Category: Negative body language

Body Language of Cocooning

Body Language of Cocooning

BodyLanguageProjectCom - Cocooning 3Cue: Cocooning

Synonym(s): Rolling Into A Ball, Curling Up, Slumping, Putting On Headphones, Texting In Public, Reading A Book In Public.

Description: There are various degrees of cocooning including putting on headphones, putting up the hands to the side of the face, collapsing the head onto the thighs in a seated position.

In One Sentence: Cocooning is to collapse in one ones-self and indicates the desire to protect and recoil from outside harm.

How To Use it: Use this gesture to show others that you are unwell and that you want to gain their sympathy. When you are depressed, coiling up can help you feel safe and protected from the outside world. Onlookers will immediately spot your discomfort and offer sympathy, care, special assistance, or time alone to reflect.

When in busy locations, a set of headphones or reading material can help drown out the outside world permitting one internal reflection. This too is a form of cocooning. When these are not available, allowing the eyes to glaze over can also allow one to escape and reflect.

Context: General.

Verbal Translation: a) “Leave me be, I have my headphones on because I just want to be left alone.” b) “I’m thinking about something, I’m not stressed, but I need a moment to ponder something c) “I’m really upset and feeling bad. I’m grieving and I’m really at a loss for words, I may or may not want some comforting.”

Variant: See Shoulder Shrugs or Shoulder Rise, Body Lowering, Fetal Position (The).

Cue In Action: a) While shopping for groceries, Brenda put her headphones on so she wouldn’t have to talk to anyone. b) When asked if she wanted the chicken or fish, she put her hands on the side of her face and thought to herself. c) When told that her father was sick and was certain to pass way, she collapsed; stricken with grief.

Meaning and/or Motivation: Cocooning indicates that concentration is required, a person is experiencing stress or that a person is emotionally withdrawn and requires escape. Other times, a person cocoons as a way to establish privacy in a public setting when they need time to thing and recover from excess stimulation.

Cocooning is a term used to describe body language that indicates a desire not to be bothered. There are various degrees which include a mild form such as putting on headphones to tell others that social interaction is undesired, putting up the hands to the side of the face while studying (mild cocooning), and an extreme form where the head collapses onto the thighs in a seated position which can indicate grieving.

Cue Cluster: Cocooning is usually accompanied by slumped shoulders, hands to face, eyes, or ear, hand to head in a helmet or protective type gesture. The body almost always slumps forward in a fetal position except in mild cocooning. A blank face is usually coupled with cocooning, but under extreme stress we see a grief expression where the brows come together. At times, there might be tears or sobbing.

Body Language Category: Body size reduction, Closed body language, Emotional body language, Low confidence body language, Negative body language, Protective reflexes, Orienting reflex or orienting response, Pensive displays, Stressful body language.

Resources:

Brin, Pablo and Oli Richard. Body Posture Effects On Self-Evaluation: A self-Validation Approach. European Journal of Social Psychology. 2009; 39: 1053–1064.

Blidstein, Gerald J. The Nonverbal Language of Prayer (review).Shofar: An Interdisciplinary Journal of Jewish Studies. 2007 25(2): 195-196.

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Berridge CW,Mitton E, ClarkW, Roth RH. 1999. Engagement in a non-escape (displacement) behavior elicits a selective and lateralized suppression of frontal cortical dopaminergic utilization in stress. Synapse 32:187–197.

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Harrison, Lynda Law. The use of comforting touch and massage to reduce stress for preterm infants in the neonatal intensive care unit. Newborn and Infant Nursing Reviews. 2001. 1(4): 235-241.

Harrigan, Jinni A. Self-touching as an indicator of underlying affect and language processes. Social Science & Medicine. 1985. 20(11): 1161-1168.

Heaven, Laura ; Mcbrayer, Dan ; Prince, Bob. Role of sex in externally motivated self-touching gestures. Perceptual and motor skills. 2002. 95(1): 289-94.

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Hyisung C. Hwang, David Matsumoto. Dominance threat display for victory and achievement in competition context. Motivation and Emotion, 2014.

Jessica L. Tracy and David Matsumoto. The Spontaneous Expression Of Pride And Shame: Evidence For Biologically Innate Nonverbal Displays. 2008; 105 (33) 11655-11660.
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Katza, Carmit; Irit Hershkowitz; Lindsay C. Malloya; Michael E. Lamba; Armita Atabakia and Sabine Spindlera. Non-Verbal Behavior of Children Who Disclose or do not Disclose Child Abuse in Investigative Interviews. Child Abuse & Neglect. 2012. 36: 12-20.
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What Does Body Language of Chin Tuck Mean?

What Does Body Language of Chin Tuck Mean?

BodyLanguageProjectCom - Chin Tuck 1Cue: Chin Tuck

Synonym(s): N/A

Description: When the chin is pulled down toward the sternum.

In One Sentence: Tucking the chin shows that one is taken aback.

How To Use it: Use the chin tuck to show that you are not in agreement with what was said. Tucking in the chin can also signal submission especially if combined with lowering the head. When you want to raise an objection without verbally stating it, quickly tucking the chin in shows others that you have been ‘punched’ in the chin by their thoughts. Performing this gesture, therefore, may cause them to backtrack on their suggestion, or put them on their heels trying to justify what they have said. Regardless, it can make them act more conservatively.

Context: a) General b) Dating

Verbal Translation: a) “I don’t like what I just heard so I’m tucking my chin down in disdain.” b) “To appear smaller, I’m tucking my chin and lowering my eyes so you don’t hurt me.”

Variant: See Disgust Facial Expression and Contempt Facial Expression, Head Lowered in Judgement, Chin Jut and Chin Lift.

Cue In Action: a) Bill tucked his chin in as he had a look of disdain on his face. b) She pulled her chin in to appear more childlike and submissive.

Meaning and/or Motivation: Pulling the chin in spells anger and disdain or when used in courtship submission, innocent and childlike.

As the profile of the chin is reduced, it eliminates the exposure it suffers during an attack. The chin is particularly vulnerable to injury and a quick blow can send someone unconscious. Therefore, a tucked chin indicates that a person does not wish to engage in conflict. When someone wants to confront an attacker, they will perform the opposite cue by jutting the chin out as a challenge.

Cue Cluster: The chin tuck is accompanied by a sneering nose and looking downward or eyes averted, head turned away, shoulders slumped cowering. When it is used in courtship it is accompanied by a coy smile and eyes cast upward.

Body Language Category: Closed body language, Defensive, Dislike (nonverbal), Escape movements, Negative body language, Submissive body language.

Resources:

Beall, Alec and Jessica L. Tracy. The Puzzling Attractiveness of Male Shame. Manuscript submitted to Evolutionary Psychology. www.epjournal.net – 2014. 12(x): 1-39
http://bodylanguageproject.com/articles/male-nonverbal-shame-attractive/

Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

Blidstein, Gerald J. The Nonverbal Language of Prayer (review).Shofar: An Interdisciplinary Journal of Jewish Studies. 2007 25(2): 195-196.

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De Souza, Altay Alves Lino ; Baião, Vera Baumgarten Ulyssea ; Otta, Emma
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Dixson, Barnaby J ; Tam, Jamie C ; Awasthy, Monica. Do women’s preferences for men’s facial hair change with reproductive status? Behavioral Ecology. 2013 24(3): 708-716.

Grezes, Julie; Le´onor Philip; Michele Chadwick; Guillaume Dezecache; Robert Soussignan and Laurence Conty. Self-Relevance Appraisal Influences Facial Reactions to Emotional Body Expressions. PLoS ONE. 2013. 8(2): e55885. doi:10.1371/journal.pone.0055885
http://bodylanguageproject.com/articles/face-reacts-body-anger-brains-wired-process-emotional-body-language

Gröning, Flora ; Liu, Jia ; Fagan, Michael J ; O’Higgins, Paul. Why do humans have chins? Testing the mechanical significance of modern human symphyseal morphology with finite element analysis. American journal of physical anthropology 2011. 144(4): 593-606.

Ginsburg, Harvey J. ; Pollman, Vicki A. ; Wauson, Mitzi S. Odom, Richard D. (editor). An ethological analysis of nonverbal inhibitors of aggressive behavior in male elementary school children. Developmental Psychology. 1977 13(4): 417-418.

Hall, Judith ; LeBeau, Lavonia ; Reinoso, Jeannette ; Thayer, Frank. Status, Gender, and Nonverbal Behavior in Candid and Posed Photographs: A Study of Conversations Between University Employees. Sex Roles. 2001 44(11): 677-692.

Hehman, Eric; Jordan B. Leitner and Samuel L. Gaertner. Enhancing Static Facial Features Increases Intimidation. Journal of Experimental Social Psychology. 2013; 49: 747-754.
http://bodylanguageproject.com/articles/tilting-the-head-is-display-of-intimidation-study/

Izard, Carroll E. (1971). The Face of Emotion (New York: Appleton-Century-Crofts).

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence

Kret, M. E. and B. de Gelder. When a Smile Becomes a Fist: The Perception of Facial and Bodily Expressions of Emotion in Violent Offenders. Exp Brain Res. 2013. 228: 399-410. DOI 10.1007/s00221-013-3557-6.
http://bodylanguageproject.com/articles/reading-bodily-postures-facial-expressions-incorrectly-can-disastrous-just-ask-violent-offenders/

Katza, Carmit; Irit Hershkowitz; Lindsay C. Malloya; Michael E. Lamba; Armita Atabakia and Sabine Spindlera. Non-Verbal Behavior of Children Who Disclose or do not Disclose Child Abuse in Investigative Interviews. Child Abuse & Neglect. 2012. 36: 12-20.
http://bodylanguageproject.com/articles/reading-nonverbal-behaviour-child-abuse-cases-encourage-children-divulge-information-truth-telling/

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http://bodylanguageproject.com/articles/whats-more-powerful-nonverbal-power-or-real-power/

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Hehman, Eric; Jordan B. Leitner and Samuel L. Gaertner. Enhancing Static Facial Features Increases Intimidation. Journal of Experimental Social Psychology. 2013; 49: 747-754.
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Body Language of The Chin Jut and Chin Lift

Body Language of The Chin Jut and Chin Lift

No picCue: Chin Jut

Synonym(s): Chin Lift, Jutting The Chin, Lifting The Chin, Pushing The Chin Out.

Description: Pushing the chin out and up by slightly tilting the head backwards.

In One Sentence: Jutting the chin out and away from the body tells others that one is ready to confront rather than conform.

How To Use it: Use the signal to show your dominance and to intimidate others. In competition you can use the chin to taunt your opponent and tempt them into submission by demonstrating your pride and smugness. The cue can also be done during normal conversation to issue a challenge of another person’s authority. As the cue is subtle, it is often registered under conscious awareness, but the message will be received as an insult against another person and their position.

Context: General.

Verbal Translation: a) “I’m sticking my chin out to say hello there, I see and acknowledge you.” b) “I’m sticking my chin out to tempt you into punching me and fighting me. It is a challenge as I’m not going to back down.”

Variant: See Chin Stroking, Chin Tuck, Head Lowered.

Cue In Action: a) When passing each other on their bikes, the two riders tilted their chins upward as an acknowledgement. b) It almost came to blows; he stuck his chin out, balled up his first and made threatening remarks.

Meaning and/or Motivation: When the gesture is not done as a greeting or acknowledgement gesture, jutting the chin out means smugness, confidence, pride and confrontation. It is a challenge display, almost like a dare to attack. Lifting the chin exposes the neck to attack but it also puts the chin on full exposure. During physical conflict, a quick jab to the chin often puts people unconscious because it compresses the nerve that runs behind the jaw. Just ask any professional boxer! Keeping the chin tucked, on the other hand, keeps it protected and reduces it as a target making it a submissive posture.

a) A greeting gesture done by quickly forcing the chin outward and returning it to its origin. It is done to acknowledge someone else without having to directly interact with them and done most often by dominant individuals. It signifies superiority, fearlessness and arrogance. b) This is a signal used to display pride, confidence and smugness because it exposes the vulnerable neck to attack. This can be a gesture done subtly as a slight protrusion of the lower jaw.

Cue Cluster: When the chin jut is used in conflict it is accompanied by other threatening language such as balled up fists, arms either lose at the side of the body taunting, or raised and batoning.

Body Language Category: Greeting gesture, Aggressive body language, Anger, Closed facial gestures, Emotional body language, Hostile body language, Negative body language, Power play, Expansive movements, Threat displays, Up nonverbals.

Resources:

Beall, Alec and Jessica L. Tracy. The Puzzling Attractiveness of Male Shame. Manuscript submitted to Evolutionary Psychology. www.epjournal.net – 2014. 12(x): 1-39
http://bodylanguageproject.com/articles/male-nonverbal-shame-attractive/

Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

Conti, Richard P ; Conti, Melanie A. Mock jurors’ perceptions of facial hair on criminal offenders. Perceptual and motor skills. 2004 98:(3 Pt 2): 1356-8

Dixson, Barnaby J ; Tam, Jamie C ; Awasthy, Monica. Do women’s preferences for men’s facial hair change with reproductive status? Behavioral Ecology. 2013 24(3): 708-716.

Dixson, Barnaby J ; Vasey, Paul L. Beards augment perceptions of men’s age, social status, and aggressiveness, but not attractiveness. Behavioral Ecology. 2012. 23(3): 481-490.

De Souza, Altay Alves Lino ; Baião, Vera Baumgarten Ulyssea ; Otta, Emma
Perception of men’s personal qualities and prospect of employment as a function of facial hair. Psychological reports. 2003. 92(1): 201-8.

Grezes, Julie; Le´onor Philip; Michele Chadwick; Guillaume Dezecache; Robert Soussignan and Laurence Conty. Self-Relevance Appraisal Influences Facial Reactions to Emotional Body Expressions. PLoS ONE. 2013. 8(2): e55885. doi:10.1371/journal.pone.0055885
http://bodylanguageproject.com/articles/face-reacts-body-anger-brains-wired-process-emotional-body-language

Gröning, Flora ; Liu, Jia ; Fagan, Michael J ; O’Higgins, Paul. Why do humans have chins? Testing the mechanical significance of modern human symphyseal morphology with finite element analysis. American journal of physical anthropology 2011. 144(4): 593-606.

Hehman, Eric; Jordan B. Leitner and Samuel L. Gaertner. Enhancing Static Facial Features Increases Intimidation. Journal of Experimental Social Psychology. 2013; 49: 747-754.
http://bodylanguageproject.com/articles/tilting-the-head-is-display-of-intimidation-study/

Hall, Judith ; LeBeau, Lavonia ; Reinoso, Jeannette ; Thayer, Frank. Status, Gender, and Nonverbal Behavior in Candid and Posed Photographs: A Study of Conversations Between University Employees. Sex Roles. 2001 44(11): 677-692.

Izard, Carroll E. (1971). The Face of Emotion (New York: Appleton-Century-Crofts).

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
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Krumhuber, Eva ; Manstead, Antony ; Kappas, Arvid. Temporal Aspects of Facial Displays in Person and Expression Perception: The Effects of Smile Dynamics, Head-tilt, and Gender. Journal of Nonverbal Behavior. 2007. (1): 39-56

Kret, M. E. and B. de Gelder. When a Smile Becomes a Fist: The Perception of Facial and Bodily Expressions of Emotion in Violent Offenders. Exp Brain Res. 2013. 228: 399-410. DOI 10.1007/s00221-013-3557-6.
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Li Huang, Adam D. Galinsky, Deborah H Gruenfeld and Lucia E. Guillory. Powerful Postures Versus Powerful Roles: Which Is the Proximate Correlate of Thought and Behavior? 2011, Psychological Science; 22(1): 95–102.
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Martens, Jason P.; Jessica L. Tracy and Azim F. Shariff. Status signals: Adaptive
benefits of displaying and observing the nonverbal expressions of pride and shame, Cognition & Emotion. 2012. 26(3): 390-406. DOI: 10.1080/02699931.2011.645281
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Menzel, Charles R. Head-cocking and visual perception in primates. Animal Behaviour. 1980. 28(1): 151-159.

Matsumoto, D., & Willingham, B. (2006). The thrill of victory and the agony of defeat: Spontaneous expressions of medal winners of the 2004 Athens Olympic Games. Journal of Personality and Social Psychology, 91(3), 568–581.

Mouterde, S. C., Duganzich, D. M., Molles, L. E., Helps, S., Helps, R., & Waas, J. R. (2012). Triumph displays inform eavesdropping little blue penguins of new dominance asymmetries. Animal Behaviour, 83, 605–611.

Mignault, Alain and Chaudhuri, Avi. The Many Faces of a Neutral Face: Head Tilt and Perception of Dominance and Emotion. Journal of Nonverbal Behavior. 2003 27(2): 111-132.

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Middleton, Jacob. Bearded patriarchs: Jacob Middleton investigates the eccentric set of prejudices against shaving that led our Victorian forefathers to adorn their chins with a lush growth of facial hair. History Today. 2006, Vol.56(2), p.26(2).

Neave, Nick and Shields, Kerry. The effects of facial hair manipulation on female perceptions of attractiveness, masculinity, and dominance in male faces. Personality and Individual Differences. 2008 45(5): 373-377.

Nelson, Nicole L. and James A. Russell. Preschoolers’ Use of Dynamic Facial, Bodily, and Vocal Cues to Emotion. Journal of Experimental Child Psychology. 2011; 110: 52-61.
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Schubert, T. W. (2005). Your highness: Vertical positions as perceptual symbols of power. Journal of Personality and Social Psychology. 89, 1–21.

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Wogalter, Michaels. ; Hosie, Juditha. Effects of Cranial and Facial Hair on Perceptions of Age and Person. The Journal of Social Psychology. 1991 131(4): 589-591.

The Body Language Of Blanching

The Body Language Of Blanching

No picCue: Blanching

Synonym(s): Pale Face, Pale Skin, Pale Complexion, Turning White, Blood Rushing Out Of The Face.

Description: The surface of the skin appears to lose its colour and appears gray.

In One Sentence: When the surface of the skin turns white, it indicates that one is experiencing negative emotions.

How To Use it: As turning white is an autonomic process, it can not be feigned. However, one might use various concealers to add colour to the skin to hide the negative effects if one is experiencing emotional turmoil in one’s life. Chemotherapy treatment often turns skin whitish, so make-up can help hide the illness. Using bronzers and getting sunlight on the face can produce a more healthy looking appearance. However, others find the youthfulness of pale, clear faces to be particularly appealing as it indicates purity.

Context: General.

Verbal Translation: “I’m scared and all the blood is rushing out of my face and into my core body and legs. I am ready to run.” “I’m sick and my body is not circulating blood well throughout my body.” “There’s nothing wrong with me, my skin is naturally fair-skinned.”

Variant: See Blushing for opposite cue.

Cue In Action: a) When the bad news was delivered, her complexion faded and she appeared faint. b) Due to fighting cancer, she lost most of her colour and appeared white as a ghost. c) Just a natural complexion or lack of sun exposure.

Meaning and/or Motivation: a) It is due to the presence of extremely fearful situations or high anxiety, which create a flight or fight response. The fear draws blood from the periphery and diverts it to the major muscles including the legs and core. It is the body’s way to prepare to escape or mount an aggressive challenge. b) Other times blanching is due to illness, as the body loses its ability to keep proper blood flow. c) Caused by genetics and thus simply a natural complexion in the absence of UV light exposure. This may reflect having few outdoor activities or lacking the superficial drive to use artificial tanning machines like tanning beds. Other reasons include: a health conscious attitude leading a person to protect their skin against harmful rays, a cold climate keeping a person indoors or when sun exposure is limited due to their geographic location.

Cue Cluster: When blanching is due to fear, watch for other stress cues such as an expressionless face, confusion, or bewilderment.

Body Language Category: Stressful body language, Fearful body language, Arousal, Autonomic signal, Emotional body language, Negative body language.

Resources:

Bögels, Susan M. ; Alberts, Maurice ; de Jong, Peter J.. Self-consciousness, self-focused attention, blushing propensity and fear of blushing. Personality and Individual Differences. 1996. 21(4): 573-581.

Beidel, D. C., Turner, S. M., & Dancu, C. V. (1985). Physiological, cognitive and behavioral aspects of social anxiety. Behaviour Research and Therapy, 23, 109–117.

Chaker, S., Hofmann, S. G., & Hoyer, J. (2010). Can a one-weekend group therapy reduce fear of blushing? Results of an open trial. Anxiety, Stress & Coping, 23(3),
303–318.

Dijk, C., Voncken, M. J., & de Jong, P. J. (2009). I blush, therefore I will be judged negatively: influence of false blush feedback on anticipated others’ judgments and facial coloration in high and low blushing-fearfuls. Behaviour Research and Therapy, 47(7), 541–547.

Drummond, Peter D and Tahnee Bailey. Eye Contact Evokes Blushing Independently of Negative Affect. Journal of Nonverbal Behavior. 2013. 37:207-216. DOI 10.1007/s10919-013-0155-z
http://bodylanguageproject.com/articles/flushed-flattered-nonverbal-truth-blushing/

Drummond, P. D. (1994). The effect of anger and pleasure on facial blood flow. Australian Journal of Psychology, 46, 95–99.

Drummond, P. D. (1999). Facial flushing during provocation in women. Psychophysiology, 36(3), 325–332.

Drummond, P. D. (2001). The effect of true and false feedback on blushing in women. Personality and Individual Differences, 30(8), 1329–1343.

Drummond, P. D., & Lance, J. W. (1987). Facial flushing and sweating mediated by the sympathetic nervous system. Brain, 110(Pt. 3), 793–803.

Drummond, P. D., & Quah, S. H. (2001). The effect of expressing anger on cardiovascular reactivity and facial blood flow in Chinese and Caucasians. Psychophysiology, 38, 190–196.

Drummond, Peterd. ; Su, Daphne. The relationship between blushing propensity, social anxiety and facial blood flow during embarrassment. Cognition & Emotion. 2012. 26(3): 561-567.

Drummond, Peter D. and Lazaroo, Daniel. The effect of facial blood flow on ratings of blushing and negative affect during an embarrassing task: Preliminary findings. Journal of Anxiety Disorders. 2012. 26(2): 305-310.

Drummond, Peter D. ; Back, Kate ; Harrison, Jennifer ; Dogg Helgadottir, Fjola ; Lange, Brooke ; Lee, Chris ; Leavy, Kate ; Novatscou, Caroline ; Orner, Azalia ; Pham, Han ; Prance, Jacquie ; Radford, Danielle ; Wheatley, Lauren. Blushing during social interactions in people with a fear of blushing. Behaviour Research and Therapy. 2007. 45(7): 1601-1608.

de Jong, Peter J. ; Peters, Madelon L. Do blushing phobics overestimate the undesirable communicative effects of their blushing? Behaviour Research and Therapy, 2005. 43(6): 747-758.

Dijk, Corine ; De Jong, Peter J. Blushing-fearful individuals overestimate the costs and probability of their blushing. Behaviour research and therapy. 2012. 50(2): 158-62.

Licht, Peter B. ; Pilegaard, Hans K. ; Ladegaard, Lars. Sympathicotomy for Isolated Facial Blushing: A Randomized Clinical Trial. The Annals of Thoracic Surgery. 2012. 94(2): 401-405.

Pelissolo, Antoine ; Moukheiber, Albert ; Lobjoie, Corine ; Valla, Jean ; Lambrey, Simon. Is there a place for fear of blushing in social anxiety spectrum? Depression and Anxiety. 2012. 29(1): 62-70.

Smidfelt, K. ; Drott, C.. Late results of endoscopic thoracic sympathectomy for hyperhidrosis and facial blushing. British Journal of Surgery. 2011. 98(12): 1719-1724

Shearn, D., Bergman, E., Hill, K., Abel, A., & Hinds, L. (1990). Facial coloration and temperature responses in blushing. Psychophysiology, 27(6), 687–693.

Body Language of Arm Freezing Behaviour or Leg Freezing Behaviour

Body Language of Arm Freezing Behaviour or Leg Freezing Behaviour

BodyLanguageProjectCom - Arm Freezing Behaviour or Leg Freezing Behaviour 1Cue: Arm Freezing Behaviour or Leg Freezing Behaviour.

Synonym(s): Flight or Fight Response, Leg Freezing Behaviour.

Description: Arm freezing refers to the sudden reduction or elimination of movement in the arms or hands such as gesticulation, due to stress or fear.

When hands or arms freeze, the hands can be stuffed into the pockets, be hidden under the table or be placed palm down on the table or held tightly on the lap in order to reduce gesticulation. Additionally, the hands may be coupled hand-in-hand on the lap, fingers entwined and placed on the table, or seem to be praying near chest level.

The cue is especially salient when they seem to freeze suddenly – especially when something particularly damning or incriminating, or something that can be the source of discomfort has occurred.

In One Sentence: Hand freezing is to “hide in plain sight” and indicates that one is fearful.

How To Use it: Use arm freezing behaviour to show others that you are in disagreement with what they are saying. The hands can also be frozen to feign fear. This can be effective in bluffing in poker.

Context: General.

Verbal Translation: “I’m scared and I’m going to stop moving so I can try to escape detection and hide in plain sight.”

Variant: See Hands In Pockets, Feet Wrapped Around Legs Of Chair.

Cue In Action: a) A child happily plays on the kitchen floor with a truck set when a close relative suddenly appears – the child freezes. In children, a sudden freeze response can indicate the presence of abusive parents or relatives. b) The boss suddenly walks in the room and sees you playing video games on company time – your hands lock up and you can’t click to a new screen.

Meaning and/or Motivation: A fear driven or high stress response.

Hands can suddenly change in terms of use as illustrators and seem to pause, stop or slow in their rate of use. Sudden cessation of gesticulation can indicate a freeze response due to being caught in a lie, especially when the context warrants it. This is part of the flight or flight response as liars are trying to seem less noticeable. They are “hiding in plain sight” and to do this it is necessary to move less as movement attracts attention.

Reducing expressiveness means fewer “tells” or so the lying mind thinks. When hands or feet that are usually busy, suddenly begin to slow, or become less expressive, it can signal a lack of enthusiasm or confidence for the topic. Whatever happens to the hands, when they suddenly change, we know that something internal has changed and it is usually tied directly to whatever is happening in the moment.

Cue Cluster: Arm and leg freezing is accompanied by other minimizing cues such as head lowered, ducked or down, erection of barriers as well as escape movements such as moving feet toward the door.

Body Language Category: Fearful body language, Stressful body language, Defensive, Escape movements, Negative body language.

Resources:

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Bracha, H. S. (2004). Freeze, flight, fight, fright, faint: Adaptionist perspectives on the acute stress response spectrum. CNS Spectrums, 9, 679–685.

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Estes, Zachary Estes and Michelle Verges. Freeze or flee? Negative stimuli elicit selective responding. Cognition. 2008. 108(2): 557-565.

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Journal of Psychiatry, 144, 1080–1082.

Galliano, G., Noble, L. M., Travis, L. A., & Puechl, C. (1993). Victim reactions during rape/sexual assault: A preliminary study of the immobility response and its correlates. Journal of Interpersonal Violence, 8, 109–114.

Gallup, G. G. (1977). Tonic immobility: The role of fear and predation. Psychological Record, 27, 41–61.

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Heidt, J. M., Marx, B. P., & Forsyth, J. P. (2005). Tonic immobility and childhood sexual abuse: A preliminary report evaluating the sequela of rape-induced paralysis. Behavior Research and Therapy, 43, 1157–1171.

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LeDoux, Joseph (1996). The Emotional Brain: The Mysterious Underpinnings of Emotional Life (New York: Simon & Schuster).

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Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Reiss, S., Peterson, R. A., Gursky, D. M., &McNally, R. J. (1986). Anxiety sensitivity, anxiety frequency, and the prediction of fearfulness. Behaviour Research and Therapy, 24, 1–8.

Sagliano, Laura ; Cappuccio, Angela ; Trojano, Luigi ; Conson, Massimiliano. Approaching threats elicit a freeze-like response in humans. Neuroscience Letters. 2014. 561: 35-40.

Schmidt, Norman B. ; Richey, J. Anthony ; Zvolensky, Michael J. ; Maner, Jon K. Exploring human freeze responses to a threat stressor. Journal of Behavior Therapy and Experimental Psychiatry. 2008. 39(3): 292-304.

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panic in patients with panic disorder. Behavior Therapy, 33, 149–162.

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Zvolensky, M. J., & Eifert, G. H. (2001). A review of psychological factors/processes affecting anxious responding during voluntary hyperventilation and inhalations of carbon dioxide-enriched air. Clinical Psychology Review, 21, 375–400.

Body Language of The Ankle Cross or Scissor Cross

Body Language of The Ankle Cross or Scissor Cross

BodyLanguageProjectCom - Ankle Cross 4 Cue: The Ankle Cross or Scissor Cross

Synonym(s): Scissor Cross, Ankle-Ankle Cross, Interlocking Feet, Interlocking Legs, Ankle Lock, Foot Lock, Knotted Ankles, Ankle Cross Under Chair.

Description: While seated or standing, the ankle of one foot wraps around the ankle of the other foot.

In One Sentence: The ankle cross is a sign that one is showing restraint, discomfort or insecurity and also that one is not prepared to immediately leave.

How To Use it: Use the posture while standing to show that you are not immediate ready to vacate but rather are prepared to listen to someone else speak. This posture also shows submission which can be helpful in placating a domineering counterpart such as a boss. Finally, the posture can create a sense of security as it protects the genital area from over-exposure. Thus, in a crowded area, the ankle cross can make one feel more comfortable.

Context: a) Business, b) Social/Friendly and Dating

Verbal Translation: “I’m not totally comfortable, but I’m not going anywhere.”

Variant: The top of one foot locks around the leg of the other while seated or standing (mainly female posture). The feet might suddenly be pulled in under the chair withdrawing emotionally even further. This shows insecurity and discomfort.

Cue In Action: a) It was suggested that the company increase it’s workforce from ten to fifteen employees. Upon hearing the suggestions, Debbie from human resources wrapped her legs together at the ankles and pulled them under her chair showing passive disagreement. b) Long-time friends discussed politics while standing with their feet in a causal shoulder width stance. But when the topic switches to sports, and the discussion evolves, the feet of both parties cross. This shows that they are vested in the conversation, and aren’t thinking about escaping. c) The legs are wrapped around the legs of a chair sometimes called the Ejector Seat Posture (See Seated Readiness or The Ejector Seat Position and Feet Wrapped Around Legs Of Chair) showing anxiety, concern or discomfort.

Meaning and/or Motivation: While seated, a sudden locking of the feet indicates discomfort or insecurity. Conversely, if the feet are suddenly unlocked, the signal that the discomfort has been removed and that comfort is present.

When feet are crossed while standing, it indicates that a person is in no hurry to leave, and are that they comfortable discussing the topic.

a) While seated, it indicates that a person is holding a negative emotion, uncertainty, fear, anxiety, insecurity, reserved self-restraint, lack of confidence, or in general, uncomfortable or timid due to withholding a thought or emotion. It is a closed body posture and indicates that a person does not wish to budge and is likely holding negative attitude.

b) While standing, it is modest and formal and has no meaning at all unless the posture is adopted suddenly. When seated, the ankle cross indicates that modest comfort is present as crossed legs impede a quick escape. Other times it indicates negativity, defensiveness and insecurity especially if coupled with arm crossing or the Fig Leaf. Also shows commitment due to inability of making a quick escape, submission and sometimes vulnerability if coupled with a dipped head.

c) The person who locks their feet around the chair is bracing and locking (freezing) themselves as they have heard things they don’t want to hear, but aren’t permitted to leave.

Cue Cluster: Legs crossed at the ankles coupled with arm withdrawal, a scowling expression, and head turned away, amplifies the negative emotion communicated by the ankle cross. Couple interlocked legs, which is a freeze response meant to reduce foot movement, with pacifying behaviours such as rubbing the thighs palm down, as if to dry them, and you’ve got a cluster signaling that a secret is being covered. If the feet are pulled under the chair, the message is even more exaggerated. The feet are saying exactly what the person is thinking, that he or she is closed and withdrawn from the conversation.

Body Language Category: Disengagement, Defensive, Negative body language, Fearful body language, Discomfort, Stressful body language, Body cross.

Resources:

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