Category: Emotional body language

Body Language of Jaw Clenching or Jaw Tightening

Body Language of Jaw Clenching or Jaw Tightening

BodyLanguageProjectCom - Jaw Clenching or Jaw Tightening 1Cue: Jaw Clenching or Jaw Tightening

Synonym(s): Clenched Jaw, Teeth clenching, Teeth Grinding, Talking Through The Teeth, Lip Occlusion.

Description: The jaws appear to be tightly compressed and the teeth can even be ground together back and forth. Sometime the muscles connected to the temple can be seen flexing.

In One Sentence: Jaw clenching is a signal of an internal struggle.

How To Use it: Flexing the jaw muscles can produce a bulge in the side of the mouth which can signal to others your mounting frustration. You might consider using this signal as a way to have others take your aggression more seriously or as a warning that you are about to lose your cool. Often, demonstrations of aggression lead others to submit and placate. This can work in your favour.

Context: General.

Verbal Translation: “I’m angry or frustrated and I want to speak out, but feel that it’s inappropriate so my teeth are clenching down to bottle myself up and prevent me from saying something I might regret.”

Variant: Sometimes the jaw is held open where muscles both work to keep the jaw open yet clenched at the same time. This causes pain at the edges of the jaw which people register as stress. See Hand Clenching or Fist Clenching.

Cue In Action: a) He put his hand out to shake hands, as they hadn’t seen each other for some time. At the conclusion of the handshake, he clenched his jaw and said “It’s nice to have you back.” Obviously, he felt quite differently. b) She wasn’t impressed. She clenched her teeth and talked thought them. Right away, he knew she was to be avoided, especially until she had time to calm down.

Meaning and/or Motivation: The jaw clenching gesture might be a throwback to a primitive desire to bite someone else. Teeth clenching is a nonverbal signal that indicates hidden or inward-directed grief, stress, fear, tension, anxiety, anger, frustration, or that aggression is being suppressed. Other times, clenching is due to intense physical strain or in anticipation of pain.

Clenching and gripping are ways of signaling that a negative thought or emotion is being held back. In this case, it is a person holding their negative thoughts back from spilling out their mouths.

Many people are fitted with retainers and mouth guards to protect their teeth as they are habitual teeth clenchers and grinders during the night. This is thought to be because of a high stress lifestyle or occupation. Some even develop pain in the muscles surrounding the jaw. When jaw clenching happens during the day, it is a sign that a person is not well and wishes to speak out, but feels like they can’t so they bottle it up. Other times, stress boils high and someone will even speak through their teeth.

Cue Cluster: Be aware of microexpressions such as snarls of the nose, eyes darting, fists slightly clenched or the fingers beginning to curl, mouth pulled to the side, tight-lipped smile, eyes rolling. As the cue is subtle, it indicates that someone is unlikely to want to be overt with their distain.

Body Language Category: Aggressive body language, Anger body language, Clenching and gripping, Closed body language, Closed facial gestures, Dislike (nonverbal), Emotional body language, Frustration or frustrated body language, Hostile body language, Microgestures, Stressful body language, Threat displays.

Resources:

Arsenio, W. F., Cooperman, S., & Lover, A. Affective Predictors of Preschooler’s Aggression and Peer Acceptance: Direct and Indirect Effects. Developmental Psychology. 2000. 36: 438-448.

App, Betsy; Catherine L. Reed and Daniel N. McIntosh. Relative Contributions Of Face And Body Configurations: Perceiving Emotional State And Motion Intention. Cognition and Emotion. 2012. 26(4): 690-698.
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Arsenio, W. F., Cooperman, S., & Lover, A. Affective Predictors of Preschooler’s Aggression and Peer Acceptance: Direct and Indirect Effects. Developmental Psychology. 2000. 36: 438-448.

American Psychiatric Association, A. P. (1994). Diagnostic and statistical manual of
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the bark worse than the bite. Journal of Personality, 55, 299–316.

Call, B., Hare, B., & Tomasello, M. (1998). Chimpanzee gaze following in an object-choice task. Animal Cognition, 1, 89–99.

Behne, T., Carpenter, M., & Tomasello, M. (2005). One-Year-Olds Comprehend The Communicative Intentions Behind Gestures In A Hiding Game. Developmental Science, 8, 492–499.

Broth, Mathias and Lorenza Mondada. Walking Away: The Embodied Achievement of Activity Closings in Mobile Interaction. Journal of Pragmatics. 2013. 47: 41-58.
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Gräfenhaina, Maria; Tanya Behnea; Malinda Carpentera; and Michael Tomaselloa. One-Year-Olds’ Understanding Of Nonverbal Gestures Directed To A Third Person. Cognitive Development. 2009. 24: 23-33. http://bodylanguageproject.com/articles/origins-nonverbal-communication-body-language-infants-study/

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Huang, Ding-Hau; Shih-Wei Chou; Yi-Lang Chen and Wen-Ko Chiou. Frowning and Jaw Clenching Muscle Activity Reflects the Perception of Effort During Incremental Workload Cycling. Journal of Sports Science and Medicine. 2014. 13: 921-928.
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Body Language of Honest Smile or Duchenne Smile

Body Language of Honest Smile or Duchenne Smile

BodyLanguageProjectCom - Honest Smile or Duchenne Smile 1Cue: Honest Smile or Duchenne Smile

Synonym(s): Duchenne Smile, Felt Smile, Broad Smile, Smiling Eyes

Description: This smile is called the honest smile and its giveaway is the appearance of crow’s feet at the corner of the eyes. The orbicularis oculi muscles surround the eyes contract when happy emotions are present. The zygomatic muscles, around the mouth, on the other hand, are consciously controlled and can be a giveaway to a false smile, as does the presences of asymmetry.

In One Sentence: The Duchenne is an honestly felt smile indicating true happiness.

How To Use it: Research has found that with practice many people can actually replicate the characteristics of the “true smile” to fool casual observers. Honest smiles should be the default smile as it will create the most warmth and trust in others.

The exception of course, is when one does not wish to welcome people closer. A polite smile is better suited for such occasions.

Should a woman wish to repel men in a dating context, an honest smile would be counterproductive. A polite smile can be used in its stead and tell him nonverbally, that, while the offer is appreciated, no mutual feelings exist.

To perform the Duchenne smile, be sure to flex the muscles surrounding the eye to produce crow’s feet. Practice this in the mirror.

Context: General

Verbal Translation: “I’m so overjoyed that my eyes are lighting up with happiness – it’s as if my eyes are smiling.”

Variant: A broad smile occurs when the teeth are made visible. See Smiling, Fear Smile, Friendly Smile, Frown (the) or Downturned Smile, Honest Smile or Duchenne Smile, Jaw Drop Smile, Nervous Smile, Polite Smile (the), Uneven Smile Or Lopsided Smile, Upper Lip Smile, Artificial Smile or Fake Smile, Nervous Smile, Honest Smile or Duchenne Smile, Contempt Facial Expression.

Cue In Action: a) Despite holding her laugh in, her eyes crinkled into crows feet. b) Wrinkles formed at the edges of her eyes – she had smiling eyes. c) The con artist gave himself away. When he smiled, his jaw dropped, but no wrinkles formed at the edges of his eyes.

Meaning and/or Motivation: The Duchenne smile is a “true smile.” It is honest and due to true feelings of joy. The gaze is relaxed and the smile is intended to convey joy and pleasure. It is difficult to replicate these smiles without being truly amused or in good company as the muscles are usually out of our conscious control. Therefore, this is a smile that is not easily faked making it a reliable indicator.

The Duchenne Smile draws its name from the French researcher Guillaume Duchenne who used electrodiagnostics and electrical stimulation to distinguish between real and fake smiles.

Cue Cluster: Duchenne smiles will be coupled with other open and relaxed body language such as arms uncrossed, palms up and gesturing, relaxed gaze, ample gesticulation, increased proximity, orienting toward a person, and so forth.

Body Language Category: Honest body language, Open body language, Liking, Emotional body language.

Resources:

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Ekman, P., & Friesen, W. V. (1982). Felt, false and miserable smiles. Journal of Nonverbal Behavior, 6, 238–252.

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Frank, M. G., & Ekman, P. (1993). Not all smiles are created equal: The differences between enjoyment and nonenjoyment smiles. Humor: International Journal of Humor Research, 6, 9–26.

Frank, M. G., Ekman, P., & Friesen, W. V. (1993). Behavioral markers and recognizability of the smile of enjoyment. Journal of Personality and Social Psychology, 64, 83–93.

Fairbairn, Catharine E.; Michael A. Sayette; Odd O. Aalen and Arnoldo Frigessi. Alcohol and Emotional Contagion: An Examination of the Spreading of Smiles in Male and Female Drinking Groups. Clinical Psychological Science. 2014. DOI: 2167702614548892
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Body Language of Happiness And Joy

Body Language of Happiness And Joy

BodyLanguageProjectCom - Happiness And Joy 1Cue: Happiness And Joy

Synonym(s): Joy, Happiness Facial Expression.

Description: Happiness is a combination of the happiness facial expression and associated happy body language.

The eyebrows are slightly raised forcing the eyelids to crinkle and show crows feet, eyes may sometimes narrow, the corners of the lips curl upward, the lips sometimes part to show upper teeth, cheeks puff up and bulge. See how a real smile is coupled with other body language in the cue cluster to produce happiness and joy.

In One Sentence: Happiness body language is a way the body shows other people that good things are going on inside a person’s mind, usually as a result of good things going on outside of their body.

How To Use it: Use joyful nonverbal expressions when you want others to see you in a positive light. Happiness is read by others as a sign of good health, prosperity and a good mental disposition. At times, healthy body language can be feigned in order to attract better quality partners, to make others jealous, or to hide insecurity. Some experts advocate faking positive body language as they believe that the body has a powerful influence over the mind (and vice versa). Therefore, moving the body is more joyful ways can sometimes produce desire emotional results. A joyful expression is also frequently contagious and copied in others. This gives the initiator of the happiness message a positive halo effect.

Context: General.

Verbal Translation: “I’m so happy my face is opening up to the whole world and my eyes are crinkling and smiling too. My teeth are bared as my mouth opens with joy.”

Variant: See Artificial Smile or Fake Smile to compare a real simile to a fake one as well as the Honest Smile or Duchenne Smile.

Cue In Action: You just knew she wasn’t faking it, her body was vibrating with joy and happiness, her face was beaming, her body was open and flowing.

Meaning and/or Motivation: Happiness is motivated by internal hormones, buffered and released by, external stimuli to create a body that is open, flowing, and beaming.

Happiness means that good things are happening to a person or that they are making good things happen to them. At times, negative things do happen, but a person who resists being negatively affected by them, shows a positive rather than pessimistic affect and one who is able to work through hardship. This is the exact opposite to those who view life pessimistically that look for the negative in all situations and expect good outcomes to be only temporary.

Cue Cluster: Watch for open body language such as arms and legs uncrossed, tension to be erased from the face, the eyes will twinkle, laugh lines appear in the corner of the eyes, cheeks raise and the teeth expose,

Body Language Category: Amplifier, Appease, Childlike playfulness, Emotional body language, Open body language, Open facial gestures.

Resources:

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Body Language of Hand Wringing

Body Language of Hand Wringing

BodyLanguageProjectCom - Hand Wringing 2Cue: Hand Wringing

Synonym(s): Wringing The Hands.

Description: The hands are clasp one inside the other and tightly clamped and twisted on each other. The hands may also be tightly cupped and squeezed one inside the other or interlaced and squeezed. It can be done so aggressively that the fingers or knuckles turn white.

In One Sentence: Wringing the hands is a sign that a person is experiencing anxiety, stress or suffering from low confidence.

How To Use it: Wringing the hands is not useful and one should avoid it when possible. While it can provide a tactile release for underlying stress, it is best to do something proactive to actually resolve the issue rather than suppress it.

Context: General.

Verbal Translation: “I’m so agitated and stressed that I’m inflicting pain on myself as I would like to do to someone else, or due to stress of the situation at large. Since I’ve lost control of the situation and others, the best I can do is control the pain I do onto myself.”

Variant: This cue is similar to self pinching, pulling or even plucking the hair, or pinching one’s self as they are all forms of inflicting pain on the self. This is especially common when external pain can not be controlled.

Cue In Action: She wrung her hands as she waited for the doctor to report back with news about the surgery.

Meaning and/or Motivation: It signifies high anxiety, stress, or low confidence, and is a pacifying behaviour.

The hands are clenched because of the internal turmoil that a person feels that they cannot resolve through external factors. Pain that is inflicted on the self is pain that is controlled by the self. Therefore, self-pain is pain that is used to regain some agency over a person’s outcome – even if it is entirely unproductive.

Clenching is also a replacement for pain that someone might wish to inflict on other people whom they feel are causing their problems, and if not caused by people directly, than to the context in general.

Cue Cluster: Hand wringing is usually accompanied by gritting the teeth or jaw clenching, scratching and plucking behaviours, licking the teeth to sooth, lip biting or cheek chewing, eye squinting, snarling, amongst others.

Body Language Category: Aggressive body language, Anger, Clenching and gripping, Closed body language, Dislike (nonverbal), Emotional body language, Energy Displacement, Frustration or frustrated body language, Hostile body language, Low confidence hand displays, Nervous body language, Stressful body language, Worry body language.

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Body Language of Hand Over The Chest

Body Language of Hand Over The Chest

BodyLanguageProjectCom - Hand Over The Chest 1Cue: Hand Over The Chest

Synonym(s): Hand On The Heart.

Description: When the hand is clasped over the chest or heart.

In One Sentence: Holding the hand over the heart is signal that one is thinking about the best interest of others.

How To Use it: Research has shown that when people hold their hands to their hearts they are primed to make better moral judgments. When you wish to have others make an honest confession, having them swear and make oath by holding their hands over their chest, will help produce desired results.

Likewise, when you wish to show others that you are thinking about them and hold a caring attitude for them, hold your hand over your heart to pledge your moral position.

Context: General.

Verbal Translation: “My heart is warm and I’m thinking about you and have your best interest at heart so I’m clasping the soul of my body, my heart because I want you to really see how important you are to me.”

Variant: One or two hands might come up. When two hands come up it appears as a self hug and rocking from side to side might accompany. This shows tender love and a desire to feel comforted and secure.

Cue In Action: We might see the hand of a salesman come to his chest to show his deepest desire to sell you a valued product.

Meaning and/or Motivation: An appeal to honesty and sincerity or deep appreciation. When we show our condolences to a family member for their lose, we will bring our hand to our heart. Our hand comes to our heart when we wish to be believed and show that it is us who cares deeply about another.

Cue Cluster: Hand over the heart is usually accompanied by a titled head, wide smile, and kind eyes.

Body Language Category: Emotional body language, Honest body language, Liking, Nonthreatening body language, Rapport or rapport building.

Resources:

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Body Language of Hand Gripping Upper Arm or Wrist Behind Back

Body Language of Hand Gripping Upper Arm or Wrist Behind Back

Cue: Hand Gripping Upper Arm or Wrist Behind Back.

Synonym(s): Gripping Upper Arm or Wrist Behind The Back, Wrist Gripping Behind Back, Arm Gripping Behind Back, Restraining The Self, Self Restraint.

Description: A posture where the arm is wrapped in behind the back to reach to wrist or upper arm.

In One Sentence: Gripping the upper arm behind the back is a nonverbal demonstration of holding one’s self back.

How To Use it: Use this upper arm grip behind the back cue when you want to show others that you are holding yourself back from acting out. As the cue reminds us of being restrained by a parent, it embodies the kind of self-restrained we might currently require. Therefore, the cue makes holding back easier since it reminds us of parental assistance. So if you feel that you may be spurred into an outburst, or that you need reassurance, reach up and grab your wrist or arm to create a more solid foundation to repress your thoughts or emotions. The cue is most useful when we fear that we may say something we might later regret or we need the security of being around a loved one due to insecurity.

Context: General.

Verbal Translation: “The reason I am gripping my arm or wrist behind my back is because I’m holding myself back from striking out due to my negative thoughts.”

Variant: See Arm Crossing, Hugging or The Double Arm Hug, Military Man or Regal Stance.

Cue In Action: The cop pulled her aside to speak with her about her conduct. She was so angry she was red in the face. She balled up her left hand behind her back, reached around with her right hand and clasped it rigidly preventing her from speaking or acting out on her displeasure.

Meaning and/or Motivation: The hand gripping the wrist or upper arm in behind the back sends an emotional message of frustration. It is an attempt at self-control and restraint. Therefore, it signals negative thoughts. In this case, the hand is holding the arm back preventing action from taking place due to negative emotions.

Restraint postures are part of the “freeze, flight or fight” response. When imagining this body language try picturing a toddler ready to strike at another. His mother would hold him back by the wrist or arm preventing him from doing so. This believed to the origins of the posture.

However, in adulthood, the posture is self-inflicted. We do the posture to remind us of the strength others have provided us in the past against our emotional outbursts. The posture serves to relieve tension through gripping and energy displacement. This gives us something to do to displace our negative energy.

Gripping, especially intensely, helps us feel more relaxed because the pain releases pleasure hormones and adrenaline. The same could be achieved through more constructive mechanisms like running, exercise, or constructing something useful, but like all forms of body language, the solutions come from an archaic part of the brain through evolution (or accident), so we are not interested in doing constructive work at a time when our minds are dealing with stress.

A more intense hand gripping posture happens when the arm grips higher up near the elbow or upper arm. The higher the grip, the more frustration is present and the more self-control is being expressed.

Cue Cluster: Clenching and gripping can have many other forms as well, including clenching the jaws tightly or even talking through the teeth, cracking knuckles, pulling the hair or even plucking it, pinching one’s self, and clenching the fists by turning them into a ball or wringing the hands out like a wet article of clothing.

Body Language Category: Aggressive body language, Anger, Clenching and gripping, Emotional body language, Frustration or frustrated body language, Hostile body language, Masked emotions, Negative body language.

Resources:

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Pettijohn, Terry F. , Ii ; Ahmed, Shujaat F. ; Dunlap, Audrey V. ; Dickey, Lauren N. Who’s got the upper hand? Hand holding behaviors among romantic couples and families.(Report). Current Psychology. 2013. 32(3): 217(4).

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Pecora, Giulia ; Addessi, Elsa ; Schino, Gabriele ; Bellagamba, Francesca. Do displacement activities help preschool children to inhibit a forbidden action? Journal of Experimental Child Psychology. 2014. 126: 80-90.

Rubin, Mark Morrison, Todd G. (editor). Social Affiliation Cues Prime Help-Seeking Intentions. Canadian Journal of Behavioural Science/Revue canadienne des sciences du comportement. 2011. 43(2): 138-141.

Rosenbloom, Tova ; Ben-Eliyahu, Adar ; Nemrodov, Dan. Children’s crossing behavior with an accompanying adult. Safety Science. 2008. 46(8): 1248-1254.

Rubin, Mark Morrison, Todd G. (editor). Social Affiliation Cues Prime Help-Seeking Intentions. Canadian Journal of Behavioural Science/Revue canadienne des sciences du comportement. 2011. 43(2): 138-141.

Schaafsma, Juliette ; Krahmer, Emiel ; Postma, Marie ; Swerts, Marc ; Balsters, Martijn ; Vingerhoets, Ad. Comfortably Numb? Nonverbal Reactions to Social Exclusion. Journal of Nonverbal Behavior. 2015. 39(1): 25-39.

Schino G, Perretta G, Taglioni AM, Monaco V, Troisi A. 1996. Primate displacement activities as an ethopharmacological model of anxiety. Anxiety 2:186–191.

Supplee, Lauren H ; Skuban, Emily Moye ; Shaw, Daniel S ; Prout, Joanna. Emotion regulation strategies and later externalizing behavior among European American and African American children. Development and Psychopathology. 2009. 21(2): 393-415.

Tamres L, Janicki D, Helgeson VS (2002) Sex differences in coping behaviour: a meta-analytic review. Personal Soc Psychol Rev 6: 2–30.

Troisi A (2002) Displacement activities as a behavioural measure of stress in nonhuman primates and human subjects. Stress 5: 47–54.

Troisi A (1999) Ethological research in clinical psychiatry: the study of nonverbal behaviour during interviews. Neurosci Biobehav Rev 23: 905–913.

Troisi A, Moles A (1999) Gender differences in depression: an ethological study of nonverbal behaviour during interviews. J Psychiatr Res 33: 243–250.

Toronto, Ellen L.K. A clinician’s response to physical touch in the psychoanalytic setting. International Journal of Psychotherapy. 2002 7(1): 69-81.

Williams, Trish ; Connolly, Jennifer ; Cribbie, Robert. Light and Heavy Heterosexual Activities of Young Canadian Adolescents: Normative Patterns and Differential Predictors.(Author abstract)(Report). Journal of Research on Adolescence. 2008. 18(1): 145(28).

Yu, Yawen ; Bardy, Benoit G ; Stoffregen, Thomas A. Influences of head and torso movement before and during affordance perception. Journal of motor behavior. 2011. 43(1): 45-54.

von Hippel W, von Hippel C, Conway L, Preacher KJ, Schooler JW, et al. (2005) Coping with stereotype threat: denial as an impression management strategy. J Personal Soc Psychol 89: 22–35.

Body Language of The Grimace

Body Language of The Grimace

No picCue: Grimace

Synonym(s): N/A

Description: A facial expression that is contorted and uneven with many muscles of the face contracting to twist the face into an odd and painful looking orientation.

In One Sentence: A grimace is a nonverbal demonstration of pain.

How To Use it: Use the grimace to tell other people, in a nonverbal fashion, that you are suffering.

Sports athletes can use the grimace to show that they are strong enough to play through large amounts of emotional and physical pain. This serves to protect their dominance.

However, a persistent grimace can notify others that one is in need of emotional or medial help. Rather than suffering in silence, a grimace can show others that you are working hard to stifle the pain, but that you are struggling. This can often active other people to come to your assistance and offer aid.

Context: General.

Verbal Translation: “I’m in so much distress that my facial muscles are contracting in an odd and unusual ways.”

Variant: See Fear Facial Expression (The), Fear Smile.

Cue In Action: To see this face authentically, pay close attention while watching courtroom television shows. Usually the defendant who is under stress will seem to beam with light from their teeth. The judge will often see him or her as being defiant, and often requests for them to remove their smug look.

Meaning and/or Motivation: A grimace results from extreme shock or nervousness, disgust, disapproval, pain or fear. We see the fear facial expression under high stress situations.

The grimace happens in situations where one is forced to talk or debate under a stressful situation. You will find that this sly face appears almost universally even though no pleasure is felt. The grimace is a disarming gesture meant to appease others, but it usually comes off as insincere and smug.

Cue Cluster: A grimace will appear with other pain related body language such as head lowered, arms pulled inward, shoulders slumped, chest lowered to protect the abdomen and so forth.

Body Language Category: Automatic gesture, Emotional body language.

Resources:

Bonanno, George A. ; Keltner, Dacher Strauss, Milton E. (editor). Facial Expressions of Emotion and the Course of Conjugal Bereavement. Journal of Abnormal Psychology. 1997. 106(1): 126-137.

Boucher, J D. Facial displays of fear, sadness and pain. Perceptual and motor skills 1969. 28(1): 239-42.

Burton, Keith W. Habitual emotion regulation and the facial grimace. Psychological reports. 2011. 109(2): 521-32.

Burton, K. W., Hargrave, K., Myers, S., Warren, A., Wolsfeld, S., Tompkins, D., Qualls, M., & Reminger, S. (2008) Habitual emotion regulation and increased zygomaticus major activity evoked by negative images (or “grimacing”). Psychophysiology,
45, S118.

Craig, Kenneth D. ; Patrick, Christopher J. Hogan, Robert (editor). Facial Expression During Induced Pain. Journal of Personality and Social Psychology. 1985 48(4): 1080-109.

Cannon, W. B. (1929). Bodily changes in pain, hunger, fear and rage (2nd ed.). New York: Appleton, Century, Crofts.

De Morree, Helma M ; Marcora, Samuele M. The face of effort: frowning muscle activity reflects effort during a physical task. Biological psychology. 2010. 85(3): 377-82.

Frijda, Nico H.. What is pain facial expression for? Behavioral and Brain Sciences. 2002. 25(4): 460-460.

Gehricke, Jean-Guido ; Fridlund, Alan J. Smiling, frowning, and autonomic activity in mildly depressed and nondepressed men in response to emotional imagery of social contexts. Perceptual and motor skills. 2002. 94(1): 141-51.

Humphries, Courtney. Not raving but frowning.(Viewpoint essay). New Scientist. 2012. 215(2874): 42(4).

Ichikawa, Hiroko ; Makino, Junshiro. Function of congruent facial responses to smiling and frowning. Perceptual and motor skills. 2007. 105(3 Pt 1): 838-51.

Lang, P. J., Greenwald, M. K., Bradley, M. M., & Hamm, A. O. (1993) Looking at pictures: affective, facial, visceral, and behavioral reactions. Psychophysiology, 30,
261-273.

Larsen, J. T., Norris, C. J., & Cacioppo, J. T. (2003) Effects of positive affect and negative affect on electromyographic activity over zygomaticus major and corrugator supercilii. Psychophysiology, 40, 776-785.

Mori, K., & Mori, H. (2010) Examination of the passive facial feedback hypothesis using an implicit measure: with a furrowed brow, neutral objects with pleasant primes look less appealing. Perceptual and Motor Skills, 111, 785-789.

Morree, Helma ; Marcora, Samuele. Frowning muscle activity and perception of effort during constant-workload cycling. European Journal of Applied Physiology. 2012. 112(5): 1967-1972.

Hermann, Christiane; Flor, Herta. Facial expression of pain more than a fuzzy expression of distress? Behavioral and Brain Sciences. 2002. 25(4): 462-463.

Han, Changsu ; Park, Geun-Young ; Wang, Sheng-Min ; Lee, Seung-Yeop ; Lee, Soo-Jung ; Bahk, Won-Myong ; Pae, Chi-Un. Can botulinum toxin improve mood in depressed patients? Expert review of neurotherapeutics. 2012 12(9): 1049-51.

Huang, Ding-Hau; Shih-Wei Chou; Yi-Lang Chen and Wen-Ko Chiou. Frowning and Jaw Clenching Muscle Activity Reflects the Perception of Effort During Incremental Workload Cycling. Journal of Sports Science and Medicine. 2014. 13: 921-928.
http://bodylanguageproject.com/articles/physical-strain-leads-jaw-clenching-frowning-body-language/

Kunz, Miriam ; Peter, Jessica ; Huster, Sonja ; Lautenbacher, Stefan Gray, Marcus (Editor). Pain and Disgust: The Facial Signaling of Two Aversive Bodily Experiences (Comparing Facial Expressions of Pain and Disgust). 2013. 8(12): p.e83277

Kunz, Miriam ; Mylius, Veit ; Schepelmann, Karsten ; Lautenbacher, Stefan. Impact of age on the facial expression of pain. Journal of Psychosomatic Research. 2008. 64(3): 311-318.

Keogh, Edmund; Holdcroft, Anita. Sex differences in pain: Evolutionary links to facial pain expression. Behavioral and Brain Sciences. 2002. 25(4): 465-465.

LeResche, Linda ; Dworkin, Samuel F. Facial expression accompanying pain
Social Science & Medicine. 1984. 19(12): 1325-1330.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Pantic, Maja; Rothkrantz, Leon J. M. Machine understanding of facial expression of pain. Behavioral and Brain Sciences. 2002. 25(4): 469-470.

Vlaeyen, Johan W.S. ; Hanssen, Marjolein ; Goubert, Liesbet ; Vervoort, Tine ; Peters, Madelon ; van Breukelen, Gerard ; Sullivan, Michael J.L. ; Morley, Stephen. Threat of pain influences social context effects on verbal pain report and facial expression. Behaviour Research and Therapy. 2009 47(9): 774-782.

Walsh, Joseph ; Eccleston, Christopher ; Keogh, Edmund. Pain communication through body posture: The development and validation of a stimulus set. Pain. 2014. 155(11): 2282-2290.

Body Language of Gait or Walking Styles

Body Language of Gait or Walking Styles

No picCue: Gait or Walking Styles

Synonym(s): Walking Styles.

Description: Refers to the style or mechanics of locomotion in humans and its hidden meaning.

In One Sentence: Gait is highly unique to each person much like a fingerprint and it’s style is connected to various personality traits.

How To Use it: Use your gait to signal desired qualities to others. A bouncy gait signals joy and happiness, a swagger shows sexual energy, hobble shows age, darting shows impatience, prancing shows femininity. Use the type of gait that suits your personality best.

Context: General

Verbal Translation: “How I walk gives clues to my health, emotions, character and accomplishments.”

Variant: N/A

Cue In Action: He just won the lottery. Not only did he carry a huge grin on his face, but he also walked with an exaggerated bounce in his step. It was as if he had been transported back to his youth.

Meaning and/or Motivation: Scientists have identified thirty six different types of gait in the human species. They include the hobble, the mince, the glide, the bounce, the stride, the wiggle, the dart, the prance and the run. People can shuffle along or drag their feet, bounce up and down, or seem to float on air.

How one walks gives clues to the internal workings of people, their emotions and rhythm, character and even their accomplishments not to mention their health and age.

Those who are positive will tend to walk energetically while those who are down and depressed or elderly will saunter or hobble about. The effect is particularly pronounced between the old and young, but it can easily be seen between those who expect good things to happen and those who do not.

Cue Cluster: Watch for additional cues coupled with gait types to decide the overall mental attitude and disposition people carry.

Body Language Category: Amplifier, Confident body language, Depressive body language, Emotional body language, Enthusiasm (nonverbal), Excited body language, Gravity defying body language, Happiness, High confidence body language, Low confidence body language.

Resources:

Angela Book, Kimberly Costello and Joseph A. Camilleri Psychopathy and Victim Selection: The Use of Gait as a Cue to Vulnerability. Journal of Interpersonal Violence. 2013. 28(11): 2368-2383. DOI: 10.1177/0886260512475315jiv.sagepub.com
http://bodylanguageproject.com/articles/dont-walk-like-youre-watched-avoid-victimization-nonverbal-behavior/

Brownlow, S., Dixon, A. R., Egbert, C. A., & Radcliffe, R. D. (1997). Perception of movement and dancer characteristics from point-light displays of dance. The sychological Record, 47(3), 411–421. http://dx.doi.org/10.1068/p250727.

Crane, Elizabeth ; Gross, M. Effort-Shape Characteristics of Emotion-Related Body Movement. Journal of Nonverbal Behavior. 2013. 37(2): 91-105.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait perception without familiarity cues. Bulletin of the Psychonomic Society, 9(5), 353–356.

Cho, S. H., Park, J. M., & Kwon, O. Y. (2004). Gender differences in three dimensional gait analysis data from 98 healthy Korean adults. Clinical Biomechanics, 19, 145–152.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait
perception without familiarity cues. Bulletin of the Psychonomic Society, 9, 353–356.

Eisenberg, Philip ; Reichline, Philipb. Judging Expressive Movement: II. Judgments of Dominance-Feeling from Motion Pictures of Gait. The Journal of Social Psychology. 1939. 10(3): 345-357.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/

Gunns, Rebekah E; Lucy Johnston; and Stephen M. Hudson. Victim Selection And Kinematics: A Point-Light Investigation Of Vulnerability To Attack. Journal of Nonverbal Behavior. 2002. 26(3): 129-158.
http://bodylanguageproject.com/articles/how-to-avoid-an-attack-just-by-changing-how-you-walk-study/

Guéguen N. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
http://bodylanguageproject.com/articles/gait-as-bait-women-walk-sexy-during-high-sexual-receptivity/

Gross, M Melissa ; Crane, Elizabeth A ; Fredrickson, Barbara L. Effort-Shape and kinematic assessment of bodily expression of emotion during gait. Human movement science. 2012. 31(1): 202-21.

Hasegawa, T. and K. Sakaguchi. 2006. Person perception through gait information and target choice for sexual advances: comparison of likely targets in experiments and real life. Journal of Nonverbal Behavior 30(2): 63-85.

Johnson, Kerri L.; Gill, Simone; Reichman, Victoria and Tassinary, Louis G. Swagger, Sway, and Sexuality: Judging Sexual Orientation from Body Motion and Morphology. Journal of Personality and Social Psychology. 2007. 93(3): 321-334. doi: 10.1037/0022-3514.93.3.321
http://bodylanguageproject.com/articles/heterosexual-vs-homosexual-swagger-can-you-spot-the-difference/

Janssen, Daniel ; Schöllhorn, Wolfgang ; Lubienetzki, Jessica ; Fölling, Karina ; Kokenge, Henrike ; Davids, Keith. Recognition of Emotions in Gait Patterns by Means of Artificial Neural Nets. Journal of Nonverbal Behavior. 2008. 32(2): 79-92.

Johnson, Kerri L ; Gill, Simone ; Reichman, Victoria ; Tassinary, Louis G. Swagger, sway, and sexuality: Judging sexual orientation from body motion and morphology. Journal of personality and social psychology. 2007. 93(3): 321-34.

Johnson, Kerri L ; Tassinary, Louis G. Perceiving sex directly and indirectly: meaning in motion and morphology. Psychological science. 2005. 16(11): 890-7.

Kito, Tomonori ; Yoneda, Tsugutake. Dominance of gait cycle duration in casual walking. Human Movement Science. 2006. 25(3): 383-392.

Kozlowski, L. T., & Cutting, J. E. (1977). Recognizing the sex of a walker from a dynamic point-light display. Perception and Psychophysics, 21(6), 575–580.

Montepare, Joann ; Zebrowitz, Leslie. A cross-cultural comparison of impressions created by age-related variations in gait. Journal of Nonverbal Behavior. 1993. 17(1): 55-68.

Montepare, Joann ; Goldstein, Sabra ; Clausen, Annmarie. The identification of emotions from gait information. Journal of Nonverbal Behavior. 1987. 11(1): 33-42.

Montepare, J. M., & Zebrowitz-McArthur, L. (1988). Impressions of people created by age-related qualities of their gaits. Journal of Personality and Social Psychology, 55(4), 547–556. http://dx.doi.org/10.1037/ 0022-3514.55.4.547.

Miller, G., Tybur, J. M., & Jordan, B. D. Ovulatory cycle effects on tip earning by lap dancers: Economic evidence for human estrus. Evolution and Human Behavior. 2007. 28: 375-381. http://dx.doi.org/10.1016/j.evolhumbehav.2007.06.002.

Montepare, J. M., Goldstien, S. B., & Clausen, A. (1987). The identification of emotions from gait information. Journal of Nonverbal Behavior, 11, 33–42.

Michalak, J., Rohde, K., Troje, N. F. How We Walk Affects What We Remember: Gait Modifications Through Biofeedback Change Negative Affective Memory Bias. Journal of Behavior Therapy and Experimental Psychiatry. 2015. 46:121-125.
http://bodylanguageproject.com/articles/walking-happy-leads-actual-happiness-game-emotions-body-language/

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Opila-Correia, K. A. (1990). Kinematics of high-heeled gait. Archives of Physical Medicine and Rehabilitation, 71, 304–309.

Prasad, S., & Shiffrar, M. (2009). Viewpoint and the recognition of people from their movements. Journal of Experimental Psychology – Human Perception and Performance, 35(1), 39–49. http://dx.doi.org/10.1037/A0012728.

Roether, C. L., Omlor, L., Christensen, A., & Giese, M. A. (2009). Critical features for the perception of emotion from gait. Journal of Vision, 9(6), 1–32. http://dx.doi.org/10.1167/9.6.15.

Sakaguchi, Kikue and Toshikazu Hasegawa. Person Perception Through Gait Information And Target Choice For Sexual Advances: Comparison Of Likely Targets In Experiments And Real Life. Journal of Nonverbal Behavior. 2006; 30:63-85. DOI 10.1007/s10919-006-0006-2
http://bodylanguageproject.com/articles/dont-walk-like-youre-asking-targets-sexual-approach-based-walking-style-personality-study/

Schneider, Sabrina ; Christensen, Andrea ; Hau[sz]inger, Florian B. ; Fallgatter, Andreas J. ; Giese, Martin A. ; Ehlis, Ann – Christine. Show me how you walk and I tell you how you feel — A functional near-infrared spectroscopy study on emotion perception based on human gait. Neuroimage. 2014. 85: 380(11).

Smith, E. O. (1999). High heels and evolution: Natural selection, sexual selection and high heels. Psychology, Evolution and Gender, 30, 245–277. Smith, E. O., & Helms, W. S. (1999). Natural selection and high heels. Foot and Ankle International, 20, 55–57.

Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271 Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271
http://bodylanguageproject.com/articles/walk-drives-first-impressions/

van der Zwan, Rick and Natasha Herbert. “I Like The Way You Move”: How Hormonal Changes Across The Menstrual Cycle Affect Female Perceptions of Gait. Research Notes. 2012; 5: 453.
http://bodylanguageproject.com/articles/women-at-peak-fertility-rate-other-female-walkers-less-favorably/

Walter, K. D., Brownlow, S., Ervin, S. L., & Williamson, N. (1998). Something in the way she moves: The influence of shoe altered gait on motion and trait impressions of women. PSI CHI Journal of Undergraduate Research, 3, 163–169.

Body Language of Furrowed Forehead

Body Language of Furrowed Forehead

BodyLanguageProjectCom - Furrowed Forehead 3Cue: Furrowed Forehead

Synonym(s): Forehead Creasing, Wrinkled Forehead, Forehead Furrow.

Description: Frowning done by creasing the forehead and brow.

In One Sentence: A furrowed forehead is a sign of negative thoughts.

How To Use it: Furrow the forehead when you want others to visually see that you are not in a positive mood. This can be effective in showing your disapproval of others which may cause them to change their behaviour in order to better please you. Furrowing the forehead works well on children as it does with any submissive audience. The honest portrayal of disapproval through furrowed forehead works to influence others as people are strongly social and do not cope well with the anger of others. Showing disapproval nonverbally avoids a deeper potentially aggressive verbal confrontation, but at the same time, is obvious to onlookers.

Context: General.

Verbal Translation: “Muscles in my forehead are scrunching up to show how badly I feel on the inside.”

Variant: Various other forms of contraction can occur in the face such as the lips, nose and eyes to show negative thoughts. See Compressed Lips, Nose Crinkle, Sneering, Eye Squinting or Narrowing Eyes.

Cue In Action: She was worried that he was going to be upset for being so late for their date that her forehead began to wrinkle and her skin flushed red. She was harried and quickly left her house in a panic.

Meaning and/or Motivation: Wrinkled forehead is one of the quickest ways to detect when a person carries negative thoughts. It can signify anything from anxiousness, sadness, concentration, concern, worry, bewilderment or anger. The cluster of cues which accompany the forehead furrow will give clues to its underlying meaning.

Anger is shown through furrowed forehead coupled with finger pointing, overall tensing of the body or tightening of the jaw and lips (called “lip occlusion”), quivering in the lips, frowning, dilated pupils, squinting of the eyes, crotch displays such as legs open, sneering or flared nostrils, or extreme body loosening to ready for fighting.

Surprise is coupled with a straight upward lift of the forehead whereas fear engages the muscles between the brows folding them. Fear is sometimes confused with surprise as in much of the world only subtle differences exist.

During fear, eyebrows rise and are pulled together, and curve although less than in surprise. Wrinkles appear in the forehead, but do not cross the entire forehead like in the surprised expression. The upper eyelids rise, as in the surprise expression, to expose the white of the eyes and the lower eyelids also rise. The lips may be stretched back and the mouth opened.

Sadness is controlled mainly by the mouth where it drops at the corners. The inner eyebrows rise producing a triangular shape between the root of the nose and the eyes. The forehead might show wrinkles and the eyes may appear moist with tears.

Cue Cluster: See Meaning and/or Motivation.

Body Language Category: Amplifier, Aggressive body language, Anger, Confused body language, Closed facial gestures, Emotional body language, Fearful body language, Hostile body language, Microexpression, Stressful body language, Universal gestures, Universal facial expressions, Worry body language.

Resources:

Bard, K. A. (2003). Development of emotional expressions in chimpanzees (Pan troglodytes). In P. Ekman, J. Campos, R. J. Davidson & F. B. M. De Waal (Eds.), Emotions inside out: 130 years after Darwin’s The Expression of the Emotions in Man and Animals (Vol. 1000, pp. 88-90). New York: Annals of the New York Academy of Sciences.

Baron, R. M., & Kenny, D. A. (1986). The moderator-mediator variable distinction in social psychological research: Conceptual, strategic, and statistical considerations. Journal of Personality and Social Psychology, 51(6), 1173-1882.

Biehl, M., Matsumoto, D., Ekman, P., Hearn, V., Heider, K., Kudoh, T., et al. (1997). Matsumoto and Ekman’s Japanese and Caucasian Facial Expressions of Emotion (JACFEE): Reliability Data and Cross-National Differences. Journal of Nonverbal Behavior, 21, 3-21.

Carroll E. 1994. Innate and universal facial expressions: Evidence from developmental and cross-cultural research Izard, Psychological Bulletin. 115(2): 288-299.

Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
http://bodylanguageproject.com/articles/eyes-and-facial-expressions-may-be-biologically-controlled-serve-a-real-non-emotional-purpose-says-research/

de Waal, F. B. M. (2003). Darwin’s legacy and the study of primate visual communication. In P. Ekman, J. Campos, R. J. Davidson & F. B. M. De Waal (Eds.), Emotions inside out: 130 years after Darwin’s The Expression of Emotion in Man and Animals (pp. 7-31). New York: New York Academy of Sciences.

Duan, Xujun ; Dai, Qian ; Gong, Qiyong ; Chen, Huafu. Neural mechanism of unconscious perception of surprised facial expression. NeuroImage. 2010. 52(1): 401-407.

e Charlesworth, W. R. (1964). Instigation and maintenance of curiosity behavior as a function of surprise versus novel and familiar stimuli. Child Development, 35, 1169–1186.

Ekman, P. & O’Sullivan, M. (1991). Who can catch a liar? American Psychologist. 46, 913-920.

Ekman, Paul. 1994. Strong evidence for universals in facial expressions: A reply to Russell’s mistaken critique Psychological Bulletin. 115(2): 268-287.

Ekman, Paul. 1986. A new pan-cultural facial expression of emotion. Source: Motivation and Emotion Ekman. 10(2): 159-168.

Ekman, Paul and Friesen, W. V. 1987. Universals and cultural differences in the judgments of facial expressions of emotion. Journal of Personality and Social Psychology. 53(4): 712-717.

Ekman, Paul; Friesen, Wallace V. 1971. Constants across cultures in the face and emotion. Journal of Personality and Social Psychology. 17(2): 124-129.

Ekman, Paul. 1972. Universals and cultural differences in facial expressions of emotion. In J. Cole (Ed.), Nebraska Symposium on Motivation, 1971. 19: 207-282. Lincoln: University of Nebraska Press.

Ekman, P., Levenson, R. W., & Friesen, W. V. (1983). Autonomic nervous system activity distinguishes among emotions. Science, 221(4616), 1208-1210.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Elfenbein, H. A., & Ambady, N. (2002). On the universality and cultural specificity of emotion recognition: A meta-analysis. Psychological Bulletin, 128(2), 205-235.

Fulcher, J. S. “Voluntary” facial expression in blind and seeing children. Archives of Psychology, 1942. 38: 272.

Friesen, W. V. 1972. Cultural differences in facial expressions in a social situation: An experimental test of the concept of display rules. Unpublished doctoral dissertation, University of California, San Francisco.

James A. Russell, Naoto Suzuki and Noriko Ishida. 1993. Canadian, Greek, and Japanese freely produced emotion labels for facial expressions. Motivation and Emotion. 17(4): 337 -351

Russell, James A. 1995. Facial Expressions of Emotion: What Lies Beyond Minimal Universality? Psychological bulletin. 118(3): 379-391.

Russell, James A. 1994. Is There Universal Recognition of Emotion From Facial Expression? A Review of the Cross-Cultural Studies. Psychological Bulletin. 115(1): 102-141.

Susskind, Joshua M and Adam K Anderson. Facial Expression Form and Function. Communicative Integrative Biology. 2008. 1(2): 148–149. PMCID: PMC2686004
http://bodylanguageproject.com/articles/emotional-facial-expressions-evolve/

Levenson, R. W., Ekman, P., & Friesen, W. V. (1990). Voluntary facial action generates emotion-specific autonomic nervous system activity. Psychophysiology, 27(4), 363-384.

Levenson, R. W., Ekman, P., Heider, K., & Friesen, W. V. (1992). Emotion and autonomic nervous system activity in the Minangkabau of West Sumatra. Journal of Personality & Social Psychology, 62(6), 972-988.

Ludden, G. D. S., Schifferstein, H. N. J., & Hekkert, P. (2009). Visual–tactual incongruities in products as sources of surprise. Empirical Studies of the Arts, 27, 63–89.

Mori, K., & Mori, H. (2010) Examination of the passive facial feedback hypothesis using an implicit measure: with a furrowed brow, neutral objects with pleasant primes look less appealing. Perceptual and Motor Skills, 111, 785-789.

Matsumoto, D. (1989). Cultural influences on the perception of emotion. Journal of Cross-Cultural Psychology, 20(1), 92-105.

Matsumoto, D. (1992). American-Japanese cultural differences in the recognition of universal facial expressions. Journal of Cross-Cultural Psychology, 23(1), 72-84.

Matsumoto, D. (2001). Culture and Emotion. In D. Matsumoto (Ed.), The Handbook of Culture and Psychology (pp. 171-194). New York: Oxford University Press.
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Body Language of Fear Smile or Stress Smile

Body Language of Fear Smile or Stress Smile

No picCue: Fear Smile

Synonym(s): Stress Smile, Fear Grin.

Description: A smile where the lips are stretched to form a rectangular shape. These muscles sometimes pull the corners of the mouth upwards slightly to produce a grimace. Accompanying the lips stretch is a contraction of the eyebrows together coupled with an upward lift and widened eyes.

In One Sentence: The fear smile indicates emotional stress.

How To Use it: The fear smile is more of a reactive nonverbal signal then one to be used to influence other people. In other words, when stressed, our natural inclination is to smile in fear, however, this is usually taken as a demonstration of smugness as the smile appears out of context. Most often, when it appears people wonder why you are laughing and will command you wipe that smug look off your face. This is especially the case when the fear smile appears when being reprimanded.

Therefore, concealing or stifling the fear smile is probably the best recourse. Stifling an expression, especially the fear smile, while dishonest, does make one appear more stoic when facing a particularly difficult situation.

Context: General.

Verbal Translation: “I’m scared and my smile is motivated by stress, rather than joy, and it’s a way to mask my truly felt emotions.”

Variant: See Smiling, Fear Smile, Friendly Smile, Frown (the) or Downturned Smile, Honest Smile or Duchenne Smile, Jaw Drop Smile, Nervous Smile, Polite Smile (the), Uneven Smile Or Lopsided Smile, Upper Lip Smile, Artificial Smile or Fake Smile, Nervous Smile, Honest Smile or Duchenne Smile, Contempt Facial Expression.

Cue In Action: She came up to him yelling and screaming. He backed away and put his arms over his chest and smiled awkwardly. He had no idea she had been brooding and was not expecting her to confront him in this way. She continued, “wipe that smug look off your face.” She didn’t realize that his smile was due to feeling overwhelmed.

Meaning and/or Motivation: Not all smiles are due to happiness. Sometimes people will smile when they are under high stress. Being confronted can produce the fear smile. If we’re careful to watch for it, it appears like a goofy looking smile. For great examples of the fear smile, watch television courtroom shows. When Judge Judy asks the defendant to wipe that smile off their face – you know she’s asking them to be more stoic rather than flash the fear smile. She is misperceiving the fear smile as smugness.

We see stress smiles when people are at a loss for words in a verbal confrontation and have no way to escape. Research has theorized that the smile actually has roots as a sign of fear where the teeth are bared to confront aggressive challenges. When people show the fear grin they are usually labeled as smug, but the emotion behind this smile is anything but. Human smiles are a universally submissive gesture but they can also symbolize pleasure, amusement, aggression, or anxiety (grimace). However, these other emotions never truly supercede the most common purpose of the smile, which is to show submission.

Cue Cluster: The fear smile is accompanied by defensive postures such as arm crossing, leaning away, head turned away, eyes averted and a deadpan look on the face.

Body Language Category: Appease, Closed body language, Conflicting gestures, Emotional body language, Fearful body language, Masked emotions, Negative body language, Stressful body language, Submissive body language.

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