Category: Courtship display

Body Language of Sideways Glance Over Raised Shoulder

Body Language of Sideways Glance Over Raised Shoulder

No picCue: Sideways Glance Over Raised Shoulder.

Synonym(s): Looking Over Raised Shoulder.

Description: a) A woman will turn her back slightly facing the object of her interest, raise her shoulder, and gaze adoringly over it with eyes cast upward. The cue is made more salient in a strapless dress. b) Sometimes referred to as “Stealing A Look” but in this case, the shoulder is not raised, the look is quick so as to avoid detection, and the head is not lowered and eyes not cast upward.

In One Sentence: Looking over a raised shoulder is a flirty gesture.

How To Use it: Women can create sexual interest by peering over a raised shoulder. The cue is more potent when done over a nude shoulder such as a strapless dress. To compound the cue, couple it with slightly raised eyes that briefly make eye contact as well as a coy smile. If the desired results are not achieved, simply repeat the cue.

Context: a) Dating b) General.

Verbal Translation: a) “I’m looking over my raised shoulder to tease and flirt by showing off my curvy shoulder and making you do a bit of chasing to secure my full one-on-one attention.” b) “I’m glancing quickly over my shoulder to steal a look without being noticed.”

Variant: See Room Encompassing Glance (the), Looking Askance.

Cue In Action: a) She knew all the right buttons to push to get his attention. She removed her light overcoat, raised her shoulder, turned in his direction, smiled coyly, batted her eyelashes, before lowering her head and turning back for a sip of her drink. He was sent into fits. He knew it was an invitation to approach.

b) He kept glancing quickly over his shoulder at the angry girl. When she looked up, he quickly snapped his head back and continued the conversation with his buddy. He didn’t like her and certainly didn’t want her to know that he had noticed she was there, lest she come over and confront him.

Meaning and/or Motivation: Women do this flirty gesture as they gaze at men of interest. Instead of squaring themselves off and looking straight into his eyes, her body faces away and she looks over the shoulder which seductively teases him. This posture emphasizes the curviness of the shoulder and exposes the vulnerable neck. It is particularly alluring when done by women wearing a strapless outfit!

The power of the cue relies on its ability to tease through mystery. A bit of hide-and-seek mixed in with sexual curves of the shoulder as well as easy eyes cast upward showing submission. The entire cue, when done properly, is both seductive and coy.

In a general context, the sideways glance is done to steal a look without being caught. This might indicate that a person is trying to remain secretive, is talking behind another person’s back, or doesn’t want the other person to notice them. Stealing a look can also mean that sexual interest exists but that a person wishes to be covert.

Cue Cluster: a) Watch for eyes and head lowered or quick eye contact, wrist and palm exposure and flirty smile. b) Watch for darting eyes that don’t want to be caught looking. The shoulders will remain lowered, there will be no gazing or smiling.

Body Language Category: Amplifier, Courtship display, Childlike playfulness, Eye Language, Indicators of sexual interest (IOsI), Intention movements, Liking, Tie signals.

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Body Language of Shoulder Shrugs or Shoulder Rise

Body Language of Shoulder Shrugs or Shoulder Rise

BodyLanguageProjectCom - Shoulder Shrugs or Shoulder Rise 3Cue: Shoulder Shrugs or Shoulder Rise.

Synonym(s): Shrugs, Ducking, Hunched Shoulders, Turtling, Head Ducking.

Description: The shoulder shrug posture happens as the head seems to sink inside the shoulders, however, what is really happening is that the shoulders are slowly being raised so the neck disappears taking the head with it. It is as if the head is being swallowed by the shoulders. Shrugs can appear as micro-movements barely perceivable or as full on shrugs where the shoulders nearly touch the ears.

In One Sentence: Shoulder shrugs indicate lack of knowledge and ultimately submission.

How To Use it: Shrug the shoulders when you don’t know the answer to a problem or you wish to show submission. Shoulder shrugs can be used to show others that you accept defeat when it is coupled with a lowered head. Therefore, you may consider using it when pleading for forgiveness.

In dating, women can use the shoulder shrug to take on a smaller profile in order to create the impression of submissiveness and therefore elicit a protective and caring partner. Children and men can also do the same. When submission occurs, it produces a sympathetic response when it is seen by an empathetic viewer.

Context: General.

Verbal Translation: a) “My shoulders raise for a nano-second showing that I don’t know the answer.” b) “My head pulls down to my shoulders, palms up as a shield, eyebrows raised with my head tilted shows that I’m drawing inward and don’t want to get involved – so leave me out of this.” c) “I’m sorry I don’t know the answer and I’m shrugging to show others that I’m not a threat and wish not to provoke. In other words, I’m sorry I don’t know, but please go easy on me. I’m not a target, I’m submissive.”

Variant: Shrugs contain key elements such as hunched shoulders where the shoulders are raised and lowered, hands twisted into the palms up position (one or both hands), lowered mouth corners (while hands and head remain still), raised eyebrows (which shows astonishment, indifference, and bewilderment). Each variant, independent of one another, can carry the meaning of the shrug.

See Uneven Shoulder Shrugs and Palm Up Displays or The Rogatory Posture.

Cue In Action: a) The teacher called on Dave but he didn’t know the answer because he hadn’t read the report. His shoulders flinched upward, barely raising, as he froze like a deer in the headlights. b) There was a mess in the staff room and the boss had made a point of rounding up the culprits to get the job done. She invited them to step forward, but in unison the staff raised their shoulders as if they were not to blame and didn’t want to help fix the mess. c) After cussing her out without giving her time to explain, he felt it was his duty to offer a box of treats and flowers. He lowered his head, turned his palms up and shrugged his shoulders. He didn’t need to say anything. She understood he felt sorry for what he had done.

Meaning and/or Motivation: A universal expression of doubt and uncertainty. Shoulder shrugs can signify apology, disbelief, ignorance, indifference (lack of interest), helplessness, resignation, discomfort, low self-confidence, insecurity, weakness or powerlessness and shame. Many negative emotions are expressed through shoulder shrugs.

A shrug can also mean that you don’t know the answer, that you don’t want to get involved, or imply submissive apology.

Shoulder shrugs in a business context are usually found when someone is centered out on their poor performance. The origin of the “head turtle” is to protect it from harm. For example, when people hear a very loud bang, they will quickly pull their heads inward and down, and tuck in their chins. However, when it is done out of shame, it happens more slowly and deliberately so as to draw even less attention.

Shrugging is also done when people want to appear less significant so they go overlooked and are ignored rather than called on. In business, the head duck will occur when subordinates meet with superiors as they try to stand out less and look less significant or when employees wish to be overlooked during status reports at a boardroom meeting. It might also happen in class when the professor is calling on students who don’t have the answers, or when athletes have to walk back in shame to their dressing rooms after losing an important match.

The shoulders hunching up with palms up indicate a desire to hold a more narrow and protective posture hence it is submissive like a turtle going up in its shell.

The shoulder shrug can also appear in a dating situation where women appear meek and submissive. Shrugging is a childlike posture and happens when a woman let’s her guard down. It is often subtle and occurs subconsciously as a small raise of the shoulders and sometimes is accompanied by an eyebrow flash. Other times it is more pronounced and the head lowers or bows in unison. In this case, the shrug may be held for some time.

Cue Cluster: Shrugs often appear coupled with cowering, eyebrows lifted, palms up, head lowered, head bowed, eyes cast upward and widened, frowning or downturned smiles.

Body Language Category: Appease, Courtship displays, Closed body language, Defensive, Disengagement body language, Embarrassment (nonverbal), Escape movements, Fearful body language, Intention movements, Nonthreatening body language, Palm power, Protective reflexes, Readiness to submit postures, Submissive body language, Universal gestures.

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Schenkel, Rudolf. Submission: Its Features and Function in the Wolf and Dog. American Zoologist. 1967. 7(2): 319-329.

Sommer, Robert (1969). Personal Space: The Behavioral Basis of Design (Englewood Cliffs, New Jersey: Prentice-Hall).

Teixeira Fiquer, Juliana; Paulo Sérgio Boggio and Clarice Gorenstein. Talking Bodies: Nonverbal Behavior in the Assessment of Depression Severity. Journal of Affective Disorders. 2013. 150: 1114-1119.
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Tiedens, Larissa Z ; Fragale, Alison R. Power moves: complementarity in dominant and submissive nonverbal behavior. Journal of personality and social psychology. 2003. 84(3): 558-68.

Tracy, J. L., & Robins, R. W. (2004). Show your pride: Evidence for a discrete emotion expression. Psychological Science, 15, 194–197.

Tracy, J. L., & Matsumoto, D. (2008). The spontaneous expression of pride and shame: Evidence for biologically innate nonverbal displays. Proceedings from the National Academy of Sciences, 105(33), 11655–11660.

Tracy, J. L., & Robins, R. W. (2007). The prototypical pride expression: Development of a nonverbal behavior coding system. Emotion, 7(4), 789–801.

Walsh, Joseph ; Eccleston, Christopher ; Keogh, Edmund. Pain communication through body posture: The development and validation of a stimulus set. Pain. 2014 155(11): 2282-2290.

Welker, Keith M. ; Oberleitner, David E. ; Cain, Samantha ; Carré, Justin M. Upright and left out: Posture moderates the effects of social exclusion on mood and threats to basic needs. European Journal of Social Psychology. 2013 43(5): 355-361

Body Language of Shoe Play or Removing Shoes

Body Language of Shoe Play or Removing Shoes

BodyLanguageProjectCom - Shoe Play or Removing Shoes 2 BodyLanguageProjectCom - Shoe Play or Removing Shoes 1Cue: Shoe Play or Removing Shoes.

Synonym(s): Playing With The Shoe, Removing Shoes, Dangling The Shoe.

Description: A cue usually delivered by a woman where the heel of the shoe is either removed entirely or partially removed and dangled from a toe. Alternatively, the shoes are removed to make a person more comfortable.

In One Sentence: Removing the shoes is a sign of comfort.

How To Use it: Remove the shoes to show other people that you feel comfortable and are not in any rush to leave. When removed at the door to someone’s house, it also serves to show respect as it avoids bringing dirt inside. If uncertain, always ask when entering a home if they wish for you to leave your shoes on or take them off. If you notice that your host has removed their shoes, you should simply remove them unless they specify otherwise. In a relaxed atmosphere such as at a friend’s house, removing the shoes is common practice; however, in a business setting, removing your shoes can be seen as disrespectful. If your feet have a malodor, keeping your shoes on is highly advisable.

In a dating context, woman can remove their shoes as a symbol of their trust in their partner. Dangling a stiletto from the tip of the toe is a great way to show arousal and trust at the same time.

Context: a) Dating b) General.

Verbal Translation: “I’m comfortable in this environment and not going anyway so I feel safe enough to remove my shoes.”

Variant: See Symbolic Stripping or Removing Clothing.

Cue In Action: a) She dangled her tall stilettos from the tip of her toes and bounced her leg up and down while sipping a pinkish drink from the edge of the bar. It wasn’t long before she had her first offer from a potential suitor. She quickly froze at the sight of him, put her shoe back on and gazed across the room hoping to make eye contact with her friends. She was looking for a possible exit. b) They had a full work schedule ahead of them and as the clock ticked on to the early morning hours they had removed their jackets, ties and shoes. The end of the project was still not in sight.

Meaning and/or Motivation: Removing the shoes is a strong indicator of comfort and agreement. It is most salient in a courtship setting when done by a woman because it is a concrete indication of her desire to stay rather than go. Removing the shoes makes “escape” that much more difficult. Shoe play also accentuates the female physic and permits her to bounce her leg up and down showcasing her legs through movement, and drawing in male gaze.

To test this idea, simply startle a woman and if she doesn’t freeze, she’ll pull her shoe back on in short order! Men attuned to shoe language will be able to test an approach. If it goes sour, she’ll casually slip her shoe back on.

In men, shoe removal indicates that comfort is either present or desired and that one is not prepared to leave.

Cue Cluster: Removing the shoe is accompanied by other comfort body language such as open, relaxed facial expressions, smiling, arms uncrossed and gesticulating, touching, eye contact and neck and palm exposure (in women).

Body Language Category: Approach tell, Comfort body language, Courtship display, Indicators of sexual interest (IOsI), Open body language.

Resources:

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Cue: Shallow Breathing

Body Language of Shallow Breathing

No picCue: Shallow Breathing

Synonym(s): Hyperventilating, Shallow Breathing, Panting.

Description: An unusually high and quick rate of respiration.

In One Sentence: Shallow breathing indicates a high level of physical or emotional arousal.

How To Use it: Use shallow breathing to prepare for the flight or fight response. It will help oxygenate the blood in preparation for battle. Hyperventilating is an emergency response signal and if perceived by others will offer medical assistance and emotional support. If this sort of sympathy is desired, then shallow breathing can help garner that sort of attention. Use the signal with care so as not to appear overly dramatic or emotionally unstable.

Context: a) Dating, b) General.

Verbal Translation: “I’m getting so excited I need to consume more and more oxygen in order to get the job done.” “

Variant: See Deep Breathing.

Cue In Action: a) She panted with excitement as their lips met – her lust was obvious b) He was left alone in the woods and didn’t know where he was. The more he moved, the more he panicked. He nearly hyperventilated from fear.

Meaning and/or Motivation: a) When sexually aroused, women (usually) will breath with an excited pace as if hyperventilating. This is thought to function as a way to take in more of the aroma of her partner. b) During a state of elation, panic or fear, people will often take frequent, but shallower breaths.

Cue Cluster: a) Various other sexual cues such as increased proximity, eye contact, removing clothing to be more comfortable, preening, and so forth. b) The winning sports team will often be seen with their arms extended, their heads thrown back and their mouths and eyes opened wide in a state of ecstasy.

Body Language Category: Arousal, Autonomic signal, Courtship display, Indicators of sexual interest (IOsI), Nervous body language, Physiological signals, Physiological signals, Stressful body language, Worry body language.

Resources:

Allen, Ben ; Friedman, Bruce H. Positive emotion reduces dyspnea during slow paced breathing. Psychophysiology. 2012 49(5): 690-696.

Brown, Richard P ; Gerbarg, Patricia L. Sudarshan Kriya yogic breathing in the treatment of stress, anxiety, and depression: part I-neurophysiologic model. Journal of alternative and complementary medicine . 2005. 11(1): 189-201.

Bracha, H. S. (2004). Freeze, flight, fight, fright, faint: Adaptionist perspectives on the acute stress response spectrum. CNS Spectrums, 9, 679–685.

Boiten, Frans A. The effects of emotional behaviour on components of the respiratory cycle. Biological Psychology. 1998. 49(1): 29-51.

Cannon, W. B. (1929). Bodily changes in pain, hunger, fear and rage (2nd ed.). New York: Appleton, Century, Crofts.

Estes, Zachary Estes and Michelle Verges. Freeze or flee? Negative stimuli elicit selective responding. Cognition. 2008. 108(2): 557-565.

Everly, Jr., G. S. & Lating, J. M. (2002). A clinical guide to the treatment of the human stress response (2nd ed.). New York, NY: Kluwer Academic/Plenum Publishers

Ekerholt, Kirsten Bergland. Breathing: a sign of life and a unique area for reflection and action. Astrid Physical therapy. 2008 88(7): 832-40.

Geronemus, Hillary. Breathe Through It. Women’s Health. 2010. 7(3): 068

Hunter, Virginia. Clinical clues in the breathing behaviors of patient and therapist. Clinical Social Work Journal. Summer. 1993 21(2):161-118

Sand-Jecklin, Kari. Patient Anxiety Levels Related to Gynecologic Examinations: Use of the Color Breathwork Relaxation Method. Archives of Psychiatric Nursing. 2008. 22(4): 240-242.

Schmidt, N. B., & Joiner, T., Jr. (2002). Structure of the anxiety sensitivity index: Psychometrics and factor structure in a community sample. Journal of Anxiety Disorders, 16, 33–49.

Schmidt, N. B., Miller, J., Lerew, D. R., Woolaway-Bickel, K., & Fitzpatrick, K. (2002). Imaginal provocation of panic in patients with panic disorder. Behavior Therapy, 33, 149–162.

Schmidt, Norman B. ; Richey, J. Anthony ; Zvolensky, Michael J. ; Maner, Jon K. Exploring human freeze responses to a threat stressor. Journal of Behavior Therapy and Experimental Psychiatry. 2008. 39(3): 292-304.

Tainsky, Al. Calm, cool, collected: a meditation primer. Inside MS, Wntr. 2002. 20(1): 24(4).

Zvolensky, M. J., & Eifert, G. H. (2001). A review of psychological factors/processes affecting anxious responding during voluntary hyperventilation and inhalations of carbon dioxide-enriched air. Clinical Psychology Review, 21, 375–400.

Body Language of Running The Tongue Over The Teeth or Lips

Body Language of Running The Tongue Over The Teeth or Lips

No picCue: Running The Tongue Over The Teeth or Lips.

Synonym(s): Tongue To teeth, Licking The Teeth.

Description: When the tongue is run back and forth over the teeth or lips either with the mouth closed or mouth opened (rare). When the tongue is run back and forth across the teeth with the mouth closed, it shows up as only a bulge passing under the lips as the skin is forced out.

In One Sentence: Running the tongue over the teeth is a sign of the need for pacifying due to negative emotions.

How To Use it: Running the tongue over the teeth produces a comforting feeling. This cue generally goes unnoticed by most people so can be covertly used to pacify the mind.

Context: General.

Verbal Translation: “I’m running my tongue over my teeth or lips in order to creating a soothing sensation because I’m in need of pacifying due to anxiety.”

Variant: See Lip Licking, Leg Cleansing or Leg Pacifying Behaviour, Neck Rubbing (back of neck) or Holding The Back Of The Neck.

Cue In Action: a) His tongue darted in and out, sweeping left and right during his daily tasks inciting his underlying obsessive-compulsive disorder. b) A bulge formed under his front lips indicating that his tongue was sweeping his teeth. The salesman knew his final price wasn’t going to cut it.

Meaning and/or Motivation: At times, lip licking is a sexual cue, but when it is absent of other sexual cues in cluster, it signifies a need to pacify. When done to pacify, it is usually done repeatedly and rhythmically without eye contact. The tongue on teeth provides a soothing tactile stimuli aimed at reducing anxiety.

Often the cue happens just out of perception to a casual observer, but when watched for, can be quite pronounced. A person might sweep their teeth and enjoy the soft surface they provide while dealing with distress.

Habitual teeth lickers provide evidence that they harbor hidden underlying discomfort. The same can be said for habitual lip lickers who sweep their lips over and over again. As the tongue sweeps, it serves the same purpose as running the palms over the thighs, or rubbing the back of the neck, stroking the hands, rubbing the back of the head and so forth. These are all ways we pacify and sooth ourselves throughout the day as stress presents itself.

Cue Cluster: Watch for other pacifying behaviours such as rubbing the face, playing with the hair, stroking the arm or thighs, or hand or an object to the mouth.

Body Language Category: Auto contact or self touching, Autoerotic touching, Courtship display, Stroking body language, Indicators of sexual interest (IOsI), Pacifying body language, Stressful body language, Worry body language.

Resources:

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Everly, Jr., G. S. & Lating, J. M. (2002). A clinical guide to the treatment of the human stress response (2nd ed.). New York, NY: Kluwer Academic/Plenum Publishers

Karagozoglu, Serife ; Kahve, Emine. Effects of back massage on chemotherapy-related fatigue and anxiety: Supportive care and therapeutic touch in cancer nursing. Applied Nursing Research. 2013. 26(4): 210-217.

Goldberg, Shelly ; Rosenthal, Robert. Self-touching behavior in the job interview: Antecedents and consequences. Journal of Nonverbal Behavior. 1986. 10(1): 65-80.

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Katza, Carmit; Irit Hershkowitz; Lindsay C. Malloya; Michael E. Lamba; Armita Atabakia and Sabine Spindlera. Non-Verbal Behavior of Children Who Disclose or do not Disclose Child Abuse in Investigative Interviews. Child Abuse & Neglect. 2012. 36: 12-20.
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Body Language of The Room Encompassing Glance

Body Language of The Room Encompassing Glance

No picCue: Room Encompassing Glance (the)

Synonym(s): N/A

Description: The room encompassing glance occurs by first casting her eyes around the room for five to ten seconds. If she spots someone she is interested in, she will take a second look. This second glance is not directed at the entire room, but rather in the direction of a specific man. It will be short, and she will rotate her head twenty-five to forty degrees to the side then look away, usually downward, within about three seconds. Women usually continue this behavior until they meet their target’s eyes. At this point, the target and the woman will hold a mutual gaze lasting about three seconds which is normally broken by the woman by looking down.

In One Sentence: The room encompassing glance is a female cue signaling sexual interest.

How To Use it: Women should follow the Description (above) in a dating context to signal sexual interest. At times, the cue will need to be repeated or coupled with additional sexual cues to send a more definitive sexual invitation. Women should send nonverbal signals to men as an invitation, but also, and perhaps more importantly, as permission to approach. The more signals offered, the more likely it is that men will receive the message correctly and also act upon them.

Context: Dating.

Verbal Translation: “I’m interested in you and I want you to know that by looking over at you coyly. I’m giving you permission to pursue me.”

Variant: See Eye Catch And Look Away, Eye Flash, Eye Pop and Flashbulb Eyes, Eye Flutter or Batting Eyes, Peek-a-boo Game (the), Eye Widening.

Cue In Action: Emily was smitten. She couldn’t stop herself from looking at Dave but she was way too shy and scared to go over and talk to him. She cast her eyes his way but didn’t want to get caught looking. Each time he looked her way, her eyes darted to the ground in embarrassment. After the third time, Dave knew something was up so he sauntered over and said “hi.” She blushed immediately.

Meaning and/or Motivation: The room encompassing glance is a sexual signal performed by women interested in being pursued. More specifically, it is done by women who are “checking out” potential suitors and it is done totally unconsciously as is most all other body language. It is very subtle and also very specific.

It should be noted also that most men are fairly clueless in reading this signal and usually miss it. If women wish to make it more powerful and obvious they should add a slight smile. The light bulb usually goes off with the addition of this more overt signal.

Cue Cluster: Watch for submissive cues to accompany the room encompassing glance such as palm up and wrist exposure, neck displays, head lowered, blushing, eyes up, looking up through the forehead, looking over the shoulder, smiling coyly, giggling or laughing, fidgeting and so forth.

Body Language Category: Approach tell, Courtship display, Eye Language, Indicators of sexual interest (IOsI), Intention movements, Liking, Orienting reflex or orienting response, Tie signals.

Resources:

Aron, Arthur Reward, Motivation, and Emotion Systems Associated With Early-Stage Intense Romantic Love. Journal of neurophysiology 94.1 327-337.

Anderson, Uriah S. ; Perea, Elaine F. ; Vaughn Becker, D. ; Ackerman, Joshua M. ; Shapiro, Jenessa R. ; Neuberg, Steven L. ; Kenrick, Douglas T. I only have eyes for you: Ovulation redirects attention (but not memory) to attractive men. Journal of Experimental Social Psychology. 2010. 46(5): 804-808.

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Argyle, M., and Ingham, R. 1972. Gaze, mutual gaze, and proximity. Semiotica, 1, 32–49.

Argyle, M. and Cook, M. Gaze and Mutual Gaze. London: Cambridge University Press, 1976.

Allan Mazur; Eugene Rosa; Mark Faupel; Joshua Heller; Russell Leen; Blake Thurman. Physiological Aspects of Communication Via Mutual Gaze. The American Journal of Sociology. 1980; 86(1): 50-74.

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Cari D. Goetz; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
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Moore, M. M. 1985. Nonverbal courtship patterns in women: context and consequences. Ethology and Sociobiology 64: 237-247.

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Body Language of Pupillary Reflex, Pupil Dilation or Pupillary Constriction

Body Language of Pupillary Reflex, Pupil Dilation or Pupillary Constriction

No picCue: Pupillary Reflex

Synonym(s): Pupillometrics, Pupillary Constriction.

Description: The pupils of the eyes (the dark part of the eye) expand or contract dependent on the level of arousal. The pupils will automatically open up and allow more light into the eye on arousal or if we see something we like. Conversely, they will contract or close when we see things we don’t like. The pupils also respond automatically to changes in light. They open when it’s dark and close when it’s bright. This protects our eye from harm and increases our ability to see as the level of light changes.

In One Sentence: The papillary reflex refers to the dilation of the pupils in response to arousal.

How To Use it: Pupils react autonomically to light and emotion, thus it is not something that can be consciously controlled. However, one might artificially create situations which control the size of the pupil. For example, to create wide attractive pupils simply set up dates in low lighting conditions. Candlelight, for example will cause the pupils to dilate, thus making them more attractive. Women can make their eyes more dreamy in profile photos by digitally enhancing the size of their pupils. Likewise, matching your desires to reality will cause eyes to dilate naturally. In other words, finding a correct dating match, which really creates excitement, will naturally produce eyes that dilate, thus compounding the attraction effects.

Context: a) General b) Dating.

Verbal Translation: “When I’m aroused or when I like what I’m seeing, my pupils dilate and open wide so I can take it all in. When I’m turned off, or it’s bright, my pupils contract and take in less light.”

Variant: See Bedroom Eyes or Dialated Pupils.

Cue In Action: a) Mom’s eyes dilated to the max as she watched her newborn baby. a) During poker, he hit the card he liked and his eyes dilated widely, fortunately he wore sunglasses protecting them from sight. b) Her eyes dilated as she observed her muscularly sculpted boyfriend undress.

Meaning and/or Motivation: Pupillometrics is the study of pupil size in relation to emotion such as liking, interest, fear and dislike. Research has shown that young children have larger pupils than adults. This is probably a way for kids to appear more attractive and gain favour and attention. Watch how cartoonist’s habitually embellish the eyes of their characters to make them more appealing.

Pupil dilation can help a body language reader assess when emotion is taking place. Under stress or arousal of any kind, be it liking or visceral disliking, the pupils expand to permit more light to enter facilitating vision. This can include stress and fear due to lying, any other fearful situation and even attraction.

Conversely, the eyes contract due to not liking. This is an entirely autonomic process and not consciously controlled. When assessing someone on their pupil size, be sure to account for changes in ambient light, as the pupils will also respond to these changes.

Cue Cluster: Watch for congruency in body language to determine the meaning behind the pupillary reflex. Liking (dilation) would be coupled with head tilted to the side, open and relaxed facial expressions, smiling and loose body language. Disliking (contraction) would be coupled with head on, hard eyes, pursed lips, grimacing, eyebrows coming together and so forth. Also watch for changes in ambient light which will also determine the meaning behind the pupils.

Body Language Category: Amplifier, Arousal, Autonomic signal, Buy signals, Courtship display, Dislike (nonverbal), Emotional body language, Eye Language, Excited body language, Indicators of disinterest (IOD), Indicator of interest (IoI), Indicators of sexual disinterest (IOsD), Indicators of sexual interest (IOsI), Leaked or involuntary body language, Liking, Microexpressions.

Resources:

Ariel, Robert and Castel, Alan. Eyes wide open: enhanced pupil dilation when selectively studying important information. Experimental Brain Research, 2014. 232(1):.337-344.

Ahern S, Beatty J (1979) Pupillary responses during information processing vary with scholastic aptitude test scores. Science 205:1289–1292

Adolphs, Ralph A. 2006. Landmark study finds that when we look at sad faces, the size of the pupil we look at influences the size of our own pupil Social Cognitive and Affective Neuroscience. 1(1): 3-4

Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public-areas

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1

Beatty J (1982) Task-evoked pupillary responses, processing load, and the structure of processing resources. Psychol Bull 91:276–292

Bijleveld E, Custers R, Aarts H (2009) The unconscious eye opener: pupil size reveals strategic recruitment of resources upon presentation of subliminal reward cues. Psychol Sci 20:1313–1315

Bradley MM, Miccoli L, Escrig MA, Lang PJ (2008) The pupil as a measure of emotional arousal and autonomic activation. Psychophysiology 45: 602–607.

Daniel J. Kruger and Jory S. Piglowski. The Effect of Eyelid Constriction on Perceptions of Mating Strategy: Beware of the Squinty-Eyed Guy! Personality and Individual Differences. 2012. 52: 576-580.
http://bodylanguageproject.com/articles/beware-squinty-eyed-guy-studying-body-language-narrowed-eyes

Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
http://bodylanguageproject.com/articles/eyes-and-facial-expressions-may-be-biologically-controlled-serve-a-real-non-emotional-purpose-says-research/

Daniele Marzoli, Mariagrazia Custodero, Alessandra Pagliara, and Luca Tommasi. Sun-Induced Frowning Fosters Aggressive Feelings. Cognition And Emotion. 2013; 27 (8): 1513-1521.
http://bodylanguageproject.com/articles/the-sun-can-produce-feelings-of-anger-and-aggression-it-makes-us-frown/

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Girard, Jeffrey M.; Jeffrey F. Cohna; Mohammad H.Mahoor S.; Mohammad Mavadati;
Zakia Hammal; and Dean P. Rosenwalda. Nonverbal Social Withdrawal In Depression: Evidence From Manual And Automatic Analyses. Image and Vision Computing. 2013.
http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression

Geangu, Elena; Petra Hauf; Rishi Bhardwaj and Wolfram Bentz. Infant Pupil Diameter Changes in Response to Others’ Positive and Negative Emotions. 2011. PLoS ONE 6(11): e27132. doi:10.1371/journal.pone.0027132
http://bodylanguageproject.com/articles/distress-happiness-reflected-infants-eyes/

Goldinger SD, Papesh MH (2012) Pupil Dilation Reflects the Creation and Retrieval of Memories. Current Directions in Psychological Science 21: 90–95.

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Harrison, Neil A.; Wilson, C. Ellie; Critchley, Hugo D. 2007. Processing of observed pupil size modulates perception of sadness and predicts empathy. Emotion. 7(4): 724-729.

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Wierda , Stefan M.; Van Rijn; Hedderik; Taatgen; Niels A.; Martens, Sander. Pupil dilation deconvolution reveals the dynamics of attention at high temporal resolution. Proceedings of the National Academy of Sciences of the United States of America, 2012. Vol.109(22): 8456-8460.

Wang, Joseph Tao-yi ; Spezio, Michael ; Camerer, Colin F. Pinocchio’s Pupil: Using Eyetracking and Pupil Dilation to Understand Truth Telling and Deception in Sender-Receiver Games. American Economic Review, 2010. 100(3): 984-1007
Raul, Muresan. Pupil dilation and visual object recognition. Frontiers in Human Neuroscience, 2011, Vol.5.

Zellin, Martina; Pannekamp, Ann; Toepel, Ulrike; van der Meer, Elke. In the eye of the listener: Pupil dilation elucidates discourse processing. International Journal of Psychophysiology, 2011, Vol.81(3): 133-141.

Body Language of Pouting Lips or Lip Parting

Body Language of Pouting Lips or Lip Parting

BodyLanguageProjectCom - Pouting Lips or Lip Parting 2Cue: Pouting Lips.

Synonym(s): Lip Parting, Parting Lips, Bottom Lip Jut.

Description: a) When the lips form a pout or kiss and are pushed forward. Sometimes the cue is barely detectable where the lips only press together slightly. b) A facial gesture done by pressing the lips together and pushing them forward and crunching the eyebrows downward and inward as if in grief. A childlike facial expression where the bottom lip is pushed out.

In One Sentence: Pouting lips signals a negative though or the desire to kiss.

How To Use it: In dating, eyes to the lips of another coupled with lip pouting signals that one is ready to kiss. Women can use this gesture with good results at the end of a date to signal to their partner that they are ready for intimacy.

Pouting can also be used to manipulate the emotions of others. Children, like adults, can use the expression to show sadness. When viewed, others are likely to offer a caring response which can help you get what you want.

Context: a) Dating b) General.

Verbal Translation: a) “I really want to kiss someone, and I’m puckering in anticipation.” b) “I’m upset and it’s causing me grief forcing me to press my lips together.”

Variant: See Compressed Lips.

Cue In Action: a) She was aroused by Dave and found herself subconsciously pressing her lips together as if she was already kissing him – the anticipation was driving her mad. b) She was only 3 years old, but knew full well that if she pouted for long enough with sad eyes, Dad would do anything she wanted.

Meaning and/or Motivation: a) Lip puckering is a sexual cue, or desire to kiss, when in context.

b) Bottom lip jut is a negative thought indicator or that disagreement is present especially if accompanied by frowning, scrunched eyebrows, or other negative cues. This gesture is usually done by small children or by adults resorting to juvenile characteristics trying to secure affection, privilege, resource, or reward of some kind from another person. The lip jut is also called pouting and shows helplessness and lack of agency. This is the case when done by adults or children.

Cue Cluster: Lip puckering is usually associated with a) Other sexual cues of interest such as strong eye contact or eye to mouth, neck titled to the side and neck displays, lip licking and self touching or b) With hung or hunched shoulders, sad droopy eyes, scrunched up eyebrows, head down, verbal sighs and other helpless and dejected body language.

Body Language Category: Arousal, Courtship display, Indicators of sexual interest (IOsI), Leaked or involuntary body language, Masked emotions, Microexpressions, Intention movements.

Resources:

Darwin, Charles (1872). The Expression of the Emotions in Man and Animals, third editionn (New York: Oxford University Press, 1998).

Eibl-Eibesfeldt, Irenaus (1973). “The Expressive Behaviour of the Deaf-and-Blind-Born.” In Mario von Cranach and Ian Vine (Eds.), Social Communication and Movement (European Monographs in Social Psychology 4, New York: Academic Press), pp. 163-94.

Gaarder, Emily ; Rodriguez, Nancy ; Zatz, Marjories. Criers, liars, and manipulators: Probation officers’ views of girls. Justice Quarterly. 2004. 21(3): 547-578.

Izard, Carroll E. (1971). The Face of Emotion (New York: Appleton-Century-Crofts).

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Moore, Monica. M. Nonverbal Courtship Patterns in Women: Context and consequences. Ethology and Sociobiology. 1985. 6:237- 247.

Moore, M. M. Courtship Communication and Perception. Perceptual and Motor Skills. 2002. 94(1): 97-105. doi:10.2466/PMS.94.1.97-105.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Negriff, Sonya ; Noll, Jennie G ; Shenk, Chad E ; Putnam, Frank W ; Trickett, Penelope K. Associations between nonverbal behaviors and subsequent sexual attitudes and behaviors of sexually abused and comparison girls. Child maltreatment. 2010. 15(2): 180-9.

Nam, Kyoungtae ; Lee, Guiohk ; Hwang, Jang-Sun. Gender Stereotypes Depicted by Western and Korean Advertising Models in Korean Adolescent Girls’ Magazines. Sex Roles. 2011. 64(3): 223-237.

Rudd, Jille. ; Burant, Patriciaa. ; Beatty, Michaelj. Battered women’s compliance-gaining strategies as a function of argumentativeness and verbal aggression. Communication Research Reports. 1994. 11(1): 13-22.

Umiker, William O. How to neutralize manipulators. (manipulation in the healthcare environment). Medical Laboratory Observer. 1997. 29(8): 90(5).

Body Language of the Peek-A-Boo Game

Body Language of the Peek-A-Boo Game

BodyLanguageProjectCom - Peek-A-Boo Game (the) 3Cue: Peek-A-Boo Game (the)

Synonym(s): Hide and Seek, Eye Hiding.

Description: a) An adult game found in dating and romance where eyes are hidden from view with objects such as menus, drinking glasses, and even other people only to amuse and delight with their reappearance. b) A game played between baby and parents or amongst kids.

In One Sentence: Peek-a-boo is fun game that helps bond people together.

How To Use it: Parents and children play the peek-a-boo game most readily by hiding from sight only to suddenly reappear. The temporary absence creates sadness, and upon reappearance, that turns to excitement, surprise, and therefore relief.

Adult lovers can also play this game to good effect. However, this is best done with the help of props such as menus, the hands, moving around pillars or around the corner (in a bar or restaurant). When done correctly, the game appears childlike, but can create real romance and attraction.

Context: a) Dating b) General.

Verbal Translation: “I’m playing coy with you by hiding my eyes from view and teasing you with their resurgence.”

Variant: See the myriad of language possible with the eyes under Eye Language (Category).

Cue In Action: a) The girl played coy with the boys. Often dropping out of sight only to return to view, smile meekly, and giggle. b) Mom and Dad took turns playing peek-a-boo with their 10 month old. He seemed thrilled when Mom peeked over the cloth. Baby would giggle hysterically.

Meaning and/or Motivation: In adults it is often sexual in nature primarily due to it’s throwback to childlike playfulness which is common in courtship. It is the absence of the eyes is made better with their resurgence.

a) Using barriers for negative reasons, such as to hide, are most common in nonverbal communication, but in the peek-a-boo game played by men and women, objects can be used to tease and arouse during courtship.

This is the case with “eye hiding”, which happens when a drinking glass, menu, or even people moving about a room temporarily put out of vision our object of affection. It can also happen by slightly turning away, or lowering the eyes coyly. Dropping the eyes out of sight or looking over the shoulder when done by women is particularly seductive. The loss of sight sends us into spells of worry, but when they suddenly reappear it sends our hearts racing with relief.

b) Small babies especially enjoy this game, sending them into giggle fits, and adults play along happily. When adults play the game with each other, it is only slightly more sophisticated.

Cue Cluster: a) Watch for other nonverbal cues such as smiling, laughing, touching, moving in closer, chasing, teasing, flirty eye contact, doe eyes, intimate gazing and so forth. b) You will see giggling and laughing, excitement and blushing.

Body Language Category: Courtship display, Childlike playfulness, Eye Language, Indicators of sexual interest (IOsI).

Resources:

Argyle, M., & Cook, M. (1976). Gaze and mutual gaze. Cambridge, England: Cambridge University Press.

Aron, Arthur Reward, Motivation, and Emotion Systems Associated With Early-Stage Intense Romantic Love. Journal of neurophysiology 94.1 327-337.

Bateson, P. (2014). Play, Playfulness, Creativity and Innovation. Animal Behavior and Cognition. 2014. 1(2): 99-112. doi: 10.12966/abc05.02.2014

Bolmont, Mylene ; Cacioppo, John T ; Cacioppo, Stephanie. Love Is in the Gaze
Psychological Science. 2014. 25(9): 1748-1756.

Böckler, A., van der Wel, R. P. R. D., & Welsh, T. N. (2014). Catching eyes: Effects of social and nonsocial cues on attention capture. Psychological Science, 25, 720–727.
doi:10.1177/0956797613516147

Fisher, H. E. (1998). Lust, attraction, and attachment in mammalian reproduction. Human Nature, 9, 23–52.

Givens, David B. (1979). “Childlike Behavior in Courtship.” In Medical Aspects of Human Sexuality (April), p. 107.

Hall, Jeffrey A. and Chong Xing. The Verbal and Nonverbal Correlates of the Five Flirting Styles. Journal of Nonverbal Behavior. 2015. 39:41–68. DOI 10.1007/s10919-014-0199-8
http://bodylanguageproject.com/articles/first-12-minutes-flirting-using-nonverbal-communication-study-reveals-26-body-language-cues-attraction/

Jones, B. C., Main, J. C., DeBruine, L. M., Little, A. C., & Welling, L. L. M. (2010). Reading the look of love: Sexually dysmorphic cues in opposite-sex faces influence gaze categorization. Psychological Science, 21, 796–798. doi:10.1177/0956797610370756

Kellerman, J., Lewis, J., & Laird, J. D. (1989). Looking and loving: The effects of mutual gaze on feelings of romantic love. Journal of Research in Personality, 23, 145–161.

Lloyd-Elliott, Martin. 1994. Secretes of Sexual Body Language. Ulysses Press.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Moore, M. M. 2001. Flirting. In C. G. Waugh (Ed.) Let’s talk: A cognitive skills approach to interpersonal communication. Newark, Kendall-Hunt.

Moore, M. M. 1985. Nonverbal courtship patterns in women: context and consequences. Ethology and Sociobiology 64: 237-247.

Moore, M. M. and D. L. Butler. 1989. Predictive aspects of nonverbal courtship behavior in women. Semiotica 76(3/4): 205-215.

Moore, M. M. 1985. Nonverbal courtship patterns in women: context and consequences. Ethology and Sociobiology 64: 237-247.

Macrae, C. N., Hood, B. M., Milne, A. B., Rowe, A. C., & Mason, M. F. (2002). Are you looking at me? Eye gaze and person perception. Psychological Science, 13, 460–464.

Mason, M. F., Tatkow, E. P., & Macrae, C. N. (2005). The look of love: Gaze shifts and person perception. Psychological Science, 16, 236–239. doi:10.1111/j.0956-7976.2005.00809.x.

Petrican, Raluca; Christopher T. Burris and Morris Moscovitch. Shame, Sexual Compulsivity, and Eroticizing Flirtatious Others: An Experimental Study. Journal of Sex Research. 2015. 52(1), 98–109, 2015. DOI: 10.1080/00224499.2013.829796
http://bodylanguageproject.com/articles/coy-flirtatious-smile-eye-contact-leads-shame-sex/

Palermo, R., & Rhodes, G. (2007). Are you always on my mind? A review of how face perception and attention interact. Neuropsychologia, 45, 75–92.

Rupp, H. A., & Wallen, K. (2007). Sex differences in viewing sexual stimuli: An eye-tracking study in men and women. Hormones and Behavior, 51, 524–533.

Roberson, Debi ; Kikutani, Mariko ; Doge, Paula ; Whitaker, Lydia ; Majid, Asifa. Shades of Emotion: What the Addition of Sunglasses or Masks to Faces Reveals about the Development of Facial Expression Processing. Cognition. 2012. 125(2): 195-206.

Body Language of Parallel Legs

Body Language of Parallel Legs

No picCue: Parallel Legs

Synonym(s): N/A

Description: A female sitting posture best exhibited in a skirt, where the legs are pressed together parallel to each other.

In One Sentence: Parallel legs is a female sitting posture that frames a woman’s legs in a highly sexual way.

How To Use it: Women can use this posture to emphasize their legs by making them appear toned and tight. The cue is effective with a short skirt. High heels will also boost the illusion by increasing leg length. A high slit is another variation which is highly provocative. Women should use this cue to arouse sexual curiosity in men, thus it is reserved for a dating context. Unless women wish to send the cue out to many men and see which is confident enough to approach, she can anchor the cue to a man specifically with eye contact, followed by a smile as eyes are lowered. On a date, this cue can help a woman signal high reproductive value which will elicit men to pursue.

Context: a) General b) Dating.

Verbal Translation: “I’m pressing my legs together to show you, and everyone else, how sexy I am and how firm and toned my legs are – I hope you notice.”

Variant: See Leg Twine, Leg Crossing and Leg Crossing Direction.

Cue In Action: She made fleeting eye contact, uncrossed and re-crossed her legs. His eyes made her uncomfortable, but excited. This made her fidget. This time she uncrossed her legs, made eye contact once again, then she pressed her legs together flexed them tightly against one another while lowering her eyes and blushing. Her leg began to bounce up and down. It had a soothing effect.

Meaning and/or Motivation: One leg pressed against the other makes the legs sexier, toned, and more youthful in appearance. Men find this posture alluring because it draws the eyes in and provides mystery since it is normally done in a short skirt.

Because the legs are not crossed, it adds allure, but avoids appearing crass or easy because the legs are pressed together rather than uncrossed.

Cue Cluster: Watch for other signals of sexual interest to determine the aim of the cue, be it as a general broadcast cue to potential suitors or directed through eye contact to one in particular. Cues such as eye contact coupled with hair play or hair toss, stroking an object such as the stem of a glass can indicate sexual interest.

Body Language Category: Courtship display, Indicators of sexual interest (IOsI).

Resources:

Hewes, Gordon (1957). “The Anthropology of Posture.” In Scientific American (Vol. 196), pp. 122-32.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Vrugt, Anneke, and Ada Kerkstra (1984). “Sex Differences in Nonverbal Communication.” In Semiotica (50-1/2), pp. 1-41.