Category: Dislike (nonverbal)

Body Language of Eye Aversion, Gaze Avoidance and Wandering Eyes

Body Language of Eye Aversion, Gaze Avoidance and Wandering Eyes

BodyLanguageProjectCom - Eye Aversion and Wandering Eyes 1Cue: Eye Aversion and Wandering Eyes

Synonym(s): Eye Avoidance, Eye Withdrawal, Gaze Avoidance, Averting Eyes, Roving Eyes.

Description: When eyes avoid making contact with other eyes on purpose.

In One Sentence: Avoiding eye contact signals that a person wants to avoid being called upon or that they want to create an air of superiority.

How To Use it: Eye contact can be powerful especially when it is avoided. You can show your disdain for someone by simply ignoring their presence on purpose. Likewise, avoiding eye contact can have the effect of making you disappear as well. For example, if you want to avoid being called upon by the teacher or your boss, simply avert your eyes. This tells them that you’re not prepared to interact with them and nonverbally suggests that they move along and pick on someone else.

In a dating context, women should avoid eye contact with potential suitors they do not find agreeable. Even a small amount of eye contact can be seen to be an invitation to solicit especially when combined with a smile. Thus, if possible, keep eyes only for the types of men you wish would approach. This isn’t to say, however, that women should be unfriendly, but women should realize that with friendliness, comes the responsibility of having to acknowledge and interact. If you (accidentally) make eye contact, follow through with a polite verbal decline. Here is an example: “Hi, I’m sorry, I have to leave, I’m supposed to meet with someone.”

Context: General.

Verbal Translation: a) “I don’t want to cause any more problems for myself so I’m going to avoid making eye contact with other more dominant people so I don’t draw attention and provoke people into attacking.” b) “I’m superior to you and so I’m withdrawing my eye contact and affection, and pretending you are an object not worthy of my attention or acknowledgment.”

Variant: Many other variants in eye language exist.  See Eye Language category.

Cue In Action: a) The pupil didn’t want to draw any more attention to himself after throwing the paper air plane so he ducked his head down and averted his eyes in shame. His teacher knew that he was embarrassed for what he had done so she went easier on him. b) They went to bed angry at each other and instead of talking it out the next morning; they avoided each other – pretending that they didn’t exist. c) The seducer had eyes for her, but she wasn’t game. Instead of acknowledging him, she chose to avert her eyes by looking at the ground instead.

Meaning and/or Motivation: The general meaning of eyes avoiding is to show submission or discomfort. Averting the eyes has two primary purposes. One is to avoid conflict and other to power play. Eye avoidance might mean defensiveness, submission, defeat, or negative feelings. It may be done to tease and allure.

People who avert their eyes might also do so because of uncomfortable feelings such as sadness, shame or embarrassment.

Eye aversion is used to prevent others from resorting to an attack response and prevents others from seeing us as a threat. Subordinates commonly avoid eye contact with dominant individuals to indicate submission and respect. Eyes might wander to avoid being reprimanded. Eyes that avoid can serve to “flee” from an encounter, a protective response, as a person subconsciously tries to make distance between himself and his aggressor.

This is the case even if an argument is minor – the eyes will withdraw first showing that a person does not wish to pursue the debate. Eyes can also avoid eye contact thus demonstrating submission. For example, a pupil will look away from his teacher to avoid reprimand. As such, avoidant eyes can be used to reduce conflict, and at the same time, search for possible escape routes to vacate the threat.

Alternatively, eyes can show other people that they aren’t worthy of being acknowledged. We see this when people act passive aggressive. They will avoid eye contact with another person at all costs. When women walk down the street, they will purposely avoid eye contact with men so as to avoid initiating conversation, and their nonverbal message says “I don’t see you as a person worthy of my gaze, so don’t bother me.”

Other times eye contact withdrawal is a way to tease and play such as the peek-a-boo game where the absence of eye contact is part of the allure and so is a signal of interest.

Cue Cluster: When eye aversion is linked to negative thoughts it will be coupled with head dropping, shoulders turned inward and down, cowering, slouching, arm withdrawal and other protective and shrinking body language

During a power play we will see signs of both dominance and apathy. For example, a person might ignore personal space by brushing up against the other person or bumping into them, orient their bodies away, talk over or around them. Likewise, they may purposely show affection to someone else thereby creating discomfort in another.

Body Language Category: Appease, Arrogance or arrogant body language, Anger, Authoritative body language, Body size reduction, Courtship displays, Closed body language, Defensive, Disengagement, Dislike (nonverbal), Distancing or moving away, Embarrassment (nonverbal), Escape movements, Eye Language, Fearful body language, Indicators of sexual interest (IOsI), Nervous body language, Negative body language, Nonthreatening body language, Power play, Rejection body language, Readiness to submit postures, Shy nonverbal, Submissive body language.

Resources:

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Chen, Yi-Chia ; Yeh, Su-Ling. Look into my eyes and I will see you: Unconscious processing of human gaze. Consciousness and Cognition. 2012 21(4): 1703-1710.

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Ellsworth, Phoebe; Carlsmith, J Merrill. 1973. Eye contact and gaze aversion in an aggressive encounter. Journal of Personality and Social Psychology. 28(2): 280-292.

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Body Language of The Disgusted Facial Expressions

Body Language of The Disgusted Facial Expressions

BodyLanguageProjectCom - Disgust Facial Expression 1Cue: Disgust Facial Expression

Synonym(s): N/A

Description: One of the six main universal facial expressions characterized by eyebrows that are turned inward, raised upper lip, winkled nose and a rise in cheek muscles.
Here, the lower eyelids rise and lines appear in the skin below them.

In One Sentence: Raising the upper lip in disgust signals a negative visceral reaction to a person, idea, or situation.

How To Use it: The disgust expression can be done quickly as a microexpression in order to convey detest for an idea or person. Disgust usually registers just below the conscious radar of the people seeing it. While brief, however, disgust can send a strong negative nonverbal message.

Conversely, the disgust expression can be held for a longer period of time to send a highly potent message that one is not on board with an idea, policy or even a person. One might use this in a negotiation to influence the offers presented. When viewed, others will see the need to ratify the offer to make it more palatable.

Context: General.

Verbal Translation: “I’m so turned off by what I’m seeing and hearing that my face is tightening and contracting due to a sickening discomfort.”

Variant: See Contempt Facial Expression, Scorn, Sneering.

Cue In Action: During an office meeting, Debbie, a long time employee would frequently sneer in disdain when the new girl would make particularly intelligent additions to the dialogue. Her jealousy was obvious.

Meaning and/or Motivation: Disgust is one of the six main universal facial expressions: happiness, sadness, surprise, fear, anger and disgust.

Disgust is a throwback expression to the visceral reaction to eating food that is particularly unpalatable. This is why we see the nose sneer. To replicate this facial expression, just imagine taking a deep breath of rotted flesh that has been plated for a meal!

When disgust is directed to a person with eye contact, its motivation is raw and rooted in deep anger. This person feels repulsed by the situation.

Cue Cluster: Usually coupled with a downward gaze to strengthen the cue and in extreme cases the head comes up making the disgust expression very powerful. If eye contact is added to the disgusted facial expression, it is a salient message that others will find difficult to ignore.

Body Language Category: Closed facial gestures, Dislike (nonverbal), Emotional body language, Microexpressions, Negative body language, Rejection body language, Universal facial expressions.

Resources:

Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public-areas/

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1

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Curtis V, Aunger R, Rabie T (2004) Evidence that disgust evolved to protect from risk of disease. Proceedings of the Royal Society of London, Series B 271: S131–S133. doi:10.1098/rsbl.2003.0144. PubMed: 15252963.

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Ekman, P. & O’Sullivan, M. (1991). Who can catch a liar? American Psychologist. 46, 913-920.

Ekman, Paul. 1994. Strong evidence for universals in facial expressions: A reply to Russell’s mistaken critique Psychological Bulletin. 115(2): 268-287.

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Ekman, Paul and Friesen, W. V. 1987. Universals and cultural differences in the judgments of facial expressions of emotion. Journal of Personality and Social Psychology. 53(4): 712-717.

Ekman, Paul; Friesen, Wallace V. 1971. Constants across cultures in the face and emotion. Journal of Personality and Social Psychology. 17(2): 124-129.

Ekman, Paul. 1972. Universals and cultural differences in facial expressions of emotion. In J. Cole (Ed.), Nebraska Symposium on Motivation, 1971. 19: 207-282. Lincoln: University of Nebraska Press.

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Friesen, W. V. 1972. Cultural differences in facial expressions in a social situation: An experimental test of the concept of display rules. Unpublished doctoral dissertation, University of California, San Francisco.

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David Pizarro (video) talk about the possible evolution of the disgust facial expression: http://bodylanguageproject.com/articles/evolution-politics-disgust-ted-talk-david-pizarro/

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Body Language of The Contempt Facial Expression and Contempt Smile

Body Language of The Contempt Facial Expression and Contempt Smile

BodyLanguageProjectCom - Contempt Facial Expression 1Cue: Contempt Facial Expression and Contempt Smile

Synonym(s): Contempt Smile.

Description: In the contempt facial expression, wrinkles appear on the nose with one lip often raised to form a sneer. The eyes narrow. Lips are frequently pushed forward with a tight mouth raised slightly at the corners. The chin usually drops, or lifts and the head turns to the side.

The contempt smile happens when the corners of the lips are tightened unevenly and one side is lifted slightly higher than the other. In this case, the eyebrows are slightly raised. The smile might also push the lower lip up by the chin muscle and pull the corners of the mouth down. This is often coupled with lowered brows.

In One Sentence: The contempt facial expression is a tensing around the nose with one lip raised and serves to demonstrate disagreement.

How To Use it: Use the expression to show others that you are not in agreement but do not wish to do so overtly in a verbal fashion. A micro-sneer can be sent when you want to give a subtle hint of disapproval. The cue works in any context as it permits one to tow the line of confrontation with a subtle nonverbal expression. In this capacity, people will understand that you are not in agreement, but will not be able to hold you to it as the cue is fleeting and barely noticeable. Therefore, the cue is useful for expressing disapproval and disagreement without being overt.

Context: General.

Verbal Translation: “I really don’t like what you’re saying or doing and so my face is scrunching up as if there is a malodor.”

Variant: Variants exist of high and low contempt smiles. These are demonstrated through degrees of stress across the face.

As high contempt is reached, the cues become more obvious. Disgust is close to Contempt and usually causes people to look downward on other people. Lint picking, avoiding eye contact, turning the body away can all show various degrees of contempt. Contempt can also be a microexpression and flash so quickly that it is barely noticed. Watch for the microexpression of the nose sneer or the eyes narrowing quickly.

Cue In Action: The conversation turned from bad to worse as it shifted onto politics. When they couldn’t see eye-to-eye on the matter, he wrinkled his nose, narrowed his eyes and tightened his lips while shaking his head in disgust. The message was clear.

Meaning and/or Motivation: Contempt is an emotion designed to show disagreement and an inability to see eye-to-eye on matters. Some contempt runs deeper than others and can be amplified with additional cues that come across as attacks. Contempt can be high or low, delivered by the relative strength of the associated cues.

Cue Cluster: Contempt is accompanied by looking downward, palms up in a “what are you doing posture,” sneering, pulled up nose, pursed lips, and head turned away.

Body Language Category: Dislike (nonverbal), Indicators of disinterest (IOD), Microexpressions, Negative body language, Rejection body language, Suspicious body language or suspicion, Universal facial expressions.

Resources:

Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public-areas

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1

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Ekman, P. (1994). Strong evidence for universals in facial expressions: A reply to Russell’s mistaken critique. Psychological Bulletin, 115, 268-287.

Ekman, P., Friesen, W. V., O’Sullivan, M., Chan, A., Diacoyanni-Tarlatzis, I., Heider, K., et al. (1987). Universals and cultural differences in the judgments of facial expressions of emotion. Journal of Personality & Social Psychology, 53(4), 712-717.

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Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity
thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Elfenbein, H. A., & Ambady, N. (2002). On the universality and cultural specificity of emotion recognition: A meta-analysis. Psychological Bulletin, 128(2), 205-235.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Girard, Jeffrey M.; Jeffrey F. Cohna; Mohammad H.Mahoor S.; Mohammad Mavadati;
Zakia Hammal; and Dean P. Rosenwalda. Nonverbal Social Withdrawal In Depression: Evidence From Manual And Automatic Analyses. Image and Vision Computing. 2013.
http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression

Reed, Lawrence Ian; Katharine N. Zeglen and Karen L. Schmidt. Facial Expressions as Honest Signals of Cooperative Intent in a One-Shot Anonymous Prisoner’s Dilemma Game. Evolution and Human Behavior. 2012. 33: 200-209. http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression/

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Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
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Body Language of The Cold Shoulder

Body Language of The Cold Shoulder

BodyLanguageProjectCom - Cold Shoulder 1Cue: Cold Shoulder

Synonym(s): N/A

Description: Turning away from someone is the cold shoulder.

In One Sentence: Turning away from another person signifies that one is diverging away from them and/or their ideas.

How To Use it: Turn the cold shoulder when you want to tell others that you disagree with them. The cold shoulder can be used in relationships to show that you are not willing to follow the same path. To use the cold shoulder make sure that it is done quickly and in immediate conjunction with whatever idea sparked the disapproval.

Context: General.

Verbal Translation: “I don’t like what you saying or doing and so I’m going to turn my body away in disgust.”

Variant: See Blading Body Language, Body Angling or Ventral Displays.

Cue In Action: When Jane found out that the other girls were invited to a sleep over and she wasn’t, she quickly turned her body away and sulked.

Meaning and/or Motivation: The cold shoulder indicates aloofness, indifference and dismissal. It creates a barrier and separation between two people. People will turn the cold shoulder when they have disagreement with others and want to block them off from communication.

Its historical origins are believed to be a reference to the serving of an inferior cut of meat to undesirable guests. The cold shoulder of mutton versus more fanciful meal of roast and fixings.

Cue Cluster: The cold shoulder can be amplified with a downturned mouth, a quick glance with a look of disdain and create feelings of scorn and derision.

Body Language Category: Anger, Barriers, Body pointing, Blading, Closed body language, Disengagement, Dislike (nonverbal), Distancing or moving away, Escape movements, Negative body language, Orienting reflex or orienting response, Protective reflexes.

Resources:

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What Does Body Language of Chin Tuck Mean?

What Does Body Language of Chin Tuck Mean?

BodyLanguageProjectCom - Chin Tuck 1Cue: Chin Tuck

Synonym(s): N/A

Description: When the chin is pulled down toward the sternum.

In One Sentence: Tucking the chin shows that one is taken aback.

How To Use it: Use the chin tuck to show that you are not in agreement with what was said. Tucking in the chin can also signal submission especially if combined with lowering the head. When you want to raise an objection without verbally stating it, quickly tucking the chin in shows others that you have been ‘punched’ in the chin by their thoughts. Performing this gesture, therefore, may cause them to backtrack on their suggestion, or put them on their heels trying to justify what they have said. Regardless, it can make them act more conservatively.

Context: a) General b) Dating

Verbal Translation: a) “I don’t like what I just heard so I’m tucking my chin down in disdain.” b) “To appear smaller, I’m tucking my chin and lowering my eyes so you don’t hurt me.”

Variant: See Disgust Facial Expression and Contempt Facial Expression, Head Lowered in Judgement, Chin Jut and Chin Lift.

Cue In Action: a) Bill tucked his chin in as he had a look of disdain on his face. b) She pulled her chin in to appear more childlike and submissive.

Meaning and/or Motivation: Pulling the chin in spells anger and disdain or when used in courtship submission, innocent and childlike.

As the profile of the chin is reduced, it eliminates the exposure it suffers during an attack. The chin is particularly vulnerable to injury and a quick blow can send someone unconscious. Therefore, a tucked chin indicates that a person does not wish to engage in conflict. When someone wants to confront an attacker, they will perform the opposite cue by jutting the chin out as a challenge.

Cue Cluster: The chin tuck is accompanied by a sneering nose and looking downward or eyes averted, head turned away, shoulders slumped cowering. When it is used in courtship it is accompanied by a coy smile and eyes cast upward.

Body Language Category: Closed body language, Defensive, Dislike (nonverbal), Escape movements, Negative body language, Submissive body language.

Resources:

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The Hidden Meaning of Blading Body Language, Body Angling or Ventral Displays

The Hidden Meaning of Blading Body Language, Body Angling or Ventral Displays

BodyLanguageProjectCom - Blading Body Language, Body Angling or Ventral Displays 2Cue: Blading Body Language, Body Angling or Ventral Displays

Synonym(s): Ventral Displays, Ventral Fronting, Ventral Denial, Ventral Distancing, Body Orientation, Body Angling, Seated Body Pointing, Turning The Body Away From Someone, Turning The Body Toward Someone, Chest Orientation, Facing Away, Facing Toward.

Description: The turning of the body, the shoulders and chest, either toward or away from stimuli.

In One Sentence: Bodies turn toward ideas and people they agree with, and turn away from ideas and people they disagree with.

How To Use it: The application of blading body language is simple in practice. To show or feign agreement simply turn your shoulders toward the speaker. To show or feign disagreement simply turn your shoulders away from the speaker. Feigning either condition can force other people to chase you, despite your general agreement. This can be effective in a dating context as your counterpart will work harder to placate your interests. This can also be effective in negotiations. Simply blade away to show that the offer advanced does not meet your conditions. Your “disinterest” will create an incentive to boost their offer in your favour.

Context: General.

Verbal Translation: a) “I like what I’m hearing so my body is angling toward you so we’re facing each other even more” b) “I don’t like what I’m hearing so my body is angling away from you so I can leave.”

Variant: Bodies might be angled or leaned in toward someone that is liked the most rather than for any form of agreement or disagreement.

Cue In Action: a) Jill turned her shoulders toward Bill when he paid her an honest compliment. b) When the much more successful associate, Frank arrived, Jill slowly turned away from Bill to focus her attention on Frank. After turning toward Frank, she made eye contact and began preening herself by fixing her hair. Her interest shifted from Bill to Frank which was obvious to onlookers by her shift in orientation.

Meaning and/or Motivation: Torsos house important vital organs that are responsible for keeping the body alive. Heart, lungs, liver, intestines and so forth are all easily accessible through a thin layer of skin, fat, muscle, ribs and a sternum and exposing our ventral side means that we trust we won’t be attacked and is therefore a signal of openness and liking. Ventral sides are usually oriented toward people we like and away from those we dislike.

Torsos will turn and angle away more and more as an encounter becomes more disagreeable. On the other hand, torsos will angle and turn toward as an encounter becomes more agreeable. When torsos face each other head-on, however, this can indicate direct confrontation or, contrarily, high intimacy (and engagement).

“Blading away” is to “turn the back on someone.” This demonstrates dislike, disagreement and disengagement.

“Blading toward” is to “turn to face someone.” This demonstrates liking, agreement and engagement.

Think of a knife, a “blade” that is turned on an angle so as to slice more or less sharply.

The greater the angle the greater the relative nonverbal meaning.

Cue Cluster: a) Ventral fronting or blading toward can be accompanied by leaning in to increase proximity, removing objects to create a clear view and various agreement indicators such as head nodding, eye contact, and touching. b) Ventral denial can appear with slouching, lean backward, orienting the torso away, or placing objects in front of the body such as clothing or books.

Body Language Category: a) Attentive, Courtship display, Liking, Indicators of sexual interest (IOsI), Intention movements, Orienting reflex or orienting response b) Barriers, Defensive, Dislike (nonverbal), Escape movements, Indicators of disinterest (IOD), Indicators of sexual disinterest (IOsD), Intention movements, Orienting reflex or orienting response.

Resources:

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Body Language Reading of Arm Crossed With Thumbs Up

Body Language Reading of Arm Crossed With Thumbs Up

No picCue: Arms Crossed With Thumbs Up

Synonym(s): Thumbs Up Arm Cross.

Description: The arms fold neatly over the chest with the thumbs point upward.

In One Sentence: Arms crossed with thumbs up show others that a person is confident but also reserved and defensive.

How To Use it: Use the thumbs up posture to show that you are confident and couple this with a defensive arm cross to show that you are uncertain. The thumbs can be flexed upward on occasion, as you find points of agreement. Thumbs up is a positive signal and should be shown in unison with positive speech.

Context: General.

Verbal Translation: “I am cool and in control but still feel defensive, so I’m combining thumbs up, which is positive, and arm crossing, showing I still need a barrier for protection.”

Variant: See Arm Crossing, Arms Crossed With Gripped Arm or Reinforced Arm Cross, Arm Cross With Clenched Fists.

Cue In Action: The boss introduced the new associate to the room. He said “hi” to everyone then crossed his arms with his thumbs up. When asked a question he gesticulated with thumbs up showing that he was confident and in control, but when not speaking tucked his arms together indicating that he felt overexposed.

Meaning and/or Motivation: Crossed arms with thumbs up indicate that a person thinks they have a superior thought process. It is usually expressed by the up-and-coming, cool and in control type.

The meaning and motivation of arm crossing is varied, complex and universal (see variants).

Arm crossing simultaneously holds our feelings inside and prevents other peoples’ feelings from entering. The arm cross shield is normally accompanied by head tilted backward, or forward facing head in a competitive orientation and a blank or angry facial expression.

Arms, as they relate to non-verbal meaning, are like shields. They can block and shank ideas from entering just as well as a shield can protect against swords and arrows. Using the arms across the body in a fold is like cutting off access to our core where our heart and lungs are present. The arm crossing usually shows defensiveness and protectiveness, but can also show aggression and anger depending on its variant. Arm crossing simultaneously hold our feelings inside and prevent other people’s feelings from entering. Alternatively, arms crossed indicates that a person is cold. To determine if someone is cold just watch for hands tucked under the armpits, shivering, with legs tightly pressed together.

Cue Cluster: Arm crossing is usually coupled with head up, down or turned away, shoulders oriented away or toward, legs crossed and various negative facial expressions. When arm crossing is combined with a tight-lipped smile or clenched teeth is signifies that a verbal or physical confrontation is immanent.

Body Language Category: Defensive, Hostile body language, Anger, Closed, Dislike (nonverbal), Indicators of disinterest (IOD), Protective reflexes, Stubborn or stubbornness, Body cross, Clenching and gripping.

Resources:

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Body Language Reading of Arms Crossed With Gripped Arm or Reinforced Arm Cross

Body Language Reading of Arms Crossed With Gripped Arm or Reinforced Arm Cross

BodyLanguageProjectCom - Arms Crossed With Gripped Arm or Reinforced Arm Cross 7Cue: Arms Crossed With Gripped Arm or Reinforced Arm Cross

Synonym(s): Arm Gripping Arm Cross, Reinforced Arm Crossing, Hand Clenched Arm Cross.

Description: The arms fold over the chest and the hands grip the arms tightly, sometimes so strongly, that the knuckles can turn white.

In One Sentence: The reinforced arm cross signals high disagreement, defensiveness, and protectiveness with a desire to maintain space from the outside world of people and ideas.

How To Use it: Use this signal to end a sales pitch or situation by showing just how resistant you are to the ideas presented.

Context: General.

Verbal Translation: “I’m preparing myself to hear bad news which is why I’m both shielding my body from the outcome, and gripping myself in a tight hug of self restraint.”

Variant: See Arm Crossing, Arm Cross With Clenched Fists, Arms Crossed With Thumbs Up.

Cue In Action: Upon hearing bad news, Mary folded her arms across her chest in defense, but when she found out there was an accident involving her husband, she gripped her arms tightly.

Meaning and/or Motivation: We see the reinforced arm cross when someone is expecting bad news. The body closes itself off and the arms grip in a tight self-hug for comfort. This is a sign of fortifying the arm cross to really shut things out. This variant of arm crossing is a form of self-hugging combined with restraint.

The meaning and motivation of arm crossing is varied, complex and universal (see the variants).

Arms, as they relate to non-verbal meaning, are like shields. They can block and shank ideas from entering just as well as a shield can protect against swords and arrows. Using the arms across the body in a fold is like cutting off access to our core where our heart and lungs are present. The arm crossing usually shows defensiveness and protectiveness, but can also show aggression and anger depending on its variant. Arm crossing simultaneously holds our feelings inside and prevents other people’s feelings from entering. Alternatively, arms crossed indicate that a person is cold. To determine if someone is cold just watch for hands tucked under the armpits, shivering, with legs tightly pressed together.

Cue Cluster: Arm crossing is usually coupled with head up, down or turned away, shoulders oriented away or toward, legs crossed and various negative facial expressions. When arm crossing is combined with a tight-lipped smile or clenched teeth it signifies that a verbal or physical confrontation is immanent.

Body Language Category: Defensive, Hostile body language, Anger, Closed, Dislike (nonverbal), Indicators of disinterest (IOD), Protective reflexes, Stubborn or stubbornness, Body cross, Clenching and gripping.

Resources:

Baxter, James C., and Richard M. Rozelle (1975). “Nonverbal Expression as a Function of Crowding During a Simulated Police-Citizen Encounter.” In Journal of Personality and Social Psychology (Vol. 32, No. 1), pp. 40-54.

Cacioppo, J. T., Priester, J. R., & Berntson, G. G. (1993). Rudimentary determinants of attitudes: II. Arm flexion and extension have differential effects on attitudes. Journal of Personality and Social Psychology, 65, 5–17.

DeSteno, D.; Breazeal, C.; Frank, R. H.; Pizarro, D.; Baumann, J.; Dickens, L, and Lee, J. Detecting the Trustworthiness of Novel Partners in Economic Exchange. Psychological Science. 2012. 23, 1549-1556.
http://bodylanguageproject.com/articles/use-body-language-cues-create-trust

Friedman, Ron and Andrew J. Elliot. The Effect Of Arm Crossing On Persistence And Performance. European Journal of Social Psychology. 2008; 38, 449–461 (2008). http://bodylanguageproject.com/articles/arm-crossing-effect-on-persistence-and-performance/

Fo¨rster, J. (2004). How body feedback influences consumer’s evaluation of products. Journal of Consumer Psychology, 14, 415–425.

Friedman, R. S., & Fo¨rster, J. (2000). The effects of approach and avoidance motor actions on the elements of creative insight. Journal of Personality and Social Psychology, 79, 477–492.

Gregersen, Tammy S. Nonverbal Cues: Clues to the Detection of Foreign Language Anxiety. Foreign Language Annals. 2005. 38(3): 388-400
http://bodylanguageproject.com/articles/what-anxious-learners-can-tell-us-about-anxious-body-language-how-to-read-nonverbal-behavior/

Hung, Iris W. and Aparna A. Labroo. From Firm Muscles to Firm Willpower: Understanding the Role of Embodied Cognition in Self-Regulation. Journal of Consumer Research. 2011 37(6): 1046-1064. http://www.jstor.org/stable/10.1086/657240
http://bodylanguageproject.com/articles/firm-muscles-lead-willpower/

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence/

Laird, J. D., Wagener, J. J., Halal, M., & Szegda, M. (1982). Remembering what you feel: Effects of emotion on memory. Journal of Personality and Social Psychology, 42, 646–657.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Neumann, R., & Strack, F. (2000). Approach and avoidance: The influence of proprioceptive and exteroceptive cues on encoding of affective information. Journal of Personality and Social Psychology, 79, 39–48.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Riskind, J. H., & Gotay, C. C. (1982). Physical posture: Could it have regulatory or feedback effects upon motivation and emotion? Motivation and Emotion, 6, 273–296.

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Richmond, Virginia P., James C. McCroskey and Steven K. Payne (1991). Nonverbal Behavior in Interpersonal Relations (2nd Ed., Englewood Cliffs, New Jersey: Prentice Hall).

Stepper, S., & Strack, F. (1993). Proprioceptive determinants of emotional and nonemotional feelings. Journal of Personality and Social Psychology, 64, 211–220.

Schubert, Thomas W. and Sander L. Koole. The Embodied Self: Making A Fist Enhances Men’s Power-Related Self-Conceptions. Journal of Experimental Social Psychology. 2009; 45: 828–834.
http://bodylanguageproject.com/articles/the-power-of-a-balled-fist-making-a-fist-makes-men-feel-more-powerful/

Smith-hanen, Sandra S. Osipow, Samuel H. (editor). Effects of nonverbal behaviors on judged levels of counselor warmth and empathy. Journal of Counseling Psychology. 1977. 24(2): 87-91.

Tamir, M., Robinson, M. D., Clore, G. L., Martin, L. L., & Whitaker, D. J. (2004). Are we puppets on a string? The contextual meaning of unconscious expressive cues. Personality and Social Psychology Bulletin, 30, 237–249.

Tiziano Furlanetto; Alberto Gallace; Caterina Ansuini and Cristina Becchio. Effects of Arm Crossing on Spatial Perspective-Taking. PLoS ONE 9(4): e95748. 2014. DOI: 10.1371/journal.pone.0095748
http://bodylanguageproject.com/articles/arm-crossing-makes-difficult-take-perspective/

Vrugt, Anneke, and Ada Kerkstra (1984). “Sex Differences in Nonverbal Communication.” In Semiotica (50-1/2), pp. 1-41.

The Hidden Meaning of Arm Withdrawal or Leg Withdrawal Body Language

The Hidden Meaning of Arm Withdrawal or Leg Withdrawal Body Language

No picCue: Arm Withdrawal or Leg Withdrawal

Synonym(s): Distancing, Pulling Arms or Legs In, Drawing Arms Or Legs In, Flexation Withdrawal.

Description: When the arms are suddenly pulled inward toward the body rather than away in order to create more distance between oneself and another. There will be times that distancing behaviours are not terribly dramatic.

In One Sentence: Drawing the arms or legs inward shows that a person is not engaged in another person or the topic, and at times, even withdrawn from a person or their ideas.

How To Use it: Pull the arms and legs away from people and their ideas when you wish to demonstrate disagreement. By coupling arm withdrawal in close or even immediate connection to specific spoken words you will tell others that you disagree with them nonverbally. This can be useful in any context including between friends, colleagues or lovers.

Context: General.

Verbal Translation: “I disagree and want to get away but that would be too overt or prohibited at the moment, so I’m just going to do by pull my arms or legs away to make me feel like I’m escaping.”

Variant: See Blading Body Language, Body Angling or Ventral Displays.

Cue In Action: During a meeting over coffee, everything was fine until Dave told a sexist joke at which point Jill pull her arms onto her side of the table in disgust and turned her head away.

Meaning and/or Motivation: Arm and leg withdrawal indicates a lack of agreement or a difference of opinion. It can also indicate stress and anxiety. Even just a few inches of withdrawal can tell us that ideas and the people that voice them are diverging. When the legs or arms are suddenly withdrawn it can be a good indicator that what has been said is offensive or disagreeable to the other party.

When the feet or legs of couples are pulled in rather than neutral or extended toward each other, it can signal that the relationship isn’t going well.

Cue Cluster: Arm withdrawal is often coupled with leaning away, facing away, torso and feet turned toward an exit, disgusted or bored facial expression and postures.

Body Language Category: Stressful body language, Disengagement, Dislike (nonverbal), Escape movements.

Resources:

Arduino, P. J., & Gould, J. L. (1984). Is tonic immobility adaptive? Animal Behavior, 32, 921–923.

Bracha, H. S. (2004). Freeze, flight, fight, fright, faint: Adaptionist perspectives on the acute stress response
spectrum. CNS Spectrums, 9, 679–685.

Burgess, A. W., & Holmstrom, L. L. (1976). Coping behavior of the rape victim. American Journal of Psychiatry,
133, 413–418.

Broth, Mathias and Lorenza Mondada. Walking Away: The Embodied Achievement of Activity Closings in Mobile Interaction. Journal of Pragmatics. 2013. 47: 41-58.
http://bodylanguageproject.com/articles/nonverbally-negotiate-conversation-walking-away/

Cacioppo, J. T., Priester, J. R., & Berntson, G. G. (1993). Rudimentary determinants of attitudes: II. Arm flexion and extension have differential effects on attitudes. Journal of Personality and Social Psychology, 65, 5–17.

Cannon, W. B. (1929). Bodily changes in pain, hunger, fear and rage (2nd ed.). New York: Appleton, Century,
Crofts.

Estes, Zachary Estes and Michelle Verges. Freeze or flee? Negative stimuli elicit selective responding. Cognition. 2008. 108(2): 557-565.

Fo¨rster, J. (2004). How body feedback influences consumer’s evaluation of products. Journal of Consumer Psychology, 14, 415–425.

Friedman, R. S., & Fo¨rster, J. (2000). The effects of approach and avoidance motor actions on the elements of creative insight. Journal of Personality and Social Psychology, 79, 477–492.

Fyer, M. R., Uy, J., Martinez, J., & Goetz, R. (1987). CO2 challenge of patients with panic disorder. American
Journal of Psychiatry, 144, 1080–1082.

Galliano, G., Noble, L. M., Travis, L. A., & Puechl, C. (1993). Victim reactions during rape/sexual assault: A preliminary study of the immobility response and its correlates. Journal of Interpersonal Violence, 8, 109–114.

Gallup, G. G. (1977). Tonic immobility: The role of fear and predation. Psychological Record, 27, 41–61.

Gillis, M. M., Haaga, D. A., & Ford, G. T. (1995). Normative values for the beck anxiety inventory, fear questionnaire, Penn state worry questionnaire, and social phobia and anxiety inventory. Psychological
Assessment, 7, 450–455.

Hall, Jeffrey A. and Chong Xing. The Verbal and Nonverbal Correlates of the Five Flirting Styles. Journal of Nonverbal Behavior. 2015. 39:41–68. DOI 10.1007/s10919-014-0199-8
http://bodylanguageproject.com/articles/first-12-minutes-flirting-using-nonverbal-communication-study-reveals-26-body-language-cues-attraction/

Heidt, J. M., Marx, B. P., & Forsyth, J. P. (2005). Tonic immobility and childhood sexual abuse: A preliminary report evaluating the sequela of rape-induced paralysis. Behavior Research and Therapy, 43, 1157–1171.

Katza, Carmit; Irit Hershkowitz; Lindsay C. Malloya; Michael E. Lamba; Armita Atabakia and Sabine Spindlera. Non-Verbal Behavior of Children Who Disclose or do not Disclose Child Abuse in Investigative Interviews. Child Abuse & Neglect. 2012. 36: 12-20.
http://bodylanguageproject.com/articles/reading-nonverbal-behaviour-child-abuse-cases-encourage-children-divulge-information-truth-telling/

Kalin, N. H., Shelton, S. E., Rickman, M., & Davidson, R. J. (1998). Individual differences in freezing and
cortisol in infant and mother rhesus monkeys. Behavioral Neuroscience, 112, 251–254.

Liebowitz, M. R., Gorman, J. M., Fyer, A. J., Dillon, D. J., & Klein, D. F. (1984). Effects of naltrexone on patients with panic attacks. American Journal of Psychiatry, 141, 995–997.

Laird, J. D., Wagener, J. J., Halal, M., & Szegda, M. (1982). Remembering what you feel: Effects of emotion on memory. Journal of Personality and Social Psychology, 42, 646–657.

Mattick, R. P., & Clarke, J. C. (1998). Development and validation of measures of social phobia scrutiny fear and social interaction anxiety. Behaviour Research and Therapy, 36, 455–470.

Neumann, R., & Strack, F. (2000). Approach and avoidance: The influence of proprioceptive and exteroceptive cues on encoding of affective information. Journal of Personality and Social Psychology, 79, 39–48.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Reiss, S., Peterson, R. A., Gursky, D. M., &McNally, R. J. (1986). Anxiety sensitivity, anxiety frequency, and the prediction of fearfulness. Behaviour Research and Therapy, 24, 1–8.

Riskind, J. H., & Gotay, C. C. (1982). Physical posture: Could it have regulatory or feedback effects upon motivation and emotion? Motivation and Emotion, 6, 273–296.

Stepper, S., & Strack, F. (1993). Proprioceptive determinants of emotional and nonemotional feelings. Journal of Personality and Social Psychology, 64, 211–220.

Sagliano, Laura ; Cappuccio, Angela ; Trojano, Luigi ; Conson, Massimiliano. Approaching threats elicit a freeze-like response in humans. Neuroscience Letters. 2014. 561: 35-40.

Schmidt, Norman B. ; Richey, J. Anthony ; Zvolensky, Michael J. ; Maner, Jon K. Exploring human freeze responses to a threat stressor. Journal of Behavior Therapy and Experimental Psychiatry. 2008. 39(3): 292-304.

Schmidt, N. B., & Joiner, T., Jr. (2002). Structure of the anxiety sensitivity index: Psychometrics and factor structure in a community sample. Journal of Anxiety Disorders, 16, 33–49.

Schmidt, N. B., Miller, J., Lerew, D. R., Woolaway-Bickel, K., & Fitzpatrick, K. (2002). Imaginal provocation of
panic in patients with panic disorder. Behavior Therapy, 33, 149–162.

Schmidt, N. B., & Telch, M. J. (1994). Role of fear of fear and safety information in moderating the effects of voluntary hyperventilation. Behavior Therapy, 25, 197–208.

Suarez, S. D., & Gallup, G. G. (1979). Tonic immobility as a response to rape in humans: A theoretical note. The Psychological Record, 29, 315–320.

Tamir, M., Robinson, M. D., Clore, G. L., Martin, L. L., & Whitaker, D. J. (2004). Are we puppets on a string? The contextual meaning of unconscious expressive cues. Personality and Social Psychology Bulletin, 30, 237–249.

Zvolensky, M. J., & Eifert, G. H. (2001). A review of psychological factors/processes affecting anxious responding during voluntary hyperventilation and inhalations of carbon dioxide-enriched air. Clinical Psychology Review,
21, 375–400.

Zeinstra, Gertrude G.; M.A. Koelen; D. Colindres ; F.J. Kok; C de Graaf. Facial Expressions in School-Aged Children are a Good Indicator of ‘Dislikes’, but not of ‘Likes.’ Food Quality and Preference. 2009. 20: 620-624.
http://bodylanguageproject.com/articles/read-kids-dislike-food-facial-expressions-accurate-detecting-dislike-not-like-children/

Body Language of Arm Crossing

Body Language of Arm Crossing

BodyLanguageProjectCom - Arm Crossing 4Cue: Arm Crossing.

Synonym(s): Arm Barrier, Folding The Arms Over The Chest, Crossed Arms, Torso Sheild.

Description: The arms fold neatly over the chest.

In One Sentence: Arms are like shields which serve to create a barrier separating us from the outside world.

How To Use it: Use the arm cross posture to signal to others that one desires space. You can also use it to show that you are not impressed by someone else or that you are not feeling comfortable with them or their ideas. This can be effective during negotiations or heated arguments showing that you are unwilling to change your mind. Research has shown that crossing the arms helps motivate people to come up with more solutions to problems as it activates a persistence response. This may be due to the cues embodiment of being stubborn. Arm crossing can also work as a nonverbal signal that one is cold and wishes to move to a warmer location. Likewise, it may cue a date to offer a jacket.

Context: General.

Verbal Translation: “I’m crossing my arms over my chest because I don’t like what I’m seeing or hearing. I am uncomfortable, so I’m cutting myself off from everyone else with my shield.”

Variant: See Arms Crossed With Gripped Arm or Reinforced Arm Cross, Arm Cross With Clenched Fists, Arms Crossed With Thumbs Up.

Cue In Action: a) Upon hearing bad news, Mary folded her arms across her chest. b) She stood her ground when the principle reprimanded her for her overt attire. She grimaced and folded her arms over her chest blocking out his negative view.

Meaning and/or Motivation: The meaning and motivation of arm crossing is varied, complex and universal (see the various variants).

Arms as they relate to non-verbal meaning are like shields. They can block and shank ideas from entering just as well as they can protect against swords and arrows. In childhood, we use solid objects such as chairs, furniture, or hiding behind a parent. As we age, we learn to maintain our stance, but still protect ourselves from threats by using our own body.

Arm crossing usually shows defensiveness and protectiveness, but can also show aggression and anger depending on its variant. We rarely sit like this in our house unless something bothers us.

Arm crossing simultaneously holds our feelings inside and prevents other peoples’ feelings from entering. The arm cross shield is normally accompanied by head tilted backward, or forward facing head in a competitive orientation and a blank or angry facial expression. Alternatively, arms crossed indicates that a person is cold. To determine if someone is cold just watch for hands tucked under the armpits, shivering, with legs tightly pressed together.

Cue Cluster: Arm crossing is usually coupled with head up, down or turned away, shoulders oriented away or toward, legs crossed and various negative facial expressions. When arm crossing is combined with a tight-lipped smile or clenched teeth it signifies that a verbal or physical confrontation is immanent.

Body Language Category: Defensive, Hostility, Anger, Closed, Dislike (nonverbal), Indicators of disinterest (IOD), Protective reflexes, Stubborn or stubbornness, Body cross, Clenching and gripping.

Resources:

Baxter, James C., and Richard M. Rozelle (1975). “Nonverbal Expression as a Function of Crowding During a Simulated Police-Citizen Encounter.” In Journal of Personality and Social Psychology (Vol. 32, No. 1), pp. 40-54.

Cacioppo, J. T., Priester, J. R., & Berntson, G. G. (1993). Rudimentary determinants of attitudes: II. Arm flexion and extension have differential effects on attitudes. Journal of Personality and Social Psychology, 65, 5–17.

Doody, John ; Bull, Peter. Asperger’s Syndrome and the Decoding of Boredom, Interest, and Disagreement from Body Posture. Journal of Nonverbal Behavior. 2011. 35(2): 87-100.

DeSteno, D.; Breazeal, C.; Frank, R. H.; Pizarro, D.; Baumann, J.; Dickens, L, and Lee, J. Detecting the Trustworthiness of Novel Partners in Economic Exchange. Psychological Science. 2012. 23, 1549-1556.
http://bodylanguageproject.com/articles/use-body-language-cues-create-trust

Fo¨rster, J. (2004). How body feedback influences consumer’s evaluation of products. Journal of Consumer Psychology, 14, 415–425.

Friedman, R. S., & Fo¨rster, J. (2000). The effects of approach and avoidance motor actions on the elements of creative insight. Journal of Personality and Social Psychology, 79, 477–492.

Friedman, Ron and Andrew J. Elliot. The Effect Of Arm Crossing On Persistence And Performance. European Journal of Social Psychology. 2008; 38, 449–461 (2008). http://bodylanguageproject.com/articles/arm-crossing-effect-on-persistence-and-performance/

Gregersen, Tammy S. Nonverbal Cues: Clues to the Detection of Foreign Language Anxiety. Foreign Language Annals. 2005. 38(3): 388-400
http://bodylanguageproject.com/articles/what-anxious-learners-can-tell-us-about-anxious-body-language-how-to-read-nonverbal-behavior/

Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Hall, Jeffrey A. and Chong Xing. The Verbal and Nonverbal Correlates of the Five Flirting Styles. Journal of Nonverbal Behavior. 2015. 39:41–68. DOI 10.1007/s10919-014-0199-8
http://bodylanguageproject.com/articles/first-12-minutes-flirting-using-nonverbal-communication-study-reveals-26-body-language-cues-attraction/

Hung, Iris W. and Aparna A. Labroo. From Firm Muscles to Firm Willpower: Understanding the Role of Embodied Cognition in Self-Regulation. Journal of Consumer Research. 2011 37(6): 1046-1064.
http://bodylanguageproject.com/articles/firm-muscles-lead-willpower/

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence

Laird, J. D., Wagener, J. J., Halal, M., & Szegda, M. (1982). Remembering what you feel: Effects of emotion on memory. Journal of Personality and Social Psychology, 42, 646–657.

Lee Ann Renninger, T. Joel Wade, Karl Grammer. Getting that female glance: Patterns and consequences of male nonverbal behavior in courtship contexts. Evolution and Human Behavior. 2004; 25: 416–431.
http://bodylanguageproject.com/articles/part-i-how-to-read-male-sexual-body-language-a-study-for-women-and-the-men-who-wish-to-cheat-the-system/

Marsh, Abigail A; Henry H. Yu; Julia C. Schechter and R. J. R. Blair. Larger than Life: Humans’ Nonverbal Status Cues Alter Perceived Size. PLoS ONE. 2009. 4(5): e5707. doi:10.1371/journal.pone.0005707. http://bodylanguageproject.com/articles/large-life-nonverbal-dominance-affects-perception-size/

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Neumann, R., & Strack, F. (2000). Approach and avoidance: The influence of proprioceptive and exteroceptive cues on encoding of affective information. Journal of Personality and Social Psychology, 79, 39–48.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Riskind, J. H., & Gotay, C. C. (1982). Physical posture: Could it have regulatory or feedback effects upon motivation and emotion? Motivation and Emotion, 6, 273–296.

Richmond, Virginia P., James C. McCroskey and Steven K. Payne (1991). Nonverbal Behavior in Interpersonal Relations (2nd Ed., Englewood Cliffs, New Jersey: Prentice Hall).

Stepper, S., & Strack, F. (1993). Proprioceptive determinants of emotional and nonemotional feelings. Journal of Personality and Social Psychology, 64, 211–220.

Smith-hanen, Sandra S. Osipow, Samuel H. (editor). Effects of nonverbal behaviors on judged levels of counselor warmth and empathy. Journal of Counseling Psychology. 1977. 24(2): 87-91.

Tamir, M., Robinson, M. D., Clore, G. L., Martin, L. L., & Whitaker, D. J. (2004). Are we puppets on a string? The contextual meaning of unconscious expressive cues. Personality and Social Psychology Bulletin, 30, 237–249.

Teixeira Fiquer, Juliana; Paulo Sérgio Boggio and Clarice Gorenstein. Talking Bodies: Nonverbal Behavior in the Assessment of Depression Severity. Journal of Affective Disorders. 2013. 150: 1114-1119.
http://bodylanguageproject.com/articles/using-nonverbal-behaviour-to-assess-depression-severity/

Tiziano Furlanetto; Alberto Gallace; Caterina Ansuini and Cristina Becchio. Effects of Arm Crossing on Spatial Perspective-Taking. PLoS ONE 9(4): e95748. 2014. DOI: 10.1371/journal.pone.0095748
http://bodylanguageproject.com/articles/arm-crossing-makes-difficult-take-perspective/

Vrugt, Anneke, and Ada Kerkstra (1984). “Sex Differences in Nonverbal Communication.” In Semiotica (50-1/2), pp. 1-41.