Category: Confident body language

Body Language of Leg Spreading

Body Language of Leg Spreading

BodyLanguageProjectCom - Leg Spreading 5 BodyLanguageProjectCom - Leg Spreading 6Cue: Leg Spreading

Synonym(s): Spreading The Legs, Open Legs, Leg Placed Over The Arm Of The Chair, Uncrossed Legs.

Description: Legs that are spread while seated or standing rather than crossed.

In One Sentence: Leg spreading is a sign of dominance as it puts the genitals on display.

How To Use it: Spread your legs when you want others to see you as dominant and authoritative. The posture serves both women and men in the same fashion, but men are afforded more social liberty when it comes to dominance displays.

Men can benefit most from this posture in business and in dating as dominance is a valued trait in these context. Women should resist the urge to display dominance in this fashion, but if they absolutely feel comfortable displaying this way, they must wear long pants. Opening the legs with feminine attire including skirts and dresses, or even shorts can give the impression of sexual easiness and will have quite the opposite connotation to that desired.

Resources:

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Cesario, J., & McDonald, M. M. (2013). Bodies in context: Power poses as a computation of action possibility. Social Cognition, 31, 260–274.

Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Carney, D. R., Hall, J. A., & LeBeau, L. S. (2005). Beliefs about the nonverbal expression of social power. Journal of Nonverbal Behavior, 29, 105–123.

Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cashdan, Elizabeth. Smiles, Speech, and Body Posture: How Women and Men Display Sociometric Status and Power. Journal of Nonverbal Behavior. 1998. 22(4): 209-228.

de Lemus, Soledad; Russell Spears and and Miguel Moya. The Power of a Smile to Move You: Complementary Submissiveness in Women’s Posture as a Function of Gender Salience and Facial Expression. Personality and Social Psychology Bulletin. 2012. 38(11): 1480-1494.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
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Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Gregersen, Tammy S. Nonverbal Cues: Clues to the Detection of Foreign Language Anxiety. Foreign Language Annals. 2005. 38(3): 388-400
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For this reason, leg spreading has two very different implications for men and women. For women, opening the legs permits sexual access, whereas men’s sexuality, while it can be displayed via legs open, is not required to complete the act of sex. Given the aforementioned sexual differences between men and women, legs open is more in line with taking up space in men than it is for women. Recall that taking up space is inherent in all dominance displays. In women, leg spreading, whilst it does indeed function to take up more space, it is confounded with it as an overt sexual access display thereby rending it as less dominant and more sexual.

However, in dating, if women wish to tease men, they might permit men to see the inside of their thigh or even flash men outright by un-crossing a re-crossing the legs.

An exaggerated leg spread amplifies the meaning. So to appear highly dominant, spread the legs as wide as possible. To appear overly sexual, also spread the legs out further.

It is ill advised to for men to spread the legs in full view of more dominant people than themselves including bosses, father-in-law’s, and so forth. Leg spreading may be seen by other highly dominant men as a challenge which may invite confrontation.

Context: a) General b) Dating.

Verbal Translation: a) “I’m dominant and open at the same time so I’m spreading my legs open to put my genitals on open display for others to see and judge. I’m not ashamed.” a) “I’m careless and improper and do not hold gentleman or feminine body postures – or just don’t care how I am perceived.” a) “I’m more comfortable with my legs uncrossed than with them crossed and do not intend to send any particular signal.” b) “I’m a sexually open or liberated (or dominant) woman so I’m keeping my legs open as a sexual invitation.” b) “I’m a sexually dominant man and keep my legs open so you can admire my masculinity.”

Variant: The leg over the chair is as a particularly overt and offensive way of spreading the legs.

Cue In Action: a) He sat at the corner of the couch with his legs spread as wide as he could. Being particularly cowardly, he followed this up by holding his drink between his legs serving as a shield. b) Sharon Stone in the movie Basic Instinct sent a clear message as she slowly uncrossed and re-crossed her legs while being interrogated.

Meaning and/or Motivation: When done by men it is a dominant crotch display, and when done by women usually construed as a sexual invitation or that they have a crass attitude or are “easy.”

Other times, women spread their legs when they are either unaware that it is not socially acceptable or that they have an easy-going personality. In modern times, women have been encouraged to carry more male-like characteristics and are not scorned when they do not close their legs. This has been a recent cultural shift. Generally, as women graduate into adulthood in their late teens, they will adopt more “lady-like” postures on their own, motivated by their own instincts and tend to cross their legs or at the least keep them tightly pressed together unless relaxing in their own domain.

Legs uncrossed is a signal of openness, acceptance and signal of being easy going. This is of particular importance as it pertains to women, as it can taken as a sexual signal or invitation, making women appear easy, “loose” or at best crass or improper. Women wishing to appear dominant will find this posture comfortable, but it will be accompanied by other male typical gestures such as throwing an arm over the back of the chair to take up more space and loud boisterous behaviour.

Men, on the other hand, have the benefit of using the uncrossed legs signal for more than one reason. Men can have their legs uncrossed to display dominance and authority. This is often culturally permitted in men. In men, the meaning of the leg spread is determined by its context and the manner in which it occurs. Men in seated positions spread their legs as a dominance display as it puts the genitals out for everyone to see.

The leg spreading posture is one which is best analyzed by picturing people fully nude as it helps us visualize the image they wish to portray. While we may wish for equality between the sexes, leg spreading is one such posture that illustrates a key difference between men and women’s sexuality and dominance. While spreading the legs shows assertiveness in men, it often comes across negatively when done by sexually mature woman.

The degree to which leg spreading happens is important in both sexes. Spreading is positively correlated with dominance display. That is, the greater the leg spread, the greater is the dominance display. The legs cocked at shoulder width while seated, is comfortable and natural, even for both sexes (while wearing pants), but once the legs break that distance, the signal becomes much more overt. In other words, once the legs meet their maximum angle, it is as if the genitals are yelling at the top of their lungs through a loudspeaker begging to be noticed!

In a standing position, legs spread at or slightly beyond shoulder width signals dominance in a more acceptable way. In fact, having the legs uncrossed while standing is the most appropriate way to stand since it appears open, accepting and confident.

Cue Cluster: The leg spread is accompanied by other dominant body language such as spreading the arms out, such as on the arm of the next chair, leaning back, hands on the hips if standing and hands away from the face and not fidgeting.

Body Language Category: Arrogance or arrogant body language, Authoritative body language, Courtship displays, Confident body language, Crotch display, Dominant body language, Expansive movements, High confidence body language.

Body Language of Leaning In and Leaning Out

Body Language of Leaning In and Leaning Out

BodyLanguageProjectCom - Leaning In and Leaning Out 1 BodyLanguageProjectCom - Leaning In and Leaning Out 3 BodyLanguageProjectCom - Leaning In and Leaning Out 5 BodyLanguageProjectCom - Leaning In and Leaning Out 6Cue: Leaning In and Leaning Out.

Synonym(s): Pecking Forward, Leaning Out.

Description: Leaning forward or away from another person (or thing).

In One Sentence: Leaning in and leaning out signal interest and disinterest respectively.

How To Use it: Use leaning in and leaning out to show your level of interest. Leaning in shows people that you are interested in them, their ideas and/or what they have to say. Leaning out sends the reverse message.

Leaning language is applicable in business, dating and amongst friends.

For example, leaning in toward your dating partner shows him or her that you wish to gain intimacy. In a business meeting or presentation sit at the edge of your seat and lean in toward the presenter to show them you are keen on the information. With friends at lunch, sit facing them and engage them with conversation by moving forward. These postures all work in reverse to show disinterest. Additionally, leaning in and out can be done while standing and send a similar message. Leaning in also shows a readiness for action. This is also a positive message – especially in business and dating.

Context: a) Dating, b) General.

Verbal Translation: “I’m interested in what you are saying and am supplicating to your dominance and ability to draw me in closer to you, rather than you, to me. That’s why I’m leaning forward.”

Variant: See Head Away.

Cue In Action: a) Dave was really into Stacey. Throughout lunch, he tried to engage her as much as possible but found the more he leaned in, the more she leaned out and away. It was clear that he was more into her, than vice versa. b) While presenting to the crowd, she found half of the students leaning in and engaged, while the other half leaned out and away. She knew which students where most keen on the topic from the way their bodies leaned.

Meaning and/or Motivation: Leaning in too much, also referred to as “pecking” forward has been advanced by the pick-up community as a term describing men who appear needy and who lack control of the dating situation rather than dominant and chase-worthy.

Pecking forward can appear in any setting and shows which of the two are most interested in the other or whom is most dominant and in control. Or, sometimes more aptly, leaning away tells us which person is more apathetic to the relationship and apathy often creates control and ability to dominate. Dominant people will tend to lean back and take up space, but someone who lacks confidence or whom has a great interest in another person will try to engage them more by leaning in toward them. This tends to have the reverse result to what is intended.

Leaning back will force others to engage you, instead of the other way around (cat and mouse game.) Talking quietly also has the affect of forcing people to move closer to you, thereby increasing your status.

Cue Cluster: Couple leaning in and leaning out with other nonverbal cues to determine level of engagement. Leaning in should find itself with eye contact, nodding, smiling, smooth flowing conversation and head tilted to the side – this shows engagement. Leaning back, and disengagement should find itself with lack of eye contact, lack of nodding, deadpan face, stuttered conversation and head-on rather than head tilted.

Body Language Category:

Leaning In: Amplifier, Attentive, Body pointing, Indicator of interest (IoI),
Indicators of sexual interest (IOsI), Intention movements, Low confidence body language, Liking.

Leaning Away: Amplifier, Body pointing, Confident body language, Disengagement, Dislike (nonverbal), Distancing or moving away, Dominant body language Escape movements, Expansive movements, Indicators of disinterest (IOD), Indicators of sexual disinterest (IOsD), Intention movements, Power play.

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Kahlbaugh, Patricia ; Haviland, Jeannette. Nonverbal communication between parents and adolescents: A study of approach and avoidance behaviors. Journal of Nonverbal Behavior. 1994 18(1): 91-113.

Langton, S. R. H., & Bruce, V. (2000). You must see the point: Automatic processing of cues to the direction of social attention. Journal of Experimental Psychology: Human Perception and Performance, 26, 747–757.

Langton, S. R. H. (2000). The mutual influence of gaze and head orientation in the analysis of social attention direction. The Quarterly Journal of Experimental Psychology, 53A, 825–845.

Mehrabian, Albert Holzberg, Jules D. (editor). Inference of Attitudes From the Posture, Orientation and Distance of a Communicator. Journal of Consulting and Clinical Psychology. 1968. 32(3): 296-308.

Mehrabian, Albert Deese, James (editor). Significance of posture and position in the communication of attitude and status relationships. Psychological Bulletin. 1969. 71(5): 359-372.

Mehrabian, Albert (1969). “Significance of Posture and Position in the Communication of Attitude and Status Relationships.” In Psychological Bulletin (Vol. 71), pp. 359-72.

Mehrabian, Albert (1974). “Communication Without Words.” In Jean Civikly, ed., Messages: A Reader in Human Communication (New York: Random House), pp. 87-93.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Remland, Martins. ; Jones, Tricias. ; Brinkman, Heidi. Interpersonal Distance, Body Orientation, and Touch: Effects of Culture, Gender, and Age. The Journal of Social Psychology. 1995 135(3): 281-297.

Roberts, Lisa ; Bucksey, Sally J. Communicating with patients: what happens in practice? Physical therapy. 2007. 87(5): 586-94.

St J. Neill, S.R. The Effects of Facial Expression and Posture on Children’s Reported Responses to Teacher Nonverbal Communication. British Educational Research Journal. 1989. 15(2): 195-204.

Sommer, R. Studies in personal space. Sociometry, 1959, 22,247-260.

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Trout, Deborah ; Rosenfeld, Howard. The effect of postural lean and body congruence on the judgment of psychotherapeutic rapport. Journal of Nonverbal Behavior. 1980. 4(3): 176-190.

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Zeinstra, Gertrude G.; M.A. Koelen; D. Colindres ; F.J. Kok; C de Graaf. Facial Expressions in School-Aged Children are a Good Indicator of ‘Dislikes’, but not of ‘Likes.’ Food Quality and Preference. 2009. 20: 620-624.
http://bodylanguageproject.com/articles/read-kids-dislike-food-facial-expressions-accurate-detecting-dislike-not-like-children/

Body Language of Hooding or The Catapult

Body Language of Hooding or The Catapult

BodyLanguageProjectCom - Hooding 4Cue: Hooding or The Catapult.

Synonym(s): Full Body Steeple, Catapult (The), Interlaced Hands Behind The Head.

Description: Hooding is a body posture that occurs by placing both hands up and clasped behind the head, elbows back, and chest puffed out while in a seated position. Think of making a hood with your arms and hands.

In One Sentence: Hooding is a posture signaling high dominance.

How To Use it: Use hooding to expand the body and make it appear larger than it is in reality. This will be viewed by others as dominance and confidence therefore it should be reserved for higher ranking individuals who will not be challenged by others.

Bosses, should feel free to assert their dominance with the hooding posture, whereas lower ranking employees should not.

Women should generally not carry the posture due to its high perceived dominance. When done by women it can appear overbearing. If women do choose to do it, they should be expecting to be viewed as capable of backing their dominance with not only verbal counterarguments, but also supportive action. When dominance lacks substance it is viewed in a negative light rather than a positive one.

Context: General.

Verbal Translation: “I’m so dominant and confident that I’m placing my hands on my head where they can’t be used for defense, splaying wide open and taking up a bunch of space and leaning back to be comfortable.”

Variant: See Military Man or Regal Stance and Cowboy Pose Stance for two similarly dominant postures.

Cue In Action: The boss was cocky and confident. When meeting with employees he always placed his hands up behind his head and leaned back in his chair. When the owner of the company showed up and surprised him, he quickly shot forward, took his hands off the back of his head and made a point of shaking hands with him. He didn’t get back to his hooding posture until the owner was safely out of the office.

Meaning and/or Motivation: Hooding or interlaced hands behind the head is an extremely dominant and possibly arrogant, self-satisfied, even threatening display.

The arms behind the head posture shows arrogance because it openly exposes the body to attack through its expansiveness. Dominant people don’t worry about being attacked and often show this confidence by overexposing themselves and their vulnerable areas to challengers.

The full body steeple is common to professionals such as lawyers, accountants, managers, bosses, and others that feel more superior then their counterparts.

Hooding can be used to intimidate others, or convey a relaxed, cocky disposition, but as always, body language needs to be taken in context. The accompanying dialogue will help tell us what is really going on.

Professionals, such as lawyers, accountants, managers, bosses, and others that tend to take their superiority to higher levels than the rest of us, will be seen using the full body steeple. This is the hooding posture coupled with a figure four leg cross and leaning back in the chair.

Cue Cluster: When seated hooding is coupled with body leaning backward with the legs spread wide open we have a very dominant crotch display. The postures is completed by combining it with the figure-four-leg cross which happens by placing the ankle of the opposite foot across the knee.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Authoritative body language, Confident body language, Dominant body language, Expansive movements, Gravity defying body language, High confidence body language, Open body language.

Resources:

Allen, Jill; Sarah J. Gervais and Jessi L. Smith. Sit Big to Eat Big: The Interaction of Body Posture and Body Concern on Restrained Eating. Psychology of Women Quarterly 2013. 37(3): 325-336. DOI: 10.1177/0361684313476477pwq.sagepub.com
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Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368.
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Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cashdan, Elizabeth. Smiles, Speech, and Body Posture: How Women and Men Display Sociometric Status and Power. Journal of Nonverbal Behavior. 1998. 22(4): 209-228.

Cesario, J., & McDonald, M. M. (2013). Bodies in context: Power poses as a computation of action possibility. Social Cognition, 31, 260–274.

de Lemus, Soledad; Russell Spears and and Miguel Moya. The Power of a Smile to Move You: Complementary Submissiveness in Women’s Posture as a Function of Gender Salience and Facial Expression. Personality and Social Psychology Bulletin. 2012. 38(11): 1480-1494.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
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Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
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Huang, L., Galinsky, A. D., Gruenfeld, D. H., & Guillory, L. E. (2011). Powerful postures versus powerful roles: Which is the proximate correlate of thought and behavior? Psychological Science, 22, 95–102.

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Ranehill, Eva; Anna Dreber; Magnus Johannesson; Susanne Leiberg; Sunhae Sul and Roberto A. Weber. Assessing the Robustness of Power Posing: No Effect on Hormones and Risk Tolerance in a Large Sample of Men and Women. Psychological Science, March, 2015. doi: 10.1177/0956797614553946
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Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
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Stanton, Steven J. and Robin S. Edelstein. The Physiology of Women’s Power Motive: Implicit Power Motivation is Positively Associated With Estradiol Levels in Women. Journal of Research in Personality. 2009. 43: 1109-1113.
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Yap, Andy J. Abbie S. Wazlawek, Brian J. Lucas, Amy J. C. Cuddy, Dana R. Carney. The Ergonomics of Dishonesty: The Effect of Incidental Posture on Stealing, Cheating, and Traffic Violations, 24(11); 2281-2289.
http://bodylanguageproject.com/articles/body-posture-physical-environment-determine-feelings-and-behaviour-study/

Body Language of High Heels

Body Language of High Heels

BodyLanguageProjectCom - High Heels Body Language 1Cue: High Heels Body Language.

Synonym(s): Stilettos Body Language.

Description: A type of footwear worn by women where the heel is raise higher than the toe.

In One Sentence: High heels are a super normal nonverbal cue signaling the desire for sexual power and appeal.

How To Use it: High heels are advantageous to women. High heels should be used to attract taller more desirable men. While men are not overly concerned with taller women, research shows that men and women tend to pair relatively. That is, in most relationships, men are normally about 2” taller than women and overall. This may be because, given the choice, men, like women, prefer their counterpart to be tall. Therefore, like short men, short women find it difficult to compete with taller counterparts in dating.

High heels work to make women more attractive because they seem to elongate the legs and at the same time make them appear more toned. Women can use high heels to create the illusion of fitness as they work to thrust the hips forward and protrude the breast.

Sexualizing the body is double edged, however, as it will create a desire in men to take part in benevolent sexism, but will also reduce women’s perceived competence. Thus, high heels should be coupled with conservative dress to preserve the image of professionalism.

The height advantage can also work to a woman’s benefit in a business context by stepping them up to the average height of men and therefore eliminating the dominance advantage that height brings. Further, aiming the heel toward men while sitting, legs cross, toward that whom a woman feels discontent, is akin to striking with a dagger – a power-play.

Context: a) Business b) Dating.

Verbal Translation: “I’m trying to make my legs appear sexy and alluring to gain an advantage over men and women by hyper sexualizing my female features as well as to gain a height advantage over others.”

Variant: Women sometimes use their high heels as daggers especially while sitting where they can be aimed squarely at potential “prey.” See Adornments and Bodifications, Dressing Sexy.

Cue In Action: a) The female boss always made a point of wearing high spikes so she could stand over her employees. None of the female employees dared best her with anything taller. b) Whilst still out of sight, men on the quiet walkway waited with eager anticipation as they heard the unmistakable sound of stilettos. Each step produced a click-and-clock. It was only a matter of time before the object of their attention would reveal itself – an alluring woman.

Meaning and/or Motivation: The high heel is a type of shoe worn by women in effort to draw attention to their sexuality. The high heel lifts the butt by contracting it, tilts the pelvis forward, arches the back thus protruding the chest and breast, makes the legs appear longer, toned and produces a tight flexed calf muscle.

The high heel emphasizes women’s already long legs and hyper-sexualizes them and also gives women the illusion of slimness, virility, youth and hence fertility, by imitating the leg proportions of girls in their upper teens and early twenties. The stiletto also creates the illusion of smaller feet which is universally deemed submissive and ladylike.

Women will use heels during dating and courtship as well as in business in order to fix the height gap between them, and the men in their association, which points to their function as a power play.

Cue Cluster: The high heel is usually accompanied with confident postures as the high heel commands attention. Expect to see an upright posture, head held high, confident and relaxed facial expression, business or club attire, usually skirts, or business pants. Tall boots with high heels over jeans have recently become fashionable.

Body Language Category: Adornments, Courtship displays, Confident body language, Gravity defying body language, High confidence body language, Masked emotions, Power play.

Resources:

Abbey, A., and Melby, C. (1986). The effects of nonverbal cues on gender differences in perceptions of sexual intent. Sex Roles, 15, 283-298.

Crane, Elizabeth ; Gross, M. Effort-Shape Characteristics of Emotion-Related Body Movement. Journal of Nonverbal Behavior. 2013. 37(2): 91-105.

Cari D. Goetz; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
http://bodylanguageproject.com/articles/victim-blaming-or-useful-information-in-preventing-rape-and-sexual-exploitation/

Cho, S. H., Park, J. M., & Kwon, O. Y. (2004). Gender differences in three dimensional gait analysis data from 98 healthy Korean adults. Clinical Biomechanics, 19, 145–152.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait
perception without familiarity cues. Bulletin of the Psychonomic Society, 9, 353–356.

Dietz, P., & Evans, B. (1982). Pornographic imagery and prevalence of paraphilia. The
American Journal of Psychiatry, 139, 1493–1495.

Durante, Kristina M ; Li, Norman P ; Haselton, Martie G. Changes in women’s choice of dress across the ovulatory cycle: naturalistic and laboratory task-based evidence. Personality & social psychology bulletin. 2008 34(11): 1451-60.

Etcoff, N. L., Stock, S., Haley, L. E., Vickery, S. A., & House, D. M. (2011). Cosmetics as a feature of the extended human phenotype: Modulation of the perception of
biologically important facial signals. PLoS One, 6, e25656.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/?preview=true

Gunns, Rebekah E; Lucy Johnston; and Stephen M. Hudson. Victim Selection And Kinematics: A Point-Light Investigation Of Vulnerability To Attack. Journal of Nonverbal Behavior. 2002. 26(3): 129-158.
http://bodylanguageproject.com/articles/how-to-avoid-an-attack-just-by-changing-how-you-walk-study/

Guéguen, Nicholas. High Heels Increase Women’s Attractiveness. Archives of Sexual Behavior. 2014. DOI 10.1007/s10508-014-0422-z
http://bodylanguageproject.com/articles/high-heels-exact-power-men-study-women-wear-heels/

Guéguen Nicolas. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
http://bodylanguageproject.com/articles/gait-as-bait-women-walk-sexy-during-high-sexual-receptivity/

Grammer, Karl, LeeAnn Renninger and Bettina Fischer. Disco Clothing, Female Sexual Motivation, and Relationship Status: Is She Dressed to Impress? The Journal of Sex Research. 2004. 41(1): 66-74.
http://bodylanguageproject.com/articles/is-she-dressed-for-success-how-women-adorn-during-courtship/

Givens D. The nonverbal basis of attraction: Flirtation, courtship, and seduction. Psychiatry. 1978. 41: 346.

Goetz, Cari D.; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
http://bodylanguageproject.com/articles/victim-blaming-or-useful-information-in-preventing-rape-and-sexual-exploitation/

Goetz, Cari D.; Judith A. Easton; Cindy M. Meston. The Allure of Vulnerability: Advertising Cues to Exploitability as a Signal of Sexual Accessibility. Personality and Individual Differences. 2013. 62: 121-125. http://dx.doi.org/10.1016/j.paid.2014.02.019
http://bodylanguageproject.com/articles/allure-sexual-vulnerability-move/

Haselton, M. G., M. Mortezaie, E. G. Pillsworth, A. Bleske-rechek, and D. A. Frederick. 2007. Ovulatory shifts in human female ornamentation: near ovulation, women dress to impress. Hormones and Behavior. 51(1): 40-45.

Kozlowski, L. T., & Cutting, J. E. (1977). Recognizing the sex of a walker from a dynamic point-light display. Perception and Psychophysics, 21, 575–580.

Lynch, A. Expanding the Definition of Provocative Dress: An Examination of Female Flashing Behavior on a College Campus. Clothing and Textiles Research Journal. 2007. 25(2): 184-201.

Moore, Monicam. Human Nonverbal Courtship Behavior—A Brief Historical Review. Journal of Sex Research. 2010 47(2-3): 171-180.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

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Morris, Paul H.; Jenny White, Edward R. Morrison and Kayleigh Fisher. High Heels As Supernormal Stimuli: How Wearing High Heels Affects Judgements of Female Attractiveness. Evolution and Human Behavior. 2013. 34: 176-181.
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Opila-Correia, K. A. (1990). Kinematics of high-heeled gait. Archives of Physical Medicine and Rehabilitation, 71, 304–309.

Roether, C. L., Omlor, L., Christensen, A., & Giese, M. A. (2009). Critical features for the perception of emotion from gait. Journal of Vision, 9(6), 1–32. http://dx.doi.org/10.1167/9.6.15.

Schneider, Sabrina ; Christensen, Andrea ; Hau[sz]inger, Florian B. ; Fallgatter, Andreas J. ; Giese, Martin A. ; Ehlis, Ann – Christine. Show me how you walk and I tell you how you feel — A functional near-infrared spectroscopy study on emotion perception based on human gait. Neuroimage. 2014. 85: 380(11).

Sakaguchi, Kikue and Toshikazu Hasegawa. Person Perception Through Gait Information And Target Choice For Sexual Advances: Comparison Of Likely Targets In Experiments And Real Life. Journal of Nonverbal Behavior. 2006; 30:63-85. DOI 10.1007/s10919-006-0006-2
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Smith, E. O. (1999). High heels and evolution: Natural selection, sexual selection and
high heels. Psychology, Evolution and Gender, 30, 245–277. Smith, E. O., & Helms, W. S. (1999). Natural selection and high heels. Foot and Ankle International, 20, 55–57.

Walter, K. D., Brownlow, S., Ervin, S. L., & Williamson, N. (1998). Something in the way she moves: The influence of shoe altered gait on motion and trait impressions of women. PSI CHI Journal of Undergraduate Research, 3, 163–169.

Body Language of The Head Tilted Back

Body Language of The Head Tilted Back

BodyLanguageProjectCom - Head Tilted Back 2Cue: Head Tilted Back

Synonym(s): Looking Down The Nose, Nose up gesture, Tilting The Head Back.

Description: A posture done by tilting the head back and looking down and across the bridge of the nose upon other people as if glaring. Sometimes the head is cocked to the side or the eyes peer over glasses.

In One Sentence: Tiling the head back indicates smugness and pride.

How To Use it: Tilt the head back to demonstrate pride after winning a dominance competition. The stance is appropriate after victory in sports as it is in any other situation where one must overcome great obstacles. Holding the head high will show others that you are winning in the battle of life and that you are worthy of special attention and to be followed. Holding the head high in business will show others that you have leadership qualities.

When one tilts the head back when pride is not earned, it can backfire and be read as smugness, so be prepared for challenges to your stance should you choose to apply them.

When you want to belittle another, simply title the head back and stare down your nose at them. This shows condescension. Think of the stern librarian as she lowers her eye glasses and glares down upon you.

Context: General.

Verbal Translation: “I’m superior to you in many ways so I tilt my head back and appear haughty and special, demonstrating that you are not worthy of my gaze.”

Variant: See Peering Over Glasses, Chin Jut and Chin Lift.

Cue In Action: Upon entering a coffee shop, she turned the heads of men. When she noticed that she was being watched, she averted her gaze and instead of making eye contact she would “look down her nose at them” by tilting her head backward showing disapproval. It is read by onlookers correctly as an “I’m better than you” glare. They don’t even bother to approach her.

Meaning and/or Motivation: Looking down one’s nose at someone is a dominant, judgment posture and is viewed negatively by others. The opposite cue is the forehead bow, where the head is tilted back and they eyes cast upward. This shows submission.

Looking down the nose at someone can be done without glasses, but their addition makes the posture even more salient. The head back is a domineering teacher or librarian look when a student has done something she does not approve of, so she stares him down. The posture elicits a prey response in others because it puts them in an aggressive relationship with the predator peering down on them.

Tilting the head back is a way to adjust the height levels between people because by doing so it raises the level of the eyes by a few inches. Looking down the nose is indicative of someone that is condescending or pushy, authoritarian, arrogant, but is also a gravity defying body language so shows confidence often bordering on overconfidence.

The phrase “keep your chin up” stems from the power that chin’s held high carries. Holding a high head helps people frame their own views in a more constructive light.

Cue Cluster: Crossing the legs by bringing one foot over the opposite leg (the Figure-Four Leg Cross), hand steepling, or interlocked fingers, leaning back in the chair, and tilting the head back and looking down through the nose at others. This cluster shows arrogance and superiority.

Body Language Category: Amplifier, Arrogance or arrogant body language, Aggressive body language, Authoritative body language, Confident body language, Dislike (nonverbal), Doubt or disbelief body language, Dominant body language, Expansive movements, Eye Language, Gravity defying body language, Hostile body language, Evaluative body language.

Resources:

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The Hidden Body Language of Hand Steepling

The Hidden Body Language of Hand Steepling

BodyLanguageProjectCom - Hand Steepling 1Cue: Hand Steepling.

Synonym(s): Steepling The Hands, Tenting the Fingers, Finger Steepling, Hand Tenting.

Description: A posture where the hands are propped up by the fingers of each hand to form a bridge – like a church steeple. In this posture fingers are not interlocked and the palms do not touch. Instead, the finger tips simply touch at their tips.

In One Sentence: Hand steepling is a sign of confidence and that one knows something that another doesn’t.

How To Use it: Use hand steepling to demonstrate true or feigned confidence. This can work when portraying an image of strength is beneficial such as in business or legal negotiations. Steeple the hands when you want other people to think that you are privy to beneficial information that they are not.

Context: General.

Verbal Translation: “I have access to hidden information, and life experience, and this is the source of my power and control over you. I demonstrate this by pressing my fingertips together in a high confidence hand gesture like the roof of a church.”

Variant: Rocking might accompany the steeple where the hands move back and forth by adding and reducing pressure between them. The steeple can be placed low on a lap, or seen hovering slightly above the lap. Other times the steeple is in full view of others with the elbows propped up on the table. The steepler can hold the posture so high that they have to look through the steeple to see others. See Hand Clasping, Hand Wringing, Hand Clasping.

Cue In Action: Donald Trump performed the steeple frequently on his television show The Apprentice, in preparation, of all things, to fire his next apprentice! His steepling was an obvious cue signaling the power he had over his subordinates.

Meaning and/or Motivation: The steepler is someone that is confident, sometimes overconfident, authoritative, and particularly evaluative of others around him.

Confidence, in this case, is held in the power and control they possess and also in knowing things that other people do not. Steeplers are found carrying the gesture when around subordinates, or whenever they seem to have the upper hand. This gesture is effective if you already possess power or want others to think you do, but it is ineffective in team building, since it comes off as arrogant. It does have subconscious manipulative properties though, such as bluffing in poker but in most cases, this gesture is only as effective as that which can be backed up with real confidence and true access to valuable hidden information.

Superiors will also be seen using this gesture in meetings and when giving orders and the higher the steeple is held, the greater the arrogance it depicts. In extreme forms, the person carrying the gesture can be seen “looking right through their hands” between the triangle formed by the pent up fingers and the thumbs.

A high steepler comes off as a “know-it-all” and arrogant and smug especially when coupled with the head tilted backward. A more subtle version is the hidden steeple of which the sender could be trying to hide or shelter their opinion from view by keeping the steepled fingers below the table. The lower steeple is more often used by women and when someone is listening rather than speaking. A low steeple signifies that someone is interested and ready to respond.

Hidden steepling, such as a steeple on the lap under a table, refers to hidden confidence or a desire to limit arrogance in attempt to appear more open and accepting. When the hands are steepled, but holding support of the head, it does not signal confidence, but rather boredom, self-consciousness, or awkwardness.

Steepling can also ebb and flow along with confidence to what is being said which can be useful in negotiations or in arguments. If something is said to drop confidence the steepling might be broken in favour of interlocked hands as if praying but then quickly return when a person feels that their position has improved. Interlocked fingers is a signal of low confidence and the fingers might even be seen wringing themselves. Lawyers quickly learn to control this nonverbal cue in favour of constant steepling rather than any other gesture.

Cue Cluster: The steeple can occur in body language clusters as well, but what is important is not what happens after the steepling, as in the chin stroke and eye glass language, but rather what happens preceding the steepling. By watching for positive open postures such as palms up and arms un-crossed or closed postures such as arms crossed, touching the nose or face and avoiding eye contact, we can tell if the person is trying to be honest or manipulative with his or her apparent power. In other words, steepling is a finish posture serving to punctuate a body language clue cluster rather than the other way around.

Another example of a cue cluster is as follows: crossing the legs by bringing one foot over the opposite leg (the figure-four leg cross), fingers steepling, leaning back in the chair, and tilting the head back and looking down through the nose at others. This cluster shows arrogance and superiority.

Body Language Category: Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, High confidence body language, High confidence hand displays, Leadership body language, Power play, Up nonverbals.

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Navarro, Joe. A four-domain model for detecting deception: an alternative paradigm for interviewing. The FBI Law Enforcement Bulletin. 2003. 72(6): 19(6).

Navarro, Joe. A four-domain model for detecting deception: an alternative paradigm for interviewing. The FBI Law Enforcement Bulletin. 2003. 72(6): 19(6).

Ohgami, Y., Matsuo,K., Uchida,N., & Nakai,T. (2004). An fMRI study of tool-use gestures: Body partas object and pantomime. Neuroreport, 15, 1903–1906.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Prieto, A. G., & Robbins, M. C. (1975). Perceptions of height and self-esteem. Perceptual and Motor Skills, 40, 395–398.

Robinson, Michael D. ; Zabelina, Darya L. ; Ode, Scott ; Moeller, Sara K. The vertical nature of dominance-submission: Individual differences in vertical attention. Journal of Research in Personality. 2008. 42(4): 933-948.

Schubert, T. W. (2005). Your highness: Vertical positions as perceptual symbols of power. Journal of Personality and Social Psychology, 89, 1–21.

Schwartz, B., Tesser, A., & Powell, E. (1982). Dominance cues in nonverbal behavior. Social Psychology Quarterly, 45, 114–120.

Stepper, S., & Strack, F. (1993). Proprioceptive determinants of emotional and nonemotional feelings. Journal of Personality and Social Psychology, 64, 211–220.

Schenkel, Rudolf. Submission: Its Features and Function in the Wolf and Dog. American Zoologist. 1967. 7(2): 319-329.

Tiedens, Larissa Z ; Fragale, Alison R. Power moves: complementarity in dominant and submissive nonverbal behavior. Journal of personality and social psychology. 2003. 84(3): 558-68.

Tracy, J. L., & Robins, R. W. (2004). Show your pride: Evidence for a discrete emotion expression. Psychological Science, 15, 194–197.

Skipper, J.I., Goldin-Meadow, S., Nusbaum,H.C.,& Small,S.L. (2007).Speech- associated gestures, Broca’s area, and the human mirror system. Brain and Language, 101, 260–277.

Sherzer, Joel The Brazilian Thumbs-Up Gesture. Journal of Linguistic Anthropology, 1991, Vol.1(2), pp.189-197

Straube,B., Green,A., Bromberger,B., & Kircher, T. (2011).The differentiation of iconic and metaphoric gestures: Common and unique integration processes. Human Brain Mapping, 32, 520–533.

Straube, Benjamin ; Green, Antonia ; Jansen, Andreas ; Chatterjee, Anjan ; Kircher, Tilo. Social cues, mentalizing and the neural processing of speech accompanied by gestures. Neuropsychologia. 2010. 48(2): 382-393.

Tam, C. W., & Stokes, S. F. (2001). Form and function of negation in early developmental Cantonese. Journal of Child Language, 28, 373–391. doi:10.1017/S0305000901004688

Villarreal, M., Fridman,E.A., Amengual,A., Falasco,G., Gerscovich,E.R., Ulloa,E.R., et al. (2008). The neural substrate of gesture recognition. Neuropsychologia, 46, 2371–2382.

Vaidyanathan, R. (1991). Development of forms and functions of negation in the early. tages of language acquisition: A study in Tamil. Journal of Child Language, 18, 51–66. doi:10.1017/S0305000900013295

Willems, R.M., Ozyurek,A., & Hagoort,P.(2007).When language meets action:The neural integration of gesture and speech. CerebralCortex, 17, 2322–2333.

Wieser, Matthias J.; Tobias Flaisch and Paul Pauli. Raised Middle-Finger: Electrocortical Correlates of Social Conditioning with Nonverbal Affective Gestures. 2014. PLoS ONE 9(7): e102937. doi:10.1371/journal.pone.0102937
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Wu, Y. C., & Coulson, S.(2005).Meaningful gestures: Electrophysiological indices of iconic gesture comprehension. Psychophysiology, 42, 654–667.

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Xu,J., Gannon,P.J., Emmorey,K., Smith,J.F., & Braun,A.(2009). Symbolic gestures and spoken language are processed by a common neural system. Proceedings of the NationalAcademyofSciences, 106, 20664–20669.

Wang, Lin ; Chu, Mingyuan Neuropsychologia. The role of beat gesture and pitch accent in semantic processing: An ERP study. 2013, Vol.51(13), pp.2847-2855.

Body Language of Guiding Body Language

Body Language of Guiding Body Language

BodyLanguageProjectCom - Head Drop or Head Beckoning 2Cue: Guiding Body Language.

Synonym(s): Hand To The Lower Back Of Another, Lightly Pushing Another’s Back, Pulling Someone While Shaking Hands, Shaking Hands Pull In Or Out, Moving People Around.

Description: Using a hand to lightly push on another person’s lower back to move them in a desirable position. Pulling someone in while shaking hands.

In One Sentence: Guiding is a way to create dominance by controlling the actions of others.

How To Use it: Guiding is a very powerful power-play. Men can increase their sex appeal by placing their hands on the small of a woman’s back and lightly moving her in the direction of his choosing. The same effect works while dancing where the man is expected to, and benefits from, leading the woman.

Men can also guide women by holding their hand and steering or pulling them with a slight lead. This is a powerful way to demonstrate leadership to women which they usually find sexually appealing as it is a display of dominance and leadership.

Guiding can also be done without placing the hand directly in contact with another person’s back, but rather holding it just off contact.

Men can also guide other men less intimately, by placing an arm over the shoulder and putting weight against them, thus moving them in their chosen direction. The man who is confident enough to control other men by one-directional contact will be perceived as the most dominant.

Context: General.

Verbal Translation: “I’m trying to force you into compliance through light force by gently pushing you in the direction I want you to travel.”

Variant: See Head Drop or Head Beckoning.

Cue In Action: a) The host greeted her guest, grabbed their overcoats and gently moved them from the front foyer to the living area for drink and company. b) The man led his dance partner across the room with light pressure to her lower back. c) He guided his date around the room with light pressure to her lower back to meet his family at the cocktail party.

Meaning and/or Motivation: Using a hand to lightly push on another person’s back, pulling someone in when shaking hands, using a finger to beckon someone closer, or using alluring eye contact are all ways to influence people to move in ways desirable.

Guiding is a throwback technique to childhood. Due to its commonplace use during our childhood by our parents, we easily succumb to such tactics throughout our life. A light touch the lower back is conditioned to encourage us to move with, rather than against, the pressure. Guiding is a way other people can control how we move, when and in which direction.

People who use guiding body language are usually dominant. They seek control, are authoritative and seek leadership positions wherever they go.

Cue Cluster: Watch for strong eye contact, head high, good voice patterns and gesturing, strong use of touch in order to flatter and control, strong leadership, and charisma.

Body Language Category: Authoritative body language, Courtship displays, Confident body language, Dominant body language, Guiding body language, Leadership body language, Social touching.

Resources:

Argo, J. J., Dahl, D. W., & Morales, A. C. (2006). Consumer contamination: How consumers react to products touched by others. Journal of Marketing, 70(April), 81–94.
Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public

Bailenson, J.N. & Yee, N. (in press). Virtual interpersonal touch: Haptic interaction and copresence in collaborative virtual environments. International Journal of Multimedia Tools and Applications.

Bohm. 1997. Effects of interpersonal touch, degree of justification, and sex of participant on compliance with a request. The Journal of social psychology. 137: 460-469.

Crusco, A. and C. Wetzel. 1984. The midas touch: the effects of interpersonal touch on restaurant tipping, Personality and Social Psychology Bulletin 10: 512–517.

Fisher, J; Rytting, M and Heslin, R. 1976. Hands touching hands: affective and evaluative effects on interpersonal touch, Sociometry 39: 416–421.

Guéguen, Nicolas. Nonverbal encouragement of participation in a course: the effect of touching Social Psychology of Education. 2004. 7: 89–98.
http://bodylanguageproject.com/articles/a-touching-way-to-encourage/

Gueguen, Nicolas; Sebastien Meineri and Virginie Charles-Sire. Improving Medication Adherence by Using Practitioner Nonverbal Techniques: A Field Experiment on the Effect of Touch. Journal of Behavioral Medice. 2010. 33:466–473
DOI 10.1007/s10865-010-9277-5
http://bodylanguageproject.com/articles/touching-boosts-compliance-improving-medical-compliance-using-nonverbal-communication/

Gueguen, N. (2001a). Toucher et soumission a` une requeˆte: Re´plications expe´rimentales en situation naturelle et e´valuation de l’impact du statut. Revue Internationale de Psychologie Sociale. 2001(a). 14(3):113-158.

Gue´guen, N. (2001b). L’effet d’influence du toucher sur le comportement du consommateur: 2 illustrations expe´rimentales en exte´rieur. Direction et Gestion: La Revue des Sciences de Gestion. 2001(b). 190–191, 123–132.

Guéguen, N and C. Jacob 2006, Touch and consumer behavior: A new experimental evidence in a field setting, International Journal of Management 23: 24–33.

Guéguen, N., & Jacob, C. The effect of touch on tipping: An evaluation in a French’s bar. International Journal of Hospitality Management. 2005. 24(2): 295-299.

Guéguen, Nicolas; Celine Jacob; Gaelle Boulbry. The Effect of Touch on Compliance With a Restaurant’s Employee Suggestion. Hospitality Management. 2007. 26: 1019-1023.
http://bodylanguageproject.com/articles/touching-leads-compliance-study/

Hall, Jeffrey A. and Chong Xing. The Verbal and Nonverbal Correlates of the Five Flirting Styles. Journal of Nonverbal Behavior. 2015. 39:41–68. DOI 10.1007/s10919-014-0199-8
http://bodylanguageproject.com/articles/first-12-minutes-flirting-using-nonverbal-communication-study-reveals-26-body-language-cues-attraction/

Hadi, R., and Valenzuela, A., A meaningful embrace: Contingent effects of embodied cues of affection. Journal of Consumer Psychology. 2014. http://dx.doi.org/10.1016/j.jcps.2014.02.001
http://bodylanguageproject.com/articles/whats-in-a-nonverbal-object-caress/

Hertenstein, Matthew J; Keltner, Dacher; App, Betsy; Bulleit, Brittany A; Jaskolka, Ariane R 2006. Touch Communicates Distinct Emotions. Emotion. 6(3): 528-533

Jeffrey D. Fisher; Marvin Rytting; Richard Heslin. 1976. Hands Touching Hands: Affective and Evaluative Effects of an Interpersonal Touch. Sociometry, 39(4): 416-421.

Kleinke, C. Compliance to Requests Made by Gazing and Touching Experimenters in Field Settings. Journal of Experimental Social Psychology. 1977. 13: 218–223.

Kaufman, D. and J. Mahoney. 1999 The effect of waitresses’ touch on alcohol consumption in dyads, The Journal of Social Psychology 139: 261–267.

Kneidinger, L. M.; Maple, T. L.; Tross, S. A. 2001. Touching behavior in sport: functional components, analysis of sex differences, and ethological considerations. Journal of Nonverbal Behavior, 25(1): 43-62.

Krishna, A., & Morrin, M. (2008). Does touch affect taste? The perceptual transfer of product container haptic cues. Journal of Consumer Research, 34(6), 807–818.
Lynn et al., 1998 M. Lynn, J.M. Le and D. Sherwyn. 1998. Reach out and touch your customers, Cornell Hotel and Restaurant Administration Quaterly 39: 60-65

Lee Ann Renninger, T. Joel Wade, Karl Grammer. Getting that female glance: Patterns and consequences of male nonverbal behavior in courtship contexts. Evolution and Human Behavior. 2004; 25: 416–431.
http://bodylanguageproject.com/articles/part-i-how-to-read-male-sexual-body-language-a-study-for-women-and-the-men-who-wish-to-cheat-the-system/

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Nannberg, J., and Hansen, C. Post-compliance touch: An incentive for task performance. The Journal of Social Psychology. 1994.134, 301–307.

Peck, J., and Shu, S. B. (2009). The effect of mere touch on perceived ownership. Journal of Consumer Research, 36(Oct), 434–447.

Peck, J., and Wiggins, J. (2006). It just feels good: Consumers’ affective response to touch and its influence on persuasion. Journal of Marketing, 70(Oct), 56–69.

Remland, M. S. and T. S. Jones 1995. Interpersonal Distance, Body Orientation, and Touch: Effects of Culture, Gender, and Age. Journal of Social Psychology 135(3): 281-297.

R. Stephen and R. Zweigenhaft. 1986. The effect on tipping of a waitress touching male and female customers. The Journal of Social Psychology 126 pp. 141–142.

Smith, D. E., Gier, J. A., & Willis, F. N. 1982. Interpersonal touch and compliance with a marketing request. Basic and Applied Social Psychology. 3: 35-38.

Thompson, Erin H. and James A. Hampton. The Effect of Relationship Status on Communicating Emotions Through Touch,. Cognition and Emotion. 2011. 25(2): 295-306. DOI: 10.1080/02699931.2010.492957.
http://bodylanguageproject.com/articles/using-touch-convey-emotion

Williams. 1993. Effects of Mutual Gaze and Touch on Attraction, Mood, and Cardiovascular Reactivity Source: Journal of Research in Personality. 27(2): 170-183.

Willis, F. N., & Hamm, H. K. 1980. The use of interpersonal touch in securing compliance. Journal of Nonverbal Behavior. 5: 49-55.

Williams, L. E., Huang, J. Y., & Bargh, J. A. (2009). The scaffolded mind: Higher mental processes are grounded in early experience of the physical world. European Journal of Social Psychology, 39, 1257–1267.

Body Language of Gait or Walking Styles

Body Language of Gait or Walking Styles

No picCue: Gait or Walking Styles

Synonym(s): Walking Styles.

Description: Refers to the style or mechanics of locomotion in humans and its hidden meaning.

In One Sentence: Gait is highly unique to each person much like a fingerprint and it’s style is connected to various personality traits.

How To Use it: Use your gait to signal desired qualities to others. A bouncy gait signals joy and happiness, a swagger shows sexual energy, hobble shows age, darting shows impatience, prancing shows femininity. Use the type of gait that suits your personality best.

Context: General

Verbal Translation: “How I walk gives clues to my health, emotions, character and accomplishments.”

Variant: N/A

Cue In Action: He just won the lottery. Not only did he carry a huge grin on his face, but he also walked with an exaggerated bounce in his step. It was as if he had been transported back to his youth.

Meaning and/or Motivation: Scientists have identified thirty six different types of gait in the human species. They include the hobble, the mince, the glide, the bounce, the stride, the wiggle, the dart, the prance and the run. People can shuffle along or drag their feet, bounce up and down, or seem to float on air.

How one walks gives clues to the internal workings of people, their emotions and rhythm, character and even their accomplishments not to mention their health and age.

Those who are positive will tend to walk energetically while those who are down and depressed or elderly will saunter or hobble about. The effect is particularly pronounced between the old and young, but it can easily be seen between those who expect good things to happen and those who do not.

Cue Cluster: Watch for additional cues coupled with gait types to decide the overall mental attitude and disposition people carry.

Body Language Category: Amplifier, Confident body language, Depressive body language, Emotional body language, Enthusiasm (nonverbal), Excited body language, Gravity defying body language, Happiness, High confidence body language, Low confidence body language.

Resources:

Angela Book, Kimberly Costello and Joseph A. Camilleri Psychopathy and Victim Selection: The Use of Gait as a Cue to Vulnerability. Journal of Interpersonal Violence. 2013. 28(11): 2368-2383. DOI: 10.1177/0886260512475315jiv.sagepub.com
http://bodylanguageproject.com/articles/dont-walk-like-youre-watched-avoid-victimization-nonverbal-behavior/

Brownlow, S., Dixon, A. R., Egbert, C. A., & Radcliffe, R. D. (1997). Perception of movement and dancer characteristics from point-light displays of dance. The sychological Record, 47(3), 411–421. http://dx.doi.org/10.1068/p250727.

Crane, Elizabeth ; Gross, M. Effort-Shape Characteristics of Emotion-Related Body Movement. Journal of Nonverbal Behavior. 2013. 37(2): 91-105.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait perception without familiarity cues. Bulletin of the Psychonomic Society, 9(5), 353–356.

Cho, S. H., Park, J. M., & Kwon, O. Y. (2004). Gender differences in three dimensional gait analysis data from 98 healthy Korean adults. Clinical Biomechanics, 19, 145–152.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait
perception without familiarity cues. Bulletin of the Psychonomic Society, 9, 353–356.

Eisenberg, Philip ; Reichline, Philipb. Judging Expressive Movement: II. Judgments of Dominance-Feeling from Motion Pictures of Gait. The Journal of Social Psychology. 1939. 10(3): 345-357.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/

Gunns, Rebekah E; Lucy Johnston; and Stephen M. Hudson. Victim Selection And Kinematics: A Point-Light Investigation Of Vulnerability To Attack. Journal of Nonverbal Behavior. 2002. 26(3): 129-158.
http://bodylanguageproject.com/articles/how-to-avoid-an-attack-just-by-changing-how-you-walk-study/

Guéguen N. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
http://bodylanguageproject.com/articles/gait-as-bait-women-walk-sexy-during-high-sexual-receptivity/

Gross, M Melissa ; Crane, Elizabeth A ; Fredrickson, Barbara L. Effort-Shape and kinematic assessment of bodily expression of emotion during gait. Human movement science. 2012. 31(1): 202-21.

Hasegawa, T. and K. Sakaguchi. 2006. Person perception through gait information and target choice for sexual advances: comparison of likely targets in experiments and real life. Journal of Nonverbal Behavior 30(2): 63-85.

Johnson, Kerri L.; Gill, Simone; Reichman, Victoria and Tassinary, Louis G. Swagger, Sway, and Sexuality: Judging Sexual Orientation from Body Motion and Morphology. Journal of Personality and Social Psychology. 2007. 93(3): 321-334. doi: 10.1037/0022-3514.93.3.321
http://bodylanguageproject.com/articles/heterosexual-vs-homosexual-swagger-can-you-spot-the-difference/

Janssen, Daniel ; Schöllhorn, Wolfgang ; Lubienetzki, Jessica ; Fölling, Karina ; Kokenge, Henrike ; Davids, Keith. Recognition of Emotions in Gait Patterns by Means of Artificial Neural Nets. Journal of Nonverbal Behavior. 2008. 32(2): 79-92.

Johnson, Kerri L ; Gill, Simone ; Reichman, Victoria ; Tassinary, Louis G. Swagger, sway, and sexuality: Judging sexual orientation from body motion and morphology. Journal of personality and social psychology. 2007. 93(3): 321-34.

Johnson, Kerri L ; Tassinary, Louis G. Perceiving sex directly and indirectly: meaning in motion and morphology. Psychological science. 2005. 16(11): 890-7.

Kito, Tomonori ; Yoneda, Tsugutake. Dominance of gait cycle duration in casual walking. Human Movement Science. 2006. 25(3): 383-392.

Kozlowski, L. T., & Cutting, J. E. (1977). Recognizing the sex of a walker from a dynamic point-light display. Perception and Psychophysics, 21(6), 575–580.

Montepare, Joann ; Zebrowitz, Leslie. A cross-cultural comparison of impressions created by age-related variations in gait. Journal of Nonverbal Behavior. 1993. 17(1): 55-68.

Montepare, Joann ; Goldstein, Sabra ; Clausen, Annmarie. The identification of emotions from gait information. Journal of Nonverbal Behavior. 1987. 11(1): 33-42.

Montepare, J. M., & Zebrowitz-McArthur, L. (1988). Impressions of people created by age-related qualities of their gaits. Journal of Personality and Social Psychology, 55(4), 547–556. http://dx.doi.org/10.1037/ 0022-3514.55.4.547.

Miller, G., Tybur, J. M., & Jordan, B. D. Ovulatory cycle effects on tip earning by lap dancers: Economic evidence for human estrus. Evolution and Human Behavior. 2007. 28: 375-381. http://dx.doi.org/10.1016/j.evolhumbehav.2007.06.002.

Montepare, J. M., Goldstien, S. B., & Clausen, A. (1987). The identification of emotions from gait information. Journal of Nonverbal Behavior, 11, 33–42.

Michalak, J., Rohde, K., Troje, N. F. How We Walk Affects What We Remember: Gait Modifications Through Biofeedback Change Negative Affective Memory Bias. Journal of Behavior Therapy and Experimental Psychiatry. 2015. 46:121-125.
http://bodylanguageproject.com/articles/walking-happy-leads-actual-happiness-game-emotions-body-language/

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Opila-Correia, K. A. (1990). Kinematics of high-heeled gait. Archives of Physical Medicine and Rehabilitation, 71, 304–309.

Prasad, S., & Shiffrar, M. (2009). Viewpoint and the recognition of people from their movements. Journal of Experimental Psychology – Human Perception and Performance, 35(1), 39–49. http://dx.doi.org/10.1037/A0012728.

Roether, C. L., Omlor, L., Christensen, A., & Giese, M. A. (2009). Critical features for the perception of emotion from gait. Journal of Vision, 9(6), 1–32. http://dx.doi.org/10.1167/9.6.15.

Sakaguchi, Kikue and Toshikazu Hasegawa. Person Perception Through Gait Information And Target Choice For Sexual Advances: Comparison Of Likely Targets In Experiments And Real Life. Journal of Nonverbal Behavior. 2006; 30:63-85. DOI 10.1007/s10919-006-0006-2
http://bodylanguageproject.com/articles/dont-walk-like-youre-asking-targets-sexual-approach-based-walking-style-personality-study/

Schneider, Sabrina ; Christensen, Andrea ; Hau[sz]inger, Florian B. ; Fallgatter, Andreas J. ; Giese, Martin A. ; Ehlis, Ann – Christine. Show me how you walk and I tell you how you feel — A functional near-infrared spectroscopy study on emotion perception based on human gait. Neuroimage. 2014. 85: 380(11).

Smith, E. O. (1999). High heels and evolution: Natural selection, sexual selection and high heels. Psychology, Evolution and Gender, 30, 245–277. Smith, E. O., & Helms, W. S. (1999). Natural selection and high heels. Foot and Ankle International, 20, 55–57.

Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271 Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271
http://bodylanguageproject.com/articles/walk-drives-first-impressions/

van der Zwan, Rick and Natasha Herbert. “I Like The Way You Move”: How Hormonal Changes Across The Menstrual Cycle Affect Female Perceptions of Gait. Research Notes. 2012; 5: 453.
http://bodylanguageproject.com/articles/women-at-peak-fertility-rate-other-female-walkers-less-favorably/

Walter, K. D., Brownlow, S., Ervin, S. L., & Williamson, N. (1998). Something in the way she moves: The influence of shoe altered gait on motion and trait impressions of women. PSI CHI Journal of Undergraduate Research, 3, 163–169.

Body Language of Friendly Social Gaze

Body Language of Friendly Social Gaze

BodyLanguageProjectCom - Friendly Social GazeCue: Friendly Social Gaze

Synonym(s): Friendly Eye Contact.

Description: In the friendly gaze, the eyes travel in a triangular pattern from eye-to-eye then to the mouth with some infrequent looks to the rest of the body.

In One Sentence: The friendly social gaze is a nonverbal eye pattern signally a platonic relationship.

How To Use it: To use the friendly gaze, keep the eyes moving about the face with rare glances to the rest of the body. Unlike the business gaze, it is permissible to drop the eyes to the rest of the body, but not to focus on sexual aspects such as breasts, chests, shoulders (in men), and genitals/buttocks. Use the friendly gaze when you want to be clear about a lack of sexual interest. This is especially important to married men and women, whom do not wish to send the wrong impression. In other words, those already in relationships should avoid any other type of eye gaze pattern (besides the business eye gaze pattern) or it may demonstrate unwanted insinuations and therefore may lead to unwanted results.

Context: General.

Verbal Translation: “We’re friends and I show this to you by not looking at your sexual parts, although I do infrequently inspect the rest of your body (to size you up). However, I do spend most of the time looking at your face to judge your reactions and emotions.”

Variant: See Gazing Adoringly, Gaze Omission, Eye Aversion, Gaze Avoidance and Wandering Eyes.

Cue In Action: During coffee, Dave and Jill engaged in a long conversation about computer programming never once checking each other out below the chin.

Meaning and/or Motivation: When friends talk to one another they aren’t trying to peer into their souls, rather, they gaze.

The gaze is non-threatening and like the intimate gaze, the eyes travel over the face in a specific pattern. The reason we cast our eyes infrequently over other parts of the body in the friendly gaze is simply due to the reason that it is of less interest and of less value in friendship. This is just the opposite of that which happens in the intimate gaze.

With friends, gaze is brief, lasting only about three seconds followed by looking away.

The research tells us that about seventy-five percent of the time eyes travel through the triangular pattern from the eyes to the mouth, ten percent of the time is spent on forays to the forehead and hair, and five percent to the chin, with the remaining time split on various other features.

After a period of gaze or mutual eye-contact both people will avert their eyes downward instead of left, right or upward. Looking down, on the other hand is a symbol of submission whereas looking left or right can imply disinterest (or interest in something else), or a desire to withdraw from the conversation.

Cue Cluster: N/A

Body Language Category: Attentive, Confident body language, Eye Language, Indicator of interest (IoI), Liking.

Resources:

Argyle, Michael; Lefebvre, Luc; Cook, Mark 1974. The meaning of five patterns of gaze. European Journal of Social Psychology. 4(2): 125-136.

Argyle, M., and Ingham, R. 1972. Gaze, mutual gaze, and proximity. Semiotica, 1, 32–49.

Argyle, M. and Cook, M. Gaze and Mutual Gaze. London: Cambridge University Press, 1976.

Allan Mazur; Eugene Rosa; Mark Faupel; Joshua Heller; Russell Leen; Blake Thurman. Physiological Aspects of Communication Via Mutual Gaze. The American Journal of Sociology. 1980; 86(1): 50-74.

Breed, G., Christiansen, E., & Larson, D. 1972. Effect of lecturer’s gaze direction upon
teaching effectiveness. Catalog of Selected Documents in Psychology, 2: 115.

Ellsworth, Phoebe; Carlsmith, J Merrill. 1973. Eye contact and gaze aversion in an aggressive encounter. Journal of Personality and Social Psychology. 28(2): 280-292.

Foddy, Margaret 1978. Patterns of Gaze in Cooperative and Competitive Negotiation
Human Relations. 31(11):925-938.

Kellerman. 1989. Looking and loving: The effects of mutual gaze on feelings of romantic love. Journal of Research in Personality. 23(2): 145-161.

Kendon, A. Some Functions of Gaze Direction in Social Interaction. Acta Psychologica. 1967. 32: 1-25.

Kleinke, C. L. 1980. Interaction between gaze and legitimacy of request on compliance in a field setting. Journal of Nonverbal Behavior 5(1): 3-12.

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and mixed-sex dyads. Human Communication Research. 13: 323-343.

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Body Language of The Firm Handshake

Body Language of The Firm Handshake

No picCue: Firm Handshake

Synonym(s): N/A

Description: A handshake that is neither too hard, nor too soft.

In One Sentence: A firm handshake is a universal signal of confidence.

How To Use it: A firm handshake should be a default condition for both men and women. Use a firm handshake especially when it is important that you are seen as competent such as in a business setting. When doing the firm handshake, make sure you are not overly aggressive, as firm does not mean that one needs to inflict pain. A proper firm handshake rarely goes unnoticed and is rewarded with a positive impression and the benefits that go along with it.

Context: General.

Verbal Translation: “I show my confidence by shaking hands with just the right pressure, not too much to be overbearing and not too little to show weakness.”

Variant: See Country Handshake (The), Cold Dead Wet Fish Handshake, Double Gripper Politician Handshake or Double Hander (The), Short Grabber/Finger Grabber Handshake, Oddball Handshake, Palm Up, Palm Down and Palm Even Handshakes, Stiff Arm And Thrust Forward Handshake, Death Grip Handshake, Wrench Forward Handshake, Undershaker Handshake, Wrist Hold Handshake, Wrist Hold Handshake and Upper Arm Grip Handshake, Limp Fish Handshake, Teacup Handshake, Arm Twister Handshake (The), Firm handshake, Fist Bumping.

Cue In Action: He was pleasantly surprised by the new recruit, she had a firm handshake unlike some of the others. This gave him confidence that she’d do a good job.

Meaning and/or Motivation: This is the best overall handshake as it does not appear overbearing or flaccid and weak. Positive attributes are given people who shake hands with appropriate force. When a handshake is too firm, it signals an overbearing attitude, or masks low confidence except when it is matched by a strong physique which might come from a larger athletic person.

Cue Cluster: The firm handshake is a stand-alone cue which has meaning in and of itself, however, we usually see other positive and dominant cues associated with the firm handshake.

Body Language Category: Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal).

Resources:

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Chaplin William F.; Phillips Jeffrey B; Brown Jonathan D.; Clanton Nancy R.; Stein Jennifer L.; 2000. Handshaking, gender, personality, and first impressions Journal of personality and social psychology. 79(1): 110-117.

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Dolcos, Sanda ; Sung, Keen ; Argo, Jennifer J ; Flor-Henry, Sophie ; Dolcos, Florin. The power of a handshake: neural correlates of evaluative judgments in observed social interactions. Journal of cognitive neuroscience. 2012 24(12): 2292-305.

Fisher, Jeffrey D.; Marvin Rytting; Richard Heslin. 1976. Hands Touching Hands: Affective and Evaluative Effects of an Interpersonal Touch. Sociometry, 39(4): 416-421.

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Lipsitz, Rebecca (2000). “A Gripping Start.” In Scientific American (September), p. 32.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Stewart, Greg L. ; Dustin, Susan L. ; Barrick, Murray R. ; Darnold, Todd C. Zedeck, Sheldon (editor). Exploring the Handshake in Employment Interviews. Journal of Applied Psychology. 2008 93(5): 1139-1146.

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Sanda Dolcos; Keen Sung; Jennifer J. Argo; Sophie Flor-Henry and Florin Dolcos. The Power of a Handshake: Neural Correlates of Evaluative Judgments in Observed Social Interactions. Journal of Cognitive Neuroscience. 24; 12: 2292–2305.
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