripper Politician Handshake or Double Hander (The), Short Grabber/Finger Grabber Handshake, Oddball Handshake, Palm Up, Palm Down and Palm Even Handshakes, Stiff Arm And Thrust Forward Handshake, Death Grip Handshake, Wrench Forward Handshake, Undershaker Handshake, Wrist Hold Handshake, Wrist Hold Handshake and Upper Arm Grip Handshake, Limp Fish Handshake, Teacup Handshake, Arm Twister Handshake (The), Firm handshake, Fist Bumping.

Cue In Action: Uncle Steve was always the guy you had to watch out for. He was a short, but stocky kind of guy, that worked out all the time and when he shook your hand – you knew he meant business. His grip was strong, firm, and often overbearing.

Meaning and/or Motivation: Those that employ a macho bone crushing grip have aggressive personalities and intend to try to dominant you from the start. However, the true origins of this handshake, usually lies in insecurity. The underlying negative feelings foster a need to prove themselves at every instant.

It says “I have the power over you and can cause you pain if I so desire.” They have no regard for how others perceive them and use pain to put people in their place.

Rings on the fingers can make matters even worse, and they know it! You can put these people in their place by verbalizing your pain, and drawing other people’s attention to it jokingly. Most people wont have enough confidence to be vocal about it, which is how the death gripper gets his power, but if done properly can make others laugh and set yourself apart.

Cue Cluster: Watch for cues of insecurity coupled with aggression such as encroaching on personal space, leaning in, elbow and finger jabs, playful punching, boisterousness, loud talking, pranks, and so forth.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Dominant body language, Low confidence body language, Low confidence hand displays, Masked body language, Negative body language, Power play, Social touching, Threat displays.

Resources:

Aström, J ; Thorell, L H ; Holmlund, U ; D’Elia, G. Handshaking, personality, and psychopathology in psychiatric patients, a reliability and correlational study. Perceptual and motor skills 1993, Vol.77(3 Pt 2): 1171-86.

Anderson, C. A., & Bushman, B. J. (2002). Human aggression. Annual Review of Psychology, 53, 27–51. http://dx.doi.org/10.1146/annurev.psych.53.100901.135231.

Bjorkqvist, K., Osterrnan, K. and Lagerspetz, K.M.I. (1994) ‘Sex Differences in Covert Aggression among Adults’, Aggressive Behaviour 20: 27–33.

Chaplin William F.; Phillips Jeffrey B; Brown Jonathan D.; Clanton Nancy R.; Stein Jennifer L.; 2000. Handshaking, gender, personality, and first impressions Journal of personality and social psychology. 79(1): 110-117.

Dolcos, Sanda ; Sung, Keen ; Argo, Jennifer J ; Flor-Henry, Sophie ; Dolcos, Florin. The power of a handshake: neural correlates of evaluative judgments in observed social interactions. Journal of cognitive neuroscience. 2012 24(12): 2292-305.

Da Gloria, Jorge ; Duda, Danièle ; Pahlavan, Farzaneh ; Bonnet, Philippe. “Weapons effect” revisited: Motor effects of the reception of aversive stimulation and exposure to pictures of firearms. Aggressive Behavior. 1989 15(4): 265-271.

Frumin, Idan; Ofer Perl; Yaara Endevelt-Shapira; Ami Eisen; Neetai Eshel; Iris Heller; Maya Shemesh; Aharon Ravia; Lee Sela; Anat Arzi and Noam Sobel. A Social Chemosignaling Function for Human Handshaking. eLife 2015. 4:e05154
DOI: http://dx.doi.org/10.7554/eLife.05154.
http://bodylanguageproject.com/articles/shake-hands-share-human-scent-curious-case-hand-sniffing-body-language/

Fisher, J; Rytting, M and Heslin, R. 1976. Hands touching hands: affective and evaluative effects on interpersonal touch, Sociometry 39: 416–421.

Freedman, Norbert ; Blass, Thomas ; Rifkin, Arthur ; Quitkin, Frederic Lanzetta, John T. (editor). Body movements and the verbal encoding of aggressive affect. Journal of Personality and Social Psychology. 1973. 26(1): 72-85.

Gueguen, Nicolas. Handshaking and Compliance With a Request – A Door-to-door Setting. Social Behavior and Personality. 2013. 41(10): 1585-1588.
http://bodylanguageproject.com/articles/handshakes-lead-compliance-study/

Greenbaum, Paul ; Rosenfeld, Howard. Varieties of touching in greetings: Sequential structure and sex-related differences. Journal of Nonverbal Behavior. 1980. 5(1): 13-25.

Ghareeb, P.A. ; Bourlai, T. ; Dutton, W. ; McClellan, W.T. Reducing pathogen transmission in a hospital setting. Handshake verses fist bump: a pilot study. Journal of Hospital Infection. 2013. 85(4): 321-323.

Hines, N.J. and Fry, D.P. (1994) ‘Indirect Modes of Aggression among Women of Buenos Aires, Argentina’, Sex Roles 30: 213–24.

Hiemstra, Kathleen M. Shake My Hand: Making the Right First Impression in Business With Nonverbal Communications.(Brief Article)(Statistical Data Included). Business Communication Quarterly. 1999. 62(4): 71.

Jeffrey D. Fisher; Marvin Rytting; Richard Heslin. 1976. Hands Touching Hands: Affective and Evaluative Effects of an Interpersonal Touch. Sociometry, 39(4): 416-421.

Lagerspetz, K.M.J., Bjorkqvist, K. and Peltonen, T. (1988) ‘Is Indirect Aggression Typical of Females? Gender Differences in Aggressiveness in 11- to 12-year-old Children’, Aggressive Behavior 14: 403–14.

Lipsitz, Rebecca (2000). “A Gripping Start.” In Scientific American (September), p. 32.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Nell, Victor. Crueltys rewards: The gratifications of perpetrators and spectators. Behavioral and Brain Sciences. 2006. 29(3): 211-224.

Ostrowsky, Michael K. Are violent people more likely to have low self-esteem or high self-esteem? Aggression and Violent Behavior. 2010. 15(1): 69-75.

Parker, G. A. (1974). Assessment strategy and the evolution of fighting behaviour. J. Theor. Biol. 47, 223-243.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Pailing, Andrea ; Boon, Julian ; Egan, Vincent. Personality, the Dark Triad and violence
Personality and Individual Differences. 2014. 67: 81-86.

Szamado, S. (2008). How threat displays work: species-specific fighting techniques, weaponry and proximity risk. Anim. Behav. 76, 1455-1463.

Stewart, Greg L. ; Dustin, Susan L. ; Barrick, Murray R. ; Darnold, Todd C. Zedeck, Sheldon (editor). Exploring the Handshake in Employment Interviews. Journal of Applied Psychology. 2008 93(5): 1139-1146.

Sanda Dolcos; Keen Sung; Jennifer J. Argo; Sophie Flor-Henry and Florin Dolcos. The Power of a Handshake: Neural Correlates of Evaluative Judgments in Observed Social Interactions. Journal of Cognitive Neuroscience. 24; 12: 2292–2305.
http://bodylanguageproject.com/articles/handshake-open-body-language-powerful-nonverbal-effect-brain/

Spezialetti, Brian D. Do’s and don’ts for winning the job interview. (laboratory technicians). Medical Laboratory Observer. 1995. 27(7): 51-53.

Wesson, David A. The handshake as non-verbal communication in business. (marketing technique). Marketing Intelligence & Planning. 1992. 10(9): 61(6).

Body Language of The Dart

Body Language of The Dart

No picCue: Dart (The)

Synonym(s): Darting, Erratic Movement.

Description: A type of gait characterized by short, seemingly indecisive bursts.

In One Sentence: Erratic movement signals to others that one is either, busy, indecisive, or nervous

How To Use it: This is not the sort of cue that can be used in a helpful way although erratic movement can signal to others that one needs outside assistance in resolving matters. This may prove to be beneficial in soliciting help.

Context: General.

Verbal Translation: “I’m going here, there and everywhere because I don’t know exactly where to be, but whatever it is that I feel I need to do, I should do it quickly.”

Variant: See Shifty Eyes.

Cue In Action: a) There were only a few hours left before she would have to walk down the isle and she couldn’t find her veil. She looked everywhere and paced back in forth trying to recall where she had left it. b) His thoughts were scattered, he walked to and fro as if lost.

Meaning and/or Motivation: Darting and erratic behaviour signifies indecision and lack of direction, stress, and nervousness. At times it signifies hyperactivity and a need to burn off excessive energy. Some people habitually suffer from the dart due to a scattered mind that seeks out order and direction from the environment rather than order that is internal.

Cue Cluster: Darting is coupled with erratic hand movements and pacifying behaviour such as rubbing the back of the neck, touching the face, pinching and scratching, nail and lip biting, smoothing clothing, eyes darting about the room and general uneasiness.

Body Language Category: Displacement behaviour, Energy Displacement, Emotional body language, Frustration or frustrated body language, Negative body language, Nervous body language.

Resources:

Angela Book, Kimberly Costello and Joseph A. Camilleri Psychopathy and Victim Selection: The Use of Gait as a Cue to Vulnerability. Journal of Interpersonal Violence. 2013. 28(11): 2368-2383. DOI: 10.1177/0886260512475315jiv.sagepub.com
http://bodylanguageproject.com/articles/dont-walk-like-youre-watched-avoid-victimization-nonverbal-behavior/

Crane, Elizabeth ; Gross, M. Effort-Shape Characteristics of Emotion-Related Body Movement. Journal of Nonverbal Behavior. 2013. 37(2): 91-105.

Gross, M Melissa ; Crane, Elizabeth A ; Fredrickson, Barbara L. Effort-Shape and kinematic assessment of bodily expression of emotion during gait. Human movement science. 2012. 31(1): 202-21.

Davis, Martha. Movement characteristics of hospitalized psychiatric patients. American Journal of Dance Therapy. 1981. 4(1): 52-71.

Eisenberg, Philip ; Reichline, Philipb. Judging Expressive Movement: II. Judgments of Dominance-Feeling from Motion Pictures of Gait. The Journal of Social Psychology. 1939. 10(3): 345-357.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/

Gunns, Rebekah E; Lucy Johnston; and Stephen M. Hudson. Victim Selection And Kinematics: A Point-Light Investigation Of Vulnerability To Attack. Journal of Nonverbal Behavior. 2002. 26(3): 129-158.
http://bodylanguageproject.com/articles/how-to-avoid-an-attack-just-by-changing-how-you-walk-study/

Guéguen N. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
http://bodylanguageproject.com/articles/gait-as-bait-women-walk-sexy-during-high-sexual-receptivity/

Hasegawa, T. and K. Sakaguchi. 2006. Person perception through gait information and target choice for sexual advances: comparison of likely targets in experiments and real life. Journal of Nonverbal Behavior 30(2): 63-85.

Johnson, Kerri L.; Gill, Simone; Reichman, Victoria and Tassinary, Louis G. Swagger, Sway, and Sexuality: Judging Sexual Orientation from Body Motion and Morphology. Journal of Personality and Social Psychology. 2007. 93(3): 321-334. doi: 10.1037/0022-3514.93.3.321
http://bodylanguageproject.com/articles/heterosexual-vs-homosexual-swagger-can-you-spot-the-difference/

Janssen, Daniel ; Schöllhorn, Wolfgang ; Lubienetzki, Jessica ; Fölling, Karina ; Kokenge, Henrike ; Davids, Keith. Recognition of Emotions in Gait Patterns by Means of Artificial Neural Nets. Journal of Nonverbal Behavior. 2008. 32(2): 79-92.

Johnson, Kerri L ; Gill, Simone ; Reichman, Victoria ; Tassinary, Louis G. Swagger, sway, and sexuality: Judging sexual orientation from body motion and morphology. Journal of personality and social psychology. 2007. 93(3): 321-34.

Johnson, Kerri L ; Tassinary, Louis G. Perceiving sex directly and indirectly: meaning in motion and morphology. Psychological science. 2005. 16(11): 890-7.

Kito, Tomonori ; Yoneda, Tsugutake. Dominance of gait cycle duration in casual walking. Human Movement Science. 2006. 25(3): 383-392.

Kupper, Zeno ; Ramseyer, Fabian ; Hoffmann, Holger ; Kalbermatten, Samuel ; Tschacher, Wolfgang. Video-based quantification of body movement during social interaction indicates the severity of negative symptoms in patients with schizophrenia. Schizophrenia Research. 2010. 121(1): 90-100.

Miller, G., Tybur, J. M., & Jordan, B. D. Ovulatory cycle effects on tip earning by lap dancers: Economic evidence for human estrus. Evolution and Human Behavior. 2007. 28: 375-381. http://dx.doi.org/10.1016/j.evolhumbehav.2007.06.002.

Michalak, J., Rohde, K., Troje, N. F. How We Walk Affects What We Remember: Gait Modifications Through Biofeedback Change Negative Affective Memory Bias. Journal of Behavior Therapy and Experimental Psychiatry. 2015. 46:121-125.
http://bodylanguageproject.com/articles/walking-happy-leads-actual-happiness-game-emotions-body-language/

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Montepare, J. M., Goldstien, S. B., & Clausen, A. (1987). The identification of emotions from gait information. Journal of Nonverbal Behavior, 11, 33–42.

Montepare, Joann ; Zebrowitz, Leslie. A cross-cultural comparison of impressions created by age-related variations in gait. Journal of Nonverbal Behavior. 1993. 17(1): 55-68.

Montepare, Joann ; Goldstein, Sabra ; Clausen, Annmarie. The identification of emotions from gait information. Journal of Nonverbal Behavior. 1987. 11(1): 33-42.

Montepare, J. M., & Zebrowitz-McArthur, L. (1988). Impressions of people created by age-related qualities of their gaits. Journal of Personality and Social Psychology, 55(4), 547–556. http://dx.doi.org/10.1037/ 0022-3514.55.4.547.

Montepare, Joann ; Zebrowitz, Leslie. A cross-cultural comparison of impressions created by age-related variations in gait. Journal of Nonverbal Behavior. 1993. 17(1): 55-68.

Prasad, S., & Shiffrar, M. (2009). Viewpoint and the recognition of people from their movements. Journal of Experimental Psychology – Human Perception and Performance, 35(1), 39–49. http://dx.doi.org/10.1037/A0012728.

Roether, C. L., Omlor, L., Christensen, A., & Giese, M. A. (2009). Critical features for the perception of emotion from gait. Journal of Vision, 9(6), 1–32. http://dx.doi.org/10.1167/9.6.15.

Schneider, Sabrina ; Christensen, Andrea ; Hau[sz]inger, Florian B. ; Fallgatter, Andreas J. ; Giese, Martin A. ; Ehlis, Ann – Christine. Show me how you walk and I tell you how you feel — A functional near-infrared spectroscopy study on emotion perception based on human gait. Neuroimage. 2014. 85: 380(11).

Sakaguchi, Kikue and Toshikazu Hasegawa. Person Perception Through Gait Information And Target Choice For Sexual Advances: Comparison Of Likely Targets In Experiments And Real Life. Journal of Nonverbal Behavior. 2006; 30:63-85. DOI 10.1007/s10919-006-0006-2
http://bodylanguageproject.com/articles/dont-walk-like-youre-asking-targets-sexual-approach-based-walking-style-personality-study/

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Sweeney, John A. ; Haas, Gretchen L. ; Clementz, Brett ; Weiden, Peter ; Frances, Allen ; Mann, J.John. Eye movement abnormalities in schizophrenia. Biological Psychiatry. 1989. 25(7): A77-A78.

Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271 Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271
http://bodylanguageproject.com/articles/walk-drives-first-impressions/

van der Zwan, Rick and Natasha Herbert. “I Like The Way You Move”: How Hormonal Changes Across The Menstrual Cycle Affect Female Perceptions of Gait. Research Notes. 2012; 5: 453.
http://bodylanguageproject.com/articles/women-at-peak-fertility-rate-other-female-walkers-less-favorably/

Wilder, Vicky. Effects of antipsychotic medication on the movement pathologies of chronic schizophrenics. American Journal of Dance Therapy. 1987. 10(1): 77-94.

Body Language of Counting On Fingers

Body Language of Counting On Fingers

No picCue: Counting On Fingers

Synonym(s): N/A

Description: It is done by rhythmically bringing the index finger over the opposite hand as if to anchor each point being delivered.

In One Sentence: Counting rhythmically on the fingers denotes a person who is condescending or trying to be clear about various points.

How To Use it: Use the gesture in order to appear superior to another person or that you are frustrated with having to repeat orders, steps, or points you have already made. By belittling others, you may achieve superiority if they do not supersede or dismiss your arrogance. In other words, avoid counting on the fingers, at least in a way that is not genuinely helpful.

Context: General.

Verbal Translation: “I’m going to really slow things down for you and make my points deliberate by counting out each point by number.”

Variant: The Baton Gesture is similar in that each point is emphasized rhythmically, but this is more of an artifact of passion. See Baton Gestures.

Cue In Action: After going over the issues five times, his wife decided he just wasn’t going to get it. She started over with her fingers “ONE, I’m not going to pick up Jimmy, TWO, I expect you to fix the garage door, THREE…”

Meaning and/or Motivation: A cocky, arrogant and sometimes confident gesture implying that a person needs to keep up with the various points that are being made. The sender does not feel the receiver is intelligent enough to keep up. Think of counting out loud in order to give a child a fair warning to obey you.

Cue Cluster: Counting on fingers is often coupled with leaning in, a condescending voice, arms akimbo, invasion of space, palm down displays, erratic gesticulation and angry, sneering, or disgusted facial expression.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger, Authoritative body language, Dominant body language, Frustration or frustrated body language, Hostile body language, Negative body language.

Resources:

Austin, Elizabeth E. and Naomi Sweller. Presentation and Production: The Role of Gesture in Spatial Communication. Journal of Experimental Child Psychology. 2014. 122: 92-103.
http://bodylanguageproject.com/articles/gestures-help-children-but-not-adults-in-recall-study/

Alibali, M.W., Heath, D.C., and Myers,H.J. (2001). Effects of visibility between speaker and listener on gesture production: Some gestures are meant to be seen. Journal of Memory and Language, 44, 169–188.

Beattie, G., & Shovelton,H.(1999).Mapping the range of information contained in the iconich and gestures that accompany spontaneous speech. Journal of Language and social Psychology, 18, 438–462.

Bailenson, J. N. & Yee, N. 2005. Digital Chameleons: Automatic assimilation of nonverbal gestures in immersive virtual environments. Psychological Science, 16: 814-819.

Cook, Susan Wagner; Terina KuangYi Yip and Susan Goldin-Meadow. Gesturing Makes Memories That Last. Journal of Memory and Language. 2010. 63: 465-475.
http://bodylanguageproject.com/articles/gesturing-really-work-improve-memory

Ekman, Paul ; Friesen, Wallace V. ; O’sullivan, Maureen ; Chan, Anthony ; Diacoyanni-tarlatzis, Irene ; Heider, Karl ; Krause, Rainer ; Lecompte, William Ayhan ; Pitcairn, Tom ; Ricci-bitti, Pio E. ; Scherer, Klaus ; Tomita, Masatoshi ; Tzavaras, Athanase. Universals and Cultural Differences in the Judgments of Facial Expressions of Emotion
Journal of Personality and Social Psychology. 1987. 53(4): 712-717.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
http://bodylanguageproject.com/articles/downside-power-posing-body-language-looking-power-posing-action-study/

Goldin-Meadow, Susan; Susan Wagner Cook, and Zachary A. Mitchell. Gesturing Gives Children New Ideas About Math. Association for Psychological Science. 2009. 20 (3): 267-272.
http://bodylanguageproject.com/articles/gesturing-helps-children-learn-math/

Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Goldin-Meadow, S. Widening The Lens: What The Manual Modality Reveals About Language, Learning and Cognition. Philosophical Transactions of the Royal Society B: Biological Sciences. 2014; 369-1651. 20130295 DOI: 10.1098/rstb.2013.0295
http://bodylanguageproject.com/articles/spontaneous-hand-gestures-help-children-learn-study/

Holle, H., & Gunter,T.C. (2007). The role of iconic gestures in speech disambiguation: ERP evidence. Journal of Cognitive Neuroscience, 19, 1175–1192.

Holler, J., Shovelton, H.,& Beattie, G.(2009).Do iconic hand gestures really contribute to the communication of semantic information in a face-to-face context? Journal of Nonverbal Behavior, 33, 73–88.

Hubbard, A.L., Wilson, S. M., Callan, D. E., & Dapretto, M.(2009).Giving speech a hand: Gesture modulates activity in auditory cortex during speech perception. Human Brain Mapping, 30, 1028–1037.

Kelly, S. D., Barr, D. J., Church, R. B., & Lynch, K.(1999).Offering a hand topragmatic understanding: The role of speech and gesture in comprehension and memory. Journal of Memory and Language, 40, 577–592.

Kelly, S. D., Creigh, P., & Bartolotti, J.(2009).Integrating speech and iconic gestures in a Stroop-like task: Evidence for automatic processing. Journal of Cognitive Neuroscience, 22, 683–694.

Kelly, S.D., Kravitz, C.,& Hopkins, M.(2004).Neural correlates of bimodal speech and gesture comprehension. Brain and Language, 89(1), 253–260.

Krahmer,E., & Swerts, M.(2007).The effects of visual beats on prosodic prominence: Acoustic analyses, auditory perception and visual perception. Journal of Memory and Language, 57, 396–414.

Krauss, R. M., Dushay, R.A., Chen,Y., & Rauscher, F.(1995).The communicative value of conversational hand gesture. Journal of Experimental Social Psychology, 31(6), 533–552.

Kendon, A. 1994. Do gestures communicate? A review. Research on Language and Social Intraction. 27(3): 175-200.

Lindemann, Oliver ; Alipour, Ahmad ; Fischer, Martin H. Finger counting habits in Middle Eastern and Western individuals: An online survey. Journal of Cross-Cultural Psychology. 2011 42(4): 566(13).

Lindemann, Oliver ; Alipour, Ahmad ; Fischer, Martin H. Finger counting habits in Middle Eastern and Western individuals: An online survey. Journal of Cross-Cultural Psychology. 2011 42(4): 566(13).

Leonard, T., & Cummins, F.(2010).The temporal relation between beat gestures and speech. Language and Cognitive Processes, 26, 1457–1471.

Parrill, F. and I. Kimbara. 2006. Seeing and hearing double: the influence of mimicry in speech and gesture on observers. Journal of Nonverbal Behavior 30(4): 157-166.

Renninger, Lee Ann; T. Joel Wade, Karl Grammer. Getting that female glance: Patterns and consequences of male nonverbal behavior in courtship contexts. Evolution and Human Behavior. 2004; 25: 416–431.
http://bodylanguageproject.com/articles/part-i-how-to-read-male-sexual-body-language-a-study-for-women-and-the-men-who-wish-to-cheat-the-system/

Singer, Melissa A. and Susan Goldin-Meadow. Children Learn When Their Teacher’s Gestures and Speech Differ. American Psychological Society. 2005. 16(2): 85-89.
http://bodylanguageproject.com/articles/children-learn-better-when-teachers-use-gesture/

Simone, Pika; Nicoladis, Elena; Marentette, Paula, F. A cross-cultural study on the use of gestures: Evidence for cross-linguistic transfer? Bilingualism Language and Cognition. 9(3): 319 -327

Sun Jung, Hyo Sun and Hye Hyun Yoon. The Effects of Nonverbal Communication of Employees in the Family Restaurant Upon Customers’ Emotional Responses and Customer Satisfaction. International Journal of Hospitality Management. 2011. 30: 542-550.
http://bodylanguageproject.com/articles/effect-body-languagel-cues-family-restaurant/

Teixeira Fiquer, Juliana; Paulo Sérgio Boggio and Clarice Gorenstein. Talking Bodies: Nonverbal Behavior in the Assessment of Depression Severity. Journal of Affective Disorders. 2013. 150: 1114-1119.
http://bodylanguageproject.com/articles/using-nonverbal-behaviour-to-assess-depression-severity/

Wu, Y. C., & Coulson, S.(2005).Meaningful gestures: Electrophysiological indices of iconic gesture comprehension. Psychophysiology, 42, 654–667.

Wang, Lin ; Chu, Mingyuan Neuropsychologia. The role of beat gesture and pitch accent in semantic processing: An ERP study. 2013, Vol.51(13), pp.2847-2855.

Body Language of The Contempt Facial Expression and Contempt Smile

Body Language of The Contempt Facial Expression and Contempt Smile

BodyLanguageProjectCom - Contempt Facial Expression 1Cue: Contempt Facial Expression and Contempt Smile

Synonym(s): Contempt Smile.

Description: In the contempt facial expression, wrinkles appear on the nose with one lip often raised to form a sneer. The eyes narrow. Lips are frequently pushed forward with a tight mouth raised slightly at the corners. The chin usually drops, or lifts and the head turns to the side.

The contempt smile happens when the corners of the lips are tightened unevenly and one side is lifted slightly higher than the other. In this case, the eyebrows are slightly raised. The smile might also push the lower lip up by the chin muscle and pull the corners of the mouth down. This is often coupled with lowered brows.

In One Sentence: The contempt facial expression is a tensing around the nose with one lip raised and serves to demonstrate disagreement.

How To Use it: Use the expression to show others that you are not in agreement but do not wish to do so overtly in a verbal fashion. A micro-sneer can be sent when you want to give a subtle hint of disapproval. The cue works in any context as it permits one to tow the line of confrontation with a subtle nonverbal expression. In this capacity, people will understand that you are not in agreement, but will not be able to hold you to it as the cue is fleeting and barely noticeable. Therefore, the cue is useful for expressing disapproval and disagreement without being overt.

Context: General.

Verbal Translation: “I really don’t like what you’re saying or doing and so my face is scrunching up as if there is a malodor.”

Variant: Variants exist of high and low contempt smiles. These are demonstrated through degrees of stress across the face.

As high contempt is reached, the cues become more obvious. Disgust is close to Contempt and usually causes people to look downward on other people. Lint picking, avoiding eye contact, turning the body away can all show various degrees of contempt. Contempt can also be a microexpression and flash so quickly that it is barely noticed. Watch for the microexpression of the nose sneer or the eyes narrowing quickly.

Cue In Action: The conversation turned from bad to worse as it shifted onto politics. When they couldn’t see eye-to-eye on the matter, he wrinkled his nose, narrowed his eyes and tightened his lips while shaking his head in disgust. The message was clear.

Meaning and/or Motivation: Contempt is an emotion designed to show disagreement and an inability to see eye-to-eye on matters. Some contempt runs deeper than others and can be amplified with additional cues that come across as attacks. Contempt can be high or low, delivered by the relative strength of the associated cues.

Cue Cluster: Contempt is accompanied by looking downward, palms up in a “what are you doing posture,” sneering, pulled up nose, pursed lips, and head turned away.

Body Language Category: Dislike (nonverbal), Indicators of disinterest (IOD), Microexpressions, Negative body language, Rejection body language, Suspicious body language or suspicion, Universal facial expressions.

Resources:

Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public-areas

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1

Bard, K. A. (2003). Development of emotional expressions in chimpanzees (Pan troglodytes). In P. Ekman, J. Campos, R. J. Davidson & F. B. M. De Waal (Eds.), Emotions inside out: 130 years after Darwin’s The Expression of the Emotions in Man and Animals (Vol. 1000, pp. 88-90). New York: Annals of the New York Academy of Sciences.

Baron, R. M., & Kenny, D. A. (1986). The moderator-mediator variable distinction in social psychological research: Conceptual, strategic, and statistical considerations. Journal of Personality and Social Psychology, 51(6), 1173-1882.

Biehl, M., Matsumoto, D., Ekman, P., Hearn, V., Heider, K., Kudoh, T., et al. (1997). Matsumoto and Ekman’s Japanese and Caucasian Facial Expressions of Emotion (JACFEE): Reliability Data and Cross-National Differences. Journal of Nonverbal Behavior, 21, 3-21.

de Waal, F. B. M. (2003). Darwin’s legacy and the study of primate visual communication. In P. Ekman, J. Campos, R. J. Davidson & F. B. M. De Waal (Eds.), Emotions inside out: 130 years after Darwin’s The Expression of Emotion in Man and Animals (pp. 7-31). New York: New York Academy of Sciences.

Ekman, P. (1994). Strong evidence for universals in facial expressions: A reply to Russell’s mistaken critique. Psychological Bulletin, 115, 268-287.

Ekman, P., Friesen, W. V., O’Sullivan, M., Chan, A., Diacoyanni-Tarlatzis, I., Heider, K., et al. (1987). Universals and cultural differences in the judgments of facial expressions of emotion. Journal of Personality & Social Psychology, 53(4), 712-717.

Ekman, P., Levenson, R. W., & Friesen, W. V. (1983). Autonomic nervous system activity distinguishes among emotions. Science, 221(4616), 1208-1210.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity
thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Elfenbein, H. A., & Ambady, N. (2002). On the universality and cultural specificity of emotion recognition: A meta-analysis. Psychological Bulletin, 128(2), 205-235.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Girard, Jeffrey M.; Jeffrey F. Cohna; Mohammad H.Mahoor S.; Mohammad Mavadati;
Zakia Hammal; and Dean P. Rosenwalda. Nonverbal Social Withdrawal In Depression: Evidence From Manual And Automatic Analyses. Image and Vision Computing. 2013.
http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression

Reed, Lawrence Ian; Katharine N. Zeglen and Karen L. Schmidt. Facial Expressions as Honest Signals of Cooperative Intent in a One-Shot Anonymous Prisoner’s Dilemma Game. Evolution and Human Behavior. 2012. 33: 200-209. http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression/

Kahlbaugh, Patricia ; Haviland, Jeannette. Nonverbal communication between parents and adolescents: A study of approach and avoidance behaviors. Journal of Nonverbal Behavior. 1994 18(1): 91-113.

Leanne Brinke, Sarah MacDonald, Stephen Porter, Brian O’Connor. Crocodile Tears: Facial, Verbal and Body Language Behaviours Associated with Genuine and Fabricated Remorse. Law and Human Behavior, 2012; 36(1): 51-59.
http://bodylanguageproject.com/articles/crocodile-tears-humans-show-greater-range-of-emotions-and-speech-hesitation-during-fake-remorse/

Levenson, R. W., Ekman, P., & Friesen, W. V. (1990). Voluntary facial action generates emotion-specific autonomic nervous system activity. Psychophysiology, 27(4), 363-384.

Levenson, R. W., Ekman, P., Heider, K., & Friesen, W. V. (1992). Emotion and autonomic nervous system activity in the Minangkabau of West Sumatra. Journal of Personality & Social Psychology, 62(6), 972-988.

Matsumoto, David. Scalar Ratings Of Contempt Expressions Journal of Nonverbal Behavior. 2005. 29(2): 91-104.

Matsumoto, D. (1989). Cultural influences on the perception of emotion. Journal of Cross-Cultural Psychology, 20(1), 92-105.

Matsumoto, D. (1992). American-Japanese cultural differences in the recognition of universal facial expressions. Journal of Cross-Cultural Psychology, 23(1), 72-84.

Matsumoto, D. (2001). Culture and Emotion. In D. Matsumoto (Ed.), The Handbook of Culture and Psychology (pp. 171-194). New York: Oxford University Press.

Matsumoto, D., & Ekman, P. (1989). American-Japanese cultural differences in intensity ratings of facial expressions of emotion. Motivation & Emotion, 13(2), 143-157.

Matsumoto, D., Keltner, D., Shiota, M. N., Frank, M. G., & O’Sullivan, M. (2008). What’s in a face? Facial expressions as signals of discrete emotions. In M. Lewis, J. M.
Haviland & L. Feldman Barrett (Eds.), Handbook of emotions (pp. 211-234). New York: Guilford Press.

Matsumoto, D., & Willingham, B. (2009). Spontaneous Facial Expressions of Emotion of Congenitally and Non-Congenitally Blind Individuals. Journal of Personality and Social Psychology, 96(1), 1-10.

Mesquita, B., & Frijda, N. H. (1992). Cultural variations in emotions: A review. Psychological Bulletin, 112, 197-204.

Peleg, G., Katzir, G., Peleg, O., Kamara, M., Brodsky, L., Hel-Or, H., et al. (2006). Heriditary family signature of facial expression. Proceedings from the National Academy of Sciences, 103(43), 15921-15926.

Underwood, M. K.. Glares of Contempt, Eye Rolls of Disgust and Turning Away to Exclude: Non-Verbal Forms of Social Aggression among Girls. Feminism & Psychology. 2004 14(3): 371-375.

Weisfeld, Glenn E. and Jody M. Beresford. Erectness of Posture as an Indicator of
Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
http://bodylanguageproject.com/articles/body-language-cues-dominance-submission-children/

Zeinstra, Gertrude G.; M.A. Koelen; D. Colindres ; F.J. Kok; C de Graaf. Facial Expressions in School-Aged Children are a Good Indicator of ‘Dislikes’, but not of ‘Likes.’ Food Quality and Preference. 2009. 20: 620-624.
http://bodylanguageproject.com/articles/read-kids-dislike-food-facial-expressions-accurate-detecting-dislike-not-like-children/

Body Language of Compressed Lips or Stiff Upper Lip

Body Language of Compressed Lips or Stiff Upper Lip

BodyLanguageProjectCom - Compressed Lips 2Cue: Compressed Lips

Synonym(s): Tight Lips, Lip Compression, Disappearing Lips, Stiff Upper Lip, Inward Lip Roll, Lip Pursing, Lip Puckering, Pursed Lips, Puckering, Prune Lips.

Description: Done by pressing the lips together to the point where they begin to disappear.

In One Sentence: Lip compression is a negative thought indicator.

How To Use it: Compress the lips when you want others to know that you disapprove of them or their ideas but do not wish to speak out and say so verbally. Compressing the lips also shows others that you are anxious or stressed. By demonstrating this “honest cue” one can show others that you wish for them to change their tactic to better suit your stance.

Context: General

Verbal Translation: “I’m having a hard time with this and so I’m going to suck my lip in and consume it while I deal with negative thought or while I am in deep concentration.” “I’m biting back my words.” “I’m holding something back with my mouth by pressing my lips together so no negative thoughts escape which may get me into trouble.”

Variant: The jaw is often tensed coupled with compressed lips showing additional negative thoughts.  Note that Compressed Lips (lips flattened) is related, but not the same as a Lip Pucker (lips pushed out).

Cue In Action: a) She really wanted to speak out about the eighteen year old would-be-wife but she maintained a stiff upper lip and kept quiet. b) He was really contemplating a thought, and wanted to speak-up, you could tell from his compressed lips, but instead he kept steady and quiet. c) She rarely held full, relaxed lips, she carried many negative thoughts around with her throughout the day.

Meaning and/or Motivation: A universal trait done to signify stress, anxiety, anger, frustration and an overall negative thought indicator. The lips are tightened to contain and stifle emotion or signal deep concentration and internal turmoil. It is opposite to full expressive lips that show contentment. The subconscious mind is essentially telling the body to close down and not let anything out – to bottle it up and withhold information or feelings.

Tight compressed lips happen honestly and immediately so reflect true stress sentiments revealing a troubled mind.

Alternatively, a tight lip indicates thought process when someone is indecisive. This can be particularly useful in business. Picture someone reading a document or contract aloud. Lip pursing will happen in real time as judgment arises. Other times, lip pursing is done to show outright disagreement. Usually the eyebrows will frown in unison with pursed lips. Lip pursing is a very reliable indicator of different thought processing, and it would be foolish to ignore it. Watch the lips for these quick flashes will tell you a lot about what is going on inside someone’s head. Tight lips can also form due to sexual arousal and sexual tension, but this comes across more as pursing with accompanying sexual clues.

Cue Cluster: Compressed lips are accompanied by other restraint postures such as hand to the back of the neck, hand clenching, eye contact avoidance, head turned away and ventral denial and jaw clenching.

Body Language Category: Anger, Clenching and gripping, Closed body language, Closed facial gestures, Emotional body language, Honest body language, Frustration or frustrated body language, Leaked or involuntary body language, Masked body language, Negative body language.

Resources:

Arsenio, W. F., Cooperman, S., & Lover, A. Affective Predictors of Preschooler’s Aggression and Peer Acceptance: Direct and Indirect Effects. Developmental Psychology. 2000. 36: 438-448.

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Chevalier-Skolnikoff, Suzanne (1973). “Facial Expression of Emotion in Nonhuman Primates.” In Paul Ekman, ed., Darwin and Facial Expression (New York: Academic Press), pp. 11-89.

Ekman, Paul (1998). Commentaries. In Darwin, Charles (1872). The Expression of the Emotions in Man and Animals, third edition (New York: Oxford University Press, 1998).

Drummond, P. D. (1994). The effect of anger and pleasure on facial blood flow. Australian Journal of Psychology, 46, 95–99.

Ekman, P. & O’Sullivan, M. (1991). Who can catch a liar? American Psychologist. 46, 913-920.

Feldman, Robert S. ; Devin-Sheehan, Linda ; Allen, Vernon L. Nonverbal Cues as Indicators of Verbal Dissembling. American Educational Research Journal. 1978. 15(2): 217-231.

Guéguen, Nicolas. Does Red Lipstick Really Attract Men? An Evaluation in a Bar. International Journal of Psychological Studies. 2012. 4(2)

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Gagnon, Mathieu ; Gosselin, Pierre ; Hudon-ven der Buhs, Isabelle ; Larocque, Karine ; Milliard, Karine. Children’s Recognition and Discrimination of Fear and Disgust Facial Expressions. Journal of Nonverbal Behavior. 2010. 34(1): 27-42.

Goodall, Jane (1986). The Chimpanzees of Gombe: Patterns of Behavior (Cambridge: Belknap Press of Harvard University).

Kunz, Miriam ; Peter, Jessica ; Huster, Sonja ; Lautenbacher, Stefan Gray, Marcus (Editor). Pain and Disgust: The Facial Signaling of Two Aversive Bodily Experiences (Comparing Facial Expressions of Pain and Disgust). 2013. 8(12): p.e83277

Kraft, Tara L ; Pressman, Sarah D. Grin and Bear It. Psychological Science. 2012. 23(11): 1372-1378.

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Matsumoto, David ; Hwang, Hyisung C. Desteno, David (editor). Judgments of Subtle Facial Expressions of Emotion. Emotion. 2014. 14(2): 349-357.

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http://bodylanguageproject.com/articles/using-nonverbal-behaviour-to-assess-depression-severity/

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Vanderhasselt, Marie – Anne ; Kühn, Simone ; De Raedt, Rudi. Put on your poker face’: neural systems supporting the anticipation for expressive suppression and cognitive reappraisal. Social Cognitive and Affective Neuroscience. 2013 8(8): 903-910.

Weisfeld, Glenn E. and Jody M. Beresford. Erectness of Posture as an Indicator of Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
http://bodylanguageproject.com/articles/body-language-cues-dominance-submission-children/

Wolf K, Mass R, Ingenbleek T, Kiefer F, Naber D et al. (2005) The facial pattern of disgust, appetence, excited joy and relaxed joy: an improved facial EMG study. Scand J Psychol 46: 403-409. doi: 10.1111/j.1467-9450.2005.00471.x. PubMed: 16179022.

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http://bodylanguageproject.com/articles/read-kids-dislike-food-facial-expressions-accurate-detecting-dislike-not-like-children/

Body Language of The Cold Shoulder

Body Language of The Cold Shoulder

BodyLanguageProjectCom - Cold Shoulder 1Cue: Cold Shoulder

Synonym(s): N/A

Description: Turning away from someone is the cold shoulder.

In One Sentence: Turning away from another person signifies that one is diverging away from them and/or their ideas.

How To Use it: Turn the cold shoulder when you want to tell others that you disagree with them. The cold shoulder can be used in relationships to show that you are not willing to follow the same path. To use the cold shoulder make sure that it is done quickly and in immediate conjunction with whatever idea sparked the disapproval.

Context: General.

Verbal Translation: “I don’t like what you saying or doing and so I’m going to turn my body away in disgust.”

Variant: See Blading Body Language, Body Angling or Ventral Displays.

Cue In Action: When Jane found out that the other girls were invited to a sleep over and she wasn’t, she quickly turned her body away and sulked.

Meaning and/or Motivation: The cold shoulder indicates aloofness, indifference and dismissal. It creates a barrier and separation between two people. People will turn the cold shoulder when they have disagreement with others and want to block them off from communication.

Its historical origins are believed to be a reference to the serving of an inferior cut of meat to undesirable guests. The cold shoulder of mutton versus more fanciful meal of roast and fixings.

Cue Cluster: The cold shoulder can be amplified with a downturned mouth, a quick glance with a look of disdain and create feelings of scorn and derision.

Body Language Category: Anger, Barriers, Body pointing, Blading, Closed body language, Disengagement, Dislike (nonverbal), Distancing or moving away, Escape movements, Negative body language, Orienting reflex or orienting response, Protective reflexes.

Resources:

Allison, T., Puce, A., & McCarthy, G. (2000). Social perception from visual cues: role of the STS region. Trends in Cognitive Neurosciences, 4, 267–278.

Broth, Mathias and Lorenza Mondada. Walking Away: The Embodied Achievement of Activity Closings in Mobile Interaction. Journal of Pragmatics. 2013. 47: 41-58.
http://bodylanguageproject.com/articles/nonverbally-negotiate-conversation-walking-away/

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Fransson, A., Karlsson, H., & Nilsson, K. Temperature Variation In Newborn
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George, N., Driver, J., & Dolan, R. J. (2001). Seen gaze-direction modulates fusiform activity and its coupling with other brain areas during face processing. Neuroimage, 13, 1102–1112.

Goodboy, Alan, K. and Maria Brann. Flirtation Rejection Strategies: Towards an Understanding of Communicative Disinterest in Flirting. The Quantitative Report. 2010. 15(2): 268-278.
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Hall, Jeffrey A. and Chong Xing. The Verbal and Nonverbal Correlates of the Five Flirting Styles. Journal of Nonverbal Behavior. 2015. 39:41–68. DOI 10.1007/s10919-014-0199-8
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Puce, Allison, T and McCarthy, G. (2000). Social perception from visual cues: role of the STS region. Trends in Cognitive Neurosciences, 4, 267–278.

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Underwood, M. K.. Glares of Contempt, Eye Rolls of Disgust and Turning Away to Exclude: Non-Verbal Forms of Social Aggression among Girls. Feminism & Psychology. 2004 14(3): 371-375.

Williams, L.E., & Bargh, J.A. (2008). Experiencing Physical Warmth Promotes Interpersonal Warmth. Science, 322, 606-607.

Zhong, Chen-Bo and Geoffrey J. Leonardelli. Cold and Lonely Does Social Exclusion Literally Feel Cold? Association for Psychological Science. 2008. 19(9): 838-842.
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Zeinstra, Gertrude G.; M.A. Koelen; D. Colindres ; F.J. Kok; C de Graaf. Facial Expressions in School-Aged Children are a Good Indicator of ‘Dislikes’, but not of ‘Likes.’ Food Quality and Preference. 2009. 20: 620-624.
http://bodylanguageproject.com/articles/read-kids-dislike-food-facial-expressions-accurate-detecting-dislike-not-like-children/

Body Language of The Cold Dead Wet Fish Handshake

Body Language of The Cold Dead Wet Fish Handshake

No picCue: Cold Dead Wet Fish Handshake

Synonym(s): Clammy Handshake

Description: A particularly disgusting cold and damp handshake.

In One Sentence: The cold dead wet fish handshake signals stress and nervousness, and thus, forms a bad impression overall.

How To Use it: N/A.

Context: General.

Verbal Translation: a) “I’m so stressed that I’m in a cold sweat and that shows in my hand.” b) “I have a perspiration problem making my hands sweat for no reason.” c) “I’m nervous and excited.” d) “I’ve been holding a cold drink all night that has been condensing on my hand.”

Variant: See Country Handshake (The), Cold Dead Wet Fish Handshake, Double Gripper Politician Handshake or Double Hander (The), Short Grabber/Finger Grabber Handshake, Oddball Handshake, Palm Up, Palm Down and Palm Even Handshakes, Stiff Arm And Thrust Forward Handshake, Death Grip Handshake, Wrench Forward Handshake, Undershaker Handshake, Wrist Hold Handshake, Wrist Hold Handshake and Upper Arm Grip Handshake, Limp Fish Handshake, Teacup Handshake, Arm Twister Handshake (The), Firm handshake, Fist Bumping.

Cue In Action: Bill and Jill shook hands, but a disgusted look came across Bill’s face. He noted that her hand was cold and damp and figured that she must have been pretty scared about having to present.

Meaning and/or Motivation: A cold, yet moist hand is likely due to high stress, nervousness or fear. So when people shake hands with a damp hand we attach negative feelings to them.

A cold, damp hand can be due to holding a cold drink or keeping the hands in the pockets, or having recently washed the hands. In these instances, little hidden meaning is evident.

Cue Cluster: The cold dead wet fish handshake is associated with flushing or blanching of the face, touching the face or scratching the neck, smoothing clothing such as palms over thighs to try to dry the sweat, hands in pockets to try to keep them warm, which may actually make matters worse, or be the cause of cold wet hands, as well as other pacifying and discomfort cues.

Body Language Category: Arousal, Negative body language, Nervous body language, Stressful body language.

Resources:

Allen, J.A., Armstrong, J.E. and Roddie, I.C. The regional distribution of emotional sweating in man. J. Physiol. 235, 749–759 (1973).

Altman, R.S. and Schwartz, R.A. Emotionally induced hyperhidrosis. Cutis 69, 336–338. (2002).

Aström, J ; Thorell, L H ; Holmlund, U ; D’Elia, G. Handshaking, personality, and psychopathology in psychiatric patients, a reliability and correlational study. Perceptual and motor skills 1993, Vol.77(3 Pt 2): 1171-86.

Chalmers, T.M. and Keele, C.A. The nervous and chemical control of sweating. Br. J. Dermatol. 64, 43–54 (1952).

Chaplin William F.; Phillips Jeffrey B; Brown Jonathan D.; Clanton Nancy R.; Stein Jennifer L.; 2000. Handshaking, gender, personality, and first impressions Journal of personality and social psychology. 79(1): 110-117.

Cooper, Ella A.; John Garlick; Eric Featherstone; Valerie Voon; Tania Singer; Hugo D. Critchley and Neil A. Harrison. You Turn Me Cold: Evidence for Temperature Contagion. PLoS ONE 9(12): e116126. doi:10.1371/journal.pone.0116126. http://bodylanguageproject.com/articles/mirror-cold-nonverbals-influence-real-body-temperate-others/

Dolcos, Sanda ; Sung, Keen ; Argo, Jennifer J ; Flor-Henry, Sophie ; Dolcos, Florin. The power of a handshake: neural correlates of evaluative judgments in observed social interactions. Journal of cognitive neuroscience. 2012 24(12): 2292-305.

Frumin, Idan; Ofer Perl; Yaara Endevelt-Shapira; Ami Eisen; Neetai Eshel; Iris Heller; Maya Shemesh; Aharon Ravia; Lee Sela; Anat Arzi and Noam Sobel. A Social Chemosignaling Function for Human Handshaking. eLife 2015. 4:e05154
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Body Language Of Coffee Cup Barrier Or Handbag Barrier

Body Language Of Coffee Cup Barrier Or Handbag Barrier

BodyLanguageProjectCom - Coffee Cup Barrier or Handbag Barrier 3Cue: Coffee Cup Barrier or Handbag Barrier

Synonym(s): Barriers, Drink Barrier, Blocking, Shields, Handbag Barrier, Placing Objects In Front, Hiding Behind Objects, Clutching A Jacket Over The Chest, Books Over The Chest, Hugging Books, Hugging A Jacket.

Description: While sitting or standing, a drink is held across the front of the body as if the arms were crossed.

In One Sentence: Blocking the body off with a barrier such as a cup of coffee is a way to partially block off the body from outside interference.

How To Use it: While is it generally advised to keep the body open to others, one can send a message of caution to others by holding a drink horizontally in front of the body to create a barrier. This will help you feel more comfortable by maintain separation.

In a dating context, the barrier can be used by women to show men that they are not willing to develop high intimacy. When a drink is not available, one can grasp the other wrist or play with a wrist band, watch, or for men, a cufflink.

These cues should be avoided when one wishes to appear confident, however.

Context: a) General b) Dating c) Business

Verbal Translation: “I’m using my drink or other object in a masked arm cross to give me protective feelings because I feel uneasy and exposed.”

Variant: Any object such as a purse, book, binder or papers, or jacket can be held against the chest to act as a protective devise. The cufflink or a wristwatch can also be played with to create another masked arm cross. See Masked Arm Cross.

Cue In Action: a) As Dave and Jim sat at dinner, they each held their glass on the opposite side and rested their arm across the table to maintain separation. b) While socializing with an attractive woman, he held his beer at chest level across the front of his body. c) When it came time to decide on the deal, she took a sip of her coffee and placed it back on the table. This time it was on the opposite side and she held her forearm across the table. He new she wasn’t going to come to a favourable decision.

Meaning and/or Motivation: Holding an object across the body is a way to cross the arms without actually crossing them. It is a way that people can appear to be open, but still find the security of cutting off the body from perceived attack. Holding a drink across the body as barrier is a closed body position, which is either unintentional and done out of habit, or is actually a signal indicating a negative thought.

Many times people will find drinks at social gatherings when first arriving. An alcoholic drink not only gives them more social confidence but also gives their hands something to do and more importantly it helps form a barrier across their chest, keeping people at a distance.

If the cue is done routinely, then it usually only indicates a mild need for security and protection afforded by a barrier. If it happens suddenly such as during a negotiation, it often indicates that a person has cooled to an idea and it will likely be met with rejection.

Cue Cluster: Watch for other negative or insecure body language such as touching the face, leaning away, feet pointed away, cowering, blushing, turning the torso away and so forth to decide just how much a person wishes to protect themselves.

Body Language Category: Barriers, Body cross, Masked body language, Negative body language, Closed body language, Security blankets.

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