Category: Indicator Of Sexual Interest (IOsI)

*No Photo, Auto contact or self touching, Autoerotic touching, Courtship display, Indicator Of Sexual Interest (IOsI), Stroking body language, Tie signals

Body Language of Slow Stroking Of Upper Thigh

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Body Language of Slow Stroking Of Upper Thigh

No picCue: Slow Stroking Of Upper Thigh.

Synonym(s): Rubbing The Hands Slowly On Upper Thigh, Upper Thigh Stroke, Thigh Stroking, Rubbing Thighs, Massaging Thighs Slowly.

Description: The hands are slowly rubbed up and down across the top of the thighs.

In One Sentence: Rubbing the upper thigh usually signals a desire to be touched in this way or that one is rubbing the sweat from the palms.

How To Use it: Women can use this gesture to signal to men that they wish to escalate sexual intimacy. Stroking the upper thing in a skirt while making eye contact with a man, will tell him that you are aroused and wish for him to make the next move.

Context: Dating.

Verbal Translation: “I’m sexually aroused causing me to act out some of the touching I would like to experience by the hands of another.”

Variant: Women often replicate the types of touching they would like to receive. The cliché act is quite common in adult films when no male actor is present or when she tries to seduce one, or the camera. She seductively touches and strokes her own body in effort to arouse the viewer. Men are programmed to find this alluring. As they touch, women are readying the body to be touched and at the same time providing an outlet that reduces their desire to act outwardly and instead illicit male pursuit instead. Self-touching releases positive hormones in the body that produce a calming effect. See Self-Stroking or Auto Contact, Leg Cleansing or Leg Pacifying Behaviour.

Cue In Action: While making eye contact, licking her lips frequently, she seductively stroked her thighs as she was speaking to a guy at the bar.

Meaning and/or Motivation: It is common for women to perform self-touching when aroused. Self-touch is usually a signal that touching from another person is welcome but it must be accompanied by other sexual signals. Eye contact is one of the most important signals because it serves to anchor the signal to a specific person. If eye contact is absent, then the cue may simple be a broadcast signal to the room at large due to her ovulation cycle, or her level of receptivity.

When a woman rubs her thighs she is simulating the type of touching she’d like to receive and this is part of the purpose. She can produce a pacifying effect to help calm her desires, but also to draw attention to her features, her thighs, and subconsciously suggest to her desired partner what course of action she would prefer.

Men who are aware of the courtship gesture should be sure that the legs are not being stroked simply because she is performing a “leg cleansing” where she is wiping sweat from her palms or trying to gain comfort through self soothing due to nervousness. Although, at times, nervousness and courtship are intertwined.

Cue Cluster: Watch for eye contact, head down with eyes cast upward, frequent lip licking, wrist and neck exposure, exposing the inner thigh, self-stroking (other areas of the body), legs uncrossed and re-crossed, and so forth.

Body Language Category: Auto contact or self-touching, Autoerotic touching, Courtship display, Stroking body language, Indicators of sexual interest (IOsI), Tie signals.

Resources:

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Amplifier, Courtship display, Indicator Of Sexual Interest (IOsI), Intention movements, Leaked or involuntary body language, Microgestures, Tie signals

Body Language of Skirt Hike

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Body Language of Skirt Hike

BodyLanguageProjectCom - Skirt Hike 1 BodyLanguageProjectCom - Skirt Hike 2Cue: Skirt Hike.

Synonym(s): Hiking The Skirt, Pulling Up The Skirt, Lifting The Skirt.

Description: The “skirt hike” happens by fingering and playing with the bottom ridge of the skirt. Other times, the skirt hike happens in a more pronounced way by grabbing the bottom of the skirt and pulling it up slightly to reveal more leg.

In One Sentence: The skirt hike is a subconscious nonverbal cue signaling sexual interest.

How To Use it: Women can use the skirt hike to tantalize potential male suitors. Normally this cue happens subconsciously as a woman plays with the material at the bottom of her short skirt. She may also slightly raise it. However, this can be done on purpose as well. Raising the skirt to show a little more leg while making eye contact should be enough to arouse the curiosity of men of interest. The cue is potent while standing, but it can also be done while sitting. If you see that an undesirable man notices the cues, simply shove the skirt back down while avoiding eye contact.

Context: Dating.

Verbal Translation: “This skirt is really getting in the way of my attractiveness, and way too long to attract the attention of the boys, so I’m going to pull it up a little bit and see who notices. Hopefully someone cute or else I’m going to push it back down in a hurry.”

Variant: See Symbolic Stripping or Removing Clothing.

Cue In Action: a) Newly single, Debbie was with her friends casually enjoying a drink at the bar. One hand clasping her drink, the other dangled loosely to her side while fiddling with the bottom of her skirt. Just then, she noticed a sweaty, awkward man, staring at her. She quickly brought her hand up, grabbed her straw, turned her back toward him and huddled in with her friends. b) Later in the evening Debbie had met a man named Dave. She and he had been carrying on for some time. Dave, an expert on body language, noticed that she was casually playing with the riffled edge of her skirt and would pull it up a bit at a time and then drop it and smooth it back down. He took this as a strong message of coy interest and availability.

Meaning and/or Motivation: The skirt hike is an interesting body language cue because it happens completely subconsciously with usually no awareness at all. It is so subtle though that only those looking specifically for it will actually see it. This motion is usually done toward a man of interest and followed by eye contact, but other times, happens as advertisement of the woman’s availability, generally – an open for business sign, so to speak. If she catches someone else notice this gesture that she isn’t interested in, however, she will quickly force the skirt back down and break eye contact.

Cue Cluster: It is possible that the skirt hike cue happen independent of other cues as a general broadcast signal directed to the room. It may also be anchored to a specific person through eye contact coupled with submissive cues such as eyes cast downward, batting eyelashes, laughing and giggling, touching the hand, forearm or other areas, head lowered or bowed, neck titled to the side, smiling, grooming either the self or person of interest, playing with the hair or hair tossing, and so forth.

Body Language Category: Amplifier, Courtship display, Indicators of sexual interest (IOsI), Intention movements, Leaked or involuntary body language, Microgestures, Tie signals.

Resources:

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Beiner, Theresa M. Sexy dressing revisited: does target dress play a part in sexual harassment cases? Duke Journal of Gender Law & Policy. 2007 14(1): 125(28).

Bettis, Pamela J. ; Adams, Natalie Guice. Short Skirts and Breast Juts: Cheerleading, Eroticism and Schools. Sex Education: Sexuality, Society and Learning. 2006. 6(2): 121-133.

Barber, Nigel. Women’s dress fashions as a function of reproductive strategy. Sex Roles: A Journal of Research. 1999. 40(5-6): 459(1).

Cari D. Goetz; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
http://bodylanguageproject.com/articles/victim-blaming-or-useful-information-in-preventing-rape-and-sexual-exploitation/

Cantú, Stephanie M ; Simpson, Jeffry A ; Griskevicius, Vladas ; Weisberg, Yanna J ; Durante, Kristina M ; Beal, Daniel J. Fertile and Selectively Flirty. Psychological Science. 2014. 25(2): 431-438.

Cassidy, Linda ; Hurrell, Rose Marie. The influence of victim’s attire on adolescents’ judgments of date rape. Adolescence. 1995 30(118): 319(5).

Clark, A. Attracting Interest: Dynamic Displays of Proceptivity Increase the Attractiveness of Men and Women. Evolutionary Psychology. 2008., 6(4), 563-574.
http://bodylanguageproject.com/articles/risky-versus-proceptive-nonverbal-sexual-cues/

Durante, Kristina M ; Li, Norman P ; Haselton, Martie G. Changes in women’s choice of dress across the ovulatory cycle: naturalistic and laboratory task-based evidence. Personality & social psychology bulletin. 2008 34(11): 1451-60.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
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Glick, Peter ; Larsen, Sadie ; Johnson, Cathryn Branstiter, Heather. Evaluations of Sexy Women in Low-And High-Status Jobs. Psychology of Women Quarterly. 2005. 29(4): 389-395.

Garot, Robert ; Katz, Jack. Provocative Looks: Gang Appearance and Dress Codes in an Inner-City Alternative School. Ethnography, 2003, Vol.4(3), pp.421-454

Guéguen, Nicolas. The Effect Of Women’s Suggestive Clothing On Men’s Behavior And Judgment: A Field Study. Psychological Reports. 2011. 109; 2: 635-638.
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Grammer, Karl, LeeAnn Renninger and Bettina Fischer. Disco Clothing, Female Sexual Motivation, and Relationship Status: Is She Dressed to Impress? The Journal of Sex Research. 2004. 41(1): 66-74.
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Guéguen Nicolas. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
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Goodboy, Alan, K. and Maria Brann. Flirtation Rejection Strategies: Towards an Understanding of Communicative Disinterest in Flirting. The Quantitative Report. 2010. 15(2): 268-278.
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Graff, Kaitlin ; Murnen, Sarah ; Smolak, Linda. Too Sexualized to be Taken Seriously? Perceptions of a Girl in Childlike vs. Sexualizing Clothing. Sex Roles. 2012. 66(11): 764-775.

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Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Moore, Monica. M. Nonverbal Courtship Patterns in Women: Context and consequences. Ethology and Sociobiology. 1985. 6:237- 247.

Moore, M. M. Courtship Communication and Perception. Perceptual and Motor Skills. 2002. 94(1): 97-105. doi:10.2466/PMS.94.1.97-105.

Moore, M. M. and D. L. Butler. 1989. Predictive aspects of nonverbal courtship behavior in women. Semiotica 76(3/4): 205-215.

Moore, M. M. 2001. Flirting. In C. G. Waugh (Ed.) Let’s talk: A cognitive skills approach to interpersonal communication. Newark, Kendall-Hunt.

Markey, Patrick ; Markey, Charlotte. Changes in women’s interpersonal styles across the menstrual cycle. Journal of Research in Personality. 2011. 45(5): 493-499.

McCormick, Naomi B. and Andrew J. Jones. Gender Differences in Nonverbal Flirtation. Journal of Sex Education and Therapy. 1989. 15(4): 271-282.

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Perper, T., and Weis, D. L. (1987). Proceptive and rejective strategies of U. S. and Canadian college women. The Journal of Sex Research, 23, 455-480.

Petrican, Raluca; Christopher T. Burris and Morris Moscovitch. Shame, Sexual Compulsivity, and Eroticizing Flirtatious Others: An Experimental Study. Journal of Sex Research. 2015. 52(1), 98–109, 2015. DOI: 10.1080/00224499.2013.829796
http://bodylanguageproject.com/articles/coy-flirtatious-smile-eye-contact-leads-shame-sex/

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Weerth, Carolina ; Kalma, Akko. Gender differences in awareness of courtship initiation tactics. Sex Roles. 1995. 32(11): 717-734.

*No Photo, Amplifier, Childlike playfulness, Courtship display, Eye Language, Indicator Of Sexual Interest (IOsI), Intention movements, Liking, Tie signals

Body Language of Sideways Glance Over Raised Shoulder

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Body Language of Sideways Glance Over Raised Shoulder

No picCue: Sideways Glance Over Raised Shoulder.

Synonym(s): Looking Over Raised Shoulder.

Description: a) A woman will turn her back slightly facing the object of her interest, raise her shoulder, and gaze adoringly over it with eyes cast upward. The cue is made more salient in a strapless dress. b) Sometimes referred to as “Stealing A Look” but in this case, the shoulder is not raised, the look is quick so as to avoid detection, and the head is not lowered and eyes not cast upward.

In One Sentence: Looking over a raised shoulder is a flirty gesture.

How To Use it: Women can create sexual interest by peering over a raised shoulder. The cue is more potent when done over a nude shoulder such as a strapless dress. To compound the cue, couple it with slightly raised eyes that briefly make eye contact as well as a coy smile. If the desired results are not achieved, simply repeat the cue.

Context: a) Dating b) General.

Verbal Translation: a) “I’m looking over my raised shoulder to tease and flirt by showing off my curvy shoulder and making you do a bit of chasing to secure my full one-on-one attention.” b) “I’m glancing quickly over my shoulder to steal a look without being noticed.”

Variant: See Room Encompassing Glance (the), Looking Askance.

Cue In Action: a) She knew all the right buttons to push to get his attention. She removed her light overcoat, raised her shoulder, turned in his direction, smiled coyly, batted her eyelashes, before lowering her head and turning back for a sip of her drink. He was sent into fits. He knew it was an invitation to approach.

b) He kept glancing quickly over his shoulder at the angry girl. When she looked up, he quickly snapped his head back and continued the conversation with his buddy. He didn’t like her and certainly didn’t want her to know that he had noticed she was there, lest she come over and confront him.

Meaning and/or Motivation: Women do this flirty gesture as they gaze at men of interest. Instead of squaring themselves off and looking straight into his eyes, her body faces away and she looks over the shoulder which seductively teases him. This posture emphasizes the curviness of the shoulder and exposes the vulnerable neck. It is particularly alluring when done by women wearing a strapless outfit!

The power of the cue relies on its ability to tease through mystery. A bit of hide-and-seek mixed in with sexual curves of the shoulder as well as easy eyes cast upward showing submission. The entire cue, when done properly, is both seductive and coy.

In a general context, the sideways glance is done to steal a look without being caught. This might indicate that a person is trying to remain secretive, is talking behind another person’s back, or doesn’t want the other person to notice them. Stealing a look can also mean that sexual interest exists but that a person wishes to be covert.

Cue Cluster: a) Watch for eyes and head lowered or quick eye contact, wrist and palm exposure and flirty smile. b) Watch for darting eyes that don’t want to be caught looking. The shoulders will remain lowered, there will be no gazing or smiling.

Body Language Category: Amplifier, Courtship display, Childlike playfulness, Eye Language, Indicators of sexual interest (IOsI), Intention movements, Liking, Tie signals.

Resources:

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http://bodylanguageproject.com/articles/victim-blaming-or-useful-information-in-preventing-rape-and-sexual-exploitation/

Cantú, Stephanie M ; Simpson, Jeffry A ; Griskevicius, Vladas ; Weisberg, Yanna J ; Durante, Kristina M ; Beal, Daniel J. Fertile and Selectively Flirty. Psychological Science. 2014. 25(2): 431-438.

Clark, A. Attracting Interest: Dynamic Displays of Proceptivity Increase the Attractiveness of Men and Women. Evolutionary Psychology. 2008., 6(4), 563-574.
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DOI: 10.1111/j.1532-7078.2012.00117.x
http://bodylanguageproject.com/articles/nonverbal-meaning-coy-smiles-infants/

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http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

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Moore, M. M. Courtship Communication and Perception. Perceptual and Motor Skills. 2002. 94(1): 97-105. doi:10.2466/PMS.94.1.97-105.

Moore, M. M. and D. L. Butler. 1989. Predictive aspects of nonverbal courtship behavior in women. Semiotica 76(3/4): 205-215.

Moore, M. M. 2001. Flirting. In C. G. Waugh (Ed.) Let’s talk: A cognitive skills approach to interpersonal communication. Newark, Kendall-Hunt.

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Martina Mara and Markus Appel. Effects of Lateral Head Tilt on User Perceptions of Humanoid and Android Robots. Computers in Human Behavior. 2015. 44: 326-334
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Weerth, Carolina ; Kalma, Akko. Gender differences in awareness of courtship initiation tactics. Sex Roles. 1995. 32(11): 717-734.

Approach tell, Comfort body language, Courtship display, Indicator Of Sexual Interest (IOsI), Open body language

Body Language of Shoe Play or Removing Shoes

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Body Language of Shoe Play or Removing Shoes

BodyLanguageProjectCom - Shoe Play or Removing Shoes 2 BodyLanguageProjectCom - Shoe Play or Removing Shoes 1Cue: Shoe Play or Removing Shoes.

Synonym(s): Playing With The Shoe, Removing Shoes, Dangling The Shoe.

Description: A cue usually delivered by a woman where the heel of the shoe is either removed entirely or partially removed and dangled from a toe. Alternatively, the shoes are removed to make a person more comfortable.

In One Sentence: Removing the shoes is a sign of comfort.

How To Use it: Remove the shoes to show other people that you feel comfortable and are not in any rush to leave. When removed at the door to someone’s house, it also serves to show respect as it avoids bringing dirt inside. If uncertain, always ask when entering a home if they wish for you to leave your shoes on or take them off. If you notice that your host has removed their shoes, you should simply remove them unless they specify otherwise. In a relaxed atmosphere such as at a friend’s house, removing the shoes is common practice; however, in a business setting, removing your shoes can be seen as disrespectful. If your feet have a malodor, keeping your shoes on is highly advisable.

In a dating context, woman can remove their shoes as a symbol of their trust in their partner. Dangling a stiletto from the tip of the toe is a great way to show arousal and trust at the same time.

Context: a) Dating b) General.

Verbal Translation: “I’m comfortable in this environment and not going anyway so I feel safe enough to remove my shoes.”

Variant: See Symbolic Stripping or Removing Clothing.

Cue In Action: a) She dangled her tall stilettos from the tip of her toes and bounced her leg up and down while sipping a pinkish drink from the edge of the bar. It wasn’t long before she had her first offer from a potential suitor. She quickly froze at the sight of him, put her shoe back on and gazed across the room hoping to make eye contact with her friends. She was looking for a possible exit. b) They had a full work schedule ahead of them and as the clock ticked on to the early morning hours they had removed their jackets, ties and shoes. The end of the project was still not in sight.

Meaning and/or Motivation: Removing the shoes is a strong indicator of comfort and agreement. It is most salient in a courtship setting when done by a woman because it is a concrete indication of her desire to stay rather than go. Removing the shoes makes “escape” that much more difficult. Shoe play also accentuates the female physic and permits her to bounce her leg up and down showcasing her legs through movement, and drawing in male gaze.

To test this idea, simply startle a woman and if she doesn’t freeze, she’ll pull her shoe back on in short order! Men attuned to shoe language will be able to test an approach. If it goes sour, she’ll casually slip her shoe back on.

In men, shoe removal indicates that comfort is either present or desired and that one is not prepared to leave.

Cue Cluster: Removing the shoe is accompanied by other comfort body language such as open, relaxed facial expressions, smiling, arms uncrossed and gesticulating, touching, eye contact and neck and palm exposure (in women).

Body Language Category: Approach tell, Comfort body language, Courtship display, Indicators of sexual interest (IOsI), Open body language.

Resources:

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

*No Photo, Arousal, Autonomic signal, Courtship display, Indicator Of Sexual Interest (IOsI), Nervous Body Language, Physiological signals, Stressful body language, Worry body language

Cue: Shallow Breathing

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Body Language of Shallow Breathing

No picCue: Shallow Breathing

Synonym(s): Hyperventilating, Shallow Breathing, Panting.

Description: An unusually high and quick rate of respiration.

In One Sentence: Shallow breathing indicates a high level of physical or emotional arousal.

How To Use it: Use shallow breathing to prepare for the flight or fight response. It will help oxygenate the blood in preparation for battle. Hyperventilating is an emergency response signal and if perceived by others will offer medical assistance and emotional support. If this sort of sympathy is desired, then shallow breathing can help garner that sort of attention. Use the signal with care so as not to appear overly dramatic or emotionally unstable.

Context: a) Dating, b) General.

Verbal Translation: “I’m getting so excited I need to consume more and more oxygen in order to get the job done.” “

Variant: See Deep Breathing.

Cue In Action: a) She panted with excitement as their lips met – her lust was obvious b) He was left alone in the woods and didn’t know where he was. The more he moved, the more he panicked. He nearly hyperventilated from fear.

Meaning and/or Motivation: a) When sexually aroused, women (usually) will breath with an excited pace as if hyperventilating. This is thought to function as a way to take in more of the aroma of her partner. b) During a state of elation, panic or fear, people will often take frequent, but shallower breaths.

Cue Cluster: a) Various other sexual cues such as increased proximity, eye contact, removing clothing to be more comfortable, preening, and so forth. b) The winning sports team will often be seen with their arms extended, their heads thrown back and their mouths and eyes opened wide in a state of ecstasy.

Body Language Category: Arousal, Autonomic signal, Courtship display, Indicators of sexual interest (IOsI), Nervous body language, Physiological signals, Physiological signals, Stressful body language, Worry body language.

Resources:

Allen, Ben ; Friedman, Bruce H. Positive emotion reduces dyspnea during slow paced breathing. Psychophysiology. 2012 49(5): 690-696.

Brown, Richard P ; Gerbarg, Patricia L. Sudarshan Kriya yogic breathing in the treatment of stress, anxiety, and depression: part I-neurophysiologic model. Journal of alternative and complementary medicine . 2005. 11(1): 189-201.

Bracha, H. S. (2004). Freeze, flight, fight, fright, faint: Adaptionist perspectives on the acute stress response spectrum. CNS Spectrums, 9, 679–685.

Boiten, Frans A. The effects of emotional behaviour on components of the respiratory cycle. Biological Psychology. 1998. 49(1): 29-51.

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Estes, Zachary Estes and Michelle Verges. Freeze or flee? Negative stimuli elicit selective responding. Cognition. 2008. 108(2): 557-565.

Everly, Jr., G. S. & Lating, J. M. (2002). A clinical guide to the treatment of the human stress response (2nd ed.). New York, NY: Kluwer Academic/Plenum Publishers

Ekerholt, Kirsten Bergland. Breathing: a sign of life and a unique area for reflection and action. Astrid Physical therapy. 2008 88(7): 832-40.

Geronemus, Hillary. Breathe Through It. Women’s Health. 2010. 7(3): 068

Hunter, Virginia. Clinical clues in the breathing behaviors of patient and therapist. Clinical Social Work Journal. Summer. 1993 21(2):161-118

Sand-Jecklin, Kari. Patient Anxiety Levels Related to Gynecologic Examinations: Use of the Color Breathwork Relaxation Method. Archives of Psychiatric Nursing. 2008. 22(4): 240-242.

Schmidt, N. B., & Joiner, T., Jr. (2002). Structure of the anxiety sensitivity index: Psychometrics and factor structure in a community sample. Journal of Anxiety Disorders, 16, 33–49.

Schmidt, N. B., Miller, J., Lerew, D. R., Woolaway-Bickel, K., & Fitzpatrick, K. (2002). Imaginal provocation of panic in patients with panic disorder. Behavior Therapy, 33, 149–162.

Schmidt, Norman B. ; Richey, J. Anthony ; Zvolensky, Michael J. ; Maner, Jon K. Exploring human freeze responses to a threat stressor. Journal of Behavior Therapy and Experimental Psychiatry. 2008. 39(3): 292-304.

Tainsky, Al. Calm, cool, collected: a meditation primer. Inside MS, Wntr. 2002. 20(1): 24(4).

Zvolensky, M. J., & Eifert, G. H. (2001). A review of psychological factors/processes affecting anxious responding during voluntary hyperventilation and inhalations of carbon dioxide-enriched air. Clinical Psychology Review, 21, 375–400.

*No Photo, Auto contact or self touching, Autoerotic touching, Courtship display, Indicator Of Sexual Interest (IOsI), Pacifying body language, Stressful body language, Stroking body language, Worry body language

Body Language of Running The Tongue Over The Teeth or Lips

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Body Language of Running The Tongue Over The Teeth or Lips

No picCue: Running The Tongue Over The Teeth or Lips.

Synonym(s): Tongue To teeth, Licking The Teeth.

Description: When the tongue is run back and forth over the teeth or lips either with the mouth closed or mouth opened (rare). When the tongue is run back and forth across the teeth with the mouth closed, it shows up as only a bulge passing under the lips as the skin is forced out.

In One Sentence: Running the tongue over the teeth is a sign of the need for pacifying due to negative emotions.

How To Use it: Running the tongue over the teeth produces a comforting feeling. This cue generally goes unnoticed by most people so can be covertly used to pacify the mind.

Context: General.

Verbal Translation: “I’m running my tongue over my teeth or lips in order to creating a soothing sensation because I’m in need of pacifying due to anxiety.”

Variant: See Lip Licking, Leg Cleansing or Leg Pacifying Behaviour, Neck Rubbing (back of neck) or Holding The Back Of The Neck.

Cue In Action: a) His tongue darted in and out, sweeping left and right during his daily tasks inciting his underlying obsessive-compulsive disorder. b) A bulge formed under his front lips indicating that his tongue was sweeping his teeth. The salesman knew his final price wasn’t going to cut it.

Meaning and/or Motivation: At times, lip licking is a sexual cue, but when it is absent of other sexual cues in cluster, it signifies a need to pacify. When done to pacify, it is usually done repeatedly and rhythmically without eye contact. The tongue on teeth provides a soothing tactile stimuli aimed at reducing anxiety.

Often the cue happens just out of perception to a casual observer, but when watched for, can be quite pronounced. A person might sweep their teeth and enjoy the soft surface they provide while dealing with distress.

Habitual teeth lickers provide evidence that they harbor hidden underlying discomfort. The same can be said for habitual lip lickers who sweep their lips over and over again. As the tongue sweeps, it serves the same purpose as running the palms over the thighs, or rubbing the back of the neck, stroking the hands, rubbing the back of the head and so forth. These are all ways we pacify and sooth ourselves throughout the day as stress presents itself.

Cue Cluster: Watch for other pacifying behaviours such as rubbing the face, playing with the hair, stroking the arm or thighs, or hand or an object to the mouth.

Body Language Category: Auto contact or self touching, Autoerotic touching, Courtship display, Stroking body language, Indicators of sexual interest (IOsI), Pacifying body language, Stressful body language, Worry body language.

Resources:

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*No Photo, Approach tell, Courtship display, Eye Language, Indicator Of Sexual Interest (IOsI), Intention movements, Liking, Orienting reflex or orienting response, Tie signals

Body Language of The Room Encompassing Glance

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Body Language of The Room Encompassing Glance

No picCue: Room Encompassing Glance (the)

Synonym(s): N/A

Description: The room encompassing glance occurs by first casting her eyes around the room for five to ten seconds. If she spots someone she is interested in, she will take a second look. This second glance is not directed at the entire room, but rather in the direction of a specific man. It will be short, and she will rotate her head twenty-five to forty degrees to the side then look away, usually downward, within about three seconds. Women usually continue this behavior until they meet their target’s eyes. At this point, the target and the woman will hold a mutual gaze lasting about three seconds which is normally broken by the woman by looking down.

In One Sentence: The room encompassing glance is a female cue signaling sexual interest.

How To Use it: Women should follow the Description (above) in a dating context to signal sexual interest. At times, the cue will need to be repeated or coupled with additional sexual cues to send a more definitive sexual invitation. Women should send nonverbal signals to men as an invitation, but also, and perhaps more importantly, as permission to approach. The more signals offered, the more likely it is that men will receive the message correctly and also act upon them.

Context: Dating.

Verbal Translation: “I’m interested in you and I want you to know that by looking over at you coyly. I’m giving you permission to pursue me.”

Variant: See Eye Catch And Look Away, Eye Flash, Eye Pop and Flashbulb Eyes, Eye Flutter or Batting Eyes, Peek-a-boo Game (the), Eye Widening.

Cue In Action: Emily was smitten. She couldn’t stop herself from looking at Dave but she was way too shy and scared to go over and talk to him. She cast her eyes his way but didn’t want to get caught looking. Each time he looked her way, her eyes darted to the ground in embarrassment. After the third time, Dave knew something was up so he sauntered over and said “hi.” She blushed immediately.

Meaning and/or Motivation: The room encompassing glance is a sexual signal performed by women interested in being pursued. More specifically, it is done by women who are “checking out” potential suitors and it is done totally unconsciously as is most all other body language. It is very subtle and also very specific.

It should be noted also that most men are fairly clueless in reading this signal and usually miss it. If women wish to make it more powerful and obvious they should add a slight smile. The light bulb usually goes off with the addition of this more overt signal.

Cue Cluster: Watch for submissive cues to accompany the room encompassing glance such as palm up and wrist exposure, neck displays, head lowered, blushing, eyes up, looking up through the forehead, looking over the shoulder, smiling coyly, giggling or laughing, fidgeting and so forth.

Body Language Category: Approach tell, Courtship display, Eye Language, Indicators of sexual interest (IOsI), Intention movements, Liking, Orienting reflex or orienting response, Tie signals.

Resources:

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Moore, M. M. 1985. Nonverbal courtship patterns in women: context and consequences. Ethology and Sociobiology 64: 237-247.

Natale, Michael. 1976. A Markovian model of adult gaze behavior. Journal of Psycholinguistic Research. 5(1): 53-63.

O’Sullivan, Luciaf. ; Byers, E. Sandra. Eroding stereotypes: College women’s attempts to influence reluctant male sexual partners. Journal of Sex Research. 1993 30(3): 270-282.

Perper, T., and Weis, D. L. (1987). Proceptive and rejective strategies of U. S. and Canadian college women. The Journal of Sex Research, 23, 455-480.

Palermo, R., & Rhodes, G. (2007). Are you always on my mind? A review of how face perception and attention interact. Neuropsychologia, 45, 75–92.

Petrican, Raluca; Christopher T. Burris and Morris Moscovitch. Shame, Sexual Compulsivity, and Eroticizing Flirtatious Others: An Experimental Study. Journal of Sex Research. 2015. 52(1), 98–109, 2015. DOI: 10.1080/00224499.2013.829796
http://bodylanguageproject.com/articles/coy-flirtatious-smile-eye-contact-leads-shame-sex/

Qian, Qian ; Song, Miao ; Shinomori, Keizo. Gaze cueing as a function of perceived gaze direction. Japanese Psychological Research. 2013. 55(3): 264-272.

Rupp, H. A., & Wallen, K. (2007). Sex differences in viewing sexual stimuli: An eye-tracking study in men and women. Hormones and Behavior, 51, 524–533.

Rutter, D.C; D. C. Pennington, M. E. Dewey and J. Swain. 1984. Eye-contact as a chance product of individual looking: Implications for the intimacy model of Argyle and Dean. Source: Journal of nonverbal behavior. 8(4): 250-258.

Renninger, Lee Ann; T. Joel Wade, Karl Grammer. Getting that female glance: Patterns and consequences of male nonverbal behavior in courtship contexts. Evolution and Human Behavior. 2004; 25: 416–431.
http://bodylanguageproject.com/articles/part-i-how-to-read-male-sexual-body-language-a-study-for-women-and-the-men-who-wish-to-cheat-the-system/

Rosenfeld, H., Breck, B., Smith, S., & Kehoe, S. 1984. Intimacy-mediators of the proximity-gaze compensation effect: Movement, conversational role, acquaintance, and gender. Journal of Nonverbal Behavior. 8: 235-249.

Walsh, D. G., & Hewitt, J. (1985). Giving Men The Come-On: Effect Of Eye Contact And Smiling In A Bar Environment. Perceptual and Motor Skills, 61, 873-874.

Williams. 1993. Effects of Mutual Gaze and Touch on Attraction, Mood, and Cardiovascular Reactivity Source: Journal of Research in Personality. 27(2): 170-183.

Wicker, B., Michel, F., Henaff, M.-A., & Decety, J. (1998). Brain regions involved in the perception of gaze: A PET study. Neuroimage, 8, 221–227.

Weerth, Carolina ; Kalma, Akko. Gender differences in awareness of courtship initiation tactics. Sex Roles. 1995. 32(11): 717-734.

*No Photo, Amplifier, Arousal, Autonomic signal, Buy signals, Courtship display, Dislike (nonverbal), Emotional body language, Excited body language, Eye Language, Indicator of interest (IoI), Indicator Of Sexual Interest (IOsI), Indicators of disinterest (IOD), Indicators of sexual disinterest (IOsD), Leaked or involuntary body language, Liking, Microexpression

Body Language of Pupillary Reflex, Pupil Dilation or Pupillary Constriction

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Body Language of Pupillary Reflex, Pupil Dilation or Pupillary Constriction

No picCue: Pupillary Reflex

Synonym(s): Pupillometrics, Pupillary Constriction.

Description: The pupils of the eyes (the dark part of the eye) expand or contract dependent on the level of arousal. The pupils will automatically open up and allow more light into the eye on arousal or if we see something we like. Conversely, they will contract or close when we see things we don’t like. The pupils also respond automatically to changes in light. They open when it’s dark and close when it’s bright. This protects our eye from harm and increases our ability to see as the level of light changes.

In One Sentence: The papillary reflex refers to the dilation of the pupils in response to arousal.

How To Use it: Pupils react autonomically to light and emotion, thus it is not something that can be consciously controlled. However, one might artificially create situations which control the size of the pupil. For example, to create wide attractive pupils simply set up dates in low lighting conditions. Candlelight, for example will cause the pupils to dilate, thus making them more attractive. Women can make their eyes more dreamy in profile photos by digitally enhancing the size of their pupils. Likewise, matching your desires to reality will cause eyes to dilate naturally. In other words, finding a correct dating match, which really creates excitement, will naturally produce eyes that dilate, thus compounding the attraction effects.

Context: a) General b) Dating.

Verbal Translation: “When I’m aroused or when I like what I’m seeing, my pupils dilate and open wide so I can take it all in. When I’m turned off, or it’s bright, my pupils contract and take in less light.”

Variant: See Bedroom Eyes or Dialated Pupils.

Cue In Action: a) Mom’s eyes dilated to the max as she watched her newborn baby. a) During poker, he hit the card he liked and his eyes dilated widely, fortunately he wore sunglasses protecting them from sight. b) Her eyes dilated as she observed her muscularly sculpted boyfriend undress.

Meaning and/or Motivation: Pupillometrics is the study of pupil size in relation to emotion such as liking, interest, fear and dislike. Research has shown that young children have larger pupils than adults. This is probably a way for kids to appear more attractive and gain favour and attention. Watch how cartoonist’s habitually embellish the eyes of their characters to make them more appealing.

Pupil dilation can help a body language reader assess when emotion is taking place. Under stress or arousal of any kind, be it liking or visceral disliking, the pupils expand to permit more light to enter facilitating vision. This can include stress and fear due to lying, any other fearful situation and even attraction.

Conversely, the eyes contract due to not liking. This is an entirely autonomic process and not consciously controlled. When assessing someone on their pupil size, be sure to account for changes in ambient light, as the pupils will also respond to these changes.

Cue Cluster: Watch for congruency in body language to determine the meaning behind the pupillary reflex. Liking (dilation) would be coupled with head tilted to the side, open and relaxed facial expressions, smiling and loose body language. Disliking (contraction) would be coupled with head on, hard eyes, pursed lips, grimacing, eyebrows coming together and so forth. Also watch for changes in ambient light which will also determine the meaning behind the pupils.

Body Language Category: Amplifier, Arousal, Autonomic signal, Buy signals, Courtship display, Dislike (nonverbal), Emotional body language, Eye Language, Excited body language, Indicators of disinterest (IOD), Indicator of interest (IoI), Indicators of sexual disinterest (IOsD), Indicators of sexual interest (IOsI), Leaked or involuntary body language, Liking, Microexpressions.

Resources:

Ariel, Robert and Castel, Alan. Eyes wide open: enhanced pupil dilation when selectively studying important information. Experimental Brain Research, 2014. 232(1):.337-344.

Ahern S, Beatty J (1979) Pupillary responses during information processing vary with scholastic aptitude test scores. Science 205:1289–1292

Adolphs, Ralph A. 2006. Landmark study finds that when we look at sad faces, the size of the pupil we look at influences the size of our own pupil Social Cognitive and Affective Neuroscience. 1(1): 3-4

Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public-areas

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1

Beatty J (1982) Task-evoked pupillary responses, processing load, and the structure of processing resources. Psychol Bull 91:276–292

Bijleveld E, Custers R, Aarts H (2009) The unconscious eye opener: pupil size reveals strategic recruitment of resources upon presentation of subliminal reward cues. Psychol Sci 20:1313–1315

Bradley MM, Miccoli L, Escrig MA, Lang PJ (2008) The pupil as a measure of emotional arousal and autonomic activation. Psychophysiology 45: 602–607.

Daniel J. Kruger and Jory S. Piglowski. The Effect of Eyelid Constriction on Perceptions of Mating Strategy: Beware of the Squinty-Eyed Guy! Personality and Individual Differences. 2012. 52: 576-580.
http://bodylanguageproject.com/articles/beware-squinty-eyed-guy-studying-body-language-narrowed-eyes

Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
http://bodylanguageproject.com/articles/eyes-and-facial-expressions-may-be-biologically-controlled-serve-a-real-non-emotional-purpose-says-research/

Daniele Marzoli, Mariagrazia Custodero, Alessandra Pagliara, and Luca Tommasi. Sun-Induced Frowning Fosters Aggressive Feelings. Cognition And Emotion. 2013; 27 (8): 1513-1521.
http://bodylanguageproject.com/articles/the-sun-can-produce-feelings-of-anger-and-aggression-it-makes-us-frown/

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Girard, Jeffrey M.; Jeffrey F. Cohna; Mohammad H.Mahoor S.; Mohammad Mavadati;
Zakia Hammal; and Dean P. Rosenwalda. Nonverbal Social Withdrawal In Depression: Evidence From Manual And Automatic Analyses. Image and Vision Computing. 2013.
http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression

Geangu, Elena; Petra Hauf; Rishi Bhardwaj and Wolfram Bentz. Infant Pupil Diameter Changes in Response to Others’ Positive and Negative Emotions. 2011. PLoS ONE 6(11): e27132. doi:10.1371/journal.pone.0027132
http://bodylanguageproject.com/articles/distress-happiness-reflected-infants-eyes/

Goldinger SD, Papesh MH (2012) Pupil Dilation Reflects the Creation and Retrieval of Memories. Current Directions in Psychological Science 21: 90–95.

Heaver B, Hutton SB (2011) Keeping an eye on the truth? Pupil size changes associated with recognition memory. Memory 19: 398–405.

Hoeks B, Levelt W (1993) Pupillary dilation as a measure of attention: A quantitative system analysis. Behav Res Methods 25:16–26.

Hamel, R. F (1974). Female subjective and pupillary reactions to nude male and female figures. Journal of Psychology. 87: 171-175.

Harrison, Neil A.; Wilson, C. Ellie; Critchley, Hugo D. 2007. Processing of observed pupil size modulates perception of sadness and predicts empathy. Emotion. 7(4): 724-729.

Hess, E. H., & Polt, J. M. (1960). Pupil size as related to the interest value of visual stimuli. Science, 132: 349-350.

Hess, E. H. 1965. Attitude and pupil size. Scientific American, 212 (4): 46–54.

Hess, E. H. 1975. The role of pupil size in communication. Scientific American. 233(5): 110–119.

Janisse, Michel Pierre. 1973. Pupil Size and Affect: A Critical Review of the Literature Since 1960. Canadian Psychologist Psychologie Canadienne. 14(4): 311-329.

Marzoli, Daniele; Mariagrazia Custodero; Alessandra Pagliara and Luca Tommasi. Sun-Induced Frowning Fosters Aggressive Feelings. Cognition And Emotion. 2013; 27 (8): 1513-1521. http://bodylanguageproject.com/articles/avoid-anger-sunny-days/

Otero SC, Weekes BS, Hutton SB (2011) Pupil size changes during recognition. memory. Psychophysiology 48: 1346–1353.

Reed, Lawrence Ian; Katharine N. Zeglen and Karen L. Schmidt. Facial Expressions as Honest Signals of Cooperative Intent in a One-Shot Anonymous Prisoner’s Dilemma Game. Evolution and Human Behavior. 2012. 33: 200-209. http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression/

Rieger, Gerulf ; Savin-Williams, Ritch C Kemp, Andrew H. (Editor). The Eyes Have It: Sex and Sexual Orientation Differences in Pupil Dilation Patterns (The Eyes Have It). PLoS ONE, 2012, Vol.7(8), p.e40256.

Privitera CM, Renninger LW, Carney T, Klein S, Aguilar M (2010) Pupil dilation during visual target detection. J Vis 10(10):3.

Steinhauer SR, Siegle GJ, Condray R, Pless M (2004) Sympathetic and parasympathetic innervation of pupillary dilation during sustained processing. International Journal of Psychophysiology 52: 77–86.

Tombs, Selina; Silverman, Irwin 2004. Pupillometry: A sexual selection approach. Evolution and Human Behavior. 25(4): 221-228.

Weisfeld, Glenn E. and Jody M. Beresford. Erectness of Posture as an Indicator of Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
http://bodylanguageproject.com/articles/body-language-cues-dominance-submission-children/

Wierda , Stefan M.; Van Rijn; Hedderik; Taatgen; Niels A.; Martens, Sander. Pupil dilation deconvolution reveals the dynamics of attention at high temporal resolution. Proceedings of the National Academy of Sciences of the United States of America, 2012. Vol.109(22): 8456-8460.

Wang, Joseph Tao-yi ; Spezio, Michael ; Camerer, Colin F. Pinocchio’s Pupil: Using Eyetracking and Pupil Dilation to Understand Truth Telling and Deception in Sender-Receiver Games. American Economic Review, 2010. 100(3): 984-1007
Raul, Muresan. Pupil dilation and visual object recognition. Frontiers in Human Neuroscience, 2011, Vol.5.

Zellin, Martina; Pannekamp, Ann; Toepel, Ulrike; van der Meer, Elke. In the eye of the listener: Pupil dilation elucidates discourse processing. International Journal of Psychophysiology, 2011, Vol.81(3): 133-141.

Arousal, Courtship display, Indicator Of Sexual Interest (IOsI), Intention movements, Leaked or involuntary body language, Masked emotions, Microexpression

Body Language of Pouting Lips or Lip Parting

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Body Language of Pouting Lips or Lip Parting

BodyLanguageProjectCom - Pouting Lips or Lip Parting 2Cue: Pouting Lips.

Synonym(s): Lip Parting, Parting Lips, Bottom Lip Jut.

Description: a) When the lips form a pout or kiss and are pushed forward. Sometimes the cue is barely detectable where the lips only press together slightly. b) A facial gesture done by pressing the lips together and pushing them forward and crunching the eyebrows downward and inward as if in grief. A childlike facial expression where the bottom lip is pushed out.

In One Sentence: Pouting lips signals a negative though or the desire to kiss.

How To Use it: In dating, eyes to the lips of another coupled with lip pouting signals that one is ready to kiss. Women can use this gesture with good results at the end of a date to signal to their partner that they are ready for intimacy.

Pouting can also be used to manipulate the emotions of others. Children, like adults, can use the expression to show sadness. When viewed, others are likely to offer a caring response which can help you get what you want.

Context: a) Dating b) General.

Verbal Translation: a) “I really want to kiss someone, and I’m puckering in anticipation.” b) “I’m upset and it’s causing me grief forcing me to press my lips together.”

Variant: See Compressed Lips.

Cue In Action: a) She was aroused by Dave and found herself subconsciously pressing her lips together as if she was already kissing him – the anticipation was driving her mad. b) She was only 3 years old, but knew full well that if she pouted for long enough with sad eyes, Dad would do anything she wanted.

Meaning and/or Motivation: a) Lip puckering is a sexual cue, or desire to kiss, when in context.

b) Bottom lip jut is a negative thought indicator or that disagreement is present especially if accompanied by frowning, scrunched eyebrows, or other negative cues. This gesture is usually done by small children or by adults resorting to juvenile characteristics trying to secure affection, privilege, resource, or reward of some kind from another person. The lip jut is also called pouting and shows helplessness and lack of agency. This is the case when done by adults or children.

Cue Cluster: Lip puckering is usually associated with a) Other sexual cues of interest such as strong eye contact or eye to mouth, neck titled to the side and neck displays, lip licking and self touching or b) With hung or hunched shoulders, sad droopy eyes, scrunched up eyebrows, head down, verbal sighs and other helpless and dejected body language.

Body Language Category: Arousal, Courtship display, Indicators of sexual interest (IOsI), Leaked or involuntary body language, Masked emotions, Microexpressions, Intention movements.

Resources:

Darwin, Charles (1872). The Expression of the Emotions in Man and Animals, third editionn (New York: Oxford University Press, 1998).

Eibl-Eibesfeldt, Irenaus (1973). “The Expressive Behaviour of the Deaf-and-Blind-Born.” In Mario von Cranach and Ian Vine (Eds.), Social Communication and Movement (European Monographs in Social Psychology 4, New York: Academic Press), pp. 163-94.

Gaarder, Emily ; Rodriguez, Nancy ; Zatz, Marjories. Criers, liars, and manipulators: Probation officers’ views of girls. Justice Quarterly. 2004. 21(3): 547-578.

Izard, Carroll E. (1971). The Face of Emotion (New York: Appleton-Century-Crofts).

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Moore, Monica. M. Nonverbal Courtship Patterns in Women: Context and consequences. Ethology and Sociobiology. 1985. 6:237- 247.

Moore, M. M. Courtship Communication and Perception. Perceptual and Motor Skills. 2002. 94(1): 97-105. doi:10.2466/PMS.94.1.97-105.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Negriff, Sonya ; Noll, Jennie G ; Shenk, Chad E ; Putnam, Frank W ; Trickett, Penelope K. Associations between nonverbal behaviors and subsequent sexual attitudes and behaviors of sexually abused and comparison girls. Child maltreatment. 2010. 15(2): 180-9.

Nam, Kyoungtae ; Lee, Guiohk ; Hwang, Jang-Sun. Gender Stereotypes Depicted by Western and Korean Advertising Models in Korean Adolescent Girls’ Magazines. Sex Roles. 2011. 64(3): 223-237.

Rudd, Jille. ; Burant, Patriciaa. ; Beatty, Michaelj. Battered women’s compliance-gaining strategies as a function of argumentativeness and verbal aggression. Communication Research Reports. 1994. 11(1): 13-22.

Umiker, William O. How to neutralize manipulators. (manipulation in the healthcare environment). Medical Laboratory Observer. 1997. 29(8): 90(5).

Amplifier, Appease, Body size reduction, Indicator Of Sexual Interest (IOsI), Pseudo-infantile gestures, Readiness to submit postures, Submissive body language

Body Language of Pigeon Toes or Tibial Torsion

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Body Language of Pigeon Toes or Tibial Torsion

BodyLanguageProjectCom - Pigeon Toes or Tibial Torsion 1Cue: Pigeon Toes.

Synonym(s): Tibial Torsion, Toes Pointed Inward.

Description: While standing, the toes are pointed inwards toward each other.

In One Sentence: Pigeon toes indicate submission.

How To Use it: The pigeon toes posture is most effective when used by children and women as it is submissive in nature. Men can also use the posture, however, their challenge is finding a sympathetic partner who will read the cue and react in ways that benefit them. That being said, when children and women wish to show submission and lessen punishment or gain special treatment or favours, pointing the toes inward and taking on a smaller profile, is the answer. Pigeon toes can work to women’s advantage in dating as it shows their willingness to submit.

Context: a) General b) Dating.

Verbal Translation: “When I point my toes inward, I’m shrinking my body profile so as to appear more submissive and docile.”

Variant: See Splayed Feet or Feet Pointed Outward.

Cue In Action: a) The kid was upset and scared of the teacher, he turned his feet inward, lowered his head and began to sob. b) She stood near the bar, turned her feet inward and batted her eyes at the cute boy – she felt smitten, girly, attractive.

Meaning and/or Motivation: Having the toes pointed inwards, often called pigeon toes or anatomically “tibial torsion” is a submissive body posture.

Children, and women who are smitten, will point their toes inwards to show their meekness signaling their willingness to be lead by more dominant individuals. Pigeon toes makes the body appear smaller forcing it into a less threatening profile.

In a sexual situation, aiming the toes inward indicates submission and is usually performed by the woman in this context. This claim assumes that most women wish for and choose more dominant men than themselves, which of course isn’t always the case. However, when the cue persists, it can be assumed that she’d rather follow than lead.

Body Language Category: Amplifier, Appease, Body size reduction, Indicators of sexual interest (IOsI), Pseudo-infantile gestures, Readiness to submit postures, Submissive body language.