Category: Authoritative body language

*No Photo, Amplifier, Authoritative body language, Dominant body language, Leadership body language

Body Language of Head Of The Table

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Body Language of Head Of The Table

No picCue: Head Of The Table.

Synonym(s): Leadership Positions, Sitting At The Head Of The Table.

Description: Sitting at the head of the table.

In One Sentence: Sitting at the head of the table is a sign of dominance.

How To Use it: Research has shown that taking on the head of the table not only is reserved for the most dominant, but also when people are assigned to sit there, attributed to them. Therefore, sitting at the head of the table is important for bosses especially, and also for men who wish to form a patriarchy in their house and be seen as the one in charge.

When one does not wish to be seen as a leader, make decisions, or be responsible for the outcome, one should avoid the head of the table.

Context: a) General b) Business.

Verbal Translation: “I’m in charge so I sit at the head of the table which permits me to address each person without having to turn my head.”

Variant: See Stardust Chairs or Stardust Seating Positions.

Cue In Action: a) At dinner, Dad always sat at the head of the table. When he was away on business, the eldest son usually took over his seat. b) As a joke, the new hire sat in the bosses seat at the head of the table. It didn’t go over well.

Meaning and/or Motivation: Researchers attribute visibility and the ability to easily make eye contact with everyone as important features turning the head of the table into a leadership position. When there is no noticeable leader attributed to anyone, the leadership is normally assigned to the person who is sitting at the head of the table.

Interestingly, the leader will also usually find himself in a position which permits him to face the doorway, presumably so he can protect himself from surprise attack.

Cue Cluster: People who claim or sit at the head of the table also carry themselves more confidently with their heads held high, chest out, upright posture, strong handshakes, maintain eye contact, use gesticulation and touch appropriately and so forth.

Body Language Category: Amplifier, Authoritative body language, Dominant body language, Leadership body language.

Resources:

Argyle, M., & Dean, I. Eye contact, distance and affiliation. Sociometry, 1965, 28, 289-304.

Boucher, Michael L. Holzberg, Jules D. (editor). Effect of seating distance on interpersonal attraction in an interview situation. Journal of Consulting and Clinical Psychology. 1972 38(1): 15-19.

Cook, M. Experiments on orientation and proxemics. Human Relations, 1970, 23, 61-67.

Clack, B., Dixon, J., & Tredoux, C. (2005). Eating together apart: Patterns of segregation in a multi-ethnic cafeteria. Journal of Community & Applied Social Psychology, 15, 1-16. doi:10.1002/casp.787

Castelli, Luigi ; Carraro, Luciana ; Pavan, Giulia ; Murelli, Elisa ; Carraro, Alessia. The Power of the Unsaid: The Influence of Nonverbal Cues on Implicit Attitudes. Journal of Applied Social Psychology. 2012 42(6): 1376-1393.

Coutts, Larrym. ; Ledden, Maribeth. Nonverbal Compensatory Reactions to Changes in Interpersonal Proximity. The Journal of Social Psychology. 1977 102(2): 283-290.

Felipe, N. Interpersonal distance and small group interaction. Cornell Journal of Social Relations, 1966, 1, 59-64.

Felipe, N. Connotations of seating arrangements. Cornell Journal of Social Relations, 1967, 2, 37-44.

Gifford, Robert ; O’Connor, Brian. Nonverbal intimacy: Clarifying the role of seating distance and orientation. Journal of Nonverbal Behavior. 1986 10(4): 207-214.

Gardin, Hershel ; Kaplan, Kalman J. ; Firestone, Ira J. ; Cowan, Gloria A. Lanzetta, John T. (editor). Proxemic effects on cooperation, attitude, and approach-avoidance in a Prisoner’s Dilemma game. Journal of Personality and Social Psychology. 1973. 27(1): 13-18.

Greenberg, J. 1976. The role of seating position in group interaction: a review, with applications for group trainers. Group & Organization Management 1 (3): 310-327.

Howells, L. T. and S. W. Becker. 1962. Seating arrangement and leadership emergence.
The Journal of Abnormal and Social Psychology 64(2): 148-150.

Haase, Richard F. ; Dimattia, Dominic J. Berdie, Ralph F. (editor). Proxemic behavior: Counselor, administrator, and client preference for seating arrangement in dyadic interaction. Journal of Counseling Psychology. 1970 17(4): 319-325.

Jackson, Danielle; Erika Engstrom and Tara Emmers-Sommer. 2007. Think Leader, Think Male and Female: Sex vs. Seating Arrangement as Leadership Cues. Sex Roles. 57 (9/10): 713-723.

Jackson, Danielle ; Engstrom, Erika ; Hassenzahl, David M. Effects of sex and seating arrangement on selection of leader. Perceptual and motor skills. 2005. 100(3 Pt 1): 815-8

Kenner, Andrew N. ; Katsimaglis, George. Gender differences in proxemics: taxi-seat choice. Psychological Reports. 1993 72(2): 625(2).

Leventhal, G. 1978, Sex and setting effects on seating arrangement. Journal of Psychology. 100: 21-26.

Lott, D. F. and R. Sommer. 1967. Seating arrangements and status. Journal of Personality and Social Psychology 7 (1): 90-95.

Michelini, RL, Passalacqua, R., & Cusimano, J. 1976. Effects of seating arrangement on group participation. Journal of Social Psychology. 99: 179-186.

Mackinnon, Sean P. ; Jordan, Christian H. ; Wilson, Anne E. Birds of a feather sit together: Physical similarity predicts seating choice. Personality & Social Psychology Bulletin. 2011 37(7): 879(14).

Norum, G.A., Russo, N.J., and Sommer, R. 1967. Seating patterns and group tasks. Source: Psychology in the schools. 4(3): 276-280.

Porter, Natalie ; Geis, Florence ; Jennings (Walstedt), Joyce. Are women invisible as leaders? Sex Roles. 1983. 9(10): 1035-1049.

Riess, M. and P. Rosenfeld. 1980. Seating preferences as nonverbal communication: a self-presentational analysis. Journal of Applied Communications Research 8(1): 22.

Stephenson, G. M. and B. K. Kniveton. 1978. Interpersonal and interparty exchange: an experimental study of the effect of seating position on the outcome of negotiations between teams representing parties in dispute. Human Relations 31(6): 555-566.

Scherer, S. E., & Schiff, M. R. Perceived intimacy, physical distance, and eye contact. Perceptual and Motor Skills, 1973, 36, 835-841.

Scott, J. A. Comfort and seating distance in living rooms: The relationship of interactants and topic of conversation. Environment and Behavior, 1984, 16, 35-54.

Sommer, R. Studies in personal space. Sociometry, 1959, 22,247-260.

Sommer, R. The distance for comfortable conversation: A further study. Sociometry, 1962, 25, 111-116.

Sommer, R. Personal space: The behavioral basis of design. Englewood Cliffs, New Jersey: Prentice Hall. 1969.

Xu, Y. ; Franconeri, S. L. The Head of the Table: Marking the “Front” of An Object Is Tightly Linked with Selection. Journal of Neuroscience. 2012. 32(4): 1408-1412.

Weiss, M., & Keys, C. The influence of proxemic variables on dyadic interaction between peers. Paper presented at the meeting of the American Psychological Association; Chicago, 1975, August.

Zweigenhaft, R. L. 1976. Personal space in the faculty office: Desk placement and the student-faculty interaction. Journal of Applied Psychology 61 (4): 529-532.

Aggressive body language, Amplifier, Authoritative body language, Dislike (nonverbal), Evaluative body language, Power play, Suspicious body language, Threat displays

Body Language of The Head Lowered In Judgment

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Body Language of The Head Lowered In Judgment

BodyLanguageProjectCom - Head Lowered In Judgment 2Cue: Head Lowered In Judgment.

Synonym(s): Head Down, Lowered Head.

Description: Lowering the head, grimacing, and looking up with an icy glare.

In One Sentence: Lowering the head is a way people show judgment.

How To Use it: Lowering the head makes it appear wider through an optical illusion. A wide head is one that is high in dominance. Therefore, one can use a lowered head to create dominance and also show judgment of others in order to intimidate.

Fathers can use this cue effectively on misbehaving children as can wives on their husbands. When done properly, the cue appears highly aggressive and intimidating especially when coupled with direct eye contact.

Context: General.

Verbal Translation: “I don’t like what I’m seeing so I’m lowering my head in judgment and peering down on you.”

Variant: Lowering the head with up-cast eyes or Forehead Bow (The), can easily be confused with a lowered head in judgment yet means something totally different. A bent head with relaxed up-cast eyes means agreement, confirmation, or even shame, but most importantly, signals submission. Angry eyes, coupled with head lowered, implies judgment. See Head Tilted Back, Peering Over The Glasses, and Bow and Body Bend, Forehead Bow (The).

Cue In Action: The librarian lowered her head, crossed her arms, and cast an icy stare at the boys who were fooling around.

Meaning and/or Motivation: The head down shows judgment or negative internal emotion and disapproval. The head down shows that a person is prepared for a battle. They are daring others to take a punch – instigating.

As with any head motion it is important to examine the adjoining clusters of body language to determine its true origins. For example, head down with eyes up can signal confrontation. The sender of the message wishes to make clear that they are in disagreement, feel anger and contempt. Adding arm crossed to head down would signify more prominently that there was negativity present, especially with arms crossed and an icy stare.

Don’t confuse the Forehead Bow with Lowered Head In Judgment. The two are different in terms of the eye contact and context.

Cue Cluster: My son who is just nine months old, as of this writing, will pull his chin in and put his head down so that I can’t see his eyes when I instruct him not to touch the buttons on my desktop computer tower. He also smirks when he doesn’t want to internalize and obey me. Next, he raises his left arm (usually) to the back of his neck and either (short) grabs his ear or the hair at the side of his head, or reaches all the way and scratches the back of his neck showing restraint. I say short-grab because the real cue is the grab the back of the neck, but his arms, being a baby are short and inflexible. Scratching the back of the neck is like “holding yourself back” by the scruff of the neck. This cue cluster has been important for my wife and I, as we ascertain what level of obedience we should expect based on whether or not he has actually internalized our instructions.

Body Language Category: Amplifier, Aggressive body language, Authoritative body language, Dislike (nonverbal), Evaluative, Power play, Suspicious body language or suspicion, Threat displays.

Resources:

Aviezer, Hillel; Yaacov Trope, Alexander Todorov. Body Cues, Not Facial Expressions, Discriminate Between Intense Positive and Negative Emotions.. Science 338, 1225 (2012). http://bodylanguageproject.com/articles/body-language-trumps-facial-expressions-read-my-body-not-my-lips/

Beall, Alec and Jessica L. Tracy. The Puzzling Attractiveness of Male Shame. Manuscript submitted to Evolutionary Psychology. www.epjournal.net – 2014. 12(x): 1-39
http://bodylanguageproject.com/articles/male-nonverbal-shame-attractive/

Briñol, Pablo; Richard E. Petty and Benjamin Wagner. Body Posture Effects on Self-Evaluation: A Self-Validation Approach. European Journal of Social Psychology. 2009. 39(6): 1099-0992. DOI: 10.1002/ejsp.607. http://dx.doi.org/10.1002/ejsp.607
http://bodylanguageproject.com/articles/fix-posture-fix-confidence/

Costa, M., Menzani, M., & Ricci Bitti, P. E. Head canting in paintings: An historical study. Journal of Nonverbal Behavior. 2001. 25: 63–73.
Costa, M., & Ricci Bitti, P. E. Face-ism effect and head canting in one’s own and others’ photographs. European Psychologist. 2000. 5: 293–301.

Furley, Philip and Geoffrey Schweizer. “I’m Pretty Sure That We Will Win!”: The Influence of Score-Related Nonverbal Behavioral Changes on the Confidence in Winning a Basketball Game Journal of Sport & Exercise Psychology. 2013. 35:316-320. http://dx.doi.org/10.1123/jsep.2013-0199
http://bodylanguageproject.com/articles/losers-nonverbal-behavior-boosts-confidence-winners-study/

Hehman, Eric; Jordan B. Leitner and Samuel L. Gaertner. Enhancing Static Facial Features Increases Intimidation. Journal of Experimental Social Psychology. 2013; 49: 747-754.
http://bodylanguageproject.com/articles/tilting-the-head-is-display-of-intimidation-study/

Hwang, Hyisung C. and David Matsumoto. Cultural Differences in Victory Signals of
Triumph Cross-Cultural Research. SAGE Publications 2014. 48(2):177– 191.
http://bodylanguageproject.com/articles/culture-nonverbal-triumph/

Keltner, D. The signs of appeasement: Evidence for the distinct displays of embarrassment, amusement, and shame. Journal of Personality and Social Psychology. 1995. 68: 441–454.

Krumhuber, Eva; Antony S. R.; Manstead; and Arvid Kappas. Temporal Aspects of Facial Displays in Person and Expression Perception: The Effects of Smile Dynamics, Head-tilt, and Gender. Journal Nonverbal Behavior. 2007; 31: 39-56.
DOI 10.1007/s10919-006-0019-x
http://bodylanguageproject.com/articles/head-tilt-and-slow-onset-smile-nonverbals-trust-attraction-dominance-and-flirting-a-brief-report/

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence

Martens, Jason P.; Jessica L. Tracy and Azim F. Shariff. Status signals: Adaptive
benefits of displaying and observing the nonverbal expressions of pride and shame, Cognition & Emotion. 2012. 26(3): 390-406. DOI: 10.1080/02699931.2011.645281
http://bodylanguageproject.com/articles/significant-nonverbal-expression-pride-shame-body-language-detailed-examination-origin-function/

Martina Mara and Markus Appel. Effects of Lateral Head Tilt on User Perceptions of Humanoid and Android Robots. Computers in Human Behavior. 2015. 44: 326-334. http://bodylanguageproject.com/articles/nonverbal-head-tilt-says-robot/

Martens, Jason P.; Jessica L. Tracy and Azim F. Shariff. Status signals: Adaptive
benefits of displaying and observing the nonverbal expressions of pride and shame, Cognition & Emotion. 2012. 26(3): 390-406. DOI: 10.1080/02699931.2011.645281
http://bodylanguageproject.com/articles/significant-nonverbal-expression-pride-shame-body-language-detailed-examination-origin-function/

Matsumoto, D., & Willingham, B. (2006). The thrill of victory and the agony of defeat: Spontaneous expressions of medal winners of the 2004 Athens Olympic Games. Journal of Personality and Social Psychology, 91(3), 568–581.

Mouterde, S. C., Duganzich, D. M., Molles, L. E., Helps, S., Helps, R., & Waas, J. R. (2012). Triumph displays inform eavesdropping little blue penguins of new dominance asymmetries. Animal Behaviour, 83, 605–611.

Nelson, Nicole L and James A. Russell. Children’s Understanding Of Nonverbal Expressions Of Pride. Journal of Experimental Child Psychology. 2012; 111: 379-385.
http://bodylanguageproject.com/articles/can-children-read-pride-body-language/

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Shariff, Azim F. and Jessica L. Tracy. Knowing Who’s Boss: Implicit Perceptions of Status From the Nonverbal Expression of Pride. Emotion. 2009.9(5): 631-639.
http://bodylanguageproject.com/articles/can-you-tell-whos-boss-by-the-nonverbal-expression-of-pride/

Tracy, Jessica L. and Alec T. Beall. Happy Guys Finish Last: The Impact of Emotion Expressions on Sexual Attraction Emotion. American Psychological Association. 2011; 11(6): 1379–1387
http://bodylanguageproject.com/articles/happy-guys-finish-last-happy-women-finish-first-says-new-study-on-sexual-attractiveness/

Tracy, Jessica L. and David Matsumoto. The Spontaneous Expression Of Pride And Shame: Evidence For Biologically Innate Nonverbal Displays. 2008; 105 (33) 11655-11660.
http://bodylanguageproject.com/articles/universal-expressions-of-pride-and-shame/

Tracy, Jessica L. and Richard W. Robins. The Nonverbal Expression of Pride: Evidence for Cross-Cultural Recognition. Journal of Personality and Social Psychology. 2008. 94(3): 516–530. DOI: 10.1037/0022-3514.94.3.516

http://bodylanguageproject.com/articles/nonverbal-expression-pride-recognized-cross-culturally/

Tracy, J. L., & Robins, R. W. (2007). The prototypical pride expression: Development of a nonverbal behavior coding system. Emotion, 7(4), 789–801.

Teixeira Fiquer, Juliana; Paulo Sérgio Boggio and Clarice Gorenstein. Talking Bodies: Nonverbal Behavior in the Assessment of Depression Severity. Journal of Affective Disorders. 2013. 150: 1114-1119.
http://bodylanguageproject.com/articles/using-nonverbal-behaviour-to-assess-depression-severity/

Welker, Keith M.; Stefan M.M.; Goetz, Shyneth Galicia; Jordan Liphardt and Justin M. Carré. An Examination of the Associations Between Facial Structure, Aggressive Behavior, and Performance in the 2010 World Cup Association Football Players. Adaptive Human Behavior and Physiology (forthcoming in print, online July).
http://bodylanguageproject.com/articles/facial-width-predicts-strength-soccer-field

Wells, G. L., & Petty, R. E. (1980). The effects of head movement on persuasion: Compatibility and incompatibility of responses. Basic and Applied Social Psychology, 1, 219–230.

Authoritative body language, Courtship display, Dominant body language, Guiding body language

Body Language of The Head Drop or Head Beckoning

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Body Language of The Head Drop or Head Beckoning

BodyLanguageProjectCom - Head Drop or Head Beckoning 1 BodyLanguageProjectCom - Head Drop or Head Beckoning 2Cue: Head Drop or Head Beckoning.

Synonym(s): Beckoning With The Head.

Description: Occurs by first establishing eye contact, then lowering the head followed by quickly and deliberately snapping it backward as if to say “Hey you, come over here.”

In One Sentence: Head beckoning is a way to call on someone to come closer.

How To Use it: Use this nonverbal expression in order to informally draw someone closer. A quick flick of the head back shows other people that you want to call them toward you without being overt. Often this cue can be delivered inconspicuously such that it goes unnoticed by other people.

Context: a) General b) Dating.

Verbal Translation: “I’m tossing my head backwards because I want you to come over and chat.”

Variant: The head might be snapped to the left or right as if to say “Let’s get out of here.”

Cue In Action: Dave saw a cute girl. After establishing eye contact and smiling, he tossed his head back inviting her over. She smiled, blushed and lowered her eyes. After chatting with her friend, she decided to come over.

Meaning and/or Motivation: Done as a replacement signal to the finger beckoning and is more subtle especially when the desire is to be secretive, mysterious yet authoritative.

For this reason, the head drop has been adopted by male pick-up artists with limited success. Head beckoning is most suitable when it would be inappropriate to yell such as a busy, crowded area.

Cue Cluster: The head drop is coupled with eye contact and smiling.

Body Language Category: Authoritative body language, Courtship displays, Dominant body language, Guiding body language.

Resources:

Andric, Michael ; Solodkin, Ana ; Buccino, Giovanni ; Goldin-Meadow, Susan ; Rizzolatti, Giacomo ; Small, Steven L. Brain function overlaps when people observe emblems, speech, and grasping. Neuropsychologia, 2013, Vol.51(8), pp.1619-1629

Austin, Keith ; Theakston, Anna ; Lieven, Elena ; Tomasello, Michael Eccles, Jacquelynne S. (editor). Young Children’s Understanding of Denial. Developmental Psychology. 2014. 50(8): 2061-2070.

Akiyama, M. M. (1985). Denials in young children from a cross-linguistic perspective. Child Development, 56, 95–102. doi:10.2307/1130177

Beattie, G., & Shovelton,H.(1999). Mapping the range of information contained in the iconich and gestures that accompany spontaneous speech. Journal of Language and social Psychology, 18, 438–462.

Bartolo, A.,Cubelli,R.,DellaSala,S.,&Drei,S.(2003).Pantomimes are special gestures which rely on working memory. Brain and Cognition, 53, 483–494.

Bernardis, P.,& Gentilucci,M.(2006).Speech hand gestures are the same communication system. Neuropsychologia, 44, 178–190.

Cameron-Faulkner, T., Lieven, E., & Theakston, A. (2007). What part of no do children not understand? A usage-based account of multiword negation. Journal of Child Language, 34, 251–282. doi:10.1016/j.cognition.2010.08.017

Cassell, J., & Thórisson, K. R. (1999). The power of a nod and a glance: Envelope vs. emotional feedback in animated conversational agents. Applied Artificial Intelligence, 3, 519–538.

Dick, A.S., Goldin-Meadow,S., Hasson,U.,Skipper, J.I., & Small, S.L. (2009). Co- speech gestures influence neural activity in brain regions associated with processing semantic information. Human Brain Mapping, 30, 3509–3526.

Fusaro, M., & Harris, P. L. (2013). Dax gets the nod: Toddlers detect and use social cues to evaluate testimony. Developmental Psychology, 49, 514–522. doi:10.1037/a0030580

Fusaro, M., Harris, P. L., & Pan, B. A. (2012). Head nodding and head shaking gestures in children’s early communication. First Language, 32, 439–458. doi:10.1177/0142723711419326

Gräfenhain, M., Behne, T., Carpenter, M., & Tomasello, M. (2009). One-year-olds’ understanding of nonverbal gestures directed to a third person. Cognitive Development, 24, 23–33. doi:10.1016/j.cogdev.2008.10.001

Guidetti, M. (2005). Yes or no? How do young children combine gestures and words to agree and refuse. Journal of Child Language, 32, 911–924. doi:10.1017/S0305000905007038

Goldin-Meadow, S. (1999).The role of gesture in communication and thinking. Trends in Cognitive Sciences, 3, 419–429.

Goldin-Meadow, S.(2003). Hearing gesture: How our hands help us think. Cam-bridge, MA: Belknap Press of Harvard University Press.

Hubbard, A.L., Wilson,S.M., Callan,D.E., & Dapretto, M.(2009). Giving speech a hand: Gesture modulates activity in auditory cortex during speech perception. Human Brain Mapping, 30, 1028–1037.

He, Yifei ; Gebhardt, Helge ; Steines, Miriam ; Sammer, Gebhard ; Kircher, Tilo ; Nagels, Arne ; Straube, Benjamin. The EEG and fMRI signatures of neural integration: An investigation of meaningful gestures and corresponding speech. Neuropsychologia.. 2015. 72: 27-42.

Hummer, P., Wimmer, H., & Antes, G. (1993). On the origins of denial negation. Journal of Child Language, 20, 607– 618. doi:10.1017/S0305000900008503

Hansen, Jacqueline. Teaching without talking: teachers need to be aware of more than just the words they speak to children. They also need to monitor the nonverbal messages that they’re sending to students through proximity, eye contact, gestures, and touching. Phi Delta Kappan. 2010. 92(1): 35(6).

Holle, H., & Gunter,T.C. (2007). The role of iconic gestures in speech disambiguation: ERP evidence. Journal of Cognitive Neuroscience, 19, 1175–1192.

Holler, J., Shovelton, H.,& Beattie, G.(2009).Do iconic hand gestures really contribute to the communication of semantic information in a face-to-face context? Journal of Nonverbal Behavior, 33, 73–88.

Hubbard, A.L., Wilson, S. M., Callan, D. E., & Dapretto, M.(2009).Giving speech a hand: Gesture modulates activity in auditory cortex during speech perception. Human Brain Mapping, 30, 1028–1037.

Kim, K. J. (1985). Development of the concept of truth-functional negation. Developmental Psychology, 21, 462–472. doi:10.1037/0012-1649.21.3.462

Kendon,A.(1994).Do gestures communicate? A review. Research on Language and Social Interaction, 27, 175–200.

Knutson, K.M., McClellan,E.M., & Grafman, J.(2008).Observing social gestures: An fMRI study. Experimental Brain Research, 188, 187–198.

Kelly, S. D., Barr, D. J., Church, R. B., & Lynch, K.(1999).Offering a hand topragmatic understanding: The role of speech and gesture in comprehension and memory. Journal of Memory and Language, 40, 577–592.

Kelly, S. D., Creigh, P., & Bartolotti, J.(2009).Integrating speech and iconic gestures in a Stroop-like task: Evidence for automatic processing. Journal of Cognitive Neuroscience, 22, 683–694.

Kelly, S.D., Kravitz, C.,& Hopkins, M.(2004).Neural correlates of bimodal speech and gesture comprehension. Brain and Language, 89(1), 253–260.

Tam, C. W., & Stokes, S. F. (2001). Form and function of negation in early developmental Cantonese. Journal of Child Language, 28, 373–391. doi:10.1017/S0305000901004688

Vaidyanathan, R. (1991). Development of forms and functions of negation in the early. tages of language acquisition: A study in Tamil. Journal of Child Language, 18, 51–66. doi:10.1017/S0305000900013295

Villarreal, M., Fridman,E.A., Amengual,A., Falasco,G., Gerscovich,E.R., Ulloa,E.R., et al. (2008). The neural substrate of gesture recognition. Neuropsychologia, 46, 2371–2382.

Vaidyanathan, R. (1991). Development of forms and functions of negation in the early. tages of language acquisition: A study in Tamil. Journal of Child Language, 18, 51–66. doi:10.1017/S0305000900013295

Willems, R.M., Ozyurek,A., & Hagoort,P.(2007).When language meets action:The neural integration of gesture and speech. CerebralCortex, 17, 2322–2333.

Wode, H. (1977). Four early stages in the development of L1 negation. Journal of Child Language, 4, 87–102. doi:10.1017/S0305000900000490

Wu, Y. C., & Coulson, S.(2005).Meaningful gestures: Electrophysiological indices of iconic gesture comprehension. Psychophysiology, 42, 654–667.

Wang, Lin ; Chu, Mingyuan Neuropsychologia. The role of beat gesture and pitch accent in semantic processing: An ERP study. 2013, Vol.51(13), pp.2847-2855

Xu,J., Gannon,P.J., Emmorey,K., Smith,J.F., & Braun,A.(2009). Symbolic gestures and spoken language are processed by a common neural system. Proceedings of the NationalAcademyofSciences, 106, 20664–20669.

Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, High confidence body language, High confidence hand displays, Leadership body language, Power play, Up nonverbals

The Hidden Body Language of Hand Steepling

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The Hidden Body Language of Hand Steepling

BodyLanguageProjectCom - Hand Steepling 1Cue: Hand Steepling.

Synonym(s): Steepling The Hands, Tenting the Fingers, Finger Steepling, Hand Tenting.

Description: A posture where the hands are propped up by the fingers of each hand to form a bridge – like a church steeple. In this posture fingers are not interlocked and the palms do not touch. Instead, the finger tips simply touch at their tips.

In One Sentence: Hand steepling is a sign of confidence and that one knows something that another doesn’t.

How To Use it: Use hand steepling to demonstrate true or feigned confidence. This can work when portraying an image of strength is beneficial such as in business or legal negotiations. Steeple the hands when you want other people to think that you are privy to beneficial information that they are not.

Context: General.

Verbal Translation: “I have access to hidden information, and life experience, and this is the source of my power and control over you. I demonstrate this by pressing my fingertips together in a high confidence hand gesture like the roof of a church.”

Variant: Rocking might accompany the steeple where the hands move back and forth by adding and reducing pressure between them. The steeple can be placed low on a lap, or seen hovering slightly above the lap. Other times the steeple is in full view of others with the elbows propped up on the table. The steepler can hold the posture so high that they have to look through the steeple to see others. See Hand Clasping, Hand Wringing, Hand Clasping.

Cue In Action: Donald Trump performed the steeple frequently on his television show The Apprentice, in preparation, of all things, to fire his next apprentice! His steepling was an obvious cue signaling the power he had over his subordinates.

Meaning and/or Motivation: The steepler is someone that is confident, sometimes overconfident, authoritative, and particularly evaluative of others around him.

Confidence, in this case, is held in the power and control they possess and also in knowing things that other people do not. Steeplers are found carrying the gesture when around subordinates, or whenever they seem to have the upper hand. This gesture is effective if you already possess power or want others to think you do, but it is ineffective in team building, since it comes off as arrogant. It does have subconscious manipulative properties though, such as bluffing in poker but in most cases, this gesture is only as effective as that which can be backed up with real confidence and true access to valuable hidden information.

Superiors will also be seen using this gesture in meetings and when giving orders and the higher the steeple is held, the greater the arrogance it depicts. In extreme forms, the person carrying the gesture can be seen “looking right through their hands” between the triangle formed by the pent up fingers and the thumbs.

A high steepler comes off as a “know-it-all” and arrogant and smug especially when coupled with the head tilted backward. A more subtle version is the hidden steeple of which the sender could be trying to hide or shelter their opinion from view by keeping the steepled fingers below the table. The lower steeple is more often used by women and when someone is listening rather than speaking. A low steeple signifies that someone is interested and ready to respond.

Hidden steepling, such as a steeple on the lap under a table, refers to hidden confidence or a desire to limit arrogance in attempt to appear more open and accepting. When the hands are steepled, but holding support of the head, it does not signal confidence, but rather boredom, self-consciousness, or awkwardness.

Steepling can also ebb and flow along with confidence to what is being said which can be useful in negotiations or in arguments. If something is said to drop confidence the steepling might be broken in favour of interlocked hands as if praying but then quickly return when a person feels that their position has improved. Interlocked fingers is a signal of low confidence and the fingers might even be seen wringing themselves. Lawyers quickly learn to control this nonverbal cue in favour of constant steepling rather than any other gesture.

Cue Cluster: The steeple can occur in body language clusters as well, but what is important is not what happens after the steepling, as in the chin stroke and eye glass language, but rather what happens preceding the steepling. By watching for positive open postures such as palms up and arms un-crossed or closed postures such as arms crossed, touching the nose or face and avoiding eye contact, we can tell if the person is trying to be honest or manipulative with his or her apparent power. In other words, steepling is a finish posture serving to punctuate a body language clue cluster rather than the other way around.

Another example of a cue cluster is as follows: crossing the legs by bringing one foot over the opposite leg (the figure-four leg cross), fingers steepling, leaning back in the chair, and tilting the head back and looking down through the nose at others. This cluster shows arrogance and superiority.

Body Language Category: Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, High confidence body language, High confidence hand displays, Leadership body language, Power play, Up nonverbals.

Resources:

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Authoritative body language, Confident body language, Courtship display, Dominant body language, Guiding body language, Leadership body language, Social touching

Body Language of Guiding Body Language

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Body Language of Guiding Body Language

BodyLanguageProjectCom - Head Drop or Head Beckoning 2Cue: Guiding Body Language.

Synonym(s): Hand To The Lower Back Of Another, Lightly Pushing Another’s Back, Pulling Someone While Shaking Hands, Shaking Hands Pull In Or Out, Moving People Around.

Description: Using a hand to lightly push on another person’s lower back to move them in a desirable position. Pulling someone in while shaking hands.

In One Sentence: Guiding is a way to create dominance by controlling the actions of others.

How To Use it: Guiding is a very powerful power-play. Men can increase their sex appeal by placing their hands on the small of a woman’s back and lightly moving her in the direction of his choosing. The same effect works while dancing where the man is expected to, and benefits from, leading the woman.

Men can also guide women by holding their hand and steering or pulling them with a slight lead. This is a powerful way to demonstrate leadership to women which they usually find sexually appealing as it is a display of dominance and leadership.

Guiding can also be done without placing the hand directly in contact with another person’s back, but rather holding it just off contact.

Men can also guide other men less intimately, by placing an arm over the shoulder and putting weight against them, thus moving them in their chosen direction. The man who is confident enough to control other men by one-directional contact will be perceived as the most dominant.

Context: General.

Verbal Translation: “I’m trying to force you into compliance through light force by gently pushing you in the direction I want you to travel.”

Variant: See Head Drop or Head Beckoning.

Cue In Action: a) The host greeted her guest, grabbed their overcoats and gently moved them from the front foyer to the living area for drink and company. b) The man led his dance partner across the room with light pressure to her lower back. c) He guided his date around the room with light pressure to her lower back to meet his family at the cocktail party.

Meaning and/or Motivation: Using a hand to lightly push on another person’s back, pulling someone in when shaking hands, using a finger to beckon someone closer, or using alluring eye contact are all ways to influence people to move in ways desirable.

Guiding is a throwback technique to childhood. Due to its commonplace use during our childhood by our parents, we easily succumb to such tactics throughout our life. A light touch the lower back is conditioned to encourage us to move with, rather than against, the pressure. Guiding is a way other people can control how we move, when and in which direction.

People who use guiding body language are usually dominant. They seek control, are authoritative and seek leadership positions wherever they go.

Cue Cluster: Watch for strong eye contact, head high, good voice patterns and gesturing, strong use of touch in order to flatter and control, strong leadership, and charisma.

Body Language Category: Authoritative body language, Courtship displays, Confident body language, Dominant body language, Guiding body language, Leadership body language, Social touching.

Resources:

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http://bodylanguageproject.com/articles/using-touch-convey-emotion

Williams. 1993. Effects of Mutual Gaze and Touch on Attraction, Mood, and Cardiovascular Reactivity Source: Journal of Research in Personality. 27(2): 170-183.

Willis, F. N., & Hamm, H. K. 1980. The use of interpersonal touch in securing compliance. Journal of Nonverbal Behavior. 5: 49-55.

Williams, L. E., Huang, J. Y., & Bargh, J. A. (2009). The scaffolded mind: Higher mental processes are grounded in early experience of the physical world. European Journal of Social Psychology, 39, 1257–1267.

*No Photo, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal)

Body Language of The Firm Handshake

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Body Language of The Firm Handshake

No picCue: Firm Handshake

Synonym(s): N/A

Description: A handshake that is neither too hard, nor too soft.

In One Sentence: A firm handshake is a universal signal of confidence.

How To Use it: A firm handshake should be a default condition for both men and women. Use a firm handshake especially when it is important that you are seen as competent such as in a business setting. When doing the firm handshake, make sure you are not overly aggressive, as firm does not mean that one needs to inflict pain. A proper firm handshake rarely goes unnoticed and is rewarded with a positive impression and the benefits that go along with it.

Context: General.

Verbal Translation: “I show my confidence by shaking hands with just the right pressure, not too much to be overbearing and not too little to show weakness.”

Variant: See Country Handshake (The), Cold Dead Wet Fish Handshake, Double Gripper Politician Handshake or Double Hander (The), Short Grabber/Finger Grabber Handshake, Oddball Handshake, Palm Up, Palm Down and Palm Even Handshakes, Stiff Arm And Thrust Forward Handshake, Death Grip Handshake, Wrench Forward Handshake, Undershaker Handshake, Wrist Hold Handshake, Wrist Hold Handshake and Upper Arm Grip Handshake, Limp Fish Handshake, Teacup Handshake, Arm Twister Handshake (The), Firm handshake, Fist Bumping.

Cue In Action: He was pleasantly surprised by the new recruit, she had a firm handshake unlike some of the others. This gave him confidence that she’d do a good job.

Meaning and/or Motivation: This is the best overall handshake as it does not appear overbearing or flaccid and weak. Positive attributes are given people who shake hands with appropriate force. When a handshake is too firm, it signals an overbearing attitude, or masks low confidence except when it is matched by a strong physique which might come from a larger athletic person.

Cue Cluster: The firm handshake is a stand-alone cue which has meaning in and of itself, however, we usually see other positive and dominant cues associated with the firm handshake.

Body Language Category: Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal).

Resources:

Aström, J ; Thorell, L H ; Holmlund, U ; D’Elia, G. Handshaking, personality, and psychopathology in psychiatric patients, a reliability and correlational study. Perceptual and motor skills 1993, Vol.77(3 Pt 2): 1171-86.

Chaplin William F.; Phillips Jeffrey B; Brown Jonathan D.; Clanton Nancy R.; Stein Jennifer L.; 2000. Handshaking, gender, personality, and first impressions Journal of personality and social psychology. 79(1): 110-117.

Debrot, Anik ; Schoebi, Dominik ; Perrez, Meinrad ; Horn, Andrea B. Touch as an interpersonal emotion regulation process in couples’ daily lives: the mediating role of psychological intimacy. Personality & social psychology bulletin. 2013. 9(10): 1373-85.

Dolcos, Sanda ; Sung, Keen ; Argo, Jennifer J ; Flor-Henry, Sophie ; Dolcos, Florin. The power of a handshake: neural correlates of evaluative judgments in observed social interactions. Journal of cognitive neuroscience. 2012 24(12): 2292-305.

Fisher, Jeffrey D.; Marvin Rytting; Richard Heslin. 1976. Hands Touching Hands: Affective and Evaluative Effects of an Interpersonal Touch. Sociometry, 39(4): 416-421.

Frumin, Idan; Ofer Perl; Yaara Endevelt-Shapira; Ami Eisen; Neetai Eshel; Iris Heller; Maya Shemesh; Aharon Ravia; Lee Sela; Anat Arzi and Noam Sobel. A Social Chemosignaling Function for Human Handshaking. eLife 2015. 4:e05154
DOI: http://dx.doi.org/10.7554/eLife.05154.
http://bodylanguageproject.com/articles/shake-hands-share-human-scent-curious-case-hand-sniffing-body-language/

Fisher, J; Rytting, M and Heslin, R. 1976. Hands touching hands: affective and evaluative effects on interpersonal touch, Sociometry 39: 416–421.

Gueguen, Nicolas. Handshaking and Compliance With a Request – A Door-to-door Setting. Social Behavior and Personality. 2013. 41(10): 1585-1588.
http://bodylanguageproject.com/articles/handshakes-lead-compliance-study/

Greenbaum, Paul ; Rosenfeld, Howard. Varieties of touching in greetings: Sequential structure and sex-related differences. Journal of Nonverbal Behavior. 1980. 5(1): 13-25.

Ghareeb, P.A. ; Bourlai, T. ; Dutton, W. ; McClellan, W.T. Reducing pathogen transmission in a hospital setting. Handshake verses fist bump: a pilot study. Journal of Hospital Infection. 2013. 85(4): 321-323.

Hiemstra, Kathleen M. Shake My Hand: Making the Right First Impression in Business With Nonverbal Communications.(Brief Article)(Statistical Data Included). Business Communication Quarterly. 1999. 62(4): 71.

Lipsitz, Rebecca (2000). “A Gripping Start.” In Scientific American (September), p. 32.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Stewart, Greg L. ; Dustin, Susan L. ; Barrick, Murray R. ; Darnold, Todd C. Zedeck, Sheldon (editor). Exploring the Handshake in Employment Interviews. Journal of Applied Psychology. 2008 93(5): 1139-1146.

Spezialetti, Brian D. Do’s and don’ts for winning the job interview. (laboratory technicians). Medical Laboratory Observer. 1995. 27(7): 51-53.

Sanda Dolcos; Keen Sung; Jennifer J. Argo; Sophie Flor-Henry and Florin Dolcos. The Power of a Handshake: Neural Correlates of Evaluative Judgments in Observed Social Interactions. Journal of Cognitive Neuroscience. 24; 12: 2292–2305.
http://bodylanguageproject.com/articles/handshake-open-body-language-powerful-nonverbal-effect-brain/

Wesson, David A. The handshake as non-verbal communication in business. (marketing technique). Marketing Intelligence & Planning. 1992. 10(9): 61(6).

Aggressive body language, Amplifier, Authoritative body language, Dislike (nonverbal), Hostile body language, Illustrator, Threat displays

Body Language of Finger Wagging (left and right)

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Body Language of Finger Wagging (left and right)

BodyLanguageProjectCom - Finger Wagging (left and right) 1Cue: Finger Wagging (left and right)

Synonym(s): Wagging The Finger.

Description: A side-to-side or left to right motion done with the index finger.

In One Sentence: Wagging the finger from side-to-side is a way to show disapproval.

How To Use it: The finger wag is useful to mothers trying to signal nonverbally that their children’s behaviour is not proper. Wagging the finger coupled with a stern look on the face can right a child’s wrong behaviour. It can also function as a first warning before things escalate to a verbal confrontation. Since we normally see our mother’s perform this gesture, it is associated later in life with an authoritative figure and therefore, when delivered in adulthood, it tends to be taken seriously. For this reason, adults can belittle and scold other adults with the finger wag.

Context: General.

Verbal Translation: “I’m moving my finger left and right to say “no” with the help of my finger.”

Variant: The head is turned left and right to say “no.”

Cue In Action: She scolded the little girl for taking toys away from her friend while wagging her index finger back and forth.

Meaning and/or Motivation: It is done to emphasize when someone should not do something or while illustrating a negative thought in speech. Imagine the finger as a replacement for a primitive spear being waved around, threatening.

Cue Cluster: The finger wag can be accompanied by a loud voice, leaning in, furrowed forehead, squinted eyes and one hand placed on the hips.

Body Language Category: Amplifier, Aggressive body language, Authoritative body language, Dislike (nonverbal), Hostile body language, Illustrators, Threat displays.

Resources:

Axtell, Roger E. Gestures: The Do’s and Taboos of Body Language Around the World. 1997. Wiley.

Austin, Keith ; Theakston, Anna ; Lieven, Elena ; Tomasello, Michael Eccles, Jacquelynne S. (editor). Young Children’s Understanding of Denial. Developmental Psychology. 2014. 50(8): 2061-2070.

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Bartolo, A.,Cubelli,R.,DellaSala,S.,&Drei,S.(2003).Pantomimes are special gestures which rely on working memory. Brain and Cognition, 53, 483–494.

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Chandler, Jesse ; Schwarz, Norbert. How extending your middle finger affects your perception of others: Learned movements influence concept accessibility. Journal of Experimental Social Psychology. 2009. 45(1): 123-128.
http://bodylanguageproject.com/articles/how-extending-the-middle-finger-affects-perception/

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Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), Excited body language, Expansive movements, Gravity defying body language, High confidence body language, Leadership body language, Open body language, Palm power, Rapport or rapport building, Remotivating gesture

Body Language of Finger Spreading

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Body Language of Finger Spreading

BodyLanguageProjectCom - Finger Spreader 1Cue: Finger Spreading

Synonym(s): Finger Spreader (The)

Description: The hands are held out and fingers splayed apart facing palm to the audience.

In One Sentence: Spreading the fingers is a way to capture the attention of other people like a large embrace.

How To Use it: Spread the fingers out when trying to connect with a wide audience. Use the posture to show others that you are confident and willing to embrace them fully and have the dominance to put yourself out on full display. This posture is best used during presentations to a large audience.

Context: General.

Verbal Translation: “I’m spreading my fingers and extending my arms to try to touch and feel each one of you, connect with you, and massage my ideas into your minds.”

Variant: See Baton Gesture, Finger Pointing.

Cue In Action: The presenter spreads his fingers and extends his arms as he tries to explain his concept. His desire to connect demonstrates authority, confidence, dominance and enthusiasm.

Meaning and/or Motivation: This is an attempt to make contact with the entire audience.

Cue Cluster: N/A

Body Language Category: Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), Expansive movements, Excited, Gravity defying body language, High confidence body language, Leadership body language, Open body language, Palm power, Rapport or rapport building, Remotivating.

Resources:

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Alibali, M.W., Heath, D.C., and Myers,H.J. (2001). Effects of visibility between speaker and listener on gesture production: Some gestures are meant to be seen. Journal of Memory and Language, 44, 169–188.

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Beattie, G., & Shovelton,H.(1999). Mapping the range of information contained in the iconich and gestures that accompany spontaneous speech. Journal of Language and social Psychology, 18, 438–462.

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Aggressive body language, Anger body language, Arrogance or arrogant body language, Authoritative body language, Body pointing, Dominant body language, Enthusiasm (nonverbal), Expansive movements, Hostile body language, Space invasion, Threat displays

Body Language of Finger Pointing

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Body Language of Finger Pointing

BodyLanguageProjectCom - Finger Pointing 3Cue: Finger Pointing

Synonym(s): Pointing, Closed Palm Finger Pointing.

Description: The hand is balled up with the index finger remaining extended ready to jab.

In One Sentence: Finger pointing is a way people distract others from things they are doing by refocusing the attention of others.

How To Use it: Use the index finger like a spear and wave it around when you really want to drive a point. It must be used with caution and with a receptive audience or it will be seen negatively and threatening. The finger is also effective at provoking especially when you wish to arouse confrontation. Use finger pointing when you want someone else to lose their emotional cool as it will incite an aggressive counter reaction. Therefore, prodding with a finger can perform two functions including helping to punctuate important points as well as instigate emotional rebuttals. The index finger, regardless, should be used with care.

Context: General.

Verbal Translation: “I want everyone to look at what I’m pointing at and not at me.” “I’ve sharpened my spear. It is my index finger, and it’s extended and ready to thrust. It will jab at anyone or anything that might be in its path – so watch-out! I’m here to make a point.”

Variant: The middle finger is sometimes used rather than the index which is viewed as offensive by many. The thumb in the hand gesture is a more authoritative and acceptable way to make a point. Also see Finger Wagging (left and right).

Cue In Action: During a confrontation, Jill, pointed over and over, stabbing and prodding her husband with her index finger, each time laying in more and more blame.

Meaning and/or Motivation: The pointer is akin to a spear thrower. Every time they thrust their finger forward or shake it rhythmically it is as if they are jabbing their ideas into their audience and turning them submissive. We see this most often during aggressive verbal fights where the accuser is making strong personal attacks against the other. We also see it during passionate presentations when the speaker wishes to strongly emphasis a point.

Pointing finds its place all over the world to indicate direction or to emphasis a point. However, even the pointing gesture shows variation across culture as some will point with the index finger, others will use the middle finger and yet others still will point with a closed fist and use the thumb to indicate. Most cultures find pointing rude altogether, but others are more tolerant of its use. Where the middle finger is seen as a rude gesture, using it to point can be extremely off-putting and should be avoided.

Pointing fingers is a universal gesture that is negative in nature because it is as if the person is throwing spears. Finger pointing usually appears during aggressive verbal arguments. Finger pointing puts the reflection and responsibility onto the listener, and for this reason, they attach negative connotations to the speaker. It creates defensive feelings in the listener and as it persists, these defensive feelings grow into aggression. Parents will often use the pointing finger to scold children but adults will be far less tolerant of other’s authority especially those of equal status so it is unwise to exercise this gesture with abandon.

Cue Cluster: Finger pointing is usually coupled with a loud voice, enthusiastic gesticulation, leaning inward or encroaching.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger, Authoritative body language, Body pointing, Dominant body language, Enthusiasm (nonverbal), Expansive movements, Hostile body language, Space invasion, Threat displays.

Resources:

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Arrogance or arrogant body language, Authoritative body language, Blocking or Shielding, Body cross, Confident body language, Crotch display, Dominant body language, Expansive movements, Open body language

Body Language of Figure Four Seating Position (The) or The Ankle-Knee Cross

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Body Language of Figure Four Seating Position (The) or The Ankle-Knee Cross

BodyLanguageProjectCom - Figure Four Seating Position (The) or The Ankle-Knee Cross 1Cue: Figure Four Seating Position (The) or The Ankle-Knee Cross

Synonym(s): Ankle-Knee Cross (The)

Description: This body position occurs as one leg is bent, oriented horizontally and pulled over the opposite knee, to form the number four. The leg produces a figure four when viewed from above.

In One Sentence: The figure four leg cross is a dominant and authoritative posture meant to showcase the groin area.

How To Use it: Use the figure four leg cross to show that you are not afraid of being exposed to others but not crass enough for a full uncrossed leg posture. It is generally ill-advised for women to hold this posture as it is masculine in nature, however, in some circles, it can be seen as acceptable but only if pants are worn. It is most certainly is not advisable for women to hold the posture with skirts or dresses of any kind.

The posture finds a welcome place in business and dating where men are working to assert their dominance over others. The figure four is even acceptable amongst friends and is a more tolerated dominance display than is legs uncrossed.

Context: General.

Verbal Translation: “I’m feeling good about myself. I’m dominant, authoritative, and not afraid to put my genitals on display – but not totally be spreading my legs apart – I still need a bit of a shield.”

Variant: See Figure Four Leg Clamp or Figure Four Leg Lock.

Cue In Action: People knew the guy was arrogant and smug. He’d sit there with his arms up against the back of his head ‘hooding’, with his legs cross ankle over knee leaning backward in his chair. Even when the boss was around, he wouldn’t drop the posture.

Meaning and/or Motivation: It is more or less an open posture and should be taken as a mild version of the crotch display since the legs are open. This posture is milder because it doesn’t fully expose the crotch since one leg partially blocks the genitals from view.

Women aren’t normally seen in this posture, but since wearing pants have become more popular recently, it does tend to happen more often than it has in the recent past. When performed by women, it is as an attempt to be one of the boys. The figure four tells us that a person is relaxed and youthful, (mature gentlemen are seen with a full leg cross, or European Leg Cross where the legs end up parallel to one another) and dominant.

Cue Cluster: The figure four leg cross can be accompanied by the hooding posture or the leg clamp by placing the hand on the ankle or shin to show even more stubbornness.

Body Language Category: Arrogance or arrogant body language, Authoritative body language, Body cross, Blocking or Shielding, Confident body language, Dominant body language, Expansive movements, Open body language, Crotch display.

Resources:

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Michalak, J., Mischnat, J., & Teismann, T. (2014). Sitting posture makes a difference: Embodiment effects on depressive memory bias. Clinical Psychology & Psychotherapy, 21, 519–524.

Minvaleev, R. S., Nozdrachev, A. D., Kir’yanova, V. V., & Ivanov, A. I. (2004). Postural influences on the hormone level in healthy subjects: I. The cobra posture and steroid hormones. Human Physiology, 30, 452–456.

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