Category: Dominant body language

*No Photo, Amplifier, Authoritative body language, Confident body language, Dominant body language, High confidence body language, Leadership body language

Body Language of Rolled Up Sleeves

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Body Language of Rolled Up Sleeves

No picCue: Rolled Up Sleeves

Synonym(s): N/A

Description: When someone, usually a man, rolls up his sleeves when preparing for work.

In One Sentence: Rolling up the sleeves signals the desire to get to work.

How To Use it: Presidents and other politicians use this cue to good effect. By rolling up the sleeves you are showing others that you are ready to get your hands busy with work. Since rolling up the sleeves reminds us of moving them out of the way so we won’t dirty them, it caries a, ‘getting down to business’ metaphorical meaning.

In a confrontation, rolling up the sleeves can signal that aggression is immanent and signals to others that they should back off. Regardless of the context, when we role up our sleeves it will be read by others as a willingness to get things done in a proactive sense.

Men can use the cue in a dating context to show off their forearms. It is generally well received by women.

Context: a) General b) Business.

Verbal Translation: “I’m rolling up my sleeves to keep them from getting in the way of my productivity – let’s get down to business.”

Variant: N/A.

Cue In Action: a) The maid rolled up her sleeves before doing a scrub down on the toilet. b) Barack Obama habitually roles up his sleeves when he’s addressing the crowed. He wants them to know that he’s prepared and ready to take action and more importantly, get results.

Meaning and/or Motivation: Rolling up the sleeves gesture symbolizes a desire to get down to business in a less formal manner. Barack Obama can be seen doing this when speaking on change and action. Rolling up the sleeves body language is most powerful when done in a shirt and tie.

Women usually perceive this body language as masculine and sexy since it puts the forearms on display. The suit and tie also indicate alpha male power traits, which adds to the appeal.

When sleeves are rolled up in a general context, such as for cleaning, the cue indicates competence, but not necessarily prestige. It is the cue taken in a clean, authoritative, alpha context, by a perceived leader that provides the cue with its widespread positive appeal.

Cue Cluster: When performed in a general context, the cue simply means the desire to get to work and remove the sleeves from the potential chance of getting sullied. However, in the political or business context watch for additional confident cues such as head high, fluent speech, loose body, arms gesticulating and a good upright posture.

Body Language Category: Amplifier, Authoritative body language, Confident body language, Dominant body language, High confidence body language, Leadership body language.

Resources:

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

*No Photo, Aggressive body language, Amplifier, Anger body language, Authoritative body language, Closed body language, Dislike (nonverbal), Dominant body language, Evaluative body language, Eye Language, Hostile body language

Body Language of Peering Over Glasses or Looking Over Glasses

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Body Language of Peering Over Glasses or Looking Over Glasses

No picCue: Peering Over Glasses.

Synonym(s): Looking Over Glasses.

Description: Happens by looking down and overtop of the glasses at another person. Sometimes the head is lowered and the eyes peer over top of the glasses, other times the glasses are pulled down onto the bridge of the nose coupled with a glare.

In One Sentence: Looking over the glasses signals distain, contempt, haughtiness, aggressiveness, and critical judgment.

How To Use it: Peer over the glasses to show others that you disagree with them or their ideas. The cue is reminiscent of the authoritative library trying to scold misbehaving students. Simply tilting the head without glasses can have the same effect. Research has shown that tilting the head down is a way to make the head appear wider and thus more dominant.

Mothers disapproving of children or wives disapproving of husbands can use the cue to show that actions or ideas are not being well received. Thus the cue signals the desire to keep a person ‘in their place’ and that one is morally superior. Therefore, use the cue when most appropriate.

Context: General.

Verbal Translation: “I’m peering over the top of my eye glasses and tilting my head forward because I’m scrutinizing you.”

Variant: The head might be tiled backwards with relatively the same effect. This is “looking down the nose” at someone. It is particularly powerful. See Head Tilted Back.

Cue In Action: The librarian wasn’t keen on the new group of rowdy students. After verbally berating them and warning of more severe punishment should they get disruptive, she’d occasionally peer over at them with lowered glasses to reinforce her commitment.

Meaning and/or Motivation: Disdain, contempt, haughtiness, aggressiveness, critical, condescending, and judgmental attitudes are all associated with this posture. The bearers of the posture assumes that they have the moral right to be looking down on other people from an elevated position.

Cue Cluster: Peering over the glasses is accompanied by a stern, closed facial expression, hard staring eyes, pursed lips, head forward and challenging, palms down and chin forward.

Body Language Category: Amplifier, Aggressive body language, Anger body language, Authoritative body language, Closed body language, Dislike (nonverbal), Dominant body language, Eye Language, Hostile body language, Evaluative body language.

Resources:

Beall, Alec and Jessica L. Tracy. The Puzzling Attractiveness of Male Shame. Manuscript submitted to Evolutionary Psychology. www.epjournal.net – 2014. 12(x): 1-39. http://bodylanguageproject.com/articles/male-nonverbal-shame-attractive/

Briñol, Pablo; Richard E. Petty and Benjamin Wagner. Body Posture Effects on Self-Evaluation: A Self-Validation Approach. European Journal of Social Psychology. 2009. 39(6): 1099-0992. DOI: 10.1002/ejsp.607. http://dx.doi.org/10.1002/ejsp.607
http://bodylanguageproject.com/articles/fix-posture-fix-confidence/

Costa, M., Menzani, M., and Ricci Bitti, P. E. Head canting in paintings: An historical study. Journal of Nonverbal Behavior. 2001. 25: 63–73.

Costa, M., and Ricci Bitti, P. E. Face-ism effect and head canting in one’s own and others’ photographs. European Psychologist. 2000. 5: 293–301.

Furley, Philip and Geoffrey Schweizer. “I’m Pretty Sure That We Will Win!”: The Influence of Score-Related Nonverbal Behavioral Changes on the Confidence in Winning a Basketball Game Journal of Sport & Exercise Psychology. 2013. 35:316-320. http://dx.doi.org/10.1123/jsep.2013-0199
http://bodylanguageproject.com/articles/losers-nonverbal-behavior-boosts-confidence-winners-study/

Hehman, Eric; Jordan B. Leitner and Samuel L. Gaertner. Enhancing Static Facial Features Increases Intimidation. Journal of Experimental Social Psychology. 2013; 49: 747-754.
http://bodylanguageproject.com/articles/tilting-the-head-is-display-of-intimidation-study/

Hwang, Hyisung C. and David Matsumoto. Cultural Differences in Victory Signals of
Triumph Cross-Cultural Research. SAGE Publications 2014. 48(2):177– 191.
http://bodylanguageproject.com/articles/culture-nonverbal-triumph/

Keltner, D. The signs of appeasement: Evidence for the distinct displays of embarrassment, amusement, and shame. Journal of Personality and Social Psychology. 1995. 68: 441–454.

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence

Krumhuber, Eva; Antony S. R.; Manstead; and Arvid Kappas. Temporal Aspects of Facial Displays in Person and Expression Perception: The Effects of Smile Dynamics, Head-tilt, and Gender. Journal Nonverbal Behavior. 2007; 31: 39-56.
DOI 10.1007/s10919-006-0019-x
http://bodylanguageproject.com/articles/head-tilt-and-slow-onset-smile-nonverbals-trust-attraction-dominance-and-flirting-a-brief-report/

Liu, C., Ishi, C. T., Ishiguro, H., & Hagita, N. (2012). Generation of nodding, head
tilting and eye gazing for human–robot dialogue interaction. In Human–Robot
interaction (HRI), 2012 7th ACM/IEEE international conference on (pp. 285–292).
IEEE Press.

Martens, Jason P.; Jessica L. Tracy and Azim F. Shariff. Status signals: Adaptive
benefits of displaying and observing the nonverbal expressions of pride and shame, Cognition & Emotion. 2012. 26(3): 390-406. DOI: 10.1080/02699931.2011.645281
http://bodylanguageproject.com/articles/significant-nonverbal-expression-pride-shame-body-language-detailed-examination-origin-function/

Martina Mara and Markus Appel. Effects of Lateral Head Tilt on User Perceptions of Humanoid and Android Robots. Computers in Human Behavior. 2015. 44: 326-334. http://bodylanguageproject.com/articles/nonverbal-head-tilt-says-robot/

Martens, Jason P.; Jessica L. Tracy and Azim F. Shariff. Status signals: Adaptive
benefits of displaying and observing the nonverbal expressions of pride and shame, Cognition & Emotion. 2012. 26(3): 390-406. DOI: 10.1080/02699931.2011.645281
http://bodylanguageproject.com/articles/significant-nonverbal-expression-pride-shame-body-language-detailed-examination-origin-function/

Mignault, Alain and Chaudhuri, Avi. The Many Faces of a Neutral Face: Head Tilt and Perception of Dominance and Emotion. Journal of Nonverbal Behavior. 2003 27(2): 111-132.

Marshall, Steven D. ; Low, Laura E. ; Holton, Nathan E. ; Franciscus, Robert G. ; Frazier, Mike ; Qian, Fang ; Mann, Kyle ; Schneider, Galen ; Scott, Jill E. ; Southard, Thomas E. Chin development as a result of differential jaw growth American Journal of Orthodontics & Dentofacial Orthopedics. 2011 139(4): 456-464.

Nelson, Nicole L and James A. Russell. Children’s Understanding Of Nonverbal Expressions Of Pride. Journal of Experimental Child Psychology. 2012; 111: 379-385.
http://bodylanguageproject.com/articles/can-children-read-pride-body-language/

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Schubert, T. W. (2005). Your highness: Vertical positions as perceptual symbols of power. Journal of Personality and Social Psychology. 89, 1–21.

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Shariff, Azim F. and Jessica L. Tracy. Knowing Who’s Boss: Implicit Perceptions of Status From the Nonverbal Expression of Pride. Emotion. 2009.9(5): 631-639.
http://bodylanguageproject.com/articles/can-you-tell-whos-boss-by-the-nonverbal-expression-of-pride/

Tracy, Jessica L. and Alec T. Beall. Happy Guys Finish Last: The Impact of Emotion Expressions on Sexual Attraction Emotion. American Psychological Association. 2011; 11(6): 1379–1387
http://bodylanguageproject.com/articles/happy-guys-finish-last-happy-women-finish-first-says-new-study-on-sexual-attractiveness/

Tracy, Jessica L. and David Matsumoto. The Spontaneous Expression Of Pride And Shame: Evidence For Biologically Innate Nonverbal Displays. 2008; 105 (33) 11655-11660.
http://bodylanguageproject.com/articles/universal-expressions-of-pride-and-shame/

Tracy, Jessica L. and Richard W. Robins. The Nonverbal Expression of Pride: Evidence for Cross-Cultural Recognition. Journal of Personality and Social Psychology. 2008. 94(3): 516–530. DOI: 10.1037/0022-3514.94.3.516

http://bodylanguageproject.com/articles/nonverbal-expression-pride-recognized-cross-culturally/

Teixeira Fiquer, Juliana; Paulo Sérgio Boggio and Clarice Gorenstein. Talking Bodies: Nonverbal Behavior in the Assessment of Depression Severity. Journal of Affective Disorders. 2013. 150: 1114-1119.
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Welker, Keith M.; Stefan M.M.; Goetz, Shyneth Galicia; Jordan Liphardt and Justin M. Carré. An Examination of the Associations Between Facial Structure, Aggressive Behavior, and Performance in the 2010 World Cup Association Football Players. Adaptive Human Behavior and Physiology (forthcoming in print, online July).
http://bodylanguageproject.com/articles/facial-width-predicts-strength-soccer-field

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*No Photo, Dominant body language, Social touching, Submissive body language

Body Language of Palm Up, Palm Down and Palm Even Handshakes

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Body Language of Palm Up, Palm Down and Palm Even Handshakes

No picCue: Palm Up, Palm Down and Palm Even Handshakes

Synonym(s): N/A

Description: a) A handshake where the hand is presented with the palm up. b) A handshake where the hand is presented palm down. c) The hand is presented palm even, vertical.

In One Sentence: Palm orientation, up, down, or even, indicates submission, dominance and equality, respectively.

How To Use it: Use the type of handshake for the type of relationship you would like to create. Use palm even when you want to create an equal relationship, palm down to show your dominance over someone, and palm up to show you wish to submit. For example, women can offer their hand palm up to men they find interesting whereas a domineering boss could offer his hand palm down to keep his employees in their place.

Context: General.

Verbal Translation: a) “I’m offering my palm up because I want to be lead or be taken care of and want to be in the lower submissive position.” b) “I want to be in the upper palm position so I can dominate other people and be in control of them.” c) “I’m presenting my palm vertically to show that I neither want to dominant nor be submissive.”

Variant: See Country Handshake (The), Cold Dead Wet Fish Handshake, Double Gripper Politician Handshake or Double Hander (The), Short Grabber/Finger Grabber Handshake, Oddball Handshake, Palm Up, Palm Down and Palm Even Handshakes, Stiff Arm And Thrust Forward Handshake, Death Grip Handshake, Wrench Forward Handshake, Undershaker Handshake, Wrist Hold Handshake, Wrist Hold Handshake and Upper Arm Grip Handshake, Limp Fish Handshake, Teacup Handshake, Arm Twister Handshake (The), Firm handshake, Fist Bumping.

Cue In Action: a) b) A cute boy came up to her and introduced himself. He extended his hand to shake hers while introducing himself. She instinctively put her hand out palm up as if she was ready to hold his hand and submit to him. b) The boss extended his hand out to his employee – always palm down forcing his employees to take on a palm up orientation in order to complete the handshake. c) They met palms vertical showing that neither wished to display dominance, nor submission.

Meaning and/or Motivation: a) When someone presents their hand palm up “offered” as a handshake they wish to be, or appear, submissive. They want to be on the bottom and be dominated or be lead by other people. We will usually see women or feminine men offer a hand in this way. It usually appears as if they desire their hand to be held rather than shook. When men do this but don’t wish to appear submissive it leads to lack of credibility.

b) When someone presents their hand palm down during a handshake, they wish to dominate. They want to have their hand on top, to be on top, and force the other person into a palm up orientation. Sometimes people will try to maneuver their way to a top down position by twisting.

c) When the palm is vertical, then the person doesn’t want to dominate or be submissive.

Cue Cluster: The palm up and palm down handshake will be accompanied by submissive and dominant body language respectively.

Body Language Category: Dominant body language, Submissive body language, Social touching.

Resources:

Aggarwal, Pankaj and Min Zhao. Seeing the Big Picture: The Effect of Height on the Level of Construal. Journal of Marketing Research, forthcoming; 2014
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http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

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Birdwhistell, Ray. 1970. Kinesics and context. Philadelphia: University of Pennsylvania.

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Chaplin William F.; Phillips Jeffrey B; Brown Jonathan D.; Clanton Nancy R.; Stein Jennifer L.; 2000. Handshaking, gender, personality, and first impressions Journal of personality and social psychology. 79(1): 110-117.

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Welker, Keith M. ; Oberleitner, David E. ; Cain, Samantha ; Carré, Justin M. Upright and left out: Posture moderates the effects of social exclusion on mood and threats to basic needs. European Journal of Social Psychology. 2013 43(5): 355-361.

Waal, Frans De (1982). Chimpanzee Politics (London: Jonathan Cape).

Xu, Jiang, Gannon, Patrick J., Emmorey, Karen, Smith, Jason F. & Allen R. Braun. 2009. Symbolic gestures and spoken language are processed by a common neural system. Proceedings of the National Academy of Sciences.

Arrogance or arrogant body language, Authoritative body language, Barriers, Blocking or Shielding, Closed body language, Disapproval cues, Dislike (nonverbal), Dominant body language, Hostile body language, Palm power, Regulators, Rejection body language, Speech-independent gestures

Body Language of Palm Out or Talk To The Hand.

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Body Language of Palm Out or Talk To The Hand.

BodyLanguageProjectCom - Palm Out or Talk To The Hand 1Cue: Palm Out or Talk To The Hand

Synonym(s): Talk To The Hand, Hand To Others, Palm Stop, Palm In Your Face.

Description: The hand comes up abruptly like a stop signal toward another person as the head and eyes turn away.

In One Sentence: Placing the palm out toward another person is a nonverbal way to tell them to stop talking.

How To Use it: Use the palm out gesture to nonverbally tell someone to ‘shut up.’ Many nonverbal signals are safer than actual words and this is no exception. A palm out can quiet a person without being forced to be overt and actually tell them to do so. Often this saves us from more dramatic confrontation.

The same gesture works on a large crowd when it would be impractical to yell over them. A flash of the palms, or persistently held palm out, tells others to heed to your dominance, as you are prepared to take over.

Context: General.

Verbal Translation: a) “I’m using my hand and palm to tell you to stop talking immediately, I don’t want to hear it.” b) “Talk to the hand, because I’m not listening, that’s enough already.”

Variant: See Palm Down Displays or Palm Power, Palm Up Displays or The Rogatory Posture.

Cue In Action: She had enough, the conversation had gone on long enough. The personal insults were going too far. She put her hand up in her face and turned her head away. It was clear she didn’t want to hear another word from her.

Meaning and/or Motivation: Palms carry important power. This palm out, or palm-in-your-face-gesture, is a conversation ender. It is a way for people to say that they do not wish to entertain any more thoughts and have a strong unwillingness to speak. The combination of palms as power and insisting that someone speak to them implies that we wish to offer our disrespect.

Palms carry very significant power and whereas palms up are accepting or offering, palms out or down, signify power and dominance. The intent of palms in someone else’s face is one of high authority and to send message of disagreement and that they are disgraceful and deserve no respect.

Cue Cluster: Watch for the head to quickly turn away and down, eyes averted.

Body Language Category: Arrogance or arrogant body language, Authoritative body language, Barriers, Blocking or Shielding, Closed body language, Dislike (nonverbal), Disapproval cues, Dominant body language, Hostile body language, Palm power, Regulators, Rejection body language, Speech-independent gestures.

Resources:

Alibali, M.W., Heath, D.C., and Myers,H.J. (2001). Effects of visibility between speaker and listener on gesture production: Some gestures are meant to be seen. Journal of Memory and Language, 44, 169–188.

Blurton Jones, N. G. (1967). “An Ethological Study of Some Aspects of Social Behaviour of Children in Nursery School.” In Desmond Morris (Ed.), Primate Ethology (Chicago: Aldine), pp. 347-68.

Bass, Andrew & Boris P. Chagnaud. 2013. Shared developmental and evolutionary origins for neural basis of vocal–acoustic and pectoral–gestural signaling. Proceedings of the National Academy of Sciences.

Birdwhistell, Ray. 1952. An introduction to kinesics. Louisville: University of Louisville.

Birdwhistell, Ray. 1970. Kinesics and context. Philadelphia: University of Pennsylvania.

Brannigan, Christopher, and David Humphries (1972). “Human Non-Verbal Behaviour, A Means of Communication.” In N. G. Blurton-Jones, ed., Ethological Studies of Child Behaviour (Cambridge: University Press), pp. 37-64.

Chaikin, Alan L. ; Gillen, Barry ; Derlega, Valerian J. ; Heinen, James R. K. ; Wilson, Midge. Students’ reactions to teachers’ physical attractiveness and nonverbal behavior: Two exploratory studies. Psychology in the Schools. 1978. 15(4): 588-595.

Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368.

Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.

Ekman, Paul & Wallace V. Friesen. 1972. Hand movements. Journal of Communication. Vol. 22, Dec. 1, pp. 353-374.

Ekman, Paul, and Wallace V. Friesen (1969). “Nonverbal Leakage and Clues to Deception.” In Psychiatry (Vol. 32), pp. 88-106.

Ferre, Gaelle. 2011. Functions of three open-palm hand gestures. Multimodal Communication, 2011, 1 (1), pp.5-20.
http://hal.archives-ouvertes.fr/docs/00/66/60/25/PDF/Multimodal-com-Ferre_final_.pdf

Friesen, Wallace ; Ekman, Paul ; Wallbott, Harald. Measuring hand movements. Journal of Nonverbal Behavior. 1979. 4(2): 97-112.

Engel, George. 1978. Clinical value of gestures, postures, and facial expressions. Public lecture. University of Washington. Seattle. December 5.

Fabrega, Horatio Jr. 1973. Begging in a southeastern Mexican city.” In Romney, A. K. & I. DeVore (eds.). You and others. Cambridge, Mass.: Winthrop, pp. 162-173.

Genthner, Robert W. ; Moughan, James Osipow, Samuel H. (editor). Introverts’ and extraverts’ responses to nonverbal attending behavior. Journal of Counseling Psychology. 1977. 24(2): 144-146.

Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Goffman, Erving. The Nature of Deference and Demeanor. American Anthropologist. 1956. 58(3): 473-502.

Givens, David B. (1978C). “Social Expressivity During the First Year of Life.” In Sign Language Studies (20), pp. 251-274.

Givens, David B. (1978D). “Greeting a Stranger: Some Commonly Used Nonverbal Signals of Aversiveness.” In Semiotica (Vol. 22), pp. 351-67.
Grant, Ewan (1969). “Human Facial Expressions.” In Man (Vol. 4), pp. 525-36.

Givens, David B. 1977. Shoulder shrugging: A densely communicative expressive behavior. Semiotica. Vol. 19:1/2, pp. 13-28.

Givens, David B. 1982. An ethological approach to the study of human nonverbal communication. Ann Arbor: University Microfilms.

Givens, David B. 1986. The big and the small: Toward a paleontology of gesture. Sign Language Studies. No. 51. Summer, pp. 145-167.

Givens, David B. 2005. Love signals: A practical field guide to the body language of courtship. New York: St. Martin’s Press.

Givens, David B. 2014b. Nonverbal neurology: How the brain encodes and decodes wordless signs, signals, and cues. In Kostic, Aleksandra & Derek Chadee (eds.). Social psychology of nonverbal communication. New York: Palgrave-MacMillan Press, pp. 9-30.

Givens, David B. 2014c. Measuring gestures. In Kostic, Aleksandra & Derek Chadee (eds.). Social psychology of nonverbal communication. New York: Palgrave-MacMillan Press, pp. 66-91.

Givens, David B. (forthcoming). “Reading Palm-up Signs: Neurosemiotic Overview of a Common Hand Gesture” (Accepted for publication [March 4, 2015] in Semiotica).

Givens, David B. (1982). “From Here to Eternity: Communicating With the Distant Future.” In Et Cetera (Vol. 39, No. 2), pp. 159-79.

Givens, David B. (forthcoming). “Reading Palm-up Signs: Neurosemiotic Overview of a Common Hand Gesture” (Accepted for publication [March 4, 2015] in Semiotica).

Goffman, Erving. 1956. The nature of deference and demeanor. American Anthropologist. Vol. 58, No, 3, June, pp. 473-502.

Goodall, Jane. 1986. The chimpanzees of gombe: Patterns of behavior. Cambridge: Belknap Press of Harvard University.

Hall, Karl & Irven DeVore. 1972. Baboon social behavior. In Phyllis Dolhinow (ed.). Primate patterns. San Francisco: Holt, Rinehart, and Winston, pp. 125-180.

Hubbard, Amy, McNealy, K., Zeeland, A., Callan, D. & M. Dapretto. 2012. Altered integration of speech and gesture in children with autism spectrum disorders. Brain and Behavior. Vol. 2, No. 5, Sept. 2012, pp. 606-619.

Iacoboni, Marco. 2009. Imitation, empathy, and mirror neurons. Annual Review of Psychology. Vol. 60, pp. 653-670.

Kendon, Adam. 2004. Gesture: Visible actions as utterance. Cambrideg: Cambridge University Press.

Koppensteiner, Markus ; Grammer, Karl. Body movements of male and female speakers and their influence on perceptions of personality. Personality and Individual Differences. 2011. 51(6): 743-747.

Koppensteiner, Markus ; Stephan, Pia ; Jäschke, Johannes Paul Michael. From body motion to cheers: Speakers’ body movements as predictors of applause. Personality and Individual Differences. 2015. 74: 182-185.

Leigh, Thomas W. ; Summers, John O. An initial evaluation of industrial buyers’ impressions of salespersons’ nonverbal cues. Journal of Personal Selling & Sales Management. 2002. 22(1): 41(13).

Mehrabian, Albert ; Williams, Martin Mcguire, William J. (editor). Nonverbal concomitants of perceived and intended persuasiveness. Journal of Personality and Social Psychology. 1969. 13(1): 37-58.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Marler, Peter. 1965. Communication in monkeys and apes. In DeVore, I. (ed.), Primate behavior. New York: Holt, Rinehart & Winston, pp. 544-584.

McNeill, David. 1992. Hand and mind: What gestures reveal about thought. Chicago: University of Chicago Press.

McNeill, David. 2005. Gesture and thought. Chicago: University of Chicago Press.

Mittelberg, Irene. 2008. Peircean semiotics meets conceptual metaphor: Iconic modes in gestural representations of grammar. In Cienki, A. & C. Müller (eds.). Metaphor and gesture. Amsterdam/Philadelphia: John Benjamins, pp. 115-154.

Montgomery, Kimberly J., Isenberg, Nancy & James V. Haxby. 2007. Communicative hand gestures and object-directed hand movements activated the mirror neuron system. Social Cognitive and Affective Neuroscience. Vol. 2, No. 2, June, pp. 114-122.

Muller, C. 2004. Forms and uses of the palm up open hand: A case of gesture family?” In Muller, C. & Ronald Posner (eds.). The semantics and pragmatics of everyday gestures. Berlin: Weidler, pp. 233-356.

Norton, R. (1983). Communicator Style: Theory, Applications, and Measures (Beverly Hills: Sage Publications).

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Roll, William V. ; Schmidt, Lyle D. ; Kaul, Theodore J. Berdie, Ralph F. (editor). Perceived interviewer trustworthiness among black and white convicts. Journal of Counseling Psychology. 1972. 19(6): 537-541.

St J. Neill, S.R. The Effects of Facial Expression and Posture on Children’s Reported Responses to Teacher Nonverbal Communication. British Educational Research Journal. 1989. 15(2): 195-204.

Schubert, T. W. (2005). Your highness: Vertical positions as perceptual symbols of power. Journal of Personality and Social Psychology. 89. 1–21.

Trout, Deborah ; Rosenfeld, Howard. The effect of postural lean and body congruence on the judgment of psychotherapeutic rapport. Journal of Nonverbal Behavior. 1980. 4(3): 176-190.

Wiener, Morton ; Devoe, Shannon ; Rubinow, Stuart ; Geller, Jesse Mandler, George (editor). Nonverbal behavior and nonverbal communication. Psychological Review. 1972. 79(3): 185-214.

Waal, Frans De (1982). Chimpanzee Politics (London: Jonathan Cape).

Wieser, Matthias J.; Tobias Flaisch and Paul Pauli. Raised Middle-Finger: Electrocortical Correlates of Social Conditioning with Nonverbal Affective Gestures. 2014. PLoS ONE 9(7): e102937. doi:10.1371/journal.pone.0102937
http://bodylanguageproject.com/articles/powerful-nonverbal-effect-raised-middle-finger-persistent-brain-consequences-pairing

Aggressive body language, Amplifier, Authoritative body language, Closed body language, Confident body language, Dominant body language, High confidence body language, Palm power, Power play

Body Language of Palm Down Displays or Palm Power

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Body Language of Palm Down Displays or Palm Power

BodyLanguageProjectCom - Palm Down Displays or Palm Power 4 BodyLanguageProjectCom - Palm Down Displays or Palm Power 1Cue: Palm Down Displays

Synonym(s): Palm Power, Palm Down On Desk, Fingertips Spread Palm Down On A Desk, Hands On Desk Or Table, Downward Facing Palm, Planted Fingertips.

Description: Hands are palm down, sometimes on a table, while speaking on a topic or issue.

In One Sentence: Palm down is a signal of authority.

How To Use it: Palms have very powerful powers. To wield them, simply display them palm down rather than palm up. Use the palms down on a desk while leaning the body forward. This shows other people that you are to be taken seriously. Use the palm-on-desk-lean-forward posture in negotiations or when trying to intimate such as in an interrogation. Placing the palms up and then down as a gesticulation against the top of the table is a way to showcase authority and the certainty of your held opinions.

Context: General.

Verbal Translation: a) “My palms are down with authority, there is no room for discussion here – just do as I say.” b) “What I say goes. I’m putting my palms down on the issue.”

Variant: See Palm Up Displays or The Rogatory Posture.

Cue In Action: a) The boss stood up, put his hands palm down on the boardroom desk, leaned in, and spoke slowly and deliberately. It was a message no one misunderstood for weakness, but rather high authority and dominance. b) To quiet the room, the speaker waved his hands at chest height, fingers slightly separated. He moved up and down to calm the audience as he prepared to speak.

Meaning and/or Motivation: Palms-up, palms-down and palms even all represent different things, from authority to submission.

The rule of thumb is that palms down “tell”, while palms up, “offer.”

Palm down shows dominance or superiority, palm up shows submissiveness and palm even equality. Palm down displays show emphatically that a position is held confidently.

When used with fingers closed, a palm down display is high authority – think of the Nazi salute.

Cue Cluster: Dominant cues are linked to palm down displays. Watch for palm down with fingertips spread to be accompanied by the body leaning in, head on, loud voice and slow dominant speech. Palm down is coupled with a loud, deep voice, arms spread apart, legs open or in the figure four, leaning back and showing confidence or leaning in with passion.

Body Language Category: Amplifier, Aggressive body language, Authoritative body language, Confident body language, Closed body language, Dominant body language, High confidence body language, Palm power, Power play.

Resources:

Alibali, M.W., Heath, D.C., and Myers,H.J. (2001). Effects of visibility between speaker and listener on gesture production: Some gestures are meant to be seen. Journal of Memory and Language, 44, 169–188.

Blurton Jones, N. G. (1967). “An Ethological Study of Some Aspects of Social Behaviour of Children in Nursery School.” In Desmond Morris (Ed.), Primate Ethology (Chicago: Aldine), pp. 347-68.

Brannigan, Christopher, and David Humphries (1972). “Human Non-Verbal Behaviour, A Means of Communication.” In N. G. Blurton-Jones, ed., Ethological Studies of Child Behaviour (Cambridge: University Press), pp. 37-64.

Bass, Andrew & Boris P. Chagnaud. 2013. Shared developmental and evolutionary origins for neural basis of vocal–acoustic and pectoral–gestural signaling. Proceedings of the National Academy of Sciences.

Birdwhistell, Ray. 1952. An introduction to kinesics. Louisville: University of Louisville.

Birdwhistell, Ray. 1970. Kinesics and context. Philadelphia: University of Pennsylvania.

Chaikin, Alan L. ; Gillen, Barry ; Derlega, Valerian J. ; Heinen, James R. K. ; Wilson, Midge. Students’ reactions to teachers’ physical attractiveness and nonverbal behavior: Two exploratory studies. Psychology in the Schools. 1978. 15(4): 588-595.

Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368.

Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.

Ekman, Paul & Wallace V. Friesen. 1972. Hand movements. Journal of Communication. Vol. 22, Dec. 1, pp. 353-374.

Engel, George. 1978. Clinical value of gestures, postures, and facial expressions. Public lecture. University of Washington. Seattle. December 5.

Ekman, Paul, and Wallace V. Friesen (1969). “Nonverbal Leakage and Clues to Deception.” In Psychiatry (Vol. 32), pp. 88-106.

Ferre, Gaelle. 2011. Functions of three open-palm hand gestures. Multimodal Communication, 2011, 1 (1), pp.5-20.
http://hal.archives-ouvertes.fr/docs/00/66/60/25/PDF/Multimodal-com-Ferre_final_.pdf

Friesen, Wallace ; Ekman, Paul ; Wallbott, Harald. Measuring hand movements. Journal of Nonverbal Behavior. 1979. 4(2): 97-112.

Fabrega, Horatio Jr. 1973. Begging in a southeastern Mexican city.” In Romney, A. K. & I. DeVore (eds.). You and others. Cambridge, Mass.: Winthrop, pp. 162-173.

Genthner, Robert W. ; Moughan, James Osipow, Samuel H. (editor). Introverts’ and extraverts’ responses to nonverbal attending behavior. Journal of Counseling Psychology. 1977. 24(2): 144-146.

Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Goffman, Erving. The Nature of Deference and Demeanor. American Anthropologist. 1956. 58(3): 473-502.

Givens, David B. (forthcoming). “Reading Palm-up Signs: Neurosemiotic Overview of a Common Hand Gesture” (Accepted for publication [March 4, 2015] in Semiotica).

Givens, David B. (1978A). “Social Expressivity During the First Year of Life.” In Sign Language Studies (20), pp. 251-274.

Givens, David B. (1978B). “Greeting a Stranger: Some Commonly Used Nonverbal Signals of Aversiveness.” In Semiotica (Vol. 22), pp. 351-67.

Givens, David B. 1977. Shoulder shrugging: A densely communicative expressive behavior. Semiotica. Vol. 19:1/2, pp. 13-28.

Givens, David B. 1982. An ethological approach to the study of human nonverbal communication. Ann Arbor: University Microfilms.

Givens, David B. 1986. The big and the small: Toward a paleontology of gesture. Sign Language Studies. No. 51. Summer, pp. 145-167.

Givens, David B. 2005. Love signals: A practical field guide to the body language of courtship. New York: St. Martin’s Press.

Givens, David B. 2014A. Nonverbal neurology: How the brain encodes and decodes wordless signs, signals, and cues. In Kostic, Aleksandra & Derek Chadee (eds.). Social psychology of nonverbal communication. New York: Palgrave-MacMillan Press, pp. 9-30.

Givens, David B. 2014B. Measuring gestures. In Kostic, Aleksandra & Derek Chadee (eds.). Social psychology of nonverbal communication. New York: Palgrave-MacMillan Press, pp. 66-91.

Grant, Ewan (1969). “Human Facial Expressions.” In Man (Vol. 4), pp. 525-36.

Goffman, Erving. 1956. The nature of deference and demeanor. American Anthropologist. Vol. 58, No, 3, June, pp. 473-502.

Goodall, Jane. 1986. The chimpanzees of gombe: Patterns of behavior. Cambridge: Belknap Press of Harvard University.

Givens, David B. (1982). “From Here to Eternity: Communicating With the Distant Future.” In Et Cetera (Vol. 39, No. 2), pp. 159-79.

Givens, David B. (forthcoming). “Reading Palm-up Signs: Neurosemiotic Overview of a Common Hand Gesture” (Accepted for publication [March 4, 2015] in Semiotica).

Hall, Karl & Irven DeVore. 1972. Baboon social behavior. In Phyllis Dolhinow (ed.). Primate patterns. San Francisco: Holt, Rinehart, and Winston, pp. 125-180.

Hubbard, Amy, McNealy, K., Zeeland, A., Callan, D. & M. Dapretto. 2012. Altered integration of speech and gesture in children with autism spectrum disorders. Brain and Behavior. Vol. 2, No. 5, Sept. 2012, pp. 606-619.

Iacoboni, Marco. 2009. Imitation, empathy, and mirror neurons. Annual Review of Psychology. Vol. 60, pp. 653-670.

Koppensteiner, Markus ; Grammer, Karl. Body movements of male and female speakers and their influence on perceptions of personality. Personality and Individual Differences. 2011. 51(6): 743-747.

Koppensteiner, Markus ; Stephan, Pia ; Jäschke, Johannes Paul Michael. From body motion to cheers: Speakers’ body movements as predictors of applause. Personality and Individual Differences. 2015. 74: 182-185.

Leigh, Thomas W. ; Summers, John O. An initial evaluation of industrial buyers’ impressions of salespersons’ nonverbal cues. Journal of Personal Selling & Sales Management. 2002. 22(1): 41(13).

Mehrabian, Albert ; Williams, Martin Mcguire, William J. (editor). Nonverbal concomitants of perceived and intended persuasiveness. Journal of Personality and Social Psychology. 1969. 13(1): 37-58.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Marler, Peter. 1965. Communication in monkeys and apes. In DeVore, I. (ed.), Primate behavior. New York: Holt, Rinehart & Winston, pp. 544-584.

McNeill, David. 1992. Hand and mind: What gestures reveal about thought. Chicago: University of Chicago Press.

McNeill, David. 2005. Gesture and thought. Chicago: University of Chicago Press.

Mittelberg, Irene. 2008. Peircean semiotics meets conceptual metaphor: Iconic modes in gestural representations of grammar. In Cienki, A. & C. Müller (eds.). Metaphor and gesture. Amsterdam/Philadelphia: John Benjamins, pp. 115-154.

Montgomery, Kimberly J., Isenberg, Nancy & James V. Haxby. 2007. Communicative hand gestures and object-directed hand movements activated the mirror neuron system. Social Cognitive and Affective Neuroscience. Vol. 2, No. 2, June, pp. 114-122.

Muller, C. 2004. Forms and uses of the palm up open hand: A case of gesture family?” In Muller, C. & Ronald Posner (eds.). The semantics and pragmatics of everyday gestures. Berlin: Weidler, pp. 233-356.

Norton, R. (1983). Communicator Style: Theory, Applications, and Measures (Beverly Hills: Sage Publications).

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Roll, William V. ; Schmidt, Lyle D. ; Kaul, Theodore J. Berdie, Ralph F. (editor). Perceived interviewer trustworthiness among black and white convicts. Journal of Counseling Psychology. 1972. 19(6): 537-541.

St J. Neill, S.R. The Effects of Facial Expression and Posture on Children’s Reported Responses to Teacher Nonverbal Communication. British Educational Research Journal. 1989. 15(2): 195-204.

Schubert, T. W. (2005). Your highness: Vertical positions as perceptual symbols of power. Journal of Personality and Social Psychology. 89. 1–21.

Trout, Deborah ; Rosenfeld, Howard. The effect of postural lean and body congruence on the judgment of psychotherapeutic rapport. Journal of Nonverbal Behavior. 1980. 4(3): 176-190.

Wiener, Morton ; Devoe, Shannon ; Rubinow, Stuart ; Geller, Jesse Mandler, George (editor). Nonverbal behavior and nonverbal communication. Psychological Review. 1972. 79(3): 185-214.

Waal, Frans De (1982). Chimpanzee Politics (London: Jonathan Cape).

Xu, Jiang, Gannon, Patrick J., Emmorey, Karen, Smith, Jason F. & Allen R. Braun. 2009. Symbolic gestures and spoken language are processed by a common neural system. Proceedings of the National Academy of Sciences.

Arrogance or arrogant body language, Dominant body language, Ownership gesture, Territorial displays

Body Language of Ownership Gestures

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Body Language of Ownership Gestures

BodyLanguageProjectCom - Ownership Gestures 5 BodyLanguageProjectCom - Ownership GesturesCue: Ownership Gestures.

Synonym(s): Placing The Foot On An Object, Feet On The Desk, Placing A Bag or Jacket On A Chair, Propping The Feet Up, Leaning Against A Car or Other Object.

Description: Putting possessions or parts of the body on objects.

In One Sentence: Putting any part of the body on an object (or person) signals ownership and ability or desire to control it.

How To Use it: To reserve a seat, place your jacket or bag on it – that much is simple. However, tossing the arm over the chair next to you is a way to increase your territory through an expansive posture. This shows others that you have special rights to take up more space than normal. If a person is sitting in that chair, you own and control a part of them too.

To show your pride for a car, place your foot up on the bumper or lean against it. To show your desire to control someone else, do the same on their car.

At a friend’s house, show your relaxed attitude and high comfort by placing your feet on the coffee table. This gesture will be read as dominance and ownership.

Use ownership gestures when you want to show other people that you control things or people and that you are dominant enough to state your claim.

Context: General.

Verbal Translation: a) “I own this so I have the right to put parts of my body on them and control how they are used.”

Variant: See Touching or Increase In Touching for a similar gesture which claims ownership of people through touch rather than objects. Also See Leaning Against The Wall.

Cue In Action: a) He was proud of his new car and stood with his foot on the rear bumper showing off his new possession. b) The boss tossed his feet up on the desk, leaned back and interlocked his hands behind his head. c) While watching television after a long day, he propped his feet up on the coffee table. d) He reserved a seat for himself and his date at the cinema by leaving his jacket on one seat and his bag on another.

Meaning and/or Motivation: People often show that they own things by touching them.

Placing objects such as jackets and brief cases on a seat can hold it and delineate temporary ownership while in public. People will prop their foot up on a desk or the bumper of a car to show that they possess and control it.

Alternatively, people will use objects as a crutch when they feel exposed. Leaning against the podium while presenting, a shoulder against the wall in an unfamiliar room, or two hands on the chair in a crowded room are a few ways we convey uneasiness and discomfort. The objects help ground us and produce a strong wide base when our confidence fails us.

Cue Cluster: This is a stand alone cue and requires no additional cues to have meaning. Watch for the level of comfort one has while performing the ownership gesture to decide if a person is using touch to help improve his feelings of insecurity, or claim ownership, thus showing dominance.

Body Language Category: Arrogance or arrogant body language, Dominant body language, Ownership gesture, Territorial displays.

Resources:

Argo, J. J., Dahl, D. W., & Morales, A. C. (2006). Consumer contamination: How consumers react to products touched by others. Journal of Marketing, 70(April), 81–94.

Bohm. 1997. Effects of interpersonal touch, degree of justification, and sex of participant on compliance with a request. The Journal of social psychology. 137: 460-469.

Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368

Cashdan, Elizabeth. Smiles, Speech, and Body Posture: How Women and Men Display Sociometric Status and Power. Journal of Nonverbal Behavior. 1998. 22(4): 209-228.

Chandler, J., & Schwarz, N. (2010). Use does not wear ragged the fabric of friendship: Thinking of objects as alive makes people less willing to replace them. Journal of Consumer Psychology, 20, 138–145.

Dickinson, Amy. Block That Hug: The rules on touching children have changed for parents who volunteer as coaches or tutors.(Personal Time/Your Family)(Brief Article). Time. 2000. 155(14): 142.

Derlega, Valerian ; Lewis, Robin ; Harrison, Scott ; Winstead, Barbara ; Costanza, Robert. Gender differences in the initiation and attribution of tactile intimacy. Journal of Nonverbal Behavior. 1989. 13(2): 83-96.

Derlega, Valerian J. ; Catanzaro, Diane ; Lewis, Robin J. Lisak, David (editor). Perceptions About Tactile Intimacy in Same-Sex and Opposite-Sex Pairs Based on Research Participants’ Sexual Orientation. Psychology of Men & Masculinity, 2001, Vol.2(2), pp.124-132

Fisher, J; Rytting, M and Heslin, R. 1976. Hands touching hands: affective and evaluative effects on interpersonal touch, Sociometry 39: 416–421.

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Authoritative body language, Confident body language, Dominant body language, High confidence body language, Open body language, Ventral displays

Body Language of Military Man or Regal Stance

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Body Language of Military Man or Regal Stance

BodyLanguageProjectCom - Military Man or Regal Stance 4Cue: Military Man or Regal Stance

Synonym(s): Arms Behind The Back Posture, Regal Stance.

Description: It is a standing posture that occurs by placing the hands, palm in palm behind the back.

In One Sentence: The military man stance is a way to demonstrate high authority and confidence.

How To Use it: The military man stance is reserved for high ranking individuals so needs to be used with care. High school principles, those actually in the military, royalty, bosses, presidents, and so forth can show that they lack fear of confrontation. Use the posture to demonstrate, not that you wish to gain power, but that you have already achieved it.

The cue is risky in lower ranking people as it may be viewed as a bluff and backfire inviting attack.

Context: General.

Verbal Translation: “I’m exposing my chest and chin to attack by putting my hands behind my body where they can not serve me. However, in so doing, I warn you – don’t come near me, I’m important and I shouldn’t be touched!”

Variant: The hand gripping the wrist or upper arm in behind the back sends an emotional message of frustration and an attempt at self control, but forms no part of what is said by the military man. See Hand Gripping Upper Arm or Wrist Behind Back.

Cue In Action: The Queen of England and Prince Philip were noted to carry this body language due to their high rank and importance as they greeted large crowds.

Meaning and/or Motivation: Arms behind the back posture signifies a desire not to be touched and a haughty attitude. It is a posture normally held by dominant individuals and leaders who expect no challenge to their authority whatsoever. Royalty, those in the military, high school principals, lawyers, doctors, policemen, and those of high rank will be seen performing this stance.

Power is the main meaning delivered by the military man posture, as it exposes the full front of the body to possible attack and also says that a person is so powerful they aren’t to be touched or approached. Evolutionarily speaking, the military man is a strutting posture. By design, it preemptively avoids potentially harmful physical show-downs between rival men.

Other possible root origins stem from its concealment properties. In other words, a spear, knife or other makeshift sharp object might be cocked, ready to be sprung on unsuspecting challengers – you’d never know, so why risk it!

Cue Cluster: The military man posture is accompanied by holding the chin up and head held back. Usually the feet of the military man are splayed outward so as to take up more space and produce an aura of dominance. The opposite of which is “tibial torsion” when the toes point inward to signal submission.

Body Language Category: Authoritative body language, Confident body language, Dominant body language, High confidence body language, Open body language, Ventral displays.

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Walsh, Joseph ; Eccleston, Christopher ; Keogh, Edmund. Pain communication through body posture: The development and validation of a stimulus set. Pain. 2014. 155(11): 2282-2290.

Yap, Andy J.; Abbie S. Wazlawek, Brian J. Lucas, Amy J. C. Cuddy, Dana R. Carney. The Ergonomics of Dishonesty: The Effect of Incidental Posture on Stealing, Cheating, and Traffic Violations, 24(11); 2281-2289.
http://bodylanguageproject.com/articles/body-posture-physical-environment-determine-feelings-and-behaviour-study/

Yamagiwa, Juichi. Activity rhythm and the ranging of a solitary male mountain gorilla (Gorilla gorilla beringei). Primates, 1986, Vol.27(3), pp.273-282.

Aggressive body language, Amplifier, Anger body language, Authoritative body language, Dominant body language, Emotional body language, Frustration or frustrated body language, Hostile body language, Threat displays

Body Language of Loud Voice

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Body Language of Loud Voice

BodyLanguageProjectCom - Loud Voice 1Cue: Loud Voice

Synonym(s): Shrill Voice, Screaming, Yelling, Booming Voice.

Description: A voice that is forceful and overtakes a room or conversation. It can be booming and baritone or a high pitched soprano shrill.

In One Sentence: A loud voice is a sign of dominance and signals a passion to be heard.

How To Use it: Men benefit best by using a booming voice as it comes across as more dominant. Men can use their loud and deep voice to command respect and be heard. A loud voice is best used to show passion, but it can also be used to demand respect and authority. However, while the loudest voice is most likely to be heard, it is not always the one that is most likely to be listened to. Thus, one should use a loud voice with care so as not to appear belligerent. A loud voice, in the right context shows others that you are passionate, but used incorrectly is taken negatively.

Women should use a loud voice to encourage, but when angry should lower their voices to mirror that of men’s voices. A high pitched shrill voice is rarely seen as positive – though will often command temporary obedience.

How a loud voice is used depends largely on the context. One can use a loud voice to be silly and show amusement but also to scold and dish out punishment. In either case, one should use a loud voice with care so that it does not result in a poor result.

Context: a) General b) Business.

Verbal Translation: “I’m in charge, passionate, and want to be heard or the center of everyone’s attention. I use a loud booming, or shrill voice, so people pay me attention.”

Variant: See Becoming Quiet or Whispering for the opposite cue.

Cue In Action: a) She was the life of the party, laughing, talking loudly, carrying on and telling jokes that every enjoyed. b) When he spoke everyone listened. His voice boomed and controlled a room, he was passionate and dominant and he really loved his work. His enthusiasm was overwhelming. c) They both raised their volume to try to drown the other out with all the noise. Neither person made any valid argument – at least ones that could be properly understood.

Meaning and/or Motivation: The aim of the speaker is to avoid being overlooked. The loud voice stems from a person who wishes to gain attention and control others through authority and intimidation.

The overall meaning of a loud voice is highly context specific. Sometimes people misread loud voices as confidence which is rarely the case as usually it comes from people who fear not being heard. Often, loud voices are aimed at speaking over others and show egotism and impatience. Loud voices can also be used to persuade others, but by trying to create submission in them rather than use constructive reasoning. Loud voices can be used to drown out counterpoints.

A loud voice may be used to compensate for a perceived personal flaw, a reaction to hearing loss or inebriation.

When men use a loud voice in business, it often, though not exclusively, implies passion but is often misinterpreted, especially by women, to be negative in nature. However, the cues of a passionate speaker will be directed at the objective – the desired results rather than aimed at a specific person. A loud voice sometimes means confrontation but will be coupled with adjoining cues such as physical encroachment and finger pointing.

Cue Cluster: A loud voice is associated with passionate gesticulation, batoning, fish chopping and the person will usually be standing to gain a height advantage. When passion meets aggression the loud speaker will encroach on another’s personal space, will use piercing eye contact and finger pointing.

Body Language Category: Amplifier, Aggressive body language, Anger body language, Authoritative body language, Dominant body language, Emotional body language, Frustration or frustrated body language, Hostile body language, Threat displays.

Resources:

Apicella, Coren L. and David R. Feinberg. Voice Pitch Alters Mate-Choice-Relevant Perception in Hunter–Gatherers. Proc. R. Soc. B. 2009. 276: 1077–1082
doi:10.1098/rspb.2008.1542
http://bodylanguageproject.com/articles/impress-higher-pitched-voice/

Apicella C. L.; D. R. Feinberg and F. W. Marlowe. Voice Pitch Predicts Reproductive Success in Male Hunter-Gatherers. Biology Letters. 2007. 3:682–684. doi:10.1098/rsbl.2007.0410
http://bodylanguageproject.com/articles/hes-got-deep-voice-larger-family-tree-voice-pitch-predictor-reproductive-success-men/

Abitbol, J., Abitbol, P., & Abitbol, B. (1999). Sex hormones and the female voice. Journal of Voice, 13, 424–446.

Burriss. Intrasexual Competition Among Women: Vocal Femininity Affects Perceptions of Attractiveness And Flirtatiousness. Personality and Individual Differences. 2011; 50: 111-115.
http://bodylanguageproject.com/articles/women-use-voice-pitch-flirt-compete-men

Brück, Carolin ; Kreifelts, Benjamin ; Wildgruber, Dirk. Emotional voices in context: A neurobiological model of multimodal affective information processing. Physics of Life Reviews. 2011 8(4): 383-403.

Bachorowski, J., & Owren, M. J. (1995). Vocal expression of emotion: Acoustic properties of speech are associated with emotional intensity and context. Psychological Science, 6, 219–224.

David A. Puts, Coren L. Apicella and Rodrigo A. Cárdenas. Masculine Voices Signal Men’s Threat Potential in Forager and Industrial Societies. Proceedings of the Royal Society. 2011. doi: 10.1098/rspb.2011.0829
http://bodylanguageproject.com/articles/deep-voice-signals-potential-threat-use-body-language-dominance/

Fraccaro, Paul J.; Jillian J. M. O’Connor; Daniel E. Re; Benedict C. Jones; Lisa M. DeBruine and David R. Feinberg. Faking it: Deliberately Altered Voice Pitch and Vocal Attractiveness. Animal Behaviour. 2013. 85: 127e136. http://dx.doi.org/10.1016/j.anbehav.2012.10.016.
http://bodylanguageproject.com/articles/sound-little-atypical-measuring-artificial-lowering-raising-voice-pitch-men-women/

Fraccaro, Paul J.; Benedict C. Jones; Jovana Vukovic; Finlay G. Smith; Christopher D. Watkins; David R. Feinberg; Anthony C. Little and Lisa M. Debruine. Experimental Evidence That Women Speak in a Higher Voice Pitch to Men They Find Attractive. Journal of Evolutionary Psychology. 2011. 9(1): 57-67.
http://bodylanguageproject.com/articles/women-raise-voice-pitch-men-find-attractive/

Gobl C, Nı´ Chasaide A (2003) The role of voice quality in communicating emotion, mood and attitude. Speech Commun 40: 189–212. doi: 10.1016/ S0167-6393(02)000821.

Hughes, Susan M.; Franco Dispenza and Gordon G. Gallup Jr.. Ratings of voice attractiveness predict sexual behavior and body configuration. Evolution and Human Behavior. 2004; 25: 295–304.
http://bodylanguageproject.com/articles/sexy-voices-linked-sexy-bodies-sexual-success/

Hughes, S. M., & Gallup Jr., G. G. (2003). Sex differences in morphological predictors of sexual behavior: shoulder to hip and waist to hip ratios. Evolution and Human Behavior, 24, 173–178.

Hughes, S. M., Harrison, M. A., and Gallup Jr., G. G. (2002). The sound of symmetry: voice as a marker of developmental instability. Evolution and Human Behavior, 23, 173–180.

Hughes, Susan M.; Franco Dispenza and Gordon G. Gallup Jr.. Ratings of voice attractiveness predict sexual behavior and body configuration. Evolution and Human Behavior. 2004; 25: 295–304. http://bodylanguageproject.com/articles/sexy-voices-linked-to-sexy-bodies-and-sexual-success/

Hughes, S. M., & Gallup Jr., G. G. (2003). Sex differences in morphological predictors of sexual behavior: shoulder to hip and waist to hip ratios. Evolution and Human Behavior, 24, 173–178.

Herold, Debora S. ; Nygaard, Lynne C. ; Namy, Laura L. Say It like You Mean It: Mothers’ Use of Prosody to Convey Word Meaning. Language and Speech. 2012. 55(3): 423-436.

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence

Krauss, R. M., Freyberg, R., & Morsella, E. (2002). Inferring speakers’ physical attributes from their voices. Journal of Experimental Social Psychology, 38, 618–625.

Laukkanen A-M, Vilkman E, Alku P, Oksanen H (1997) On the perception of emotions in speech: The role of voice quality. Logoped Phoniatr Vocol 22: 157– 168. doi: 10.3109/14015439709075330.

Lass, N. J., & Davis, M. (1976). An investigation of speaker height and weight identification. Journal of the Acoustical Society of America, 60, 700–704.

Lass, N. J., & Colt, E. G. (1980). A comparative study of the effect of visual and auditory cues on speaker height and weight identification. Journal of Phonetics, 8, 277–285.

Leongómez, Juan David; Jakub Binter; Lydie Kubicová; Petra Stolarová; Katerina Klapilová and Jan Havlícek, S. Craig Roberts. Vocal Modulation During Courtship Increases Proceptivity Even in Naive Listeners. Evolution and Human Behavior. 2014. doi: 10.1016/j.evolhumbehav.2014.06.008.
http://bodylanguageproject.com/articles/voice-pitching-courtship-competition/

Lass, N. J., & Davis, M. (1976). An investigation of speaker height and weight identification. Journal of the Acoustical Society of America, 60, 700–704.

Mikach, S. M., & Bailey, M. (1999). What distinguishes women with unusually high numbers of sex partners? Evolution and Human Behavior, 20, 141–150.

Mikach, S. M., & Bailey, M. (1999). What distinguishes women with unusually high numbers of sex partners? Evolution and Human Behavior, 20, 141–150.

Nygaard, L. C., & Queen, J. S. (2008). Communicating emotion: Linking affective prosody and word meaning. Journal of Experimental Psychology: Human Perception and Performance, 34, 1017–1030.

Puts, David A.; Julia L. Barnd; Lisa L.M.; Welling, Khytam Dawood; and Robert P.

Puts, D.A. 2007. Men’s voices as dominance signals: Vocal fundamental and formant frequencies influence dominance attributions among men. Source: Evolution and human behavior 28(5): 340-344.

Puts, D.A. 2005. Mating context and menstrual phase affect women’s preference for male voice pitch. Evolution and Human Behavior 26: 388-397.

Sally D. Farley, Susan M. Hughes, Jack N. LaFayette. People Will Know We Are in Love: Evidence of Differences Between Vocal Samples Directed Toward Lovers and Friends. Journal of Nonverbal Behavior, 2013; 37 (3): 123.
http://bodylanguageproject.com/articles/are-they-cheating-research-says-voice-may-betray-them/

Susan Hughes, Justin Mogilski, Marissa Harrison. The Perception and Parameters of Intentional Voice Manipulation. Journal of Nonverbal Behavior, 2014 DOI: 10.1007/s10919-013-0163
http://bodylanguageproject.com/articles/her-voice-is-hot-his-is-not/

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Sei Jin Ko; Melody S. Sadler and Adam D. Galinsky. The Sound of Power Conveying and Detecting Hierarchical Rank Through Voice. Psychological Science. 2014. DOI: 956797614553009
http://bodylanguageproject.com/articles/power-produces-dominance-voice-study/

Scherer, Klaus R. Personality inference from voice quality: The loud voice of extroversion. European Journal of Social Psychology. 1978 8(4): 467-487.

Scherer, K., Banse, R., Wallbott, H., & Goldbeck, T. (1991). Vocal cues in emotion encoding and decoding. Motivation and Emotion, 15, 123–148.

Singh, L., Morgan, J. L., & Best, C. T. (2002). Infants’ listening preferences: Baby talk or happy talk? Infancy, 3, 365–394.

Scherer, Klaus R. Personality inference from voice quality: The loud voice of extroversion. European Journal of Social Psychology. 1978 8(4): 467-487.

Siegman, Aron Wolfe ; Boyle and Stephen Mineka. Voices of Fear and Anxiety and Sadness and Depression: The Effects of Speech Rate and Loudness on Fear and Anxiety and Sadness and Depression. Journal of Abnormal Psychology. 1993. 102(3): 430-437.

Trainor, L. J., Austin, C. M., & Desjardins, R. N. (2000). Is infant-directed speech prosody a result of the vocal expression of emotion? Psychological Science, 11, 188–195.

Siegman, Aron Wolfe ; Boyle and Stephen Mineka. Voices of Fear and Anxiety and Sadness and Depression: The Effects of Speech Rate and Loudness on Fear and Anxiety and Sadness and Depression. Journal of Abnormal Psychology. 1993. 102(3): 430-437.

Walker-Andrews, A., & Grolnick, W. (1983). Discrimination of vocal expressions by young infants. Infant Behavior and Development, 6, 491–498

Zuckerman, M., & Driver, R. (1989). What sounds beautiful is good: the vocal attractiveness stereotype. Journal of Nonverbal Behavior, 13, 67–82.

*No Photo, Aggressive body language, Anger body language, Arrogance or arrogant body language, Disengagement body language, Dislike (nonverbal), Dominant body language, Eye Language, Hostile body language, Microgestures, Micromessaging, Threat displays

Body Language of Looking Past People or Looking Through People

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Body Language of Looking Past People or Looking Through People

No picCue: Looking Past People or Looking Through People.

Synonym(s): N/A

Description: The deliberate avoidance of eye contact by defocusing the eyes. The eye cue will make is seem as though people are being peering through, gazed upon as an object, or as if are being looked right through, as if not in existence.

In One Sentence: Looking through people is to dehumanize.

How To Use it: Looking through people is a strong nonverbal message. It is useful when you wish to power-play a person. It says that they are not even worth acknowledging. Thus it is extremely powerful and should used with care. To wag a nonverbal war, this is the go-to signal. At social events, you might look in the general direction or even at a person with a dead pan expression without making any verbal acknowledgement. You’ve got them, if they so much as nod or smile in view of this signal. Any acknowledgment, by them, says that they still wish to interact with you, and thus relinquish to you, social power. The signal is especially potent when done to loved ones because it reduces them to the status of an object.

Context: General.

Verbal Translation: “I see you but I look at you as if you don’t exist or only exist as a non-human entity so my eyes glaze over and I lack any sort of facial expression. My eye contact is overt, but piercing and causes discomfort. I’m trying to dehumanize you and project superiority, dominance and dismissal.”

Variant: Staring or The Evil Eye, Eye Aversion, Gaze Avoidance and Wandering Eyes, Downcast Eyes or Eyes Down, Eye Rolling or Eye Shrug, Eye Squinting or Narrowing Eyes.

Cue In Action: She looked at her rival with contempt, casting eye-darts at her. When she tried to apologize, she peered right through her, as if she didn’t exist.

Meaning and/or Motivation: The nonverbal interpretation of such a cue includes dominance, superiority, dismissal, or outright rudeness.

This is an intense form of eye contact avoidance especially when done to quell the desired connectivity of another person especially while participating in a conversation. Looking through someone is often done across the room where distance creates additional separation and meaning.

When looking through others, a person who wishes to show distain will take an active stance at minimizing their interaction and dehumanize through glaring without affect, or facial expressions while peering longer than usual to drive the point.

Cue Cluster: The eyes and face are usually blank, a person will usually maintain a conversation with another person or will carry on with another activity without interruption.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger body language, Disengagement, Dislike (nonverbal), Dominant body language, Eye Language, Hostile body language, Microgestures, Micromessaging, Threat displays.

Resources:

Aguinis, Herman ; Simonsen, Melissam. ; Pierce, Charlesa. Effects of Nonverbal Behavior on Perceptions of Power Bases. The Journal of Social Psychology. 1998. 138(4): 455-469.

Aguinis, Herman ; Henle, Christinea. Effects of Nonverbal Behavior on Perceptions of a Female Employee’s Power Bases. The Journal of Social Psychology. 2001 141(4): 537-549.

Argyle, Michael; Lefebvre, Luc; Cook, Mark 1974. The meaning of five patterns of gaze. European Journal of Social Psychology. 4(2): 125-136.

Argyle, M., and Ingham, R. 1972. Gaze, mutual gaze, and proximity. Semiotica, 1, 32–49.

Argyle, M. and Cook, M. Gaze and Mutual Gaze. London: Cambridge University Press, 1976.

Allan Mazur; Eugene Rosa; Mark Faupel; Joshua Heller; Russell Leen; Blake Thurman. Physiological Aspects of Communication Via Mutual Gaze. The American Journal of Sociology. 1980; 86(1): 50-74.

Breed, G., Christiansen, E., & Larson, D. 1972. Effect of lecturer’s gaze direction upon teaching effectiveness. Catalog of Selected Documents in Psychology, 2: 115.

Chen, Yi-Chia ; Yeh, Su-Ling. Look into my eyes and I will see you: Unconscious processing of human gaze. Consciousness and Cognition. 2012 21(4): 1703-1710.

Carvajal, Fernando ; Rubio, Sandra ; Serrano, Juan ; Ríos-Lago, Marcos ; Alvarez-Linera, Juan ; Pacheco, Lara ; Martín, Pilar. Is a neutral expression also a neutral stimulus? A study with functional magnetic resonance. Experimental Brain Research, 2013. 228(4): 467-479.

Ellsworth, Phoebe; Carlsmith, J Merrill. 1973. Eye contact and gaze aversion in an aggressive encounter. Journal of Personality and Social Psychology. 28(2): 280-292.

Foddy, Margaret 1978. Patterns of Gaze in Cooperative and Competitive Negotiation Human Relations. 31(11):925-938.

Heisel, Marnin ; Mongrain, Myriam. Facial Expressions and Ambivalence: Looking for Conflict in All the Right Faces. Journal of Nonverbal Behavior. 2004. 28(1): 35-52.

Jenkins, R., Beaver, J.D., & Calder, A.J. (2006). I thought you were looking at me: Direction-specific aftereffects in gaze perception. Psychological Science, 17, 506–513.

Kellerman. 1989. Looking and loving: The effects of mutual gaze on feelings of romantic love. Journal of Research in Personality. 23(2): 145-161.

Kendon, A. Some Functions of Gaze Direction in Social Interaction. Acta Psychologica. 1967. 32: 1-25.

Kleinke, C. L. 1980. Interaction between gaze and legitimacy of request on compliance in a field setting. Journal of Nonverbal Behavior 5(1): 3-12.

King, Laura A. Ambivalence over emotional expression and reading emotions in situations and faces. Journal of Personality and Social Psychology. 1998 74(3): 753(10)

Leeb. 2004. Here’s Looking at You, Kid! A Longitudinal Study of Perceived Gender Differences in Mutual Gaze Behavior in Young Infants Source: Sex Roles. 50(1-2): 1-14.

Langer, Julia and Rodebaugh, Thomas. Social Anxiety and Gaze Avoidance: Averting Gaze but not Anxiety. Cognitive Therapy and Research, 2013, Vol.37(6): 1110-1120.

McAndrew. 1986. Arousal seeking and the maintenance of mutual gaze in same and mixed sex dyads Source: Journal of nonverbal behavior. 10(3):168-172.

Mulac, A., Studley, L., Wiemann, J., & Bradac, J. 1987. Male/female gaze in same-sex and mixed-sex dyads. Human Communication Research. 13: 323-343.

Natale, Michael. 1976. A Markovian model of adult gaze behavior. Journal of Psycholinguistic Research. 5(1): 53-63.

Phelps, F., Doherty-Sneddon, G., & Warnock Educational Psychology., 27, 91-107. (2006). Functional benefits of children’s gaze aversion during questioning. British Journal Developmental Psychology. 24: 577-588.

Rosenfeld, H., Breck, B., Smith, S., & Kehoe, S. 1984. Intimacy-mediators of the proximity-gaze compensation effect: Movement, conversational role, acquaintance, and gender. Journal of Nonverbal Behavior. 8: 235-249.

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood, and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Straube, Thomas ; Langohr, Bernd ; Schmidt, Stephanie ; Mentzel, Hans-Joachim ; Miltner, Wolfgang H.R. Increased amygdala activation to averted versus direct gaze in humans is independent of valence of facial expression. NeuroImage. 2010 49(3): 2680-2686.

Topel, Eva-Maria ; Lachmann, Frankm. Nonverbal Dialogues: Orienting and Looking Behaviors Between Aggressive and Violent Children and Adolescents and Their Therapist. Journal of Infant, Child, and Adolescent Psychotherapy. 2007. 6(4): 285-307.

Underwood, M. K.. Glares of Contempt, Eye Rolls of Disgust and Turning Away to Exclude: Non-Verbal Forms of Social Aggression among Girls. Feminism & Psychology. 2004 14(3): 371-375.

Vanderhasselt, Marie – Anne ; Kühn, Simone ; De Raedt, Rudi. Put on your poker face’: neural systems supporting the anticipation for expressive suppression and cognitive reappraisal. Social Cognitive and Affective Neuroscience. 2013 8(8): 903-910.

Williams. 1993. Effects of Mutual Gaze and Touch on Attraction, Mood, and Cardiovascular Reactivity Source: Journal of Research in Personality. 27(2): 170-183.

Weisfeld, Glenn E. and Jody M. Beresford. Erectness of Posture as an Indicator of Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
http://bodylanguageproject.com/articles/body-language-cues-dominance-submission-children/

Arrogance or arrogant body language, Authoritative body language, Confident body language, Courtship display, Crotch display, Dominant body language, Expansive movements, High confidence body language

Body Language of Leg Spreading

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Body Language of Leg Spreading

BodyLanguageProjectCom - Leg Spreading 5 BodyLanguageProjectCom - Leg Spreading 6Cue: Leg Spreading

Synonym(s): Spreading The Legs, Open Legs, Leg Placed Over The Arm Of The Chair, Uncrossed Legs.

Description: Legs that are spread while seated or standing rather than crossed.

In One Sentence: Leg spreading is a sign of dominance as it puts the genitals on display.

How To Use it: Spread your legs when you want others to see you as dominant and authoritative. The posture serves both women and men in the same fashion, but men are afforded more social liberty when it comes to dominance displays.

Men can benefit most from this posture in business and in dating as dominance is a valued trait in these context. Women should resist the urge to display dominance in this fashion, but if they absolutely feel comfortable displaying this way, they must wear long pants. Opening the legs with feminine attire including skirts and dresses, or even shorts can give the impression of sexual easiness and will have quite the opposite connotation to that desired.

Resources:

Allen, Jill; Sarah J. Gervais and Jessi L. Smith. Sit Big to Eat Big: The Interaction of Body Posture and Body Concern on Restrained Eating. Psychology of Women Quarterly 2013. 37(3): 325-336. DOI: 10.1177/0361684313476477pwq.sagepub.com
http://bodylanguageproject.com/articles/sit-big-to-eat-big-how-constrictive-postures-reduce-food-consumption/

Arnette, S. L., & Pettijohn, T. F., II. (2012). The effects of posture on self-perceived leadership. International Journal of Business and Social Science, 3, 8–13.

Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

Briñol, P., Petty, R. E., & Wagner, B. (2009). Body posture effects on self-evaluation: A self-validation approach. European Journal of Social Psychology, 39, 1053–1064.

Bartholomewn, Morgan E.; Sheri L. Johnson. Nonverbal Dominance Behavior Among Individuals at Risk for Mania. Journal of Affective Disorders. 2014. 159: 133-138.
Burgoon, J. K., Johnson, M. L., & Koch, P. T. (1998). The nature and measurement of interpersonal dominance. Communication Monographs, 65, 308–335.

Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cesario, J., & McDonald, M. M. (2013). Bodies in context: Power poses as a computation of action possibility. Social Cognition, 31, 260–274.

Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Carney, D. R., Hall, J. A., & LeBeau, L. S. (2005). Beliefs about the nonverbal expression of social power. Journal of Nonverbal Behavior, 29, 105–123.

Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cashdan, Elizabeth. Smiles, Speech, and Body Posture: How Women and Men Display Sociometric Status and Power. Journal of Nonverbal Behavior. 1998. 22(4): 209-228.

de Lemus, Soledad; Russell Spears and and Miguel Moya. The Power of a Smile to Move You: Complementary Submissiveness in Women’s Posture as a Function of Gender Salience and Facial Expression. Personality and Social Psychology Bulletin. 2012. 38(11): 1480-1494.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
http://bodylanguageproject.com/articles/downside-power-posing-body-language-looking-power-posing-action-study/

Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Gregersen, Tammy S. Nonverbal Cues: Clues to the Detection of Foreign Language Anxiety. Foreign Language Annals. 2005. 38(3): 388-400
http://bodylanguageproject.com/articles/what-anxious-learners-can-tell-us-about-anxious-body-language-how-to-read-nonverbal-behavior/

Huang, L., Galinsky, A. D., Gruenfeld, D. H., & Guillory, L. E. (2011). Powerful postures versus powerful roles: Which is the proximate correlate of thought and behavior? Psychological Science, 22, 95–102.

Jacob, Heike ; Kreifelts, Benjamin ; Brück, Carolin ; Erb, Michael ; Hösl, Franziska ; Wildgruber, Dirk. Cerebral integration of verbal and nonverbal emotional cues: Impact of individual nonverbal dominance. NeuroImage. 2012. 61(3): 738-747.

Lee Ann Renninger, T. Joel Wade, Karl Grammer. Getting that female glance: Patterns and consequences of male nonverbal behavior in courtship contexts. Evolution and Human Behavior. 2004; 25: 416–431.
http://bodylanguageproject.com/articles/part-i-how-to-read-male-sexual-body-language-a-study-for-women-and-the-men-who-wish-to-cheat-the-system/

Locke, Connson C. and Cameron Anderson. The Downside of Looking Like a Leader: Leader’s Powerful Demeanor Stifles Follower Voice in Participative Decision-Making.. Academy of Management Annual Meeting Proceedings. 2010. 8(1): 1-6.
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For this reason, leg spreading has two very different implications for men and women. For women, opening the legs permits sexual access, whereas men’s sexuality, while it can be displayed via legs open, is not required to complete the act of sex. Given the aforementioned sexual differences between men and women, legs open is more in line with taking up space in men than it is for women. Recall that taking up space is inherent in all dominance displays. In women, leg spreading, whilst it does indeed function to take up more space, it is confounded with it as an overt sexual access display thereby rending it as less dominant and more sexual.

However, in dating, if women wish to tease men, they might permit men to see the inside of their thigh or even flash men outright by un-crossing a re-crossing the legs.

An exaggerated leg spread amplifies the meaning. So to appear highly dominant, spread the legs as wide as possible. To appear overly sexual, also spread the legs out further.

It is ill advised to for men to spread the legs in full view of more dominant people than themselves including bosses, father-in-law’s, and so forth. Leg spreading may be seen by other highly dominant men as a challenge which may invite confrontation.

Context: a) General b) Dating.

Verbal Translation: a) “I’m dominant and open at the same time so I’m spreading my legs open to put my genitals on open display for others to see and judge. I’m not ashamed.” a) “I’m careless and improper and do not hold gentleman or feminine body postures – or just don’t care how I am perceived.” a) “I’m more comfortable with my legs uncrossed than with them crossed and do not intend to send any particular signal.” b) “I’m a sexually open or liberated (or dominant) woman so I’m keeping my legs open as a sexual invitation.” b) “I’m a sexually dominant man and keep my legs open so you can admire my masculinity.”

Variant: The leg over the chair is as a particularly overt and offensive way of spreading the legs.

Cue In Action: a) He sat at the corner of the couch with his legs spread as wide as he could. Being particularly cowardly, he followed this up by holding his drink between his legs serving as a shield. b) Sharon Stone in the movie Basic Instinct sent a clear message as she slowly uncrossed and re-crossed her legs while being interrogated.

Meaning and/or Motivation: When done by men it is a dominant crotch display, and when done by women usually construed as a sexual invitation or that they have a crass attitude or are “easy.”

Other times, women spread their legs when they are either unaware that it is not socially acceptable or that they have an easy-going personality. In modern times, women have been encouraged to carry more male-like characteristics and are not scorned when they do not close their legs. This has been a recent cultural shift. Generally, as women graduate into adulthood in their late teens, they will adopt more “lady-like” postures on their own, motivated by their own instincts and tend to cross their legs or at the least keep them tightly pressed together unless relaxing in their own domain.

Legs uncrossed is a signal of openness, acceptance and signal of being easy going. This is of particular importance as it pertains to women, as it can taken as a sexual signal or invitation, making women appear easy, “loose” or at best crass or improper. Women wishing to appear dominant will find this posture comfortable, but it will be accompanied by other male typical gestures such as throwing an arm over the back of the chair to take up more space and loud boisterous behaviour.

Men, on the other hand, have the benefit of using the uncrossed legs signal for more than one reason. Men can have their legs uncrossed to display dominance and authority. This is often culturally permitted in men. In men, the meaning of the leg spread is determined by its context and the manner in which it occurs. Men in seated positions spread their legs as a dominance display as it puts the genitals out for everyone to see.

The leg spreading posture is one which is best analyzed by picturing people fully nude as it helps us visualize the image they wish to portray. While we may wish for equality between the sexes, leg spreading is one such posture that illustrates a key difference between men and women’s sexuality and dominance. While spreading the legs shows assertiveness in men, it often comes across negatively when done by sexually mature woman.

The degree to which leg spreading happens is important in both sexes. Spreading is positively correlated with dominance display. That is, the greater the leg spread, the greater is the dominance display. The legs cocked at shoulder width while seated, is comfortable and natural, even for both sexes (while wearing pants), but once the legs break that distance, the signal becomes much more overt. In other words, once the legs meet their maximum angle, it is as if the genitals are yelling at the top of their lungs through a loudspeaker begging to be noticed!

In a standing position, legs spread at or slightly beyond shoulder width signals dominance in a more acceptable way. In fact, having the legs uncrossed while standing is the most appropriate way to stand since it appears open, accepting and confident.

Cue Cluster: The leg spread is accompanied by other dominant body language such as spreading the arms out, such as on the arm of the next chair, leaning back, hands on the hips if standing and hands away from the face and not fidgeting.

Body Language Category: Arrogance or arrogant body language, Authoritative body language, Courtship displays, Confident body language, Crotch display, Dominant body language, Expansive movements, High confidence body language.