Category: Stressful body language

Appease, Enthusiasm (nonverbal), Excited body language, Fearful body language, Happiness body language, Indicator of interest (IoI), Masked emotions, Nervous Body Language, Nonthreatening body language, Open body language, Rapport or rapport building, Stressful body language, Surprised body language, Universal gestures

Body Language of Laughter

by Chris • October 23, 2014 • 0 Comments

Body Language of Laughter

Cue: Laughter

Synonym(s): Laughing.

Description: Laughs follow a “ha-ha-ha” or “ho-ho-ho” pattern, but never “ha-ho-ha-ho”. We can see other variations though like “cha-ha-ha” or “ha-ha-ho.”

In One Sentence: Laughing is a sign of joy, happiness, and sometimes discomfort or awkwardness.

How To Use it: Laughing is well research. It has proven to be an effective way to keep the body in good spirits and even boost healing and immunity. Laughing is encouraged to build friendships and finds a welcome place in all contexts from dating, to business, and amongst friends. Use laughing to create lasting bonds and break tension.

Context: General.

Verbal Translation: “I’m so happy and surprised by what you said that I’m showing my primitive panting vocalization.”

Resources:

Bachorowski, J A ; Owren, M J. Not all laughs are alike: voiced but not unvoiced laughter readily elicits positive affect. Psychological science. 2001. 12(3): 252-7.

Dunbar, R I M ; Baron, Rebecca ; Frangou, Anna ; Pearce, Eiluned ; Van Leeuwen, Edwin J C ; Stow, Julie ; Partridge, Giselle ; Macdonald, Ian ; Barra, Vincent ; Van Vugt, Mark. Social laughter is correlated with an elevated pain threshold. Proceedings. Biological sciences / The Royal Society. 2012. 279(1731): 1161-7.

Foley, Erin ; Matheis, Robert ; Schaefer, Charles. Effect of forced laughter on mood.(Abstract). Psychological Reports. 2002 90(1): 184(1).

Grammer, K., and Eibl-Eibesfeldt, I. 1990. The ritualisation of laughter. In W. Koch (Ed.), Naturalichkeit der Sprache un der Kultur: Acta colloquii 192–214.

Grammer, Karl. Strangers meet: Laughter and nonverbal signs of interest in opposite-sex encounters. Journal of Nonverbal Behavior. 1990. 14(4): 209-236.

Hall, Jeffrey A. and Chong Xing. The Verbal and Nonverbal Correlates of the Five Flirting Styles. Journal of Nonverbal Behavior. 2015. 39:41–68. DOI 10.1007/s10919-014-0199-8
http://bodylanguageproject.com/articles/first-12-minutes-flirting-using-nonverbal-communication-study-reveals-26-body-language-cues-attraction/

Kawakami, Kiyobumi; Takai-Kawakami, Kiyoko; Tomonaga, Masaki; Suzuki, Juri; Kusaka, Tomiyo; Okai, Takashi. 2006. Origins of smile and laughter: a preliminary study. Early Human Development. 82 (1): 61.

Keltner, Dacher; Bonanno, George A. 1997. A study of laughter and dissociation: Distinct correlates of laughter and smiling during bereavement. Journal of Personality and Social Psychology. 73(4): 687-702.

Kipper, Silke ; Todt, Dietmar. The Role of Rhythm and Pitch in the Evaluation of Human Laughter. Journal of Nonverbal Behavior. 2003. 27(4): 255-272.

MacDonald, C., 2004. A Chuckle a Day Keeps the Doctor Away: Therapeutic Humor & Laughter. Journal of Psychosocial Nursing and Mental Health Services 42(3):18-25.

Martin, Rod A. 2001. Humor, laughter, and physical health: Methodological issues and research findings Psychological Bulletin. 127(4): 504-519.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Neuhoff, Charles C ; Schaefer, Charles. Effects of laughing, smiling, and howling on mood. Psychological reports. 2002 91(3 Pt 2): 1079-80.

Owren, Michael J.; Bachorowski, Jo-Anne 2003. Reconsidering the evolution of nonlinguistic communication: the case of laughter Journal of Nonverbal Behavior. 27(3): 183-200.

Panksepp, J., Burgdorf, J., “Laughing” rats and the evolutionary antecedents of human joy? Physiology & Behavior (2003) 79: 533-547.

Provine, Robert R.. 2000. The laughing species. Natural History. 109(10): 72-76.

Provine, Robert R. 2000. Laugh and the world laughs with you. Scientific American. 283(6): 108-110.

Provine, Robert R. Laughing, grooming, and pub science. Trends in Cognitive Sciences. 2013. 17(1): 9-10.

Provine, R. R. 1992. Contagious laughter: Laughter is a sufficient stimulus for laughs and smiles. Bulletin of the Psychonomic Society 30: 1- 4.

Provine, R. R. 1993. Laughter punctuates speech: Linguistic, social and gender contexts of laughter. Ethology 95: 291-298.

Provine, R. R., and K. R. Fischer. 1989. Laughing, smiling, and talking: Relation to sleeping and social context in humans. Ethology 83: 295-305.

Provine, R. R., and Y. L. Yong. 1991. Laughter: A stereotyped human vocalization. Ethology 89: 115-124.

Provine, R.R. Contagious yawning and laughing: Everyday imitation and mirror-like behavior. Behavioral and Brain Science. 28: 142.

Priest, RF; Thein, MT. 2003. Humor appreciation in marriage: Spousal similarity, assortative mating, and disaffection. Humor-international journal of humor research, 16(1): 63-78.

Ritter, Jan ; Brück, Carolin ; Jacob, Heike ; Wildgruber, Dirk ; Kreifelts, Benjamin. Laughter perception in social anxiety. Journal of Psychiatric Research. 2015. 60: 178-184.

Szameitat, Diana P. ; Kreifelts, Benjamin ; Alter, Kai ; Szameitat, André J. ; Sterr, Annette ; Grodd, Wolfgang ; Wildgruber, Dirk. It is not always tickling: Distinct cerebral responses during perception of different laughter types. NeuroImage. 2010. 53(4): 1264-1271.

Szameitat, Diana P. ; Alter, Kai ; Szameitat, André J. ; Darwin, Chris J. ; Wildgruber, Dirk ; Dietrich, Susanne ; Sterr, Annette Phelps, Elizabeth A. (editor). Differentiation of Emotions in Laughter at the Behavioral Level. Emotion. 2009. 9(3): 397-405.

Szameitat, Dianap. ; Darwin, Chrisj. ; Wildgruber, Dirk ; Alter, Kai ; Szameitat, Andréj. Acoustic correlates of emotional dimensions in laughter: Arousal, dominance, and valence. Cognition & Emotion. 2011. 25(4): 599-611.

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Vettin, Julia ; Todt, Dietmar. Laughter in Conversation: Features of Occurrence and Acoustic Structure. Journal of Nonverbal Behavior. 2004. 28(2): 93-115.

Variant: Giggling is another form of laughter that is more characteristic of children being silly.

Cue In Action: After a few beers it was all jokes and laughter at the party, most of the time no one really knew what caused the laughing spells.

Meaning and/or Motivation: Some researchers pin laughs as a modification of the fear response or as a warning that danger was near. By that same theory, we laugh because our brains are scared or frightened which is why we don’t laugh when we hear a joke for the second time and have predicted its outcome. Laughter usually comes about due to humour and helps clarify emotional context (by defining amusement) between people. Laughter is a way to heal as it releases positive hormones. It is also a way people can share and therefore bond with one another. Laughter in a nonverbal context shows that people are thinking alike and are in agreement and trying to build trust and friendship.

Subordinate people will laugh simply to appease more dominant people, and dominant people exclude themselves from the laugh so as to maintain their dominance. Controlling laugher therefore, can help control our dominance or submission to others, as well as show our acceptance or rejection of others. For example, a polite laugh shows that we are at least “onboard” with a person even though we might not totally agree that what they have said is in fact funny.

Laughter is a form of mirroring and communicates mutual liking and well-being. It can also be used to reduce the harshness of comments or even to take comments back. Humour is an innate vocalization that fosters a sense of community and can help in learning and in creativity. It helps break down walls between different people and can act like a social lubricant to bind people together. Laughter is thirty times more likely to happen in a social setting rather than alone and studies have shown that people don’t really seem to care if the laugh is fake or real, they still tend to like people more when they laugh. Laughing helps us build bonds. Even fake laughs help because at least it shows that a person is trying to fit in.

Cue Cluster: Laughter might be accompanied by social touching, smiling, loose body that lacks negative tension, plenty of “up” non-verbal cues such as arms up, shoulders and head up, toes pointed up, bodies leaning in with engagement and so forth.

Body Language Category: Appease, Enthusiasm (nonverbal), Excited, Fearful body language, Happiness body language, Indicator of interest (IoI), Masked emotions, Nervous body language, Open body language, Nonthreatening body language, Rapport or rapport building, Stressful body language, Surprised body language, Universal gestures.

*No Photo, Displacement behaviour, Enthusiasm (nonverbal), Gravity defying body language, Low confidence body language, Nervous Body Language, Stressful body language, Suspicious body language

Body Language of Jerky Movements

by Chris • October 23, 2014 • 0 Comments

Body Language of Jerky Movements

Cue: Jerky Movements

Synonym(s): Twitchy, Spastic Movements, Sporadic Movements, Erratic Movements, Failing Arms.

Description: Unpredictable, twitching, erratic, flailing wildly, theatrical, impulsive or random motions by the head, arms, hands, feet, legs, torso and so forth.

In One Sentence: Jerky movements signal emotional uneasiness.

How To Use it: Use jerky movements to show others that you are emotionally unstable!

Context: General.

Verbal Translation: “I have lost complete control of my body which is why it moves around so sporadically and twitches and this makes you think I’m not emotionally well.”

Variant: Jerky movements can also spread to the voice as it becomes high pitched and increases in volume.

Cue In Action: When Dave was presenting his research on butterflies, his gestures were erratic and out of tune with what he was saying. He seemed scatterbrained, moving back and forth across the stage, his arms pointing quickly to his whiteboard and then scratching his face and neck. He was difficult, even annoying to follow.

Meaning and/or Motivation: Jerky movements comes across as hysteric, frustrated, and breeds a lack of respect in others and is generally unflattering. It says nonverbally that a person lacks precise control over their bodies which people assume transfers to erratic thoughts and a scattered mind. People with jerky movements are seen as untrustworthy and often as having hyperactivity disorder.

Usually sporadic behaviour is not due to any actual negative traits and is mostly due to a high affect, meaning people simply have lots of excess energy and don’t like being in one place for extended periods of time. Other times, jerky movements are linked to excitement and enthusiasm for a topic.

Cue Cluster: Watch for erratic movements of the eyes, touching the face, neck, nose, ears, rubbing the eyes, pacing back and forth, pointing, smoothing clothing, patting, rubbing the hands, hands in pockets and so forth.

Body Language Category: Displacement behaviour, Enthusiasm (nonverbal), Gravity defying body language, Low confidence body language, Nervous body language, Stressful body language, Suspicious body language.

Resources:

Atkinson AP, Dittrich WH, Gemmell AJ, Young AW (2004) Emotion perception from dynamic and static body expressions in point-light and full-light displays. Perception 33: 717–746. doi: 10.1068/p5096.

Boone RT, Cunningham JG (1998) Children’s decoding of emotion in expressive body movement: the development of cue attunement. Dev Psychol
34: 1007–1016. doi: 10.1037//0012-1649.34.5.1007.

Burba, Nathan ; Bolas, Mark ; Krum, David M. ; Suma, Evan A.. Unobtrusive measurement of subtle nonverbal behaviors with the Microsoft Kinect. 2012 IEEE Virtual Reality. 2012. 1-4.

Brownlow S, Dixon AR, Egbert CA, Radcliffe RD (1997) Perception of movement and dancer characteristics from point-light displays of dance. Psychol Rec 47: 411–421.

Camurri A, Lagerlo¨f I, Volpe G (2003) Recognizing emotion from dance movement: Comparison of spectator recognition and automated techniques. Int J Hum Comput Stud 59: 213–225. doi: 10.1016/S1071-5819(03)00050-8.

Da Silva, Felipe N. ; Irani, Farzin ; Richard, Jan ; Brensinger, Colleen M. ; Bilker, Warren B. ; Gur, Raquel E. ; Gur, Ruben C. More than just tapping: Index finger-tapping measures procedural learning in schizophrenia. Schizophrenia Research. 2012. 137(1-3): 234-240.

de Meijer M (1989) The contribution of general features of body movement to the attribution of emotions. J Nonverbal Behav 13: 247–268. doi: 10.1007/BF00990296.

Dittrich WH, Troscianko T, Lea SEG, Morgan D (1996) Perception of emotion from dynamic point-light displays represented in dance. Perception 25: 727–738. doi: 10.1068/p250727.

Deans, Pamela ; O’laughlin, Liz ; Brubaker, Brad ; Gay, Nathan ; Krug, Damon. Use of eye movement tracking in the differential diagnosis of Attention Deficit Hyperactivity Disorder (ADHD) and reading disability.(Report). Psychology (Irvine). 2010. 1(4): 238(9).

Davis, Martha. Movement characteristics of hospitalized psychiatric patients. American Journal of Dance Therapy. 1981. 4(1): 52-71.

Fisch, Hans-ulrich ; Frey, Siegfried ; Hirsbrunner, Hans-peter Buchwald, Alexander M. (editor). Analyzing nonverbal behavior in depression. Journal of Abnormal Psychology. 1983. 92(3): 307-318.

Godøy R (2010) Gestural affordances of musical sound. In: Godøy R, Leman M, editors. Musical gestures: Sound, movement, and meaning. New York, NY: Routledge. 103–125.

Katza, Carmit; Irit Hershkowitz; Lindsay C. Malloya; Michael E. Lamba; Armita Atabakia and Sabine Spindlera. Non-Verbal Behavior of Children Who Disclose or do not Disclose Child Abuse in Investigative Interviews. Child Abuse & Neglect. 2012. 36: 12-20.
http://bodylanguageproject.com/articles/reading-nonverbal-behaviour-child-abuse-cases-encourage-children-divulge-information-truth-telling

Kupper, Zeno ; Ramseyer, Fabian ; Hoffmann, Holger ; Kalbermatten, Samuel ; Tschacher, Wolfgang. Video-based quantification of body movement during social interaction indicates the severity of negative symptoms in patients with schizophrenia. Schizophrenia Research. 2010. 121(1): 90-100.

Lagerlo¨f I, Djerf M (2000) Communicating emotions: Expressiveness in modern dance. Int J Psychol 35: 225–225.

Montepare, J. M., Goldstien, S. B., & Clausen, A. (1987). The identification of emotions from gait information. Journal of Nonverbal Behavior, 11, 33–42.

Montepare, Joann ; Zebrowitz, Leslie. A cross-cultural comparison of impressions created by age-related variations in gait. Journal of Nonverbal Behavior. 1993. 17(1): 55-68.

Nao, Misako Sawada and Motonobu Ishii. Development of the Movements Impressions Emotions Model: Evaluation of Movements and Impressions Related to the Perception of Emotions in Dance. Journal of Nonverbal Behavior. 2013. 37:107-121.
DOI 10.1007/s10919-013-0148-y
http://bodylanguageproject.com/articles/convey-emotion-nonverbally-dance-study/

Prasad, S., & Shiffrar, M. (2009). Viewpoint and the recognition of people from their movements. Journal of Experimental Psychology – Human Perception and Performance, 35(1), 39–49. http://dx.doi.org/10.1037/A0012728.

Risner D (2009) What we know about boys who dance: The limitations of contemporary masculinity & dance education. In: Shay A, Fisher J, editors. When men dance: Choreographing masculinities across borders. New York, NY: Oxford University Press.

Sawada, M., Suda, K., & Ishii, M. (2003b). Relationship between leg movement quality and emotional expression in dance. Poster session presented at the annual meeting of the International Association for Dance Medicine & Science, London, England.

Sweeney, John A. ; Haas, Gretchen L. ; Clementz, Brett ; Weiden, Peter ; Frances, Allen ; Mann, J.John. Eye movement abnormalities in schizophrenia. Biological Psychiatry. 1989. 25(7): A77-A78.

Van Dyck, Edith ; Vansteenkiste, Pieter ; Lenoir, Matthieu ; Lesaffre, Micheline ; Leman, Marc Canal-bruland, Rouwen. Recognizing Induced Emotions of Happiness and Sadness from Dance Movement. PLoS ONE. 2014 9(2): e89773.

Van Dyck E, Maes P-J, Hargreaves J, Lesaffre M, Leman M (2013). Expressing induced emotions through free dance movement. J Nonverbal Behav 37: 175–190. doi: 10.1007/s10919-013-0153-1.

Wilder, Vicky. Effects of antipsychotic medication on the movement pathologies of chronic schizophrenics. American Journal of Dance Therapy. 1987. 10(1): 77-94.

According to Wikepdia, there are at least 25 movement disorders of which nonverbal eratic movement may signal: http://en.wikipedia.org/wiki/Movement_disorder

Akathisia (inability to sit still)
Akinesia (lack of movement)
Associated Movements (Mirror Movements or Homolateral Synkinesis)
Athetosis (contorted torsion or twisting)
Ataxia (gross lack of coordination of muscle movements)
Ballismus (violent involuntary rapid and irregular movements)
Hemiballismus (affecting only one side of the body)
Bradykinesia (slow movement)
Cerebral palsy
Chorea (rapid, involuntary movement)
Sydenham’s chorea
Rheumatic chorea
Huntington’s disease
Dyskinesia (abnormal, involuntary movement)
Tardive dyskinesia
Dystonia (sustained torsion)
Dystonia muscularum
Blepharospasm
Writer’s cramp
Spasmodic torticollis (twisting of head and neck)
Dopamine-responsive dystonia (hereditary progressive dystonia with diurnal fluctuation or Segawa’s disease)
Essential tremor
Geniospasm (episodic involuntary up and down movements of the chin and lower lip)
Myoclonus (brief, involuntary twitching of a muscle or a group of muscles)
Metabolic General Unwellness Movement Syndrome (MGUMS)
Mirror movement disorder (involuntary movements on one side of the body mirroring voluntary movements of the other side)
Parkinson’s disease
Paroxysmal kinesigenic dyskinesia
Restless Legs Syndrome RLS (WittMaack-Ekboms disease)
Spasms (contractions)
Stereotypic movement disorder
Stereotypy (repetition)
Tic disorders (involuntary, compulsive, repetitive, stereotyped)
Tourette’s syndrome
Tremor (oscillations)
Rest tremor
Postural tremor
Kinetic tremor
Essential tremor
Cerebellar tremor
Parkinsonian tremors
Physiological tremor
Wilson’s disease

Aggressive body language, Anger body language, Clenching and gripping, Closed body language, Closed facial gestures, Dislike (nonverbal), Emotional body language, Frustration or frustrated body language, Hostile body language, Microgestures, Stressful body language, Threat displays

Body Language of Jaw Clenching or Jaw Tightening

by Chris • October 23, 2014 • 0 Comments

Body Language of Jaw Clenching or Jaw Tightening

Cue: Jaw Clenching or Jaw Tightening

Synonym(s): Clenched Jaw, Teeth clenching, Teeth Grinding, Talking Through The Teeth, Lip Occlusion.

Description: The jaws appear to be tightly compressed and the teeth can even be ground together back and forth. Sometime the muscles connected to the temple can be seen flexing.

In One Sentence: Jaw clenching is a signal of an internal struggle.

How To Use it: Flexing the jaw muscles can produce a bulge in the side of the mouth which can signal to others your mounting frustration. You might consider using this signal as a way to have others take your aggression more seriously or as a warning that you are about to lose your cool. Often, demonstrations of aggression lead others to submit and placate. This can work in your favour.

Context: General.

Verbal Translation: “I’m angry or frustrated and I want to speak out, but feel that it’s inappropriate so my teeth are clenching down to bottle myself up and prevent me from saying something I might regret.”

Variant: Sometimes the jaw is held open where muscles both work to keep the jaw open yet clenched at the same time. This causes pain at the edges of the jaw which people register as stress. See Hand Clenching or Fist Clenching.

Cue In Action: a) He put his hand out to shake hands, as they hadn’t seen each other for some time. At the conclusion of the handshake, he clenched his jaw and said “It’s nice to have you back.” Obviously, he felt quite differently. b) She wasn’t impressed. She clenched her teeth and talked thought them. Right away, he knew she was to be avoided, especially until she had time to calm down.

Meaning and/or Motivation: The jaw clenching gesture might be a throwback to a primitive desire to bite someone else. Teeth clenching is a nonverbal signal that indicates hidden or inward-directed grief, stress, fear, tension, anxiety, anger, frustration, or that aggression is being suppressed. Other times, clenching is due to intense physical strain or in anticipation of pain.

Clenching and gripping are ways of signaling that a negative thought or emotion is being held back. In this case, it is a person holding their negative thoughts back from spilling out their mouths.

Many people are fitted with retainers and mouth guards to protect their teeth as they are habitual teeth clenchers and grinders during the night. This is thought to be because of a high stress lifestyle or occupation. Some even develop pain in the muscles surrounding the jaw. When jaw clenching happens during the day, it is a sign that a person is not well and wishes to speak out, but feels like they can’t so they bottle it up. Other times, stress boils high and someone will even speak through their teeth.

Cue Cluster: Be aware of microexpressions such as snarls of the nose, eyes darting, fists slightly clenched or the fingers beginning to curl, mouth pulled to the side, tight-lipped smile, eyes rolling. As the cue is subtle, it indicates that someone is unlikely to want to be overt with their distain.

Body Language Category: Aggressive body language, Anger body language, Clenching and gripping, Closed body language, Closed facial gestures, Dislike (nonverbal), Emotional body language, Frustration or frustrated body language, Hostile body language, Microgestures, Stressful body language, Threat displays.

Resources:

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Arsenio, W. F., Cooperman, S., & Lover, A. Affective Predictors of Preschooler’s Aggression and Peer Acceptance: Direct and Indirect Effects. Developmental Psychology. 2000. 36: 438-448.

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Aggressive body language, Anger body language, Clenching and gripping, Closed body language, Dislike (nonverbal), Emotional body language, Energy Displacement, Frustration or frustrated body language, Hostile body language, Low confidence hand displays, Nervous Body Language, Stressful body language, Worry body language

Body Language of Hand Wringing

by Chris • October 22, 2014 • 0 Comments

Body Language of Hand Wringing

Cue: Hand Wringing

Synonym(s): Wringing The Hands.

Description: The hands are clasp one inside the other and tightly clamped and twisted on each other. The hands may also be tightly cupped and squeezed one inside the other or interlaced and squeezed. It can be done so aggressively that the fingers or knuckles turn white.

In One Sentence: Wringing the hands is a sign that a person is experiencing anxiety, stress or suffering from low confidence.

How To Use it: Wringing the hands is not useful and one should avoid it when possible. While it can provide a tactile release for underlying stress, it is best to do something proactive to actually resolve the issue rather than suppress it.

Context: General.

Verbal Translation: “I’m so agitated and stressed that I’m inflicting pain on myself as I would like to do to someone else, or due to stress of the situation at large. Since I’ve lost control of the situation and others, the best I can do is control the pain I do onto myself.”

Variant: This cue is similar to self pinching, pulling or even plucking the hair, or pinching one’s self as they are all forms of inflicting pain on the self. This is especially common when external pain can not be controlled.

Cue In Action: She wrung her hands as she waited for the doctor to report back with news about the surgery.

Meaning and/or Motivation: It signifies high anxiety, stress, or low confidence, and is a pacifying behaviour.

The hands are clenched because of the internal turmoil that a person feels that they cannot resolve through external factors. Pain that is inflicted on the self is pain that is controlled by the self. Therefore, self-pain is pain that is used to regain some agency over a person’s outcome – even if it is entirely unproductive.

Clenching is also a replacement for pain that someone might wish to inflict on other people whom they feel are causing their problems, and if not caused by people directly, than to the context in general.

Cue Cluster: Hand wringing is usually accompanied by gritting the teeth or jaw clenching, scratching and plucking behaviours, licking the teeth to sooth, lip biting or cheek chewing, eye squinting, snarling, amongst others.

Body Language Category: Aggressive body language, Anger, Clenching and gripping, Closed body language, Dislike (nonverbal), Emotional body language, Energy Displacement, Frustration or frustrated body language, Hostile body language, Low confidence hand displays, Nervous body language, Stressful body language, Worry body language.

Resources:

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Adaptors, Amplifier, Arousal, Auto contact or self touching, Disguised gestures, Lying or deceptive body language, Masked body language, Microgestures, Pacifying body language, Stressful body language

Body Language of Hand To Nose

by Chris • October 22, 2014 • 0 Comments

Body Language of Hand To Nose

Cue: Hand To Nose

Synonym(s): Nose Touching

Description: Touching the nose, usually with the index finger or pinching it with the webbing of the thumb and index finger.

In One Sentence: Touching the nose indicates discomfort, or serves to alleviate an itch.

How To Use it: When possible make touches to the nose and other parts of the face brief and directed, as persistent nose touching is often misread as dishonesty. At worst, touching the nose is read as insecurity.

Context: General.

Verbal Translation: “I’m stressed, and the blood if flowing to my nose, making me want to scratch it.”

Variant: Nose touching can happen as a quick but purposeful touch, the finger might graze the side of the nose, or it can be a persistent rubbing. Sometimes the touch is quick and dirty in an up and down motion, other times it is a brief almost unnoticeable touch to the base of the nose or its side. A person might wipe the nose with the back of their hand or come up and touch it lightly with their index finger. See Hand To Eye Gesture.

Cue In Action: During the Grand Jury testimony over Monica Lewinsky, Bill Clinton touched his nose 26 times when answering highly emotional questions. When he answered questions he found easy, his hands were nowhere near his face.

Meaning and/or Motivation: Touching the nose with the hand is a discomfort gesture linked to anxiety and therefore serves as a pacifier. Other times touching the nose provides clues that a person is lying as it indicates stress.

Face touching can come in two forms, one that serves a real function, to alleviate an itch, and one that is the result of negative feelings such as being uncomfortable and stressed. Face touching that is due to an emotion is meant as a fix behind the sensation, the emotion, and not due to any physical need.

Touching the nose has been linked to lying, but like most lie-detection cues, they aren’t absolute or reliable. We can tell when something is out of the ordinary when someone touches their nose for no reason or touches their nose while delivering critical information. The astute will find it obvious when someone is touching their nose for the purpose of alleviating an itch instead of alleviating a lie (or negative thought). Scratching is directed, specific, deep and vigorous, showing that some amount of waiting was done before the gesture was performed. Thus more relief is present when the itch is real. Itching due to negative emotions is general, shallow or glancing. This type of itch is done by bringing the index finger up, by example, and lightly touching the side of the nose where the nail is not used at all. That is, no real scratching is taking place.

When nose touching is not due to itching, then it’s due to a negative or dishonest thought from either lying, being terrified, pretending to be brave or just feeling self doubt.

Chemical known as catecholamine triggers nasal tissue to swell, but that it only induces the nose to increase in size below the level of perception. This is the real life Pinocchio effect. Even though most people will not be able to detect it, the increase in blood flow and pressure often causes a tingle in the nose, which in most people, triggers an itch response.

Some people touch their nose at the end of every sentence – it’s their idiosyncrasy. Does this mean that every word that comes from their mouth is a lie? It could be, but it is not likely. Once we’ve caught someone in a lie we can backtrack and look at the clues that preceded the lie and those that followed the lie to pick up on cues that might have given him away.

Cue Cluster: Touching the nose coupled with wiping the mouth in a down-stroke, avoiding eye contact, and fidgeting, tells us that something dishonest is probably going on.

Body Language Category: Adaptors, Amplifier, Arousal, Auto contact or self touching, Disguised gestures, Lying or deceptive body language, Masked body language, Microgestures, Pacifying, Stressful body language.

Resources:

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Vrij, A. and G. R. Semin. 1996. Lie experts’ beliefs about nonverbal indicators of deception. Journal of Nonverbal Behavior 20: 65-80.

Vrij, A. 1997. Individual differences in hand movements during deception. Source: Journal of nonverbal behavior. 21: 87-102.

Vrij, A.. 2004. Why professionals fail to catch liars and how they can improve Source: Legal and Criminological Psychology. 9:159-181.

Vrij, A., S. Mann, and S. Kristen. 2007. Cues to deception and ability to detect lies as a function of police interview styles. Law and Human Behavior 31 (5): 499-518.

Adaptors, Amplifier, Auto contact or self touching, Eye blocking, Eye Language, Nervous Body Language, Stressful body language

Body Language of Hand To Eye Gesture or Eye Rubbing Gesture

by Chris • October 22, 2014 • 0 Comments

Body Language of Hand To Eye Gesture or Eye Rubbing Gesture

Cue: Hand To Eye Gesture

Synonym(s): Eye Rubbing, Touching The Eye, Rubbing The Eye, Eye Touching.

Description: Occurs as the hand comes up and rubs the eye with the eyelid closed or rubs the skin around the eye particularly just on the out or inside edge – the corner of the eye or the edge of the nose. Touching the eye may be stifled by coming up short and simply touching the upper cheek. At times, the gesture is done quite delicately as a mild stroke almost as if a person is simply pointing at the edge of their eye.

In One Sentence: Hand to eye gestures signal that a person can’t believe what they are seeing.

How To Use it: As the cue mostly goes unnoticed by others, it’s application is limited. However, rubbing the eyes in an exaggerated way, signals disbelief and can help reinforce your position.

Context: General.

Verbal Translation: a) “I’m rubbing my eyes in disbelief because I can’t believe what I’m seeing.” b) “I’m touching my eye briefly because I don’t like what I just heard, saw or learned.” c) “I’m lying and I’m embarrassed by my own action so I’m going to cover up my eyes like I did when I was a kid – though stop short and instead just scratch my upper cheek instead.”

Variant: Instead of eye rubbing, the upper cheek may be scratched, the eyelid might be rubbed or the corner of the eye may be manipulated or itched. Sometimes the knuckle of the index finger is rubbed and twisted in the corner of the eye to relieve discomfort. See eye blocking category.

Cue In Action: a) The kid’s mom couldn’t believe what her 2-year-old had done with the flour. It was head-to-toe and top to bottom, and all over the kitchen in mere minutes. She rubbed her eyes vigorously, as if she could erase from view the miserable sight. b) The guy was obviously lying. Following his statement “I did not have sexual relations with that woman” he scratched just below his eye. The pain of his tall tale caused him to seek relief from the discomfort.

Meaning and/or Motivation: When it is not done to alleviate an itch it is a widespread gesture indicating a negative thought, doubt, or disbelieve at what is being said or seen depending on the context.

If the eyes are touched briefly it can signal that someone has said something that has caused discomfort. When eyes actually need scratching, they will happen at random rather than coupled with critical information.

People can be caught punctuating their own lies by momentarily touching their eye as if they are trying to prevent the discomfort associate with bearing witness to them. When lying is due to negative thoughts it is an abbreviated form of eye blocking. Think back to childhood when you would have covered your eyes if you saw something frightening on television. As we grow older, our cues become more constrained so instead of cupping our hands over both eyes, we just touch the corner of the eye or come up short and scratch the upper cheek instead.

When rubbing the eye has no meaning, it is done to alleviate and itch or to sooth sore eyes that are tired. When men bring their hand to their eyes they might vigorously rub, whereas women will lightly rub around the eye so as not to smear their make-up.

Cue Cluster: When eye rubbing indicates a negative thought, watch for additional nervousness such as palm scratching due to sweating, scratching the neck or pulling the collar away, voice trembling and eye contact that suddenly ceases.

Body Language Category: Adaptors, Amplifier, Auto contact or self touching, Eye blocking, Eye Language, Nervous body language, Stressful body language.

Resources:

Akehurst, L., G. Kohnken, A. Vrij, and R. Bull. 1996. Lay persons’ and police officers’
beliefs regarding deceptive behaviour. Applied Cognitive Psychology 10: 461-471.

Appelbaum, P.S. The new lie detectors: Neuroscience, deception, and the courts. Psychiatric Services. 2007. 58: 460-462.

Burgoon, Judee ; Proudfoot, Jeffrey ; Schuetzler, Ryan ; Wilson, David. Patterns of Nonverbal Behavior Associated with Truth and Deception: Illustrations from Three Experiments. Journal of Nonverbal Behavior. 2014: 38(3) 325-354.