Category: Hostile body language

Body Language of Jabbing The Finger

Body Language of Jabbing The Finger

BodyLanguageProjectCom - Jabbing 2Cue: Jabbing The Finger

Synonym(s): Finger Jabbing, Foot Jabbing

Description: A type of finger pointing but with added emphasis and direction, usually aimed at a person who is being spoken to, and repeated rhythmically. At times, a finger might actually physically make contact with another person to make the cue more salient.

In One Sentence: Finger jabbing is a rude gesture symbolizing being poked by a spear.

How To Use it: Use finger jabbing when you want to use nonverbal aggression to make a point. Jabbing the finger with every point tells others that you should be taken seriously through force and intimidation. In an emotionally charged debate one can use the finger jab to drive your point home.

On the other hand, to appear more rational, drop the finger jab and instead use a calm voice and fluid hand movements to make a proper “point.”

Context: General.

Verbal Translation: “I trying to make a point that I feel strongly about. I’m jabbing my fingers toward you like I would jab a spear. I really want to drive my idea home.”

Variant: The feet are sometimes jabbed or kicked in the direction of other people or during heated situations. Other times, a finger only points in the direction of another person and lacks a jabbing motion. Also see Baton Gesture.

Cue In Action: It was nearing blows. They both exclaimed their case with extreme enthusiasm. At one point, she was shouting and jabbing at close quarters and encroaching on his personal space.

Meaning and/or Motivation: Finger jabbing is a rude gesture. It is as if the person is being stabbed with a spear, especially if is present in a particularly negative or heated context. The voracity and amplitude of the jab outlines the degree of emotion present.

Other times, a jab can be a playful expression between say an uncle and his nephew to tickle his sides and have him giggle.

Cue Cluster: Expect to see violations of personal space, loud voices and shouting, wide focus intense eyes, erratic arm movements, puffing of the chest, arms akimbo and chin jutting.

Body Language Category: Amplifier, Aggressive body language, Body pointing, Displacement behaviour, Enthusiasm (nonverbal), Hostile body language, Intention movements, Negative body language, Threat displays.

Resources:

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Arsenio, W. F., Cooperman, S., & Lover, A. Affective Predictors of Preschooler’s Aggression and Peer Acceptance: Direct and Indirect Effects. Developmental Psychology. 2000. 36: 438-448.

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Aggression among Adults’, Aggressive Behaviour 20: 27–33.

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Freedman, Norbert ; Blass, Thomas ; Rifkin, Arthur ; Quitkin, Frederic Lanzetta, John T. (editor). Body movements and the verbal encoding of aggressive affect. Journal of Personality and Social Psychology. 1973. 26(1): 72-85.

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Body Language of The Head Toss

Body Language of The Head Toss

No picCue: Head Toss

Synonym(s): Flicking The Head.

Description: The head is tossed forward or backward.

In One Sentence: Tossing the head shows distain, or conversely, is a way to show off luscious hair (in a dating context).

How To Use it: Toss the head back and shake it to show that you disagree. You can use this in any context to send a strong nonverbal message of disapproval. Simply toss the head backward or from side-to-side to show that you do not approve. When you do so, imagine being “hit in the head” with a bad idea.

In dating, tossing the head is a way women (mostly) can show off their hair. This is especially so if it is long and free-flowing. Putting the hair in motion is a way to draw attention to it and its qualities. Television commercials use the hair toss effectively to show off their shampoo products. You can also produce a like effect. The hair toss is boosted in effectiveness when it is coupled with direct eye contact with whom you wish would notice. When the hair toss is done without eye contact, it is not anchored and therefore is a broadcast signal to anyone to which is visible.

Context: a) General, b) Dating.

Verbal Translation: a) “I’m not happy with you so I’m tossing my head back and shaking it from side to side showing my disdain and haughtiness.” b) “I’m sexually aroused and showing off my luscious hair by flicking and tossing it and hopefully you find that appealing.”

Variant: Sometimes the head is held high and tossed back showing extra verbal charge. See Hair Play.

Cue In Action: a) Eighteen year old Maggie wasn’t happy with her mom and made it known that she had no intension of serving her full punishment. She tossed her head back and shook it at the mere suggestion of being grounded. b) Eighteen year old Maggie tossed her head back while flicking her hair, batted her eyelashes and smiled coyly at the cute boy in her class.

Meaning and/or Motivation: Depending on context can be sexually suggestive or show disdain or haughtiness.

a) Disdain is usually done by women through a combination of a head backward with a small headshake. Sometimes the head is held high and shot forward to deliver a potent message. This shows no interest and no intention of complying, engaging further and certainly no interest in what is being said. b) When the head is meant to remove long hair from the face and coy eye contact is delivered to punctuate it, can mean a sexual invitation. c) Other times, the head is tossed back to remove hair from the eyes and has no other meaning.

Cue Cluster: See Meaning and Motivation for cue cluster.

Body Language Category: Adaptors, Arrogance or arrogant body language, Approach tell, Courtship display, Disengagement body language, Dislike (nonverbal), Frustration or frustrated body language, Hostile body language, Stubborn body language.

Resources:

Abrahams, Matthewf.. Perceiving flirtatious communication: An exploration of the perceptual dimensions underlying judgments of flirtatiousness. Journal of Sex Research. 1994. 31(4): 283-292.

Abbey, A., and Melby, C. (1986). The effects of nonverbal cues on gender differences in perceptions of sexual intent. Sex Roles, 15, 283-298.

Costa, M., Menzani, M., & Ricci Bitti, P. E. Head canting in paintings: An historical study. Journal of Nonverbal Behavior. 2001. 25: 63–73.

Costa, M., & Ricci Bitti, P. E. Face-ism effect and head canting in one’s own and others’ photographs. European Psychologist. 2000. 5: 293–301.

Cari D. Goetz; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
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Clark, A. Attracting Interest: Dynamic Displays of Proceptivity Increase the Attractiveness of Men and Women. Evolutionary Psychology. 2008., 6(4), 563-574.
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Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
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Fletcher, Garth J. O ; Kerr, Patrick S. G ; Li, Norman P ; Valentine, Katherine A. Predicting Romantic Interest and Decisions in the Very Early Stages of Mate Selection. Personality and Social Psychology Bulletin. 2014 40(4): 540-550.

Givens D. The nonverbal basis of attraction: Flirtation, courtship, and seduction. Psychiatry. 1978. 41: 346.

Greer, Arlettee. ; Buss, Davidm. Tactics for promoting sexual encounters
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Goetz, Cari D.; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
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Goetz, Cari D.; Judith A. Easton; Cindy M. Meston. The Allure of Vulnerability: Advertising Cues to Exploitability as a Signal of Sexual Accessibility. Personality and Individual Differences. 2013. 62: 121-125. http://dx.doi.org/10.1016/j.paid.2014.02.019
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Guéguen, N. The Effect Of A Woman’s Smile On Men’s Courtship Behavior. Social Behavior and Personality. 2008. 36(9): 1233-1236.
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Guéguen, Nicolas. Hair Color and Courtship: Blond Women Received More Courtship Solicitations and Redhead Men Received More Refusals. Psychol Stud. 2012. 57(4):369–375. DOI 10.1007/s12646-012-0158-6

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Givens, D. B. (1978). The non-verbal basis of attraction: Courtshipation, courtship and seduction. Psychiatry, 41, 346-351.

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Body Language of The Head Tilted Back

Body Language of The Head Tilted Back

BodyLanguageProjectCom - Head Tilted Back 2Cue: Head Tilted Back

Synonym(s): Looking Down The Nose, Nose up gesture, Tilting The Head Back.

Description: A posture done by tilting the head back and looking down and across the bridge of the nose upon other people as if glaring. Sometimes the head is cocked to the side or the eyes peer over glasses.

In One Sentence: Tiling the head back indicates smugness and pride.

How To Use it: Tilt the head back to demonstrate pride after winning a dominance competition. The stance is appropriate after victory in sports as it is in any other situation where one must overcome great obstacles. Holding the head high will show others that you are winning in the battle of life and that you are worthy of special attention and to be followed. Holding the head high in business will show others that you have leadership qualities.

When one tilts the head back when pride is not earned, it can backfire and be read as smugness, so be prepared for challenges to your stance should you choose to apply them.

When you want to belittle another, simply title the head back and stare down your nose at them. This shows condescension. Think of the stern librarian as she lowers her eye glasses and glares down upon you.

Context: General.

Verbal Translation: “I’m superior to you in many ways so I tilt my head back and appear haughty and special, demonstrating that you are not worthy of my gaze.”

Variant: See Peering Over Glasses, Chin Jut and Chin Lift.

Cue In Action: Upon entering a coffee shop, she turned the heads of men. When she noticed that she was being watched, she averted her gaze and instead of making eye contact she would “look down her nose at them” by tilting her head backward showing disapproval. It is read by onlookers correctly as an “I’m better than you” glare. They don’t even bother to approach her.

Meaning and/or Motivation: Looking down one’s nose at someone is a dominant, judgment posture and is viewed negatively by others. The opposite cue is the forehead bow, where the head is tilted back and they eyes cast upward. This shows submission.

Looking down the nose at someone can be done without glasses, but their addition makes the posture even more salient. The head back is a domineering teacher or librarian look when a student has done something she does not approve of, so she stares him down. The posture elicits a prey response in others because it puts them in an aggressive relationship with the predator peering down on them.

Tilting the head back is a way to adjust the height levels between people because by doing so it raises the level of the eyes by a few inches. Looking down the nose is indicative of someone that is condescending or pushy, authoritarian, arrogant, but is also a gravity defying body language so shows confidence often bordering on overconfidence.

The phrase “keep your chin up” stems from the power that chin’s held high carries. Holding a high head helps people frame their own views in a more constructive light.

Cue Cluster: Crossing the legs by bringing one foot over the opposite leg (the Figure-Four Leg Cross), hand steepling, or interlocked fingers, leaning back in the chair, and tilting the head back and looking down through the nose at others. This cluster shows arrogance and superiority.

Body Language Category: Amplifier, Arrogance or arrogant body language, Aggressive body language, Authoritative body language, Confident body language, Dislike (nonverbal), Doubt or disbelief body language, Dominant body language, Expansive movements, Eye Language, Gravity defying body language, Hostile body language, Evaluative body language.

Resources:

Aguinis, Herman ; Simonsen, Melissam. ; Pierce, Charlesa. Effects of Nonverbal Behavior on Perceptions of Power Bases. The Journal of Social Psychology. 1998. 138(4): 455-469.

Aguinis, Herman ; Henle, Christinea. Effects of Nonverbal Behavior on Perceptions of a Female Employee’s Power Bases. The Journal of Social Psychology. 2001 141(4): 537-549.

Aviezer, Hillel, Yaacov Trope, Alexander Todorov. Body Cues, Not Facial Expressions, Discriminate Between Intense Positive and Negative Emotions Science 338, 1225 (2012).
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Beall, Alec and Jessica L. Tracy. The Puzzling Attractiveness of Male Shame.
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Costa, M., and Ricci Bitti, P. E. Face-ism effect and head canting in one’s own and others’ photographs. European Psychologist. 2000. 5: 293–301.

Carroll JM, Russell JA (1996) Do facial expressions signal specific emotions? Judging emotion from the face in context. J Pers Soc Psychol 70: 205–218. doi:10.1037/0022-3514.70.2.205. PubMed: 8636880.

Furley, Philip and Geoffrey Schweizer. “I’m Pretty Sure That We Will Win!”: The Influence of Score-Related Nonverbal Behavioral Changes on the Confidence in Winning a Basketball Game Journal of Sport & Exercise Psychology. 2013. 35:316-320. http://dx.doi.org/10.1123/jsep.2013-0199
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Hehman, Eric; Jordan B. Leitner and Samuel L. Gaertner. Enhancing Static Facial Features Increases Intimidation. Journal of Experimental Social Psychology. 2013; 49: 747-754.
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Hwang, Hyisung C. and David Matsumoto. Cultural Differences in Victory Signals of
Triumph Cross-Cultural Research. SAGE Publications 2014. 48(2):177– 191.
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Hehman, Eric; Jordan B. Leitner and Samuel L. Gaertner. Enhancing Static Facial Features Increases Intimidation. Journal of Experimental Social Psychology. 2013; 49: 747-754.
http://bodylanguageproject.com/articles/tilting-the-head-is-display-of-intimidation-study/

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
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Body Language of Hand Wringing

Body Language of Hand Wringing

BodyLanguageProjectCom - Hand Wringing 2Cue: Hand Wringing

Synonym(s): Wringing The Hands.

Description: The hands are clasp one inside the other and tightly clamped and twisted on each other. The hands may also be tightly cupped and squeezed one inside the other or interlaced and squeezed. It can be done so aggressively that the fingers or knuckles turn white.

In One Sentence: Wringing the hands is a sign that a person is experiencing anxiety, stress or suffering from low confidence.

How To Use it: Wringing the hands is not useful and one should avoid it when possible. While it can provide a tactile release for underlying stress, it is best to do something proactive to actually resolve the issue rather than suppress it.

Context: General.

Verbal Translation: “I’m so agitated and stressed that I’m inflicting pain on myself as I would like to do to someone else, or due to stress of the situation at large. Since I’ve lost control of the situation and others, the best I can do is control the pain I do onto myself.”

Variant: This cue is similar to self pinching, pulling or even plucking the hair, or pinching one’s self as they are all forms of inflicting pain on the self. This is especially common when external pain can not be controlled.

Cue In Action: She wrung her hands as she waited for the doctor to report back with news about the surgery.

Meaning and/or Motivation: It signifies high anxiety, stress, or low confidence, and is a pacifying behaviour.

The hands are clenched because of the internal turmoil that a person feels that they cannot resolve through external factors. Pain that is inflicted on the self is pain that is controlled by the self. Therefore, self-pain is pain that is used to regain some agency over a person’s outcome – even if it is entirely unproductive.

Clenching is also a replacement for pain that someone might wish to inflict on other people whom they feel are causing their problems, and if not caused by people directly, than to the context in general.

Cue Cluster: Hand wringing is usually accompanied by gritting the teeth or jaw clenching, scratching and plucking behaviours, licking the teeth to sooth, lip biting or cheek chewing, eye squinting, snarling, amongst others.

Body Language Category: Aggressive body language, Anger, Clenching and gripping, Closed body language, Dislike (nonverbal), Emotional body language, Energy Displacement, Frustration or frustrated body language, Hostile body language, Low confidence hand displays, Nervous body language, Stressful body language, Worry body language.

Resources:

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Body Language of Hand Gripping Upper Arm or Wrist Behind Back

Body Language of Hand Gripping Upper Arm or Wrist Behind Back

Cue: Hand Gripping Upper Arm or Wrist Behind Back.

Synonym(s): Gripping Upper Arm or Wrist Behind The Back, Wrist Gripping Behind Back, Arm Gripping Behind Back, Restraining The Self, Self Restraint.

Description: A posture where the arm is wrapped in behind the back to reach to wrist or upper arm.

In One Sentence: Gripping the upper arm behind the back is a nonverbal demonstration of holding one’s self back.

How To Use it: Use this upper arm grip behind the back cue when you want to show others that you are holding yourself back from acting out. As the cue reminds us of being restrained by a parent, it embodies the kind of self-restrained we might currently require. Therefore, the cue makes holding back easier since it reminds us of parental assistance. So if you feel that you may be spurred into an outburst, or that you need reassurance, reach up and grab your wrist or arm to create a more solid foundation to repress your thoughts or emotions. The cue is most useful when we fear that we may say something we might later regret or we need the security of being around a loved one due to insecurity.

Context: General.

Verbal Translation: “The reason I am gripping my arm or wrist behind my back is because I’m holding myself back from striking out due to my negative thoughts.”

Variant: See Arm Crossing, Hugging or The Double Arm Hug, Military Man or Regal Stance.

Cue In Action: The cop pulled her aside to speak with her about her conduct. She was so angry she was red in the face. She balled up her left hand behind her back, reached around with her right hand and clasped it rigidly preventing her from speaking or acting out on her displeasure.

Meaning and/or Motivation: The hand gripping the wrist or upper arm in behind the back sends an emotional message of frustration. It is an attempt at self-control and restraint. Therefore, it signals negative thoughts. In this case, the hand is holding the arm back preventing action from taking place due to negative emotions.

Restraint postures are part of the “freeze, flight or fight” response. When imagining this body language try picturing a toddler ready to strike at another. His mother would hold him back by the wrist or arm preventing him from doing so. This believed to the origins of the posture.

However, in adulthood, the posture is self-inflicted. We do the posture to remind us of the strength others have provided us in the past against our emotional outbursts. The posture serves to relieve tension through gripping and energy displacement. This gives us something to do to displace our negative energy.

Gripping, especially intensely, helps us feel more relaxed because the pain releases pleasure hormones and adrenaline. The same could be achieved through more constructive mechanisms like running, exercise, or constructing something useful, but like all forms of body language, the solutions come from an archaic part of the brain through evolution (or accident), so we are not interested in doing constructive work at a time when our minds are dealing with stress.

A more intense hand gripping posture happens when the arm grips higher up near the elbow or upper arm. The higher the grip, the more frustration is present and the more self-control is being expressed.

Cue Cluster: Clenching and gripping can have many other forms as well, including clenching the jaws tightly or even talking through the teeth, cracking knuckles, pulling the hair or even plucking it, pinching one’s self, and clenching the fists by turning them into a ball or wringing the hands out like a wet article of clothing.

Body Language Category: Aggressive body language, Anger, Clenching and gripping, Emotional body language, Frustration or frustrated body language, Hostile body language, Masked emotions, Negative body language.

Resources:

Borenstein, Lynn. The development of friendship in childhood: A clinical conversation. Child and Adolescent Social Work Journal. 1996. 13(3): 213-224.

Bodie, Grahamd. ; Villaume, Williama. Men and Women Holding Hands Revisited: Effects of Mutual Engagement and Hand Dominance on Attributions of Cross-Sex Handholding. Communication Research Reports. 2008. 25(4): 243-254.

Breau, Lynn M. ; Camfield, Carol S. ; Symons, Frank J. ; Bodfish, James W. ; MacKay, Alison ; Finley, G.Allen ; McGrath, Patrick J. Relation between pain and self-injurious behavior in nonverbal children with severe cognitive impairments. The Journal of Pediatrics. 2003 142(5): 498-503.

Borenstein, Lynn. The development of friendship in childhood: A clinical conversation. Child and Adolescent Social Work Journal. 1996. 13(3): 213-224.

Bodie, Grahamd. ; Villaume, Williama. Men and Women Holding Hands Revisited: Effects of Mutual Engagement and Hand Dominance on Attributions of Cross-Sex Handholding. Communication Research Reports. 2008. 25(4): 243-254.

Barroso, Felix ; Feld, Jason. Self-touching and attentional processes: The role of task difficulty, selection stage, and sex differences. Journal of Nonverbal Behavior. 1986. 10(1): 51-64.

Butzen, Nathan David ; Bissonnette, Victor ; Mcbrayer, Dan. Effects of modeling and topic stimulus on self-referent touching. Perceptual and motor skills. 2005. 101(2): 413-20.

Broome, Marion E.. Helping Parents Support Their Child In Pain. Pediatric Nursing. 2000. 26(3): 315.

Bornstein, Marc H. ; Tamis-Lemonda, Catherine S. Maternal responsiveness and infant mental abilities: Specific predictive relations. Infant Behavior and Development. 1997. 20(3): 283-296.

Buckley, V., & Semple, S. (2012). Evidence that displacement activities facilitate behavioural transitions in ring-tailed lemurs. Behavioural Processes, 90, 433–435.

Bernal, Gilda Rios ; Wortham, Suec. How to Calm Children through Massage. Childhood Education. 1997. 74(1): 9-14.

Bouhuys, A.L. ; Jansen, C.J. ; van den Hoofdakker, R.H. Analysis of observed behaviors displayed by depressed patients during a clinical interview: relationships between behavioral factors and clinical concepts of activation. Journal of Affective Disorders. 1991. 21(2): 79-88.

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Body Language of Hand Clenching or Fist Clenched

Body Language of Hand Clenching or Fist Clenched

BodyLanguageProjectCom - Hand Clenching or Fist Clenching 1Cue: Hand Clenching or Fist Clenching

Synonym(s): Clenching and Gripping, Gripping and Clenching, Hand Wringing.

Description: A tightening, gripping, or balling, no matter how subtle or forceful, of the hands. At times the fingers may become interlaced appearing as if in prayer, which might even be the case. Pressure can be so great that the fingers can even blanch as blood flow is impeded.

In One Sentence: Clenching the hands or balling them in a fist is a sign of repressed aggression.

How To Use it: Ball and clench the fist if you wish to show others that you are resisting the urge to strike out. The gesture can be feigned as an anger-bluff in order to receive better treatment. Waving a clenched fist tells others that they should take you seriously lest you lash out with physical force.

Naturally, this nonverbal signal should be used with care as physical aggression, or even threat of physical aggression is strongly frowned upon.

Context: General.

Verbal Translation: “I really want to strike out at you due to my emotional distress which is why my hands are balling up into a fist, but instead I’m going to resist because it’s inappropriate to hit people.”

Variant: Other forms of clenching includes gripping the wrist of the opposite hand in behind the back, or wringing the hands out like a wet article of clothing, clenching the jaws tight or even talking through the teeth, cracking knuckles, pulling the hair or even plucking it, pinching one’s self, and clenching the fists by turning them into a ball are all forms of clenching and gripping.

See Interlaced Fingers, Hand Gripping Upper Arm or Wrist Behind Back.

Cue In Action: a) President Nixon was videotaped intensely balling his fist such that his knuckles turned white during a press conference called to discuss what was supposed to be a temporary incursion into Cambodia. The rest of his body was confident and his voice was smooth, yet his hands gave his restraint and dishonesty away.

b) A deadline was fast approaching when she was interrupted by her boss. She had to be polite so she couldn’t tell him to buzz off. She clenched her fists and rested them on her lap until he had finished.

c) Things didn’t start off well as the teacher rested her fist balled up on her desk knuckles down as she stood over the delinquent student. Immediately, the student showed signs of resistance by clenching her jaw. When the punishment came due, the student mirrored the balled fist of the teacher and brought it to her mouth to stifle an outburst. To show her persistent disagreement, the student rested her forearms against the table and maintained her tightly clenched fist.

Meaning and/or Motivation: Holding the fists clenched shows aggression, defensiveness, frustration, restrain, and sometimes a readiness to attack.

Hand wringing, when the hands are clasp one inside the other and tightly clamped and twisted on each other signifies high anxiety, stress or low confidence and is a pacifying behaviour. It can be done so aggressively that the fingers or knuckles turn white.

Fist clenching happens very naturally and subconsciously; a slip of the hand so to speak. Women can even be seen doing this while being verbally berated by a partner. Of course, holding a tight fist does not necessarily mean they intent to strike out, rather it shows just the opposite – that their minds are dealing with a dilemma, of which social norms prevent physical resolutions.

So very rarely are we allowed to fully express our emotions. In fact, one of the most important lessons we learn early in life is self control and this is exactly what happens when the fist is balled, clenched, but resists striking. We learn very early on that it’s not acceptable to throw fits and tantrums so we do the next best thing – we get very close to striking, but stop at the last second.

The height of the clenched fist is related to the strength of the negative mood. Hands can be clenched low on the lap or high near the face with elbows propped up on a table. If hands are clenched over the mouth, someone is probably holding back from saying something. If hands are clasped on the lap it indicates that someone is being cordial and polite, but would prefer to be doing something else – thus showing careful restraint.

Cue Cluster: Fist clenching body language is coupled with finger pointing or flared nostrils more technically termed “nasal wing dilation”, overall tensing of the body or extreme body loosening to ready for fighting, tightening of the jaw and lips (called “lip occlusion”), quivering in the lips, frowning, furrowing, or lowering the eyebrows, dilated pupils, squinting of the eyes, crotch displays such as legs open, sneering or flared nostrils.

Body Language Category: Amplifier, Aggressive body language, Anger, Clenching and gripping, Closed body language, Dislike (nonverbal), Frustration or frustrated body language, Hostile body language, Intention movements, Masked emotions, Microgestures, Negative body language, Stubborn or stubbornness, Threat displays.

Resources:

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of aggressive communication. Anim. Behav. 78, 949-959.

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weaponry and proximity risk. Anim. Behav. 76, 1455-1463.

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J. Anat. 202, 165-174.

Body Language of Hair Length Language

Body Language of Hair Length Language

BodyLanguageProjectCom - Hair Length Language 1Cue: Hair Length Language

Synonym(s): Long Hair, Short Hair, Shaved Head.

Description: The hidden meaning associated with the relative length of the hair.

In One Sentence: The length of a person’s hair indicates underlying emotions and beliefs.

How To Use it: Use the length of the hair to signal to others your underlying emotions and beliefs. For example, long hair signals youthfulness and is therefore often useful to women whom are trying to portray an image that includes sexual appeal. In young girls, it is useful in signaling femininity generally and helps to separate them from young boys whom are generally restricted to shorter more masculine hair.

All women, but particularly older ones can use hair extensions to create the illusion of youth and sexuality. A high quality weave or hair extensions produces thickness and usually comes from youthful sources so gives the impression of good health.

Men can also use hair length to demonstrate various attitudes. Long hair signals a carefree and easy going attitude, generally, and in highly attractive dominant looking men, long hair, signals a feminine beauty. Men do best with shorter hair which has historically been the default for men since it presents less of a functional hindrance and commands less grooming overall.

Men should drop long hairstyles when they suffer from male pattern baldness and avoid come-overs as they are universally seen in a negative light. A clean shaven head in men can be particularly attractive to women as it is a demonstration of confidence.

Whatever hair style you choose, know that it will help define who you are.

Context: General.

Verbal Translation: See Meaning and/or Motivation.

Variant: N/A

Cue In Action: a) She broke up with her long-term boyfriend and immediately cut off all her hair. She let her emotions dictate her hair length. She told the world that she was no longer in a dating mood and to prove that, she cut off her sexuality at the root. b) In his youth, he rocked it hard with long hair. It was just part of fitting into the band. As he got a job, a house and kids, his hair style evolved to be much shorter. He grew out of his carefree youth with more conventional hair length.

Meaning and/or Motivation: Men with short hair are often conservative whereas those with long hair are usually carefree, artistic, or radical. A shaved head can mean that he has succumb to male-pattern baldness and has chosen to shave it off or desires to appear tough and masculine.

Women with short hair are seen as artistic, business minded and sometimes harsh, hardheaded, emotional or radical. Long hair on women is associated with youth, sex appeal and good health, but aging women with extremely long hair can harbour insecurities or are trying to maintain their youthful appearance.

Short hair or a shaved head can also be an indicator disease such as cancer.

Cue Cluster: Hair length is only one cue to the hidden meaning of hair length. Be sure to couple this cue with adjoining cues in cluster to determine its true intent. A long-haired woman in her 20’s is probably using her hair to embellish her sex appeal, whereas another with short hair who is an activist is likely telling a story of strength over passivity.

Body Language Category: Amplifier, Courtship display, Elective nonverbal traits, Hostile body language.

Resources:

Fink, Bernhard ; Neuser, Frauke ; Deloux, Gwenelle ; Röder, Susanne ; Matts, Paul J.
Visual attention to and perception of undamaged and damaged versions of natural and colored female hair. Journal of Cosmetic Dermatology. 2013. 12(1): 78-84.

Grammer, Karl; Fink, Bernhard; Mller, Anders P.; Thornhill, Randy. Darwinian aesthetics: sexual selection and the biology of beauty. Biological Reviews. 2003. 78(3): 385-407.

Hinsz, V. B., D. C. Matz, and R. A. Patience 2001 Does Women’s Hair Signal Reproductive Potential? Journal of Experimental Social Psychology 37:166-172.

Patton, Tracey Owens. Hey Girl, Am I More than My Hair?: African American Women and Their Struggles with Beauty, Body Image, and Hair. NWSA Journal. 2006. 18(2): 24-51.

Mesko, Norbert ; Bereczkei, Tamas. Hairstyle as an adaptive means of displaying phenotypic quality. Human Nature. 2004. 15(3): 251-270.

Moore, M. M. and D. L. Butler. 1989. Predictive aspects of nonverbal courtship behavior in women. Semiotica 76(3/4): 205-215.

Moore, M. M. 2001. Flirting. In C. G. Waugh (Ed.) Let’s talk: A cognitive skills approach to interpersonal communication. Newark, Kendall-Hunt.

Moore, M. M. 1985. Nonverbal courtship patterns in women: context and consequences. Ethology and Sociobiology 64: 237-247.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Rosette, Ashleigh Shelby ; Dumas, Tracy L. The hair dilemma: conform to mainstream expectations or emphasize racial identity. Duke Journal of Gender Law & Policy. 2007. 14(1): 407(15).

Swami, Viren ; Barrett, Seishin. British men’s hair color preferences: An assessment of courtship solicitation and stimulus ratings. Scandinavian Journal of Psychology. 2011. 52(6): 595-600.

Singh, Devendra. Mating strategies of young women: Role of physical attractiveness. Journal of Sex Research. 2004. 41(1): 43-54.

Sorokowski, Piotr. Attractiveness of blonde women in evolutionary perspective: studies with two Polish samples. Perceptual and motor skills. 2008. 106(3): 737-44.

Thompson, Cheryl. Black Women, Beauty, and Hair as a Matter of Being. Women’s Studies. 2009. 38(8): 831-856.

Rich, Melissa ; Cash, Thomas The American image of beauty: Media representations of hair color for four decades. Sex Roles. 1993. 29(1): 113-124.

Roberts – Grey, Gina. The root of health.(natural hair color offers surprising insights into your mental and physical well-being)(Report). Women’s Health. 2010. 080.

McAlexander, James, H. and John W. Schouten. 1989. Hair style changes as transition markers. Sociology and Social Research. 74: 58-62.

Synott, Anthony. 1987. Shame and glory: A sociology of hair. British Journal of Sociology. 38: 381-413.

Weitz, Rose. Women and Their Hair: Seeking Power through Resistance and Accommodation. Gender and Society. 2001 15(5): 667-686.

Body Language of Furrowed Forehead

Body Language of Furrowed Forehead

BodyLanguageProjectCom - Furrowed Forehead 3Cue: Furrowed Forehead

Synonym(s): Forehead Creasing, Wrinkled Forehead, Forehead Furrow.

Description: Frowning done by creasing the forehead and brow.

In One Sentence: A furrowed forehead is a sign of negative thoughts.

How To Use it: Furrow the forehead when you want others to visually see that you are not in a positive mood. This can be effective in showing your disapproval of others which may cause them to change their behaviour in order to better please you. Furrowing the forehead works well on children as it does with any submissive audience. The honest portrayal of disapproval through furrowed forehead works to influence others as people are strongly social and do not cope well with the anger of others. Showing disapproval nonverbally avoids a deeper potentially aggressive verbal confrontation, but at the same time, is obvious to onlookers.

Context: General.

Verbal Translation: “Muscles in my forehead are scrunching up to show how badly I feel on the inside.”

Variant: Various other forms of contraction can occur in the face such as the lips, nose and eyes to show negative thoughts. See Compressed Lips, Nose Crinkle, Sneering, Eye Squinting or Narrowing Eyes.

Cue In Action: She was worried that he was going to be upset for being so late for their date that her forehead began to wrinkle and her skin flushed red. She was harried and quickly left her house in a panic.

Meaning and/or Motivation: Wrinkled forehead is one of the quickest ways to detect when a person carries negative thoughts. It can signify anything from anxiousness, sadness, concentration, concern, worry, bewilderment or anger. The cluster of cues which accompany the forehead furrow will give clues to its underlying meaning.

Anger is shown through furrowed forehead coupled with finger pointing, overall tensing of the body or tightening of the jaw and lips (called “lip occlusion”), quivering in the lips, frowning, dilated pupils, squinting of the eyes, crotch displays such as legs open, sneering or flared nostrils, or extreme body loosening to ready for fighting.

Surprise is coupled with a straight upward lift of the forehead whereas fear engages the muscles between the brows folding them. Fear is sometimes confused with surprise as in much of the world only subtle differences exist.

During fear, eyebrows rise and are pulled together, and curve although less than in surprise. Wrinkles appear in the forehead, but do not cross the entire forehead like in the surprised expression. The upper eyelids rise, as in the surprise expression, to expose the white of the eyes and the lower eyelids also rise. The lips may be stretched back and the mouth opened.

Sadness is controlled mainly by the mouth where it drops at the corners. The inner eyebrows rise producing a triangular shape between the root of the nose and the eyes. The forehead might show wrinkles and the eyes may appear moist with tears.

Cue Cluster: See Meaning and/or Motivation.

Body Language Category: Amplifier, Aggressive body language, Anger, Confused body language, Closed facial gestures, Emotional body language, Fearful body language, Hostile body language, Microexpression, Stressful body language, Universal gestures, Universal facial expressions, Worry body language.

Resources:

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Baron, R. M., & Kenny, D. A. (1986). The moderator-mediator variable distinction in social psychological research: Conceptual, strategic, and statistical considerations. Journal of Personality and Social Psychology, 51(6), 1173-1882.

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Carroll E. 1994. Innate and universal facial expressions: Evidence from developmental and cross-cultural research Izard, Psychological Bulletin. 115(2): 288-299.

Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
http://bodylanguageproject.com/articles/eyes-and-facial-expressions-may-be-biologically-controlled-serve-a-real-non-emotional-purpose-says-research/

de Waal, F. B. M. (2003). Darwin’s legacy and the study of primate visual communication. In P. Ekman, J. Campos, R. J. Davidson & F. B. M. De Waal (Eds.), Emotions inside out: 130 years after Darwin’s The Expression of Emotion in Man and Animals (pp. 7-31). New York: New York Academy of Sciences.

Duan, Xujun ; Dai, Qian ; Gong, Qiyong ; Chen, Huafu. Neural mechanism of unconscious perception of surprised facial expression. NeuroImage. 2010. 52(1): 401-407.

e Charlesworth, W. R. (1964). Instigation and maintenance of curiosity behavior as a function of surprise versus novel and familiar stimuli. Child Development, 35, 1169–1186.

Ekman, P. & O’Sullivan, M. (1991). Who can catch a liar? American Psychologist. 46, 913-920.

Ekman, Paul. 1994. Strong evidence for universals in facial expressions: A reply to Russell’s mistaken critique Psychological Bulletin. 115(2): 268-287.

Ekman, Paul. 1986. A new pan-cultural facial expression of emotion. Source: Motivation and Emotion Ekman. 10(2): 159-168.

Ekman, Paul and Friesen, W. V. 1987. Universals and cultural differences in the judgments of facial expressions of emotion. Journal of Personality and Social Psychology. 53(4): 712-717.

Ekman, Paul; Friesen, Wallace V. 1971. Constants across cultures in the face and emotion. Journal of Personality and Social Psychology. 17(2): 124-129.

Ekman, Paul. 1972. Universals and cultural differences in facial expressions of emotion. In J. Cole (Ed.), Nebraska Symposium on Motivation, 1971. 19: 207-282. Lincoln: University of Nebraska Press.

Ekman, P., Levenson, R. W., & Friesen, W. V. (1983). Autonomic nervous system activity distinguishes among emotions. Science, 221(4616), 1208-1210.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Elfenbein, H. A., & Ambady, N. (2002). On the universality and cultural specificity of emotion recognition: A meta-analysis. Psychological Bulletin, 128(2), 205-235.

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Friesen, W. V. 1972. Cultural differences in facial expressions in a social situation: An experimental test of the concept of display rules. Unpublished doctoral dissertation, University of California, San Francisco.

James A. Russell, Naoto Suzuki and Noriko Ishida. 1993. Canadian, Greek, and Japanese freely produced emotion labels for facial expressions. Motivation and Emotion. 17(4): 337 -351

Russell, James A. 1995. Facial Expressions of Emotion: What Lies Beyond Minimal Universality? Psychological bulletin. 118(3): 379-391.

Russell, James A. 1994. Is There Universal Recognition of Emotion From Facial Expression? A Review of the Cross-Cultural Studies. Psychological Bulletin. 115(1): 102-141.

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Levenson, R. W., Ekman, P., & Friesen, W. V. (1990). Voluntary facial action generates emotion-specific autonomic nervous system activity. Psychophysiology, 27(4), 363-384.

Levenson, R. W., Ekman, P., Heider, K., & Friesen, W. V. (1992). Emotion and autonomic nervous system activity in the Minangkabau of West Sumatra. Journal of Personality & Social Psychology, 62(6), 972-988.

Ludden, G. D. S., Schifferstein, H. N. J., & Hekkert, P. (2009). Visual–tactual incongruities in products as sources of surprise. Empirical Studies of the Arts, 27, 63–89.

Mori, K., & Mori, H. (2010) Examination of the passive facial feedback hypothesis using an implicit measure: with a furrowed brow, neutral objects with pleasant primes look less appealing. Perceptual and Motor Skills, 111, 785-789.

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Matsumoto, D. (1992). American-Japanese cultural differences in the recognition of universal facial expressions. Journal of Cross-Cultural Psychology, 23(1), 72-84.

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Vanhamme, J. (2000). The link between surprise and satisfaction: an exploratory research on how to best measure surprise. Journal of Marketing Management, 16, 565–582.

Body Language of Finger Wagging (left and right)

Body Language of Finger Wagging (left and right)

BodyLanguageProjectCom - Finger Wagging (left and right) 1Cue: Finger Wagging (left and right)

Synonym(s): Wagging The Finger.

Description: A side-to-side or left to right motion done with the index finger.

In One Sentence: Wagging the finger from side-to-side is a way to show disapproval.

How To Use it: The finger wag is useful to mothers trying to signal nonverbally that their children’s behaviour is not proper. Wagging the finger coupled with a stern look on the face can right a child’s wrong behaviour. It can also function as a first warning before things escalate to a verbal confrontation. Since we normally see our mother’s perform this gesture, it is associated later in life with an authoritative figure and therefore, when delivered in adulthood, it tends to be taken seriously. For this reason, adults can belittle and scold other adults with the finger wag.

Context: General.

Verbal Translation: “I’m moving my finger left and right to say “no” with the help of my finger.”

Variant: The head is turned left and right to say “no.”

Cue In Action: She scolded the little girl for taking toys away from her friend while wagging her index finger back and forth.

Meaning and/or Motivation: It is done to emphasize when someone should not do something or while illustrating a negative thought in speech. Imagine the finger as a replacement for a primitive spear being waved around, threatening.

Cue Cluster: The finger wag can be accompanied by a loud voice, leaning in, furrowed forehead, squinted eyes and one hand placed on the hips.

Body Language Category: Amplifier, Aggressive body language, Authoritative body language, Dislike (nonverbal), Hostile body language, Illustrators, Threat displays.

Resources:

Axtell, Roger E. Gestures: The Do’s and Taboos of Body Language Around the World. 1997. Wiley.

Austin, Keith ; Theakston, Anna ; Lieven, Elena ; Tomasello, Michael Eccles, Jacquelynne S. (editor). Young Children’s Understanding of Denial. Developmental Psychology. 2014. 50(8): 2061-2070.

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Bartolo, A.,Cubelli,R.,DellaSala,S.,&Drei,S.(2003).Pantomimes are special gestures which rely on working memory. Brain and Cognition, 53, 483–494.

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Chandler, Jesse ; Schwarz, Norbert. How extending your middle finger affects your perception of others: Learned movements influence concept accessibility. Journal of Experimental Social Psychology. 2009. 45(1): 123-128.
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Cameron-Faulkner, T., Lieven, E., & Theakston, A. (2007). What part of no do children not understand? A usage-based account of multiword negation. Journal of Child Language, 34, 251–282. doi:10.1016/j.cognition.2010.08.017

Cassell, J., & Thórisson, K. R. (1999). The power of a nod and a glance: Envelope vs. emotional feedback in animated conversational agents. Applied Artificial Intelligence, 13, 519–538.

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Body Language of Finger Pointing

Body Language of Finger Pointing

BodyLanguageProjectCom - Finger Pointing 3Cue: Finger Pointing

Synonym(s): Pointing, Closed Palm Finger Pointing.

Description: The hand is balled up with the index finger remaining extended ready to jab.

In One Sentence: Finger pointing is a way people distract others from things they are doing by refocusing the attention of others.

How To Use it: Use the index finger like a spear and wave it around when you really want to drive a point. It must be used with caution and with a receptive audience or it will be seen negatively and threatening. The finger is also effective at provoking especially when you wish to arouse confrontation. Use finger pointing when you want someone else to lose their emotional cool as it will incite an aggressive counter reaction. Therefore, prodding with a finger can perform two functions including helping to punctuate important points as well as instigate emotional rebuttals. The index finger, regardless, should be used with care.

Context: General.

Verbal Translation: “I want everyone to look at what I’m pointing at and not at me.” “I’ve sharpened my spear. It is my index finger, and it’s extended and ready to thrust. It will jab at anyone or anything that might be in its path – so watch-out! I’m here to make a point.”

Variant: The middle finger is sometimes used rather than the index which is viewed as offensive by many. The thumb in the hand gesture is a more authoritative and acceptable way to make a point. Also see Finger Wagging (left and right).

Cue In Action: During a confrontation, Jill, pointed over and over, stabbing and prodding her husband with her index finger, each time laying in more and more blame.

Meaning and/or Motivation: The pointer is akin to a spear thrower. Every time they thrust their finger forward or shake it rhythmically it is as if they are jabbing their ideas into their audience and turning them submissive. We see this most often during aggressive verbal fights where the accuser is making strong personal attacks against the other. We also see it during passionate presentations when the speaker wishes to strongly emphasis a point.

Pointing finds its place all over the world to indicate direction or to emphasis a point. However, even the pointing gesture shows variation across culture as some will point with the index finger, others will use the middle finger and yet others still will point with a closed fist and use the thumb to indicate. Most cultures find pointing rude altogether, but others are more tolerant of its use. Where the middle finger is seen as a rude gesture, using it to point can be extremely off-putting and should be avoided.

Pointing fingers is a universal gesture that is negative in nature because it is as if the person is throwing spears. Finger pointing usually appears during aggressive verbal arguments. Finger pointing puts the reflection and responsibility onto the listener, and for this reason, they attach negative connotations to the speaker. It creates defensive feelings in the listener and as it persists, these defensive feelings grow into aggression. Parents will often use the pointing finger to scold children but adults will be far less tolerant of other’s authority especially those of equal status so it is unwise to exercise this gesture with abandon.

Cue Cluster: Finger pointing is usually coupled with a loud voice, enthusiastic gesticulation, leaning inward or encroaching.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger, Authoritative body language, Body pointing, Dominant body language, Enthusiasm (nonverbal), Expansive movements, Hostile body language, Space invasion, Threat displays.

Resources:

Arsenio, W. F., Cooperman, S., & Lover, A. Affective Predictors of Preschooler’s Aggression and Peer Acceptance: Direct and Indirect Effects. Developmental Psychology. 2000. 36: 438-448.

Call, B., Hare, B., & Tomasello, M. (1998). Chimpanzee gaze following in an object-choice task. Animal Cognition, 1, 89–99.

Behne, T., Carpenter, M., & Tomasello, M. (2005). One-Year-Olds Comprehend The Communicative Intentions Behind Gestures In A Hiding Game. Developmental Science, 8, 492–499.

Broth, Mathias and Lorenza Mondada. Walking Away: The Embodied Achievement of Activity Closings in Mobile Interaction. Journal of Pragmatics. 2013. 47: 41-58.
http://bodylanguageproject.com/articles/nonverbally-negotiate-conversation-walking-away/

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