Category: Amplifier

Amplifier, Appease, Childlike playfulness, Emotional body language, Open body language, Open facial gestures

Body Language of Happiness And Joy

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Body Language of Happiness And Joy

BodyLanguageProjectCom - Happiness And Joy 1Cue: Happiness And Joy

Synonym(s): Joy, Happiness Facial Expression.

Description: Happiness is a combination of the happiness facial expression and associated happy body language.

The eyebrows are slightly raised forcing the eyelids to crinkle and show crows feet, eyes may sometimes narrow, the corners of the lips curl upward, the lips sometimes part to show upper teeth, cheeks puff up and bulge. See how a real smile is coupled with other body language in the cue cluster to produce happiness and joy.

In One Sentence: Happiness body language is a way the body shows other people that good things are going on inside a person’s mind, usually as a result of good things going on outside of their body.

How To Use it: Use joyful nonverbal expressions when you want others to see you in a positive light. Happiness is read by others as a sign of good health, prosperity and a good mental disposition. At times, healthy body language can be feigned in order to attract better quality partners, to make others jealous, or to hide insecurity. Some experts advocate faking positive body language as they believe that the body has a powerful influence over the mind (and vice versa). Therefore, moving the body is more joyful ways can sometimes produce desire emotional results. A joyful expression is also frequently contagious and copied in others. This gives the initiator of the happiness message a positive halo effect.

Context: General.

Verbal Translation: “I’m so happy my face is opening up to the whole world and my eyes are crinkling and smiling too. My teeth are bared as my mouth opens with joy.”

Variant: See Artificial Smile or Fake Smile to compare a real simile to a fake one as well as the Honest Smile or Duchenne Smile.

Cue In Action: You just knew she wasn’t faking it, her body was vibrating with joy and happiness, her face was beaming, her body was open and flowing.

Meaning and/or Motivation: Happiness is motivated by internal hormones, buffered and released by, external stimuli to create a body that is open, flowing, and beaming.

Happiness means that good things are happening to a person or that they are making good things happen to them. At times, negative things do happen, but a person who resists being negatively affected by them, shows a positive rather than pessimistic affect and one who is able to work through hardship. This is the exact opposite to those who view life pessimistically that look for the negative in all situations and expect good outcomes to be only temporary.

Cue Cluster: Watch for open body language such as arms and legs uncrossed, tension to be erased from the face, the eyes will twinkle, laugh lines appear in the corner of the eyes, cheeks raise and the teeth expose,

Body Language Category: Amplifier, Appease, Childlike playfulness, Emotional body language, Open body language, Open facial gestures.

Resources:

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http://bodylanguageproject.com/articles/nonverbal-meaning-coy-smiles-infants/

Carroll E. 1994. Innate and universal facial expressions: Evidence from developmental and cross-cultural research Izard, Psychological Bulletin. 115(2): 288-299.

Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
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Dosmukhambetova, Dina and Antony S. R. Manstead. Fear Attenuated and Affection Augmented: Male Self-Presentation in a Romantic Context. Journal of Nonverbal Behavior. 2012. 36:135–147. DOI 10.1007/s10919-011-0126-1.
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de Waal, F. B. M. (2003). Darwin’s legacy and the study of primate visual communication. In P. Ekman, J. Campos, R. J. Davidson & F. B. M. De Waal (Eds.), Emotions inside out: 130 years after Darwin’s The Expression of Emotion in Man and Animals (pp. 7-31). New York: New York Academy of Sciences.

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Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

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Hall, Jeffrey A. and Chong Xing. The Verbal and Nonverbal Correlates of the Five Flirting Styles. Journal of Nonverbal Behavior. 2015. 39:41–68. DOI 10.1007/s10919-014-0199-8
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Adaptors, Amplifier, Arousal, Auto contact or self touching, Disguised gestures, Lying or deceptive body language, Masked body language, Microgestures, Pacifying body language, Stressful body language

Body Language of Hand To Nose

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Body Language of Hand To Nose

BodyLanguageProjectCom - Hand To Nose 3Cue: Hand To Nose

Synonym(s): Nose Touching

Description: Touching the nose, usually with the index finger or pinching it with the webbing of the thumb and index finger.

In One Sentence: Touching the nose indicates discomfort, or serves to alleviate an itch.

How To Use it: When possible make touches to the nose and other parts of the face brief and directed, as persistent nose touching is often misread as dishonesty. At worst, touching the nose is read as insecurity.

Context: General.

Verbal Translation: “I’m stressed, and the blood if flowing to my nose, making me want to scratch it.”

Variant: Nose touching can happen as a quick but purposeful touch, the finger might graze the side of the nose, or it can be a persistent rubbing. Sometimes the touch is quick and dirty in an up and down motion, other times it is a brief almost unnoticeable touch to the base of the nose or its side. A person might wipe the nose with the back of their hand or come up and touch it lightly with their index finger. See Hand To Eye Gesture.

Cue In Action: During the Grand Jury testimony over Monica Lewinsky, Bill Clinton touched his nose 26 times when answering highly emotional questions. When he answered questions he found easy, his hands were nowhere near his face.

Meaning and/or Motivation: Touching the nose with the hand is a discomfort gesture linked to anxiety and therefore serves as a pacifier. Other times touching the nose provides clues that a person is lying as it indicates stress.

Face touching can come in two forms, one that serves a real function, to alleviate an itch, and one that is the result of negative feelings such as being uncomfortable and stressed. Face touching that is due to an emotion is meant as a fix behind the sensation, the emotion, and not due to any physical need.

Touching the nose has been linked to lying, but like most lie-detection cues, they aren’t absolute or reliable. We can tell when something is out of the ordinary when someone touches their nose for no reason or touches their nose while delivering critical information. The astute will find it obvious when someone is touching their nose for the purpose of alleviating an itch instead of alleviating a lie (or negative thought). Scratching is directed, specific, deep and vigorous, showing that some amount of waiting was done before the gesture was performed. Thus more relief is present when the itch is real. Itching due to negative emotions is general, shallow or glancing. This type of itch is done by bringing the index finger up, by example, and lightly touching the side of the nose where the nail is not used at all. That is, no real scratching is taking place.

When nose touching is not due to itching, then it’s due to a negative or dishonest thought from either lying, being terrified, pretending to be brave or just feeling self doubt.

Chemical known as catecholamine triggers nasal tissue to swell, but that it only induces the nose to increase in size below the level of perception. This is the real life Pinocchio effect. Even though most people will not be able to detect it, the increase in blood flow and pressure often causes a tingle in the nose, which in most people, triggers an itch response.

Some people touch their nose at the end of every sentence – it’s their idiosyncrasy. Does this mean that every word that comes from their mouth is a lie? It could be, but it is not likely. Once we’ve caught someone in a lie we can backtrack and look at the clues that preceded the lie and those that followed the lie to pick up on cues that might have given him away.

Cue Cluster: Touching the nose coupled with wiping the mouth in a down-stroke, avoiding eye contact, and fidgeting, tells us that something dishonest is probably going on.

Body Language Category: Adaptors, Amplifier, Arousal, Auto contact or self touching, Disguised gestures, Lying or deceptive body language, Masked body language, Microgestures, Pacifying, Stressful body language.

Resources:

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Moore, M. M. 2001. Flirting. In C. G. Waugh (Ed.) Let’s talk: A cognitive skills approach to interpersonal communication. Newark, Kendall-Hunt.

Mahalski, P. (1983). The incidence of attachment objects and oral habits at bedtime in two longitudinal samples of children aged 1.5–7 years. Journal of Child Psychology and
Psychiatry, 24(2), 283–295.

Maestripieri D, Schino G, Aureli F, Troisi A. 1992. A modest proposal: displacement activities as an indicator of emotions in primates. Anim Behav 44:967–979.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

McGrew, W. C. (1972). “Aspects of Social Development in Nursery School Children with Emphasis on Introduction to the Group.” In N. G. Blurton Jones, ed., Ethological Studies of Child Behaviour (Cambridge: University Press), pp. 129-56.

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Park, H. S., T. R. Levine, S. A. McCornack, K. Morrison, and M. Ferrara. How people really detect lies. Communication Monographs. 2002. 69: 144-157.

Pecora, Giulia ; Addessi, Elsa ; Schino, Gabriele ; Bellagamba, Francesca. Do displacement activities help preschool children to inhibit a forbidden action? Journal of Experimental Child Psychology. 2014. 126: 80-90.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Pugh, George E. (1977). The Biological Origin of Human Values (New York: Basic Books).

Rosenfeld, Howard (1973). “Nonverbal Reciprocation of Approval: An Experimental Analysis.” In Argyle *, pp. 163-72.

Sommer, Robert (1969). Personal Space: The Behavioral Basis of Design (Englewood Cliffs, New Jersey: Prentice-Hall).

Stromwell, L. A., P. A. Granhag, and S. Landstrom. 2007. Children’s prepared and unprepared lies: can adults see through their strategies? Applied Cognitive Psychology 21 (4): 457-471.

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Schino G, Perretta G, Taglioni AM, Monaco V, Troisi A. 1996. Primate displacement activities as an ethopharmacological model of anxiety. Anxiety 2:186–191.

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http://bodylanguageproject.com/articles/using-nonverbal-behaviour-to-assess-depression-severity/

Tamres L, Janicki D, Helgeson VS (2002) Sex differences in coping behaviour: a meta-analytic review. Personal Soc Psychol Rev 6: 2–30.

Troisi A (2002) Displacement activities as a behavioural measure of stress in nonhuman primates and human subjects. Stress 5: 47–54.

Troisi A (1999) Ethological research in clinical psychiatry: the study of nonverbal behaviour during interviews. Neurosci Biobehav Rev 23: 905–913.

Troisi A, Moles A (1999) Gender differences in depression: an ethological study of nonverbal behaviour during interviews. J Psychiatr Res 33: 243–250.

Tamres L, Janicki D, Helgeson VS (2002) Sex differences in coping behaviour: a meta-analytic review. Personal Soc Psychol Rev 6: 2–30.

von Hippel W, von Hippel C, Conway L, Preacher KJ, Schooler JW, et al. (2005) Coping with stereotype threat: denial as an impression management strategy. J Personal Soc Psychol 89: 22–35.

Vrij, A. and G. R. Semin. 1996. Lie experts’ beliefs about nonverbal indicators of deception. Journal of Nonverbal Behavior 20: 65-80.

Vrij, A. 1997. Individual differences in hand movements during deception. Source: Journal of nonverbal behavior. 21: 87-102.

Vrij, A.. 2004. Why professionals fail to catch liars and how they can improve Source: Legal and Criminological Psychology. 9:159-181.

Vrij, A., S. Mann, and S. Kristen. 2007. Cues to deception and ability to detect lies as a function of police interview styles. Law and Human Behavior 31 (5): 499-518.

Adaptors, Amplifier, Auto contact or self touching, Eye blocking, Eye Language, Nervous Body Language, Stressful body language

Body Language of Hand To Eye Gesture or Eye Rubbing Gesture

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Body Language of Hand To Eye Gesture or Eye Rubbing Gesture

BodyLanguageProjectCom - Hand To Eye Gesture 2 BodyLanguageProjectCom - Hand To Eye Gesture 4Cue: Hand To Eye Gesture

Synonym(s): Eye Rubbing, Touching The Eye, Rubbing The Eye, Eye Touching.

Description: Occurs as the hand comes up and rubs the eye with the eyelid closed or rubs the skin around the eye particularly just on the out or inside edge – the corner of the eye or the edge of the nose. Touching the eye may be stifled by coming up short and simply touching the upper cheek. At times, the gesture is done quite delicately as a mild stroke almost as if a person is simply pointing at the edge of their eye.

In One Sentence: Hand to eye gestures signal that a person can’t believe what they are seeing.

How To Use it: As the cue mostly goes unnoticed by others, it’s application is limited. However, rubbing the eyes in an exaggerated way, signals disbelief and can help reinforce your position.

Context: General.

Verbal Translation: a) “I’m rubbing my eyes in disbelief because I can’t believe what I’m seeing.” b) “I’m touching my eye briefly because I don’t like what I just heard, saw or learned.” c) “I’m lying and I’m embarrassed by my own action so I’m going to cover up my eyes like I did when I was a kid – though stop short and instead just scratch my upper cheek instead.”

Variant: Instead of eye rubbing, the upper cheek may be scratched, the eyelid might be rubbed or the corner of the eye may be manipulated or itched. Sometimes the knuckle of the index finger is rubbed and twisted in the corner of the eye to relieve discomfort. See eye blocking category.

Cue In Action: a) The kid’s mom couldn’t believe what her 2-year-old had done with the flour. It was head-to-toe and top to bottom, and all over the kitchen in mere minutes. She rubbed her eyes vigorously, as if she could erase from view the miserable sight. b) The guy was obviously lying. Following his statement “I did not have sexual relations with that woman” he scratched just below his eye. The pain of his tall tale caused him to seek relief from the discomfort.

Meaning and/or Motivation: When it is not done to alleviate an itch it is a widespread gesture indicating a negative thought, doubt, or disbelieve at what is being said or seen depending on the context.

If the eyes are touched briefly it can signal that someone has said something that has caused discomfort. When eyes actually need scratching, they will happen at random rather than coupled with critical information.

People can be caught punctuating their own lies by momentarily touching their eye as if they are trying to prevent the discomfort associate with bearing witness to them. When lying is due to negative thoughts it is an abbreviated form of eye blocking. Think back to childhood when you would have covered your eyes if you saw something frightening on television. As we grow older, our cues become more constrained so instead of cupping our hands over both eyes, we just touch the corner of the eye or come up short and scratch the upper cheek instead.

When rubbing the eye has no meaning, it is done to alleviate and itch or to sooth sore eyes that are tired. When men bring their hand to their eyes they might vigorously rub, whereas women will lightly rub around the eye so as not to smear their make-up.

Cue Cluster: When eye rubbing indicates a negative thought, watch for additional nervousness such as palm scratching due to sweating, scratching the neck or pulling the collar away, voice trembling and eye contact that suddenly ceases.

Body Language Category: Adaptors, Amplifier, Auto contact or self touching, Eye blocking, Eye Language, Nervous body language, Stressful body language.

Resources:

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Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

McGrew, W. C. (1972). “Aspects of Social Development in Nursery School Children with Emphasis on Introduction to the Group.” In N. G. Blurton Jones, ed., Ethological Studies of Child Behaviour (Cambridge: University Press), pp. 129-56.

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Moore, M. M. 1985. Nonverbal courtship patterns in women: context and consequences. Ethology and Sociobiology 64: 237-247.

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Rosenfeld, Howard (1973). “Nonverbal Reciprocation of Approval: An Experimental Analysis.” In Argyle *, pp. 163-72.

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Troisi A, Moles A (1999) Gender differences in depression: an ethological study
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Vrij, A. and G. R. Semin. 1996. Lie experts’ beliefs about nonverbal indicators of
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Aggressive body language, Amplifier, Anger body language, Clenching and gripping, Closed body language, Dislike (nonverbal), Frustration or frustrated body language, Hostile body language, Intention movements, Masked emotions, Microgestures, Negative body language, Stubborn body language, Threat displays

Body Language of Hand Clenching or Fist Clenched

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Body Language of Hand Clenching or Fist Clenched

BodyLanguageProjectCom - Hand Clenching or Fist Clenching 1Cue: Hand Clenching or Fist Clenching

Synonym(s): Clenching and Gripping, Gripping and Clenching, Hand Wringing.

Description: A tightening, gripping, or balling, no matter how subtle or forceful, of the hands. At times the fingers may become interlaced appearing as if in prayer, which might even be the case. Pressure can be so great that the fingers can even blanch as blood flow is impeded.

In One Sentence: Clenching the hands or balling them in a fist is a sign of repressed aggression.

How To Use it: Ball and clench the fist if you wish to show others that you are resisting the urge to strike out. The gesture can be feigned as an anger-bluff in order to receive better treatment. Waving a clenched fist tells others that they should take you seriously lest you lash out with physical force.

Naturally, this nonverbal signal should be used with care as physical aggression, or even threat of physical aggression is strongly frowned upon.

Context: General.

Verbal Translation: “I really want to strike out at you due to my emotional distress which is why my hands are balling up into a fist, but instead I’m going to resist because it’s inappropriate to hit people.”

Variant: Other forms of clenching includes gripping the wrist of the opposite hand in behind the back, or wringing the hands out like a wet article of clothing, clenching the jaws tight or even talking through the teeth, cracking knuckles, pulling the hair or even plucking it, pinching one’s self, and clenching the fists by turning them into a ball are all forms of clenching and gripping.

See Interlaced Fingers, Hand Gripping Upper Arm or Wrist Behind Back.

Cue In Action: a) President Nixon was videotaped intensely balling his fist such that his knuckles turned white during a press conference called to discuss what was supposed to be a temporary incursion into Cambodia. The rest of his body was confident and his voice was smooth, yet his hands gave his restraint and dishonesty away.

b) A deadline was fast approaching when she was interrupted by her boss. She had to be polite so she couldn’t tell him to buzz off. She clenched her fists and rested them on her lap until he had finished.

c) Things didn’t start off well as the teacher rested her fist balled up on her desk knuckles down as she stood over the delinquent student. Immediately, the student showed signs of resistance by clenching her jaw. When the punishment came due, the student mirrored the balled fist of the teacher and brought it to her mouth to stifle an outburst. To show her persistent disagreement, the student rested her forearms against the table and maintained her tightly clenched fist.

Meaning and/or Motivation: Holding the fists clenched shows aggression, defensiveness, frustration, restrain, and sometimes a readiness to attack.

Hand wringing, when the hands are clasp one inside the other and tightly clamped and twisted on each other signifies high anxiety, stress or low confidence and is a pacifying behaviour. It can be done so aggressively that the fingers or knuckles turn white.

Fist clenching happens very naturally and subconsciously; a slip of the hand so to speak. Women can even be seen doing this while being verbally berated by a partner. Of course, holding a tight fist does not necessarily mean they intent to strike out, rather it shows just the opposite – that their minds are dealing with a dilemma, of which social norms prevent physical resolutions.

So very rarely are we allowed to fully express our emotions. In fact, one of the most important lessons we learn early in life is self control and this is exactly what happens when the fist is balled, clenched, but resists striking. We learn very early on that it’s not acceptable to throw fits and tantrums so we do the next best thing – we get very close to striking, but stop at the last second.

The height of the clenched fist is related to the strength of the negative mood. Hands can be clenched low on the lap or high near the face with elbows propped up on a table. If hands are clenched over the mouth, someone is probably holding back from saying something. If hands are clasped on the lap it indicates that someone is being cordial and polite, but would prefer to be doing something else – thus showing careful restraint.

Cue Cluster: Fist clenching body language is coupled with finger pointing or flared nostrils more technically termed “nasal wing dilation”, overall tensing of the body or extreme body loosening to ready for fighting, tightening of the jaw and lips (called “lip occlusion”), quivering in the lips, frowning, furrowing, or lowering the eyebrows, dilated pupils, squinting of the eyes, crotch displays such as legs open, sneering or flared nostrils.

Body Language Category: Amplifier, Aggressive body language, Anger, Clenching and gripping, Closed body language, Dislike (nonverbal), Frustration or frustrated body language, Hostile body language, Intention movements, Masked emotions, Microgestures, Negative body language, Stubborn or stubbornness, Threat displays.

Resources:

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the context of mating. Behavior 140, 1389-1413.

Hines, N.J. and Fry, D.P. (1994) ‘Indirect Modes of Aggression among Women of Buenos Aires, Argentina’, Sex Roles 30: 213–24.

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence/?preview=true

Lagerspetz, K.M.J., Bjorkqvist, K. and Peltonen, T. (1988) ‘Is Indirect Aggression Typical of Females? Gender Differences in Aggressiveness in 11- to 12-year-old Children’, Aggressive Behavior 14: 403–14.

Marcus-Newhall A, Pedersen WC, Carlson M, Miller N. 2000. Displaced aggression is alive and well: a meta-analytic review. J Pers Soc Psychol 78:670–689.

Morgan, M. H. and Carrier, D. R. (2013). Protective buttressing of the human fist and the evolution of hominin hands. J. Exp. Biol. 216, 236-244.

Nickle, David C. and Leda M. Goncharoff. Human Fist Evolution: A Critique. J Exp Biology. 2013. 216: 2359-2360. doi: 10.1242/jeb.084871.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Olson, Loreenn. ; Braithwaite, Dawno. If you hit me again, I’ll hit you back:” Conflict management strategies of individuals experiencing aggression during conflicts.
Communication Studies. 2004 55(2): 271-285.

Ostrowsky, Michael K. Are violent people more likely to have low self-esteem or high self-esteem? Aggression and Violent Behavior. 2010. 15(1): 69-75.

Pailing, Andrea ; Boon, Julian ; Egan, Vincent. Personality, the Dark Triad and violence Personality and Individual Differences. 2014. 67: 81-86.

Parker, G. A. (1974). Assessment strategy and the evolution of fighting behaviour. J.
Theor. Biol. 47, 223-243.

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Rizzolatti, G., Fadiga, L., Matelli, M., Bettinardi, V., Paulesu, E., Perani, D., & Fazio, F. (1996). Localization of cortical areas responsive to the observation of grasp presentations in humans by PET: 1. Observation versus execution. Experimental Brain Research, 111, 246-252.

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From Making a Fist. Society for Personality and Social Psychology. 2004. 30(6): 757-769. DOI: 10.1177/0146167204263780
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http://bodylanguageproject.com/articles/the-power-of-a-balled-fist-making-a-fist-makes-men-feel-more-powerful/

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weaponry and proximity risk. Anim. Behav. 76, 1455-1463.

Schubert, Thomas W. and Koole, Sander L. The embodied self: Effects of making a fist on the implicit and explicit self-concept of men and women. Journal of Experimental Social Psychology. 2009. 45: 828-834.

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Psychonomic Bulletin & Review. 2006, Vol.13(2): 229-234

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http://bodylanguageproject.com/articles/using-nonverbal-behaviour-to-assess-depression-severity/

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J. Anat. 202, 165-174.

Adaptors, Amplifier, Auto contact or self touching, Boredom body language, Courtship display, Indicator Of Sexual Interest (IOsI), Pacifying body language, Preening body language, Stroking body language, Worry body language

Body Language of Hair Play

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Body Language of Hair Play

BodyLanguageProjectCom - Hair Play 9Cue: Hair Play

Synonym(s): Playing With The Hair, Twirling The Hair, Hair Tossing, Hair Flick, Sucking On The Hair, Combing The Hair, Brushing The Hair,,Sexual Hair Play, Running Fingers Through The Hair, Wrapping The Hair Around The Neck, Flicking The Hair, Hair Twirl, Hair Sucking.

Description: When hair is playing with, tossed, twirled, flicked, combed, or sucked.

In One Sentence: Playing with the hair is a sign of self grooming, pacifying, or is a way to draw attention to feminine features in a dating context.

How To Use it: Women can play with their hair in order to draw men’s attention to it. When hair is tossed and otherwise displaced, it will draw men’s eyes. Tossing, flicking, and brushing the hair are ways to display youthful qualities of fertility which is mostly unique to women.

Sucking on the hair or stroking the hair is also a way to help sooth nerves although it is not advisable to do so repetitively as it can be read by others as insecurity.

Context: a) Dating, b) General.

Verbal Translation: “I’m drawing attention to my hair by grooming it so that I can show off its luxuriousness and get it ready for other people’s eyes to feast upon its greatness.” “I’m concerned my hair is out of place so I’m fixing it so others don’t think I’m unkempt.” “I’m sucking on my hair to pacify myself as a replacement for a soother.”

Variant: See Head Toss.

Cue In Action: a) When she saw a cute boy she subconsciously twirled her hair around her finger, titled her head to the side and batted her eyes at him. b) During a boring lecture she passed the end of her long blonde hair through her lips to pacify herself. b) His hair was overgrown and it constantly fell into his eyes so he either flicked it away or brush it away with the side of his hand.

Meaning and/or Motivation: a) Hair tossing is done by women to show off their luxurious hair to men. Hair tosses can be done by flicking the hair over the shoulder or away from the face. Hair can be removed from a band and twirled or rolled and placed on top of the head to expose the neck.

Other hair signals include running the fingers through the hair to preen it, wrapping the hair around the neck or curling it around the finger. These types of signals are done by women usually out of their conscious awareness. They may be available and seeking sexual attention, but equally, they can be done to serve an actual function. When they are done to attract attention, they are driven by inner thoughts and desires which manifest as nonverbal cues. It is the desires that prime the motivation to act out sexually. In this case, grooming draws attention to her luscious hair and hence her youth and fertility.

Men will also preen in during courtship and might try to flatten their hair, stroke it, or brush it away from the eyes. In more overt cases, men might remove a comb and fix their hair entirely.

b) Outside of a dating context, the hair might be preened due to either a functional purpose such as when it blocks the vision, or as a means of pacifying. Sucking on the end of the hair is a replacement for a soother as it stimulates the sensitive lips. Running the fingers through the hair can also serve a pacifying purpose as it reminds us of having our hands entwined in someone else’s. Other times the hair is fussed with simply to preen and keep the hair in its place.

Cue Cluster: a) Added sexuality can come with a lip lick or moistening of the lips with lip gloss or adding lip stick to make them appear red and seductive. Having the lips slightly parted as if blowing a small stream of air through them can escalate the cues even more dramatically.

For hair play to be a sexual cue, it will be done in association with eye contact, absent of which might just be a form of soothing auto contact. Eye contact turns a fairly random gesture like touching the hair into one that is directional, meaning the eye contact sends a message to a person of interest.

Other times, women use signals to “fish and lure” where signals happen in a more broad-stroke fashion, absent of eye contact and direction, sent off into the room at large.

When men preen they will often do so secretly and will not use eye contact to draw attention to themselves. In other words, men will preen before an approach rather than during one as women tend to do.

Body Language Category: Adaptors, Amplifier, Auto contact or self touching, Boredom, Courtship display, Stroking body language, Indicators of sexual interest (IOsI), Pacifying, Preening, Worry body language.

Resources:

Abrahams, Matthewf.. Perceiving flirtatious communication: An exploration of the perceptual dimensions underlying judgments of flirtatiousness. Journal of Sex Research. 1994. 31(4): 283-292.

Cantor, Michael B. ; Smith, Stephen E. ; Bryan, Bonita R. Induced bad habits: Adjunctive ingestion and grooming in human subjects. Appetite. 1982. 3(1): 1-12.

Céline Jacob A, Nicolas Guéguen A and Christine Delfosse A. She Wore Something in Her Hair: The Effect of Ornamentation on Tipping. Journal of Hospitality Marketing And Management, 2012; 21: 414–420.
http://bodylanguageproject.com/articles/how-to-get-better-tips-wear-something-in-your-hair-says-research-research-on-tipping-behaviour-and-nonverbal-body-language/

Cameron C., S. Oskamp and W. Sparks. 1978. Courtship American style: newspaper advertisements. Family Coordinator 26: 27-30.

Clark, A. Attracting Interest: Dynamic Displays of Proceptivity Increase the Attractiveness of Men and Women. Evolutionary Psychology. 2008., 6(4), 563-574.
http://bodylanguageproject.com/articles/risky-versus-proceptive-nonverbal-sexual-cues/

Dreznick, Michaelt. ; Cronin, Josephm. ; Waterman, Carolinek. ; Glasheen, Cristie. Saying Yes when Meaning No: An Investigation of Gender and Individual Differences in Token Seduction. Journal of Psychology & Human Sexuality. 2003. 15(1): 69-84.

Dosmukhambetova, D., and Manstead, A. Strategic Reactions to Unfaithfulness: Female Self-Presentation in the Context of Mate Attraction is Link to Uncertainty of Paternity. Evolution and Human Behavior. 2011. 32, 106-107.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/?preview=true

Fletcher, Garth J. O ; Kerr, Patrick S. G ; Li, Norman P ; Valentine, Katherine A. Predicting Romantic Interest and Decisions in the Very Early Stages of Mate Selection. Personality and Social Psychology Bulletin. 2014 40(4): 540-550.

Givens D. The nonverbal basis of attraction: Flirtation, courtship, and seduction. Psychiatry. 1978. 41: 346.

Grammer, Karl ; Kruck, Kirsten ; Juette, Astrid ; Fink, Bernhard. Non-verbal behavior as courtship signals: the role of control and choice in selecting partners. Evolution and Human Behavior. 2000. 21(6): 371-390.

Guéguen, Nicolas. Hair color and wages: Waitresses with Blond Hair Have More Fun. The Journal of Socio-Economics. 2012. 41: 370-372.
http://bodylanguageproject.com/articles/research-says-blondes-fair-better-tips-courtship-donations-spontaneous-helping/

Guéguen, Nicolas. Hair Color and Courtship: Blond Women Received More Courtship Solicitations and Redhead Men Received More Refusals. Psychol Stud. 2012. 57(4):369–375. DOI 10.1007/s12646-012-0158-6

Guéguen, Nicolas. Brief Report: Women’s Hair Color and Donations: Blonds Receive More Money. North American Journal of Psychology. 2011. 13(3): 367-372.

Guéguen, Nicolas. The Sweet Color of an Implicit Request: Women’s Hair Color and Spontaneous Helping Behavior. Social Behavior and Personality. 2012. 40(7): 1099-1102.

Goetz, Cari D.; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
http://bodylanguageproject.com/articles/victim-blaming-or-useful-information-in-preventing-rape-and-sexual-exploitation/

Goodboy, Alan, K. and Maria Brann. Flirtation Rejection Strategies: Towards an Understanding of Communicative Disinterest in Flirting. The Quantitative Report. 2010. 15(2): 268-278.
http://bodylanguageproject.com/articles/how-to-reject-flirting-using-nonverbal-and-verbal-tactics/

Hartfeil E. and S. Sprechler. 1986. Mirror, Mirror…The Importance of Looks in Everyday Life. State University of New York Press, Albany.

Hald, G. M., & Høgh-Olesen, H. Receptivity to Sexual Invitations from Strangers of the Opposite Gender. Evolution and Human Behavior. 2010. 31, 453-458.

Hinsz, V. B., D. C. Matz, and R. A. Patience 2001 Does Women’s Hair Signal Reproductive Potential? Journal of Experimental Social Psychology 37:166-172.

Hugill, Nadine ; Fink, Bernhard ; Neave, Nick. The role of human body movements in mate selection. Evolutionary psychology: an international journal of evolutionary approaches to psychology and behavior. 2010 8(1): 66-89.

Krumhuber, Eva; Antony S. R.; Manstead; and Arvid Kappas. Temporal Aspects of Facial Displays in Person and Expression Perception: The Effects of Smile Dynamics, Head-tilt, and Gender. Journal Nonverbal Behavior. 2007; 31: 39-56.
DOI 10.1007/s10919-006-0019-x
http://bodylanguageproject.com/articles/head-tilt-and-slow-onset-smile-nonverbals-trust-attraction-dominance-and-flirting-a-brief-report/

Kanazawa, S., & Still, M. C. (2000). Teaching may be hazardous to your marriage. Evolution and Human Behavior, 21, 185–190.
http://bodylanguageproject.com/articles/rival-good-body-language-makes-partner-look-uglier/

Mesko, Norbert ; Bereczkei, Tamas. Hairstyle as an adaptive means of displaying phenotypic quality. Human Nature. 2004. 15(3): 251-270.

Mishra, Sandeep; Andrew Clark and Martin Daly. One Woman’s Behavior Affects The Attractiveness Of Others. Evolution and Human Behavior. 2007 28: 145-149.
http://bodylanguageproject.com/articles/rival-good-body-language-makes-partner-look-uglier/

Miller, G., Tybur, J. M., & Jordan, B. D. Ovulatory cycle effects on tip earning by lap dancers: Economic evidence for human estrus. Evolution and Human Behavior. 2007. 28: 375-381. http://dx.doi.org/10.1016/j.evolhumbehav.2007.06.002.

Moore, Monica. M. Nonverbal Courtship Patterns in Women: Context and consequences. Ethology and Sociobiology. 1985. 6:237- 247.

Moore, M. M. Courtship Communication and Perception. Perceptual and Motor Skills. 2002. 94(1): 97-105. doi:10.2466/PMS.94.1.97-105.

Moore, M. M. and D. L. Butler. 1989. Predictive aspects of nonverbal courtship behavior in women. Semiotica 76(3/4): 205-215.

Moore, M. M. 2001. Flirting. In C. G. Waugh (Ed.) Let’s talk: A cognitive skills approach to interpersonal communication. Newark, Kendall-Hunt.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Patton, Tracey Owens. Hey Girl, Am I More than My Hair?: African American Women and Their Struggles with Beauty, Body Image, and Hair. NWSA Journal. 2006. 18(2): 24-51.

Rosette, Ashleigh Shelby ; Dumas, Tracy L. The hair dilemma: conform to mainstream expectations or emphasize racial identity. Duke Journal of Gender Law & Policy. 2007. 14(1): 407(15).

Swami, Viren ; Barrett, Seishin. British men’s hair color preferences: An assessment of courtship solicitation and stimulus ratings. Scandinavian Journal of Psychology. 2011. 52(6): 595-600.

Singh, Devendra. Mating strategies of young women: Role of physical attractiveness. Journal of Sex Research. 2004. 41(1): 43-54.

Sorokowski, Piotr. Attractiveness of blonde women in evolutionary perspective: studies with two Polish samples. Perceptual and motor skills. 2008. 106(3): 737-44.

Thompson, Cheryl. Black Women, Beauty, and Hair as a Matter of Being. Women’s Studies. 2009. 38(8): 831-856.

Thompson, Kristin. Grooming the Naked Ape: Do Perceptions of Disease and Aggression Vulnerability Influence Grooming Behaviour in Humans? A Comparative Ethological Perspective. Current Psychology. 2010. 29(4): 288-296.

Rich, Melissa ; Cash, Thomas The American image of beauty: Media representations of hair color for four decades. Sex Roles. 1993. 29(1): 113-124.

Roberts – Grey, Gina. The root of health.(natural hair color offers surprising insights into your mental and physical well-being)(Report). Women’s Health. 2010. 080.

McAlexander, James, H. and John W. Schouten. 1989. Hair style changes as transition markers. Sociology and Social Research. 74: 58-62.

Synott, Anthony. 1987. Shame and glory: A sociology of hair. British Journal of Sociology. 38: 381-413.

Weitz, Rose. Women and Their Hair: Seeking Power through Resistance and Accommodation. Gender and Society. 2001 15(5): 667-686.

Watkins, Jessica L. and Jeffrey A. Hall. The Association Between Nonverbal
Sensitivity and Flirting Detection Accuracy. Communication Research Reports. 2014. 31(4): 348-356, DOI: 10.1080/08824096.2014.963220
http://bodylanguageproject.com/articles/men-women-detect-nonverbal-flirting-accurately/

Walsh, D. G., & Hewitt, J. (1985). Giving Men The Come-On: Effect Of Eye Contact And Smiling In A Bar Environment. Perceptual and Motor Skills, 61, 873-874.

Weerth, Carolina ; Kalma, Akko. Gender differences in awareness of courtship initiation tactics. Sex Roles. 1995. 32(11): 717-734.

Amplifier, Courtship display, Elective nonverbal traits, Hostile body language

Body Language of Hair Length Language

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Body Language of Hair Length Language

BodyLanguageProjectCom - Hair Length Language 1Cue: Hair Length Language

Synonym(s): Long Hair, Short Hair, Shaved Head.

Description: The hidden meaning associated with the relative length of the hair.

In One Sentence: The length of a person’s hair indicates underlying emotions and beliefs.

How To Use it: Use the length of the hair to signal to others your underlying emotions and beliefs. For example, long hair signals youthfulness and is therefore often useful to women whom are trying to portray an image that includes sexual appeal. In young girls, it is useful in signaling femininity generally and helps to separate them from young boys whom are generally restricted to shorter more masculine hair.

All women, but particularly older ones can use hair extensions to create the illusion of youth and sexuality. A high quality weave or hair extensions produces thickness and usually comes from youthful sources so gives the impression of good health.

Men can also use hair length to demonstrate various attitudes. Long hair signals a carefree and easy going attitude, generally, and in highly attractive dominant looking men, long hair, signals a feminine beauty. Men do best with shorter hair which has historically been the default for men since it presents less of a functional hindrance and commands less grooming overall.

Men should drop long hairstyles when they suffer from male pattern baldness and avoid come-overs as they are universally seen in a negative light. A clean shaven head in men can be particularly attractive to women as it is a demonstration of confidence.

Whatever hair style you choose, know that it will help define who you are.

Context: General.

Verbal Translation: See Meaning and/or Motivation.

Variant: N/A

Cue In Action: a) She broke up with her long-term boyfriend and immediately cut off all her hair. She let her emotions dictate her hair length. She told the world that she was no longer in a dating mood and to prove that, she cut off her sexuality at the root. b) In his youth, he rocked it hard with long hair. It was just part of fitting into the band. As he got a job, a house and kids, his hair style evolved to be much shorter. He grew out of his carefree youth with more conventional hair length.

Meaning and/or Motivation: Men with short hair are often conservative whereas those with long hair are usually carefree, artistic, or radical. A shaved head can mean that he has succumb to male-pattern baldness and has chosen to shave it off or desires to appear tough and masculine.

Women with short hair are seen as artistic, business minded and sometimes harsh, hardheaded, emotional or radical. Long hair on women is associated with youth, sex appeal and good health, but aging women with extremely long hair can harbour insecurities or are trying to maintain their youthful appearance.

Short hair or a shaved head can also be an indicator disease such as cancer.

Cue Cluster: Hair length is only one cue to the hidden meaning of hair length. Be sure to couple this cue with adjoining cues in cluster to determine its true intent. A long-haired woman in her 20’s is probably using her hair to embellish her sex appeal, whereas another with short hair who is an activist is likely telling a story of strength over passivity.

Body Language Category: Amplifier, Courtship display, Elective nonverbal traits, Hostile body language.

Resources:

Fink, Bernhard ; Neuser, Frauke ; Deloux, Gwenelle ; Röder, Susanne ; Matts, Paul J.
Visual attention to and perception of undamaged and damaged versions of natural and colored female hair. Journal of Cosmetic Dermatology. 2013. 12(1): 78-84.

Grammer, Karl; Fink, Bernhard; Mller, Anders P.; Thornhill, Randy. Darwinian aesthetics: sexual selection and the biology of beauty. Biological Reviews. 2003. 78(3): 385-407.

Hinsz, V. B., D. C. Matz, and R. A. Patience 2001 Does Women’s Hair Signal Reproductive Potential? Journal of Experimental Social Psychology 37:166-172.

Patton, Tracey Owens. Hey Girl, Am I More than My Hair?: African American Women and Their Struggles with Beauty, Body Image, and Hair. NWSA Journal. 2006. 18(2): 24-51.

Mesko, Norbert ; Bereczkei, Tamas. Hairstyle as an adaptive means of displaying phenotypic quality. Human Nature. 2004. 15(3): 251-270.

Moore, M. M. and D. L. Butler. 1989. Predictive aspects of nonverbal courtship behavior in women. Semiotica 76(3/4): 205-215.

Moore, M. M. 2001. Flirting. In C. G. Waugh (Ed.) Let’s talk: A cognitive skills approach to interpersonal communication. Newark, Kendall-Hunt.

Moore, M. M. 1985. Nonverbal courtship patterns in women: context and consequences. Ethology and Sociobiology 64: 237-247.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Rosette, Ashleigh Shelby ; Dumas, Tracy L. The hair dilemma: conform to mainstream expectations or emphasize racial identity. Duke Journal of Gender Law & Policy. 2007. 14(1): 407(15).

Swami, Viren ; Barrett, Seishin. British men’s hair color preferences: An assessment of courtship solicitation and stimulus ratings. Scandinavian Journal of Psychology. 2011. 52(6): 595-600.

Singh, Devendra. Mating strategies of young women: Role of physical attractiveness. Journal of Sex Research. 2004. 41(1): 43-54.

Sorokowski, Piotr. Attractiveness of blonde women in evolutionary perspective: studies with two Polish samples. Perceptual and motor skills. 2008. 106(3): 737-44.

Thompson, Cheryl. Black Women, Beauty, and Hair as a Matter of Being. Women’s Studies. 2009. 38(8): 831-856.

Rich, Melissa ; Cash, Thomas The American image of beauty: Media representations of hair color for four decades. Sex Roles. 1993. 29(1): 113-124.

Roberts – Grey, Gina. The root of health.(natural hair color offers surprising insights into your mental and physical well-being)(Report). Women’s Health. 2010. 080.

McAlexander, James, H. and John W. Schouten. 1989. Hair style changes as transition markers. Sociology and Social Research. 74: 58-62.

Synott, Anthony. 1987. Shame and glory: A sociology of hair. British Journal of Sociology. 38: 381-413.

Weitz, Rose. Women and Their Hair: Seeking Power through Resistance and Accommodation. Gender and Society. 2001 15(5): 667-686.

*No Photo, Amplifier, Confident body language, Depressive body language, Emotional body language, Enthusiasm (nonverbal), Excited body language, Gravity defying body language, Happiness body language, High confidence body language, Low confidence body language

Body Language of Gait or Walking Styles

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Body Language of Gait or Walking Styles

No picCue: Gait or Walking Styles

Synonym(s): Walking Styles.

Description: Refers to the style or mechanics of locomotion in humans and its hidden meaning.

In One Sentence: Gait is highly unique to each person much like a fingerprint and it’s style is connected to various personality traits.

How To Use it: Use your gait to signal desired qualities to others. A bouncy gait signals joy and happiness, a swagger shows sexual energy, hobble shows age, darting shows impatience, prancing shows femininity. Use the type of gait that suits your personality best.

Context: General

Verbal Translation: “How I walk gives clues to my health, emotions, character and accomplishments.”

Variant: N/A

Cue In Action: He just won the lottery. Not only did he carry a huge grin on his face, but he also walked with an exaggerated bounce in his step. It was as if he had been transported back to his youth.

Meaning and/or Motivation: Scientists have identified thirty six different types of gait in the human species. They include the hobble, the mince, the glide, the bounce, the stride, the wiggle, the dart, the prance and the run. People can shuffle along or drag their feet, bounce up and down, or seem to float on air.

How one walks gives clues to the internal workings of people, their emotions and rhythm, character and even their accomplishments not to mention their health and age.

Those who are positive will tend to walk energetically while those who are down and depressed or elderly will saunter or hobble about. The effect is particularly pronounced between the old and young, but it can easily be seen between those who expect good things to happen and those who do not.

Cue Cluster: Watch for additional cues coupled with gait types to decide the overall mental attitude and disposition people carry.

Body Language Category: Amplifier, Confident body language, Depressive body language, Emotional body language, Enthusiasm (nonverbal), Excited body language, Gravity defying body language, Happiness, High confidence body language, Low confidence body language.

Resources:

Angela Book, Kimberly Costello and Joseph A. Camilleri Psychopathy and Victim Selection: The Use of Gait as a Cue to Vulnerability. Journal of Interpersonal Violence. 2013. 28(11): 2368-2383. DOI: 10.1177/0886260512475315jiv.sagepub.com
http://bodylanguageproject.com/articles/dont-walk-like-youre-watched-avoid-victimization-nonverbal-behavior/

Brownlow, S., Dixon, A. R., Egbert, C. A., & Radcliffe, R. D. (1997). Perception of movement and dancer characteristics from point-light displays of dance. The sychological Record, 47(3), 411–421. http://dx.doi.org/10.1068/p250727.

Crane, Elizabeth ; Gross, M. Effort-Shape Characteristics of Emotion-Related Body Movement. Journal of Nonverbal Behavior. 2013. 37(2): 91-105.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait perception without familiarity cues. Bulletin of the Psychonomic Society, 9(5), 353–356.

Cho, S. H., Park, J. M., & Kwon, O. Y. (2004). Gender differences in three dimensional gait analysis data from 98 healthy Korean adults. Clinical Biomechanics, 19, 145–152.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait
perception without familiarity cues. Bulletin of the Psychonomic Society, 9, 353–356.

Eisenberg, Philip ; Reichline, Philipb. Judging Expressive Movement: II. Judgments of Dominance-Feeling from Motion Pictures of Gait. The Journal of Social Psychology. 1939. 10(3): 345-357.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/

Gunns, Rebekah E; Lucy Johnston; and Stephen M. Hudson. Victim Selection And Kinematics: A Point-Light Investigation Of Vulnerability To Attack. Journal of Nonverbal Behavior. 2002. 26(3): 129-158.
http://bodylanguageproject.com/articles/how-to-avoid-an-attack-just-by-changing-how-you-walk-study/

Guéguen N. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
http://bodylanguageproject.com/articles/gait-as-bait-women-walk-sexy-during-high-sexual-receptivity/

Gross, M Melissa ; Crane, Elizabeth A ; Fredrickson, Barbara L. Effort-Shape and kinematic assessment of bodily expression of emotion during gait. Human movement science. 2012. 31(1): 202-21.

Hasegawa, T. and K. Sakaguchi. 2006. Person perception through gait information and target choice for sexual advances: comparison of likely targets in experiments and real life. Journal of Nonverbal Behavior 30(2): 63-85.

Johnson, Kerri L.; Gill, Simone; Reichman, Victoria and Tassinary, Louis G. Swagger, Sway, and Sexuality: Judging Sexual Orientation from Body Motion and Morphology. Journal of Personality and Social Psychology. 2007. 93(3): 321-334. doi: 10.1037/0022-3514.93.3.321
http://bodylanguageproject.com/articles/heterosexual-vs-homosexual-swagger-can-you-spot-the-difference/

Janssen, Daniel ; Schöllhorn, Wolfgang ; Lubienetzki, Jessica ; Fölling, Karina ; Kokenge, Henrike ; Davids, Keith. Recognition of Emotions in Gait Patterns by Means of Artificial Neural Nets. Journal of Nonverbal Behavior. 2008. 32(2): 79-92.

Johnson, Kerri L ; Gill, Simone ; Reichman, Victoria ; Tassinary, Louis G. Swagger, sway, and sexuality: Judging sexual orientation from body motion and morphology. Journal of personality and social psychology. 2007. 93(3): 321-34.

Johnson, Kerri L ; Tassinary, Louis G. Perceiving sex directly and indirectly: meaning in motion and morphology. Psychological science. 2005. 16(11): 890-7.

Kito, Tomonori ; Yoneda, Tsugutake. Dominance of gait cycle duration in casual walking. Human Movement Science. 2006. 25(3): 383-392.

Kozlowski, L. T., & Cutting, J. E. (1977). Recognizing the sex of a walker from a dynamic point-light display. Perception and Psychophysics, 21(6), 575–580.

Montepare, Joann ; Zebrowitz, Leslie. A cross-cultural comparison of impressions created by age-related variations in gait. Journal of Nonverbal Behavior. 1993. 17(1): 55-68.

Montepare, Joann ; Goldstein, Sabra ; Clausen, Annmarie. The identification of emotions from gait information. Journal of Nonverbal Behavior. 1987. 11(1): 33-42.

Montepare, J. M., & Zebrowitz-McArthur, L. (1988). Impressions of people created by age-related qualities of their gaits. Journal of Personality and Social Psychology, 55(4), 547–556. http://dx.doi.org/10.1037/ 0022-3514.55.4.547.

Miller, G., Tybur, J. M., & Jordan, B. D. Ovulatory cycle effects on tip earning by lap dancers: Economic evidence for human estrus. Evolution and Human Behavior. 2007. 28: 375-381. http://dx.doi.org/10.1016/j.evolhumbehav.2007.06.002.

Montepare, J. M., Goldstien, S. B., & Clausen, A. (1987). The identification of emotions from gait information. Journal of Nonverbal Behavior, 11, 33–42.

Michalak, J., Rohde, K., Troje, N. F. How We Walk Affects What We Remember: Gait Modifications Through Biofeedback Change Negative Affective Memory Bias. Journal of Behavior Therapy and Experimental Psychiatry. 2015. 46:121-125.
http://bodylanguageproject.com/articles/walking-happy-leads-actual-happiness-game-emotions-body-language/

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Opila-Correia, K. A. (1990). Kinematics of high-heeled gait. Archives of Physical Medicine and Rehabilitation, 71, 304–309.

Prasad, S., & Shiffrar, M. (2009). Viewpoint and the recognition of people from their movements. Journal of Experimental Psychology – Human Perception and Performance, 35(1), 39–49. http://dx.doi.org/10.1037/A0012728.

Roether, C. L., Omlor, L., Christensen, A., & Giese, M. A. (2009). Critical features for the perception of emotion from gait. Journal of Vision, 9(6), 1–32. http://dx.doi.org/10.1167/9.6.15.

Sakaguchi, Kikue and Toshikazu Hasegawa. Person Perception Through Gait Information And Target Choice For Sexual Advances: Comparison Of Likely Targets In Experiments And Real Life. Journal of Nonverbal Behavior. 2006; 30:63-85. DOI 10.1007/s10919-006-0006-2
http://bodylanguageproject.com/articles/dont-walk-like-youre-asking-targets-sexual-approach-based-walking-style-personality-study/

Schneider, Sabrina ; Christensen, Andrea ; Hau[sz]inger, Florian B. ; Fallgatter, Andreas J. ; Giese, Martin A. ; Ehlis, Ann – Christine. Show me how you walk and I tell you how you feel — A functional near-infrared spectroscopy study on emotion perception based on human gait. Neuroimage. 2014. 85: 380(11).

Smith, E. O. (1999). High heels and evolution: Natural selection, sexual selection and high heels. Psychology, Evolution and Gender, 30, 245–277. Smith, E. O., & Helms, W. S. (1999). Natural selection and high heels. Foot and Ankle International, 20, 55–57.

Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271 Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271
http://bodylanguageproject.com/articles/walk-drives-first-impressions/

van der Zwan, Rick and Natasha Herbert. “I Like The Way You Move”: How Hormonal Changes Across The Menstrual Cycle Affect Female Perceptions of Gait. Research Notes. 2012; 5: 453.
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Walter, K. D., Brownlow, S., Ervin, S. L., & Williamson, N. (1998). Something in the way she moves: The influence of shoe altered gait on motion and trait impressions of women. PSI CHI Journal of Undergraduate Research, 3, 163–169.

Aggressive body language, Amplifier, Anger body language, Closed facial gestures, Confused body language, Emotional body language, Fearful body language, Hostile body language, Microexpression, Stressful body language, Universal facial expressions, Universal gestures, Worry body language

Body Language of Furrowed Forehead

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Body Language of Furrowed Forehead

BodyLanguageProjectCom - Furrowed Forehead 3Cue: Furrowed Forehead

Synonym(s): Forehead Creasing, Wrinkled Forehead, Forehead Furrow.

Description: Frowning done by creasing the forehead and brow.

In One Sentence: A furrowed forehead is a sign of negative thoughts.

How To Use it: Furrow the forehead when you want others to visually see that you are not in a positive mood. This can be effective in showing your disapproval of others which may cause them to change their behaviour in order to better please you. Furrowing the forehead works well on children as it does with any submissive audience. The honest portrayal of disapproval through furrowed forehead works to influence others as people are strongly social and do not cope well with the anger of others. Showing disapproval nonverbally avoids a deeper potentially aggressive verbal confrontation, but at the same time, is obvious to onlookers.

Context: General.

Verbal Translation: “Muscles in my forehead are scrunching up to show how badly I feel on the inside.”

Variant: Various other forms of contraction can occur in the face such as the lips, nose and eyes to show negative thoughts. See Compressed Lips, Nose Crinkle, Sneering, Eye Squinting or Narrowing Eyes.

Cue In Action: She was worried that he was going to be upset for being so late for their date that her forehead began to wrinkle and her skin flushed red. She was harried and quickly left her house in a panic.

Meaning and/or Motivation: Wrinkled forehead is one of the quickest ways to detect when a person carries negative thoughts. It can signify anything from anxiousness, sadness, concentration, concern, worry, bewilderment or anger. The cluster of cues which accompany the forehead furrow will give clues to its underlying meaning.

Anger is shown through furrowed forehead coupled with finger pointing, overall tensing of the body or tightening of the jaw and lips (called “lip occlusion”), quivering in the lips, frowning, dilated pupils, squinting of the eyes, crotch displays such as legs open, sneering or flared nostrils, or extreme body loosening to ready for fighting.

Surprise is coupled with a straight upward lift of the forehead whereas fear engages the muscles between the brows folding them. Fear is sometimes confused with surprise as in much of the world only subtle differences exist.

During fear, eyebrows rise and are pulled together, and curve although less than in surprise. Wrinkles appear in the forehead, but do not cross the entire forehead like in the surprised expression. The upper eyelids rise, as in the surprise expression, to expose the white of the eyes and the lower eyelids also rise. The lips may be stretched back and the mouth opened.

Sadness is controlled mainly by the mouth where it drops at the corners. The inner eyebrows rise producing a triangular shape between the root of the nose and the eyes. The forehead might show wrinkles and the eyes may appear moist with tears.

Cue Cluster: See Meaning and/or Motivation.

Body Language Category: Amplifier, Aggressive body language, Anger, Confused body language, Closed facial gestures, Emotional body language, Fearful body language, Hostile body language, Microexpression, Stressful body language, Universal gestures, Universal facial expressions, Worry body language.

Resources:

Bard, K. A. (2003). Development of emotional expressions in chimpanzees (Pan troglodytes). In P. Ekman, J. Campos, R. J. Davidson & F. B. M. De Waal (Eds.), Emotions inside out: 130 years after Darwin’s The Expression of the Emotions in Man and Animals (Vol. 1000, pp. 88-90). New York: Annals of the New York Academy of Sciences.

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Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
http://bodylanguageproject.com/articles/eyes-and-facial-expressions-may-be-biologically-controlled-serve-a-real-non-emotional-purpose-says-research/

de Waal, F. B. M. (2003). Darwin’s legacy and the study of primate visual communication. In P. Ekman, J. Campos, R. J. Davidson & F. B. M. De Waal (Eds.), Emotions inside out: 130 years after Darwin’s The Expression of Emotion in Man and Animals (pp. 7-31). New York: New York Academy of Sciences.

Duan, Xujun ; Dai, Qian ; Gong, Qiyong ; Chen, Huafu. Neural mechanism of unconscious perception of surprised facial expression. NeuroImage. 2010. 52(1): 401-407.

e Charlesworth, W. R. (1964). Instigation and maintenance of curiosity behavior as a function of surprise versus novel and familiar stimuli. Child Development, 35, 1169–1186.

Ekman, P. & O’Sullivan, M. (1991). Who can catch a liar? American Psychologist. 46, 913-920.

Ekman, Paul. 1994. Strong evidence for universals in facial expressions: A reply to Russell’s mistaken critique Psychological Bulletin. 115(2): 268-287.

Ekman, Paul. 1986. A new pan-cultural facial expression of emotion. Source: Motivation and Emotion Ekman. 10(2): 159-168.

Ekman, Paul and Friesen, W. V. 1987. Universals and cultural differences in the judgments of facial expressions of emotion. Journal of Personality and Social Psychology. 53(4): 712-717.

Ekman, Paul; Friesen, Wallace V. 1971. Constants across cultures in the face and emotion. Journal of Personality and Social Psychology. 17(2): 124-129.

Ekman, Paul. 1972. Universals and cultural differences in facial expressions of emotion. In J. Cole (Ed.), Nebraska Symposium on Motivation, 1971. 19: 207-282. Lincoln: University of Nebraska Press.

Ekman, P., Levenson, R. W., & Friesen, W. V. (1983). Autonomic nervous system activity distinguishes among emotions. Science, 221(4616), 1208-1210.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

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Friesen, W. V. 1972. Cultural differences in facial expressions in a social situation: An experimental test of the concept of display rules. Unpublished doctoral dissertation, University of California, San Francisco.

James A. Russell, Naoto Suzuki and Noriko Ishida. 1993. Canadian, Greek, and Japanese freely produced emotion labels for facial expressions. Motivation and Emotion. 17(4): 337 -351

Russell, James A. 1995. Facial Expressions of Emotion: What Lies Beyond Minimal Universality? Psychological bulletin. 118(3): 379-391.

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Mori, K., & Mori, H. (2010) Examination of the passive facial feedback hypothesis using an implicit measure: with a furrowed brow, neutral objects with pleasant primes look less appealing. Perceptual and Motor Skills, 111, 785-789.

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Vanhamme, J. (2000). The link between surprise and satisfaction: an exploratory research on how to best measure surprise. Journal of Marketing Management, 16, 565–582.

Aggressive body language, Amplifier, Authoritative body language, Dislike (nonverbal), Hostile body language, Illustrator, Threat displays

Body Language of Finger Wagging (left and right)

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Body Language of Finger Wagging (left and right)

BodyLanguageProjectCom - Finger Wagging (left and right) 1Cue: Finger Wagging (left and right)

Synonym(s): Wagging The Finger.

Description: A side-to-side or left to right motion done with the index finger.

In One Sentence: Wagging the finger from side-to-side is a way to show disapproval.

How To Use it: The finger wag is useful to mothers trying to signal nonverbally that their children’s behaviour is not proper. Wagging the finger coupled with a stern look on the face can right a child’s wrong behaviour. It can also function as a first warning before things escalate to a verbal confrontation. Since we normally see our mother’s perform this gesture, it is associated later in life with an authoritative figure and therefore, when delivered in adulthood, it tends to be taken seriously. For this reason, adults can belittle and scold other adults with the finger wag.

Context: General.

Verbal Translation: “I’m moving my finger left and right to say “no” with the help of my finger.”

Variant: The head is turned left and right to say “no.”

Cue In Action: She scolded the little girl for taking toys away from her friend while wagging her index finger back and forth.

Meaning and/or Motivation: It is done to emphasize when someone should not do something or while illustrating a negative thought in speech. Imagine the finger as a replacement for a primitive spear being waved around, threatening.

Cue Cluster: The finger wag can be accompanied by a loud voice, leaning in, furrowed forehead, squinted eyes and one hand placed on the hips.

Body Language Category: Amplifier, Aggressive body language, Authoritative body language, Dislike (nonverbal), Hostile body language, Illustrators, Threat displays.

Resources:

Axtell, Roger E. Gestures: The Do’s and Taboos of Body Language Around the World. 1997. Wiley.

Austin, Keith ; Theakston, Anna ; Lieven, Elena ; Tomasello, Michael Eccles, Jacquelynne S. (editor). Young Children’s Understanding of Denial. Developmental Psychology. 2014. 50(8): 2061-2070.

Akiyama, M. M. (1985). Denials in young children from a cross-linguistic perspective. Child Development, 56, 95–102. doi:10.2307/1130177

Andric, Michael ; Solodkin, Ana ; Buccino, Giovanni ; Goldin-Meadow, Susan ; Rizzolatti, Giacomo ; Small, Steven L. Brain function overlaps when people observe emblems, speech, and grasping. Neuropsychologia, 2013, Vol.51(8), pp.1619-1629

Alibali, M.W., Heath, D.C., and Myers,H.J. (2001). Effects of visibility between speaker and listener on gesture production: Some gestures are meant to be seen. Journal of Memory and Language, 44, 169–188.

Beattie, G., & Shovelton,H.(1999). Mapping the range of information contained in the iconich and gestures that accompany spontaneous speech. Journal of Language and social Psychology, 18, 438–462.

Biau, E., & Soto-Faraco, S.(2013). Beat gestures modulate auditory integration in speech perception. Brain and Language, 124(2), 143–152.

Bartolo, A.,Cubelli,R.,DellaSala,S.,&Drei,S.(2003).Pantomimes are special gestures which rely on working memory. Brain and Cognition, 53, 483–494.

Bernardis, P.,& Gentilucci,M.(2006).Speech hand gestures are the same communication system. Neuropsychologia, 44, 178–190.

Buccino, G.,Vogt,S., Ritzl, A., Fink, G .R., Zilles, K., Freund, H. J., et al.(2004).Neural circuits underlying imitation learning of hand actions: Anevent-related fMRI study. Neuron, 42, 323–334.

Chandler, Jesse ; Schwarz, Norbert. How extending your middle finger affects your perception of others: Learned movements influence concept accessibility. Journal of Experimental Social Psychology. 2009. 45(1): 123-128.
http://bodylanguageproject.com/articles/how-extending-the-middle-finger-affects-perception/

Cameron-Faulkner, T., Lieven, E., & Theakston, A. (2007). What part of no do children not understand? A usage-based account of multiword negation. Journal of Child Language, 34, 251–282. doi:10.1016/j.cognition.2010.08.017

Cassell, J., & Thórisson, K. R. (1999). The power of a nod and a glance: Envelope vs. emotional feedback in animated conversational agents. Applied Artificial Intelligence, 13, 519–538.

Dick, A.S., Goldin-Meadow,S., Hasson,U.,Skipper, J.I., & Small, S.L. (2009). Co- speech gestures influence neural activity in brain regions associated with processing semantic information. Human Brain Mapping, 30, 3509–3526.

Fabbri-Destro, M.,& Rizzolatti,G. (2008). Mirror neurons and mirror systems in monkeys and humans. Physiology, 23, 171–179.

Fogassi, L., Gallese,V., Fadiga,L., & Rizzolatti,G. (1998). Neurons responding to the sight of goal directed hand/armactions in the parietal area PF (7b) of the macaque monkey. Society for Neuroscience, 24, 257.5.

Fusaro, M., Harris, P. L., & Pan, B. A. (2012). Head nodding and head shaking gestures in children’s early communication. First Language, 32, 439–458. doi:10.1177/0142723711419326

Fusaro, M., & Harris, P. L. (2013). Dax gets the nod: Toddlers detect and use social cues to evaluate testimony. Developmental Psychology, 49, 514–522. doi:10.1037/a0030580

Fusaro, M., Harris, P. L., & Pan, B. A. (2012). Head nodding and head shaking gestures in children’s early communication. First Language, 32, 439–458. doi:10.1177/0142723711419326

Fusaro, M., Harris, P. L., & Pan, B. A. (2012). Head nodding and head shaking gestures in children’s early communication. First Language, 32, 439–458. doi:10.1177/0142723711419326

Gräfenhain, M., Behne, T., Carpenter, M., & Tomasello, M. (2009). One-year-olds’ understanding of nonverbal gestures directed to a third person. Cognitive Development, 24, 23–33. doi:10.1016/j.cogdev.2008.10.001

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Goldin-Meadow, S. (1999).The role of gesture in communication and thinking. Trends in Cognitive Sciences, 3, 419–429.

Goldin-Meadow, S.(2003). Hearing gesture: How our hands help us think. Cam-bridge, MA: Belknap Press of Harvard University Press.

Gräfenhain, M., Behne, T., Carpenter, M., & Tomasello, M. (2009). One-year-olds’ understanding of nonverbal gestures directed to a third person. Cognitive Development, 24, 23–33. doi:10.1016/j.cogdev.2008.10.001

Guidetti, M. (2005). Yes or no? How do young children combine gestures and words to agree and refuse. Journal of Child Language, 32, 911–924. doi:10.1017/S0305000905007038

Hummer, P., Wimmer, H., & Antes, G. (1993). On the origins of denial negation. Journal of Child Language, 20, 607– 618. doi:10.1017/S0305000900008503

Hubbard, A.L., Wilson,S.M., Callan,D.E., & Dapretto, M.(2009). Giving speech a hand: Gesture modulates activity in auditory cortex during speech perception. Human Brain Mapping, 30, 1028–1037.

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Hansen, Jacqueline. Teaching without talking: teachers need to be aware of more than just the words they speak to children. They also need to monitor the nonverbal messages that they’re sending to students through proximity, eye contact, gestures, and touching. Phi Delta Kappan. 2010. 92(1): 35(6).

Holle, H., & Gunter,T.C. (2007). The role of iconic gestures in speech disambiguation: ERP evidence. Journal of Cognitive Neuroscience, 19, 1175–1192.

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Hubbard, A.L., Wilson, S. M., Callan, D. E., & Dapretto, M.(2009).Giving speech a hand: Gesture modulates activity in auditory cortex during speech perception. Human Brain Mapping, 30, 1028–1037.

Hummer, P., Wimmer, H., & Antes, G. (1993). On the origins of denial negation. Journal of Child Language, 20, 607– 618. doi:10.1017/S0305000900008503

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Amplifier, Barriers, Blocking or Shielding, Body cross, Clenching and gripping, Closed body language, Crotch display, Defensive body language, Dislike (nonverbal), Doubt or disbelief body language, Negative body language

Body Language of The Figure Four Leg Clamp or Figure Four Leg Lock

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Body Language of The Figure Four Leg Clamp or Figure Four Leg Lock

BodyLanguageProjectCom - Figure Four Leg Clamp or Figure Four Leg Lock 2Cue: Figure Four Leg Clamp or Figure Four Leg Lock

Synonym(s): Leg Clamp

Description: The figure four leg clamp is similar to the regular figure four leg cross where the ankle is pulled over the knee of the opposite leg forming the figure four position, except in this case, the arm grabs the ankle to lock it in place.

In One Sentence: The figure four leg clamp is a dominance display coupled with a locked leg indicating a rigid attitude.

How To Use it: Use the figure four to demonstrate dominance and lock your posture in place with your hand to show that you are a fortress that protects your own unique ideals. This posture is generally ill-advised, but can find its place when there is a struggle for power and you feel that your judgment is superior.

Context: General.

Verbal Translation: “I’m dominant so I’m crossing my legs to expose my genitals, but I’m also stubborn so I’m making a barrier with my forearm and locking this in place to show you just how serious I am about my opinions.”

Variant: See Figure Four Seating Position (The) or The Ankle-Knee Cross.

Cue In Action: The salesman knew he wasn’t getting anywhere with the client as soon as his client’s body language changed from the European leg cross to the figure four leg cross with his arm locking the cross in place. When he began the pitch, his posture as open, he was leaning in and asking questions, but when the final bill came due, he leaned back and crossed his ankle over his knee. When the taxes where added, he grabbed his ankle and scowled. It was clear that major roadblocks would have to be overcome if they were to sign a deal.

Meaning and/or Motivation: The figure four seating position can be closed off entirely by placing each hand on the shin so as to lock the leg in place. This posture indicates that someone is extremely stubborn and most likely apt to reject opinions of others.

The leg locker is also highly opinionated in most every way and may lead you into disagreement at every turn. If selling an idea or product, it might be best to drop the pitch altogether and seek more agreeable company unless you are comfortable using extreme tact, or are skilled at building relationships quickly.

Cue Cluster: The figure four hand lock is often coupled with negative facial expressions, scowls, or frowns.

Body Language Category: Amplifier, Barriers, Body cross, Blocking or Shielding, Clenching and gripping, Closed body language, Crotch display, Defensive, Dislike (nonverbal), Doubt or disbelief body language, Negative body language.

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