Author: Chris

*No Photo, Auto contact or self touching, Autoerotic touching, Courtship display, Indicator Of Sexual Interest (IOsI), Pacifying body language, Stressful body language, Stroking body language, Worry body language

Body Language of Running The Tongue Over The Teeth or Lips

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Body Language of Running The Tongue Over The Teeth or Lips

No picCue: Running The Tongue Over The Teeth or Lips.

Synonym(s): Tongue To teeth, Licking The Teeth.

Description: When the tongue is run back and forth over the teeth or lips either with the mouth closed or mouth opened (rare). When the tongue is run back and forth across the teeth with the mouth closed, it shows up as only a bulge passing under the lips as the skin is forced out.

In One Sentence: Running the tongue over the teeth is a sign of the need for pacifying due to negative emotions.

How To Use it: Running the tongue over the teeth produces a comforting feeling. This cue generally goes unnoticed by most people so can be covertly used to pacify the mind.

Context: General.

Verbal Translation: “I’m running my tongue over my teeth or lips in order to creating a soothing sensation because I’m in need of pacifying due to anxiety.”

Variant: See Lip Licking, Leg Cleansing or Leg Pacifying Behaviour, Neck Rubbing (back of neck) or Holding The Back Of The Neck.

Cue In Action: a) His tongue darted in and out, sweeping left and right during his daily tasks inciting his underlying obsessive-compulsive disorder. b) A bulge formed under his front lips indicating that his tongue was sweeping his teeth. The salesman knew his final price wasn’t going to cut it.

Meaning and/or Motivation: At times, lip licking is a sexual cue, but when it is absent of other sexual cues in cluster, it signifies a need to pacify. When done to pacify, it is usually done repeatedly and rhythmically without eye contact. The tongue on teeth provides a soothing tactile stimuli aimed at reducing anxiety.

Often the cue happens just out of perception to a casual observer, but when watched for, can be quite pronounced. A person might sweep their teeth and enjoy the soft surface they provide while dealing with distress.

Habitual teeth lickers provide evidence that they harbor hidden underlying discomfort. The same can be said for habitual lip lickers who sweep their lips over and over again. As the tongue sweeps, it serves the same purpose as running the palms over the thighs, or rubbing the back of the neck, stroking the hands, rubbing the back of the head and so forth. These are all ways we pacify and sooth ourselves throughout the day as stress presents itself.

Cue Cluster: Watch for other pacifying behaviours such as rubbing the face, playing with the hair, stroking the arm or thighs, or hand or an object to the mouth.

Body Language Category: Auto contact or self touching, Autoerotic touching, Courtship display, Stroking body language, Indicators of sexual interest (IOsI), Pacifying body language, Stressful body language, Worry body language.

Resources:

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*No Photo, Approach tell, Courtship display, Eye Language, Indicator Of Sexual Interest (IOsI), Intention movements, Liking, Orienting reflex or orienting response, Tie signals

Body Language of The Room Encompassing Glance

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Body Language of The Room Encompassing Glance

No picCue: Room Encompassing Glance (the)

Synonym(s): N/A

Description: The room encompassing glance occurs by first casting her eyes around the room for five to ten seconds. If she spots someone she is interested in, she will take a second look. This second glance is not directed at the entire room, but rather in the direction of a specific man. It will be short, and she will rotate her head twenty-five to forty degrees to the side then look away, usually downward, within about three seconds. Women usually continue this behavior until they meet their target’s eyes. At this point, the target and the woman will hold a mutual gaze lasting about three seconds which is normally broken by the woman by looking down.

In One Sentence: The room encompassing glance is a female cue signaling sexual interest.

How To Use it: Women should follow the Description (above) in a dating context to signal sexual interest. At times, the cue will need to be repeated or coupled with additional sexual cues to send a more definitive sexual invitation. Women should send nonverbal signals to men as an invitation, but also, and perhaps more importantly, as permission to approach. The more signals offered, the more likely it is that men will receive the message correctly and also act upon them.

Context: Dating.

Verbal Translation: “I’m interested in you and I want you to know that by looking over at you coyly. I’m giving you permission to pursue me.”

Variant: See Eye Catch And Look Away, Eye Flash, Eye Pop and Flashbulb Eyes, Eye Flutter or Batting Eyes, Peek-a-boo Game (the), Eye Widening.

Cue In Action: Emily was smitten. She couldn’t stop herself from looking at Dave but she was way too shy and scared to go over and talk to him. She cast her eyes his way but didn’t want to get caught looking. Each time he looked her way, her eyes darted to the ground in embarrassment. After the third time, Dave knew something was up so he sauntered over and said “hi.” She blushed immediately.

Meaning and/or Motivation: The room encompassing glance is a sexual signal performed by women interested in being pursued. More specifically, it is done by women who are “checking out” potential suitors and it is done totally unconsciously as is most all other body language. It is very subtle and also very specific.

It should be noted also that most men are fairly clueless in reading this signal and usually miss it. If women wish to make it more powerful and obvious they should add a slight smile. The light bulb usually goes off with the addition of this more overt signal.

Cue Cluster: Watch for submissive cues to accompany the room encompassing glance such as palm up and wrist exposure, neck displays, head lowered, blushing, eyes up, looking up through the forehead, looking over the shoulder, smiling coyly, giggling or laughing, fidgeting and so forth.

Body Language Category: Approach tell, Courtship display, Eye Language, Indicators of sexual interest (IOsI), Intention movements, Liking, Orienting reflex or orienting response, Tie signals.

Resources:

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*No Photo, Amplifier, Authoritative body language, Confident body language, Dominant body language, High confidence body language, Leadership body language

Body Language of Rolled Up Sleeves

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Body Language of Rolled Up Sleeves

No picCue: Rolled Up Sleeves

Synonym(s): N/A

Description: When someone, usually a man, rolls up his sleeves when preparing for work.

In One Sentence: Rolling up the sleeves signals the desire to get to work.

How To Use it: Presidents and other politicians use this cue to good effect. By rolling up the sleeves you are showing others that you are ready to get your hands busy with work. Since rolling up the sleeves reminds us of moving them out of the way so we won’t dirty them, it caries a, ‘getting down to business’ metaphorical meaning.

In a confrontation, rolling up the sleeves can signal that aggression is immanent and signals to others that they should back off. Regardless of the context, when we role up our sleeves it will be read by others as a willingness to get things done in a proactive sense.

Men can use the cue in a dating context to show off their forearms. It is generally well received by women.

Context: a) General b) Business.

Verbal Translation: “I’m rolling up my sleeves to keep them from getting in the way of my productivity – let’s get down to business.”

Variant: N/A.

Cue In Action: a) The maid rolled up her sleeves before doing a scrub down on the toilet. b) Barack Obama habitually roles up his sleeves when he’s addressing the crowed. He wants them to know that he’s prepared and ready to take action and more importantly, get results.

Meaning and/or Motivation: Rolling up the sleeves gesture symbolizes a desire to get down to business in a less formal manner. Barack Obama can be seen doing this when speaking on change and action. Rolling up the sleeves body language is most powerful when done in a shirt and tie.

Women usually perceive this body language as masculine and sexy since it puts the forearms on display. The suit and tie also indicate alpha male power traits, which adds to the appeal.

When sleeves are rolled up in a general context, such as for cleaning, the cue indicates competence, but not necessarily prestige. It is the cue taken in a clean, authoritative, alpha context, by a perceived leader that provides the cue with its widespread positive appeal.

Cue Cluster: When performed in a general context, the cue simply means the desire to get to work and remove the sleeves from the potential chance of getting sullied. However, in the political or business context watch for additional confident cues such as head high, fluent speech, loose body, arms gesticulating and a good upright posture.

Body Language Category: Amplifier, Authoritative body language, Confident body language, Dominant body language, High confidence body language, Leadership body language.

Resources:

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

*No Photo, Amplifier, Arousal, Autonomic signal, Boredom body language, Energy Displacement, Escape movements, Metronomic signals, Nervous Body Language, Pacifying body language, Stressful body language, Worry body language

Body Language of Rocking The Body

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Body Language of Rocking The Body

No picCue: Rocking The Body.

Synonym(s): Rocking Back and Forth, Swaying Back and Forth, Body Rocking, Body Shifting.

Description: a) A rhythmic motion of the torso from side to side or from front to back. b) The body is rocked from weight forward to weight back, from side to side usually while standing but can also be done while sitting.

In One Sentence: Rocking the body indicates emotional or body discomfort.

How To Use it: Body rocking is generally seen as a negative cue, but it can be used to signal to others that you are discomforted and wish to leave. Simply rock the body back and forth to show others that you want to leave. Rocking the body is also a way to prepare the body for action. This is useful in sports where people need to stay loose and ready for quick action such as in sprinting. Similarly, rocking is useful in keeping the blood flowing in other contexts too which can stimulate thinking.

Context: General, Dating.

Verbal Translation: “I’m rocking back and forth from side to side because I’m mentally ill (unlikely), ready to take action in a stressful event, or really need to move and burn off some of this pent up energy.” “I’m firing my engine and getting ready to take off – it’s time to wrap things up.” “I’m too cool so I’m rocking off by peeling my body away as if I’m about to leave, it’s time for you to do a little bit of the chasing.”

Variant: See Foot Kicking, Foot Fidgeting, Pacing, Blading Body Language, Body Angling or Ventral Displays, Buttress Stance or Foot Forward Leg Stance.

Cue In Action: a) Betsy was elderly and would rock constantly from side-to-side with a blank, empty expression. b) The sprinter rocked back and forth, kicked out his feet and jumped up and down readying to put in his best effort. c) You could tell the toddler needed to get outdoors after watching television for far too long, as he began to rock back and forth on the sofa. d) Danny rocked away slightly to his back foot as he needed to get to a meeting. e) After talking with a girl for some time, Danny body rocked to show that he was about to leave forcing her to do a little bit of the chasing to keep him interested.

Meaning and/or Motivation: Usually rocking signifies a negative thought and based on its intensity and persistence spells to what degree it is felt. High intensity rocking is found in the mentally ill such as those with schizophrenia, those with obsessive compulsive disorder, or hyperactivity disorder. Low grade rocking can be found in toddlers (and others) who are bored or who don’t get enough physical activity in efforts to release some of their pent up energy.

Rocking also indicates nervousness and can be found in people preparing for sporting events such as sprinting, or taking the stage such for a presentation, or even while waiting to engage in a stressful event such as a school test. In this case, rocking is a substitute for pacing and burning off positive energy in a controlled fashion in order to prepare for the constructive action that is to follow. Rocking can also mean that someone is agitated or upset and is ready to take action or self sooth so they can inhibit themselves from lashing out.

Body rocking is also a technique used to show a desire to leave a conversation. It is a body language expression done by design to show others that one must be someplace else in order to appear more important. It is meant to indicate a nonverbal “time constraint” and has been presented in a dating context to raise status in the eyes of women.

It is the associated clues coupled with the context that will determine the accurate message.

Cue Cluster: Watch for context over associated clue clusters to decipher the true meaning of body rocking. An empty, expressionless face in the elderly might indicate mental illness. Waiting outside a lecture room for an examination indicates nervous rocking while a toddler that rocks while watching television is almost a sure indication that he needs exercise. It is used in accompaniment with eye aversion, head lowered, reduced gestures, body angled away and toes pointed toward an exit, all of which signifies a desire to leave.

Body Language Category: Amplifier, Arousal, Autonomic signal, Boredom body language, Energy Displacement, Escape movements, Impatience, Intention movements, intension postures or intension cues, Metronomic signals, Nervous body language, Pacifying body language, Stressful body language, Worry body language.

Resources:

Broth, Mathias and Lorenza Mondada. Walking Away: The Embodied Achievement of Activity Closings in Mobile Interaction. Journal of Pragmatics. 2013. 47: 41-58.
http://bodylanguageproject.com/articles/nonverbally-negotiate-conversation-walking-away/

Blakeslee, Sandra (1995). “In Brain’s Early Growth, Timetable Maybe Crucial.” In New York Times (“Science Times,” August 29), pp. C1, C3.

Dube, Ashlynn ; Marjanne Kameka ; Stacy M. Lopresti-Goodman. Stereotypical Behaviors in Chimpanzees Rescued from the African Bushmeat and Pet Trade. Behavioral Sciences. 2012. 3(1): 1-20.

Gregersen, Tammy S. Nonverbal Cues: Clues to the Detection of Foreign Language Anxiety. Foreign Language Annals. 2005. 38(3): 388-400
http://bodylanguageproject.com/articles/what-anxious-learners-can-tell-us-about-anxious-body-language-how-to-read-nonverbal-behavior/

Katza, Carmit; Irit Hershkowitz; Lindsay C. Malloya; Michael E. Lamba; Armita Atabakia and Sabine Spindlera. Non-Verbal Behavior of Children Who Disclose or do not Disclose Child Abuse in Investigative Interviews. Child Abuse & Neglect. 2012. 36: 12-20.
http://bodylanguageproject.com/articles/reading-nonverbal-behaviour-child-abuse-cases-encourage-children-divulge-information-truth-telling

Leete, Esso. How I Perceive and Manage My Illness. Schizophrenia Bulletin. 1989. 15(2): 197-200.

Mason, G.J. Stereotypies and suffering. Behavioural Processes. 1991. 25(2): 103-115.

Mendez, Mario F. ; Mirea, Adrian. Adult head-banging and stereotypic movement disorders. Movement Disorders. 1998. 13(5): 825-828.

Pederson, David R. Davidson, Park O. (editor). The soothing effect of rocking as determined by the direction and frequency of movement. Canadian Journal of Behavioural Science/Revue canadienne des Sciences du comportement. 1975. 7(3): 237-243.

Perkins, M. ; Wolkind, S. N. Asperger’s syndrome: who is being abused? Archives of Disease in Childhood. 1991. 66(6): 693(3)

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Shimooka, Yukiko ; Nakagawa, Naofumi. Functions of an unreported “rocking-embrace” gesture between female Japanese Macaques ( Macaca fuscata ) in Kinkazan Island, Japan. Primates. 2014. 55(2): 327-335.

Wolff, Sula. Childhood autism: its diagnosis, nature, and treatment. Archives of Disease in Childhood. 1991. 66(6): 737(5).

*No Photo, Amplifier, Buy signals, Eye Language, Indicator of interest (IoI), Indicators of disinterest (IOD), Pensive displays

Body Language of Removing Eye Glasses Body Language

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Body Language of Removing Eye Glasses Body Language

No picCue: Removing Eye Glasses

Synonym(s): Glasses Removal, Eye Glasses Removal, Taking Off Glasses, Sucking On Eye Glasses, Eye Glasses Tossing, Cleaning Eye Glasses, Eye Glasses Cleaning.

Description: Removal of the eyeglasses.

In One Sentence: Removing the eyeglasses is a signal that one is looking to buy extra time, or an activity requiring them such as reading, has ended.

How To Use it: Remove the glasses in a business setting when you want to buy some time for reflection. After removing the glasses, you can buy even more time by wiping them down. This can be used during important negotiation to break tension and provide time for the other party to rethink and possible add extra incentives.

Removing the glasses and tossing them aside is a great way to show other people that you are done evaluating and that you are prepared to accept or reject a proposition. The way in which it is done, lightly, or forcefully but casting them aside, can tell others if they need to sweeten their offer. For more emphasis, rub the forehead to show how hard you are struggling to reach a conclusion.

Context: General.

Verbal Translation: a) “I’m removing my glasses and cleaning them because I’m trying to stall for time.” b) “I’m removing my glasses so I can avoid seeing things I find distasteful.” c) “I’m removing my glasses because I’m thinking things over and am not interested in receiving any additional information.”

Variant: See Eye Glasses Language, Sunglasses Body Language and Peering Over Glasses.

Cue In Action: a) It was a heated negotiation. Dave was focused with his eye glasses tucked right up to the bridge of his nose. He kept them there while he read the contract. When someone spoke out of turn, he lowered them to the tip of his nose and peered over the top. This made the junior member uncomfortable forcing him to quiet. b) Mid way through, Dave took his glasses off and rubbed his eyes showing his distress. When someone added more input he cut them off, removed his glasses, and put them on the desk. He thought for a moment before putting them back on. He continued with a few more questions. Once answered, he removed his glasses, folded them up and tossed them aside. Sensing things were not going well, they added a bonus clause. Dave recovered his glasses and began to clean them, while contemplating the addition. As he sucked on the arm of the glasses, he put his arm out and shook the hand of the associate – they had a deal.

Meaning and/or Motivation: While in discussion can mean distraction, disinterest or a stalling technique depending on the context (see Cue In Action for eye glasses used in sequence to show thought process).

If eyes become focused on another person while cleaning the glasses, it might spell overt displeasure or passive aggressiveness. If glasses are removed and cleaned when they do not need cleaning at all, it might be read as stalling. The same goes for glasses that are repeatedly cleaned, especially during a difficult negotiation.

Taking eyeglasses off and sucking on the arms indicates pensiveness as someone processes information. Glasses removal indicate that a person does not like what they are seeing and need time to contemplate it by not accepting any further stimulus from the visual spectrum.

Removing the glasses is a form of eye blocking because it cuts vision off. If eyeglasses are put back on and a decision has not been reached, then it’s likely that a person requires more information.

Eyeglasses are sometimes removed when people don’t want the attention to be on them, a sort of checking out gesture. Other times glasses are tossed on a desk haphazardly to show distain, rejection, and negative thoughts. If glasses are removed and folded up, it often signals that a meeting is over.

Cue Cluster: Cue clusters can be as varied as the intent of the message. See the Cue In Action for likely scenarios.

Body Language Category: Amplifier, Buy signals, Eye Language, Indicators of disinterest (IOD), Indicator of interest (IoI), Pensive displays.

Resources:

Borkenau, P. (1991). Evidence of a correlation between wearing glasses and personality. Personality and Individual Differences, 12, 1125-1128. doi:10.1016/0191-8869(91)90074-L

Cheng-Hung Lo; Chao-Yang Yang; Po-Tsang Lin; Kuo-Jung Hsieh: Ying-Chieh Liu and Wen-Ko Chiou. Are Human Faces More Attractive With Glasses?, Journal of the Chinese Institute of Industrial Engineers. 2012. 29(2): 125-135, DOI:10.1080/10170669.2012.662917
http://bodylanguageproject.com/articles/body-language-glasses-faces-attractive-glasses-glasses-say

Edwards, K. (1987). Effects of sex and glasses on attitudes toward intelligence and attractiveness. Psychological Reports, 60, 590.

Harris, M. B., Harris, R. J., & Bochner, S. (1982). Fat, four-eyed, and female: Stereotypes of obesity, glasses, and gender. Journal of Applied Social Psychology, 12, 503-516. doi:10.1111/j.1559-1816.1982. tb00882.x

Harris, M.B. (1991). Sex differences in stereotypes of spectacles. Journal of Applied Social Psychology, 21, 1659–1680. doi 10.1111/j.1559-1816.1991.tb00497.x

Hasart, J. K.,&Hutchinson, K. L. (1993). The effects of eyeglasses on perceptions of interpersonal-attraction. Journal of Social Behavior and Personality, 8, 521–528.

Hellström, A., & Tekle, J. (1994). Person perception through facial photographs: Effects of glasses, hair, and beard on judgments of occupation and personal qualities. European Journal of Social Psychology, 24, 693–705. doi 10.1002/ejsp.2420240606

Keiierman, Joan M. and James D. Laird. The Effect of Appearance on Self Perception. Journal of Personality. 1982; 50: 3.
http://bodylanguageproject.com/articles/eye-glasses-body-language-brief-summary/

Lundberg, J. K., & Sheehan, E. P. (1994). The effects of glasses and weight on perceptions of attractiveness and intelligence. Journal of Social Behavior and Personality, 9, 753–760.

Leder, Helmut ; Forster, Michael ; Gerger, Gernot. The Glasses Stereotype Revisited: Effects of Eyeglasses on Perception, Recognition, and Impression of Faces. Swiss Journal of Psychology. 2011. 70(4): 211-222.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Roberson, Debi ; Kikutani, Mariko ; Doge, Paula ; Whitaker, Lydia ; Majid, Asifa. Shades of Emotion: What the Addition of Sunglasses or Masks to Faces Reveals about the Development of Facial Expression Processing. Cognition. 2012. 125(2): 195-206.

Terry, R. L. (1993). How wearing eyeglasses affects facial recognition. Current Psychology, 12, 151–162. doi 10.1007/ BF02686820

Terry,R. L.,&Hall, C. A. (1989). Affective responses to eyeglasses: Evidence of a sex difference. Journal of American Optometrist Association, 60, 609–611.

Terry, R. L., & Kroger, D.L. (1976). Effects of eye correctives on ratings of attractiveness. Perceptual and Motor Skills, 42, 562. doi 10.2466/PMS.42.2.562

Comfort body language, Confused body language, Open facial gestures, Relaxed body language

Body Language of Relaxed Face

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Body Language of Relaxed Face

BodyLanguageProjectCom - Relaxed Face 1Cue: Relaxed Face.

Synonym(s): Calm Face.

Description: A face that is not compressed, where muscles are not flexed, the eyebrows are not clenched together, the forehead is smooth rather than wrinkled, the eyes are open and not tensed and the lips are full.

In One Sentence: A relaxed face shows high comfort and lack of negative thoughts.

How To Use it: Use a relaxed face when you want to show others that you are in control over your life and the results in it. In business, having a relaxed face should be the default condition. Having a relaxed faces tells others that you can be counted upon for rational decisions in resolving problems. While an angry face can be used to show others that they should take you seriously, a relaxed face shows others that you are in control of your emotions. This is viewed as a positive attribute. When facing high stress, a relaxed face is most potent to onlookers and produces the highest amount of respect and admiration. A relaxed face in these situations signals leadership.

Context: General.

Verbal Translation: “I’m free of stress, I’m comfortable and hold no negative thoughts. As a result, there is no tension in my face, none of its muscles are flexed.”

Variant: See Tense Face for the opposite cue. Also see Eyebrows Knit or Oblique Eyebrows Of Grief, Compressed Lips.

Cue In Action: Sitting at home reading a book put him at ease. His face was relaxed and the furrow between his eyes finally faded along with the stress of the day.

Meaning and/or Motivation: A relaxed face is one that shows comfort and comfort is a cue that delineates honesty, and that the body is free of concern or negative thoughts.

Comfortable people will hold their bodies loose rather than rigid, and their body will move with fluidity. They will gesture with their speech instead of freezing instantly or awkwardly, called “flash frozen.” Comfortable people mirror others around them instead of avoiding synchrony. Their breath rate will be similar and they will adopt like postures instead of showing differences.

A relaxed face is the normal resting face or the “default face” for people. When no negative stimuli are present, it’s the face, free of wrinkle, or contortion that takes over. Conversely, when bad thoughts, stress, anxiety presents itself, the face tenses up and muscles around the forehead, between the eyes and mouth (lip pursing) begin to flex and pulls the face in all sorts of different directions.

Cue Cluster: The eyes are big, the body may splay open, the arms and legs will uncross, smiling occurs readily, people will loosen clothing or remove them to make themselves more comfortable, they will speak easily and casually, a leg can be tucked under and sat on, the body might sag to one side or lay out flat exposing the ventral side, breathing is steady.

Body Language Category: Confused, Comfort body language, Open facial gestures, Relaxed body language.

Resources:

Browning, E. ; Huynh, C. ; Peissig, J. Show Me Your Poker Face: Are Poker Players Better at Recognizing Emotional Expressions? Journal of Vision. 2013. 13(9): 599-599.

Carvajal, Fernando ; Rubio, Sandra ; Serrano, Juan ; Ríos-Lago, Marcos ; Alvarez-Linera, Juan ; Pacheco, Lara ; Martín, Pilar. Is a neutral expression also a neutral stimulus? A study with functional magnetic resonance. Experimental Brain Research, 2013. 228(4): 467-479.

Ekas, Naomi V. ; Haltigan, John D. ; Messinger, Daniel S. The Dynamic Still-Face Effect: Do Infants Decrease Bidding over Time when Parents Are Not Responsive?
Developmental Psychology. 2013. 49(6): 1027-1035.

Kraft, Tara L ; Pressman, Sarah D. Grin and Bear It. Psychological Science. 2012. 23(11): 1372-1378.

Heisel, Marnin ; Mongrain, Myriam. Facial Expressions and Ambivalence: Looking for Conflict in All the Right Faces. Journal of Nonverbal Behavior. 2004. 28(1): 35-52.

Giuseppe Blasi; Ahmad R. Hariri; Guilna Alce; Paolo Taurisano; Fabio Sambataro; Saumitra Das; Alessandro Bertolino; Daniel R. Weinberger and Venkata S. Mattay. Preferential Amygdala Reactivity to the Negative Assessment of Neutral Faces. 2009. 6(9): 847-853.

King, Laura A. Ambivalence over emotional expression and reading emotions in situations and faces. Journal of Personality and Social Psychology. 1998 74(3): 753(10)

Matsumoto, David ; Hwang, Hyisung C. Desteno, David (editor). Judgments of Subtle Facial Expressions of Emotion. Emotion. 2014. 14(2): 349-357.

Mignault, Alain and Chaudhuri, Avi. The Many Faces of a Neutral Face: Head Tilt and Perception of Dominance and Emotion. Journal of Nonverbal Behavior. 2003 27(2): 111-132.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Shah, Rebecca ; Lewis, Michael. Locating the neutral expression in the facial-emotion space. Visual Cognition. 2003. 10(5): 549-566.

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Weisfeld, Glenn E. and Jody M. Beresford. Erectness of Posture as an Indicator of Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
http://bodylanguageproject.com/articles/body-language-cues-dominance-submission-children/

Woud, Marcella L. ; Becker, Eni S. ; Lange, Wolf – Gero ; Rinck, Mike. Effects of approach-avoidance training on implicit and explicit evaluations of neutral, angry, and smiling face stimuli.(Relationships & Communications). Psychological Reports. 2013. 113(1): 1211(18).

Vanderhasselt, Marie – Anne ; Kühn, Simone ; De Raedt, Rudi. Put on your poker face’: neural systems supporting the anticipation for expressive suppression and cognitive reappraisal. Social Cognitive and Affective Neuroscience. 2013 8(8): 903-910.

Wolf K, Mass R, Ingenbleek T, Kiefer F, Naber D et al. (2005) The facial pattern of disgust, appetence, excited joy and relaxed joy: an improved facial EMG study. Scand J Psychol 46: 403-409. doi: 10.1111/j.1467-9450.2005.00471.x. PubMed: 16179022.

Zeinstra, Gertrude G.; M.A. Koelen; D. Colindres ; F.J. Kok; C de Graaf. Facial Expressions in School-Aged Children are a Good Indicator of ‘Dislikes’, but not of ‘Likes.’ Food Quality and Preference. 2009. 20: 620-624.
http://bodylanguageproject.com/articles/read-kids-dislike-food-facial-expressions-accurate-detecting-dislike-not-like-children/

*No Photo, Aggressive body language, Amplifier, Anger body language, Arousal, Emotional body language, Enthusiasm (nonverbal), Excited body language, Fearful body language, Low confidence body language, Lying or deceptive body language, Negative body language, Nervous Body Language, Stressful body language

Body Language of Rapid Speech

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Body Language of Rapid Speech

No picCue: Rapid Speech.

Synonym(s): Fast Talking, Speed Talking.

Description: A voice trait when the rate of speaking occurs at an above average rate. It makes understanding what is being said difficult to follow.

In One Sentence: Rapid speech is a sign of excitement, nervousness, and generally, a heightened emotional state.

How To Use it: Rapid speech is generally not viewed as a positive nonverbal signal. However, it will show others that you are in good spirits when done in the right contexts. Amongst friends for example, rapid speech can show giddiness and therefore a zest for life. In front of a large audience, however, a slower more controlled rate of speech is considered more appropriate.

Context: General.

Verbal Translation: “I’m talking fast and it might be due to any number of reasons, none of which will be viewed particularly positively. I could be nervous, excited, insecure, anxious, scared, angry or have low self esteem,”

Variant: See Slow Speech or Talking Slowly.

Cue In Action: Her giddiness to present her case made her ramble. Her sentences ran-on and her argument became impossible to decipher. After just a few minutes the audience discounted her completely and sided with the more clam and rational presenter.

Meaning and/or Motivation: Talking fast can be due to lying (fast talking salesman), a reaction to growing up in a house where it was hard to get a word in, a basic insecurity, poor self-esteem, efforts to gain attention, nervousness, impatience, anxiety, insecurity, excitement, fear, drugs or alcohol use, anger, desire to persuade or being caught in a lie.

Visual learners are habitually fast talkers as they race to keep up with the images that they are seeing in their mind.

Cue Cluster: Fast talking is usually accompanied by erratic gesticulation and body movements, pacing and face touching,

Body Language Category: Amplifier, Arousal, Aggressive body language, Anger body language, Emotional body language, Enthusiasm (nonverbal), Excited, Fearful body language, Low confidence body language, Lying or deceptive body language, Negative body language, Nervous body language, Stressful body language.

Resources:

Arduino, P. J., & Gould, J. L. (1984). Is tonic immobility adaptive? Animal Behavior, 32, 921–923.

Bracha, H. S. (2004). Freeze, flight, fight, fright, faint: Adaptionist perspectives on the acute stress response spectrum. CNS Spectrums, 9, 679–685.

Berridge CW,Mitton E, ClarkW, Roth RH. 1999. Engagement in a non-escape (displacement) behavior elicits a selective and lateralized suppression of frontal cortical dopaminergic utilization in stress. Synapse 32:187–197.

Buller, David, B. ; Aune, R. Kelly. The effects of speech rate similarity on compliance: Application of communication accommodation theory. Western Journal of Communication. 1992. 56(1): 37-53.

Cannon, W. B. (1929). Bodily changes in pain, hunger, fear and rage (2nd ed.). New York: Appleton, Century, Crofts.

Everly, Jr., G. S. & Lating, J. M. (2002). A clinical guide to the treatment of the human stress response (2nd ed.). New York, NY: Kluwer Academic/Plenum Publishers

Fyer, M. R., Uy, J., Martinez, J., & Goetz, R. (1987). CO2 challenge of patients with panic disorder. American Journal of Psychiatry, 144, 1080–1082.

Jacob, Heike ; Kreifelts, Benjamin ; Brück, Carolin ; Erb, Michael ; Hösl, Franziska ; Wildgruber, Dirk. Cerebral integration of verbal and nonverbal emotional cues: Impact of individual nonverbal dominance. NeuroImage. 2012. 61(3): 738-747.

Koppensteiner, Markus ; Grammer, Karl. Body movements of male and female speakers and their influence on perceptions of personality. Personality and Individual Differences. 2011. 51(6): 743-747.

Koppensteiner, Markus ; Stephan, Pia ; Jäschke, Johannes Paul Michael. From body motion to cheers: Speakers’ body movements as predictors of applause. Personality and Individual Differences. 2015. 74: 182-185.

Kalin, N. H., Shelton, S. E., Rickman, M., & Davidson, R. J. (1998). Individual differences in freezing and cortisol in infant and mother rhesus monkeys. Behavioral Neuroscience, 112, 251–254.

Morgan, N. The kinesthetic speaker. Putting action into words. Harvard business review 2001. 79(4): 112-20, 169.

Redwine, Laura ; Jenkins, Frank ; Baum, Andrew. Relation between beta-adrenergic receptor density and lymphocyte proliferation associated with acute stress. International Journal of Behavioral Medicine. 1996. 3(4): 337-353.

Porter, S., & ten Brinke, L. (2010). The truth about lies: What works in detecting high-stakes deception? Legal and Criminological Psychology, 15(1), 57.

Reiss, S., Peterson, R. A., Gursky, D. M., &McNally, R. J. (1986). Anxiety sensitivity, anxiety frequency, and the prediction of fearfulness. Behaviour Research and Therapy, 24, 1–8.

Schmidt, N. B., Miller, J., Lerew, D. R., Woolaway-Bickel, K., & Fitzpatrick, K. (2002). Imaginal provocation of panic in patients with panic disorder. Behavior Therapy, 33, 149–162.

Simonds, Brentk. ; Meyer, Kevinr. ; Quinlan, Margaretm. ; Hunt, Stephenk. Effects of Instructor Speech Rate on Student Affective Learning, Recall, and Perceptions of Nonverbal Immediacy, Credibility, and Clarity. Communication Research Reports. 2006. 23(3): 187-197.

Takeharuseno ; Takeharuseno ; Takeharuseno ; Keikoihaya ; Yukiyamada. I speak fast when I move fast: The speed of illusory self-motion (vection) modulates the speed of utterance. Frontiers in Psychology. 2013.

Townsend, Howardw. Factors of influence in radio speech. Quarterly Journal of Speech. 1944. 30(2): 187-190.

Vrij, A., Edward, K., Roberts, K., & Bull, R. (2000) Detecting deceit via analysis of verbal and nonverbal behavior. Journal of Nonverbal Behavior, 24(4).

Vrij, A., Harden, E, Terry, J., Edward, K., & Bull, R. (2000). The influence of personal characteristics, stakes and lie complexity on the accuracy and confidence to detect deceit, in R. Roesch, R.R. Corrado, & R. J. Dempster (Eds.), Psychology in the courts: International advances in knowledge. Amsterdam: Harwood Academic.

*No Photo, Amplifier, Arousal, Autonomic signal, Buy signals, Courtship display, Dislike (nonverbal), Emotional body language, Excited body language, Eye Language, Indicator of interest (IoI), Indicator Of Sexual Interest (IOsI), Indicators of disinterest (IOD), Indicators of sexual disinterest (IOsD), Leaked or involuntary body language, Liking, Microexpression

Body Language of Pupillary Reflex, Pupil Dilation or Pupillary Constriction

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Body Language of Pupillary Reflex, Pupil Dilation or Pupillary Constriction

No picCue: Pupillary Reflex

Synonym(s): Pupillometrics, Pupillary Constriction.

Description: The pupils of the eyes (the dark part of the eye) expand or contract dependent on the level of arousal. The pupils will automatically open up and allow more light into the eye on arousal or if we see something we like. Conversely, they will contract or close when we see things we don’t like. The pupils also respond automatically to changes in light. They open when it’s dark and close when it’s bright. This protects our eye from harm and increases our ability to see as the level of light changes.

In One Sentence: The papillary reflex refers to the dilation of the pupils in response to arousal.

How To Use it: Pupils react autonomically to light and emotion, thus it is not something that can be consciously controlled. However, one might artificially create situations which control the size of the pupil. For example, to create wide attractive pupils simply set up dates in low lighting conditions. Candlelight, for example will cause the pupils to dilate, thus making them more attractive. Women can make their eyes more dreamy in profile photos by digitally enhancing the size of their pupils. Likewise, matching your desires to reality will cause eyes to dilate naturally. In other words, finding a correct dating match, which really creates excitement, will naturally produce eyes that dilate, thus compounding the attraction effects.

Context: a) General b) Dating.

Verbal Translation: “When I’m aroused or when I like what I’m seeing, my pupils dilate and open wide so I can take it all in. When I’m turned off, or it’s bright, my pupils contract and take in less light.”

Variant: See Bedroom Eyes or Dialated Pupils.

Cue In Action: a) Mom’s eyes dilated to the max as she watched her newborn baby. a) During poker, he hit the card he liked and his eyes dilated widely, fortunately he wore sunglasses protecting them from sight. b) Her eyes dilated as she observed her muscularly sculpted boyfriend undress.

Meaning and/or Motivation: Pupillometrics is the study of pupil size in relation to emotion such as liking, interest, fear and dislike. Research has shown that young children have larger pupils than adults. This is probably a way for kids to appear more attractive and gain favour and attention. Watch how cartoonist’s habitually embellish the eyes of their characters to make them more appealing.

Pupil dilation can help a body language reader assess when emotion is taking place. Under stress or arousal of any kind, be it liking or visceral disliking, the pupils expand to permit more light to enter facilitating vision. This can include stress and fear due to lying, any other fearful situation and even attraction.

Conversely, the eyes contract due to not liking. This is an entirely autonomic process and not consciously controlled. When assessing someone on their pupil size, be sure to account for changes in ambient light, as the pupils will also respond to these changes.

Cue Cluster: Watch for congruency in body language to determine the meaning behind the pupillary reflex. Liking (dilation) would be coupled with head tilted to the side, open and relaxed facial expressions, smiling and loose body language. Disliking (contraction) would be coupled with head on, hard eyes, pursed lips, grimacing, eyebrows coming together and so forth. Also watch for changes in ambient light which will also determine the meaning behind the pupils.

Body Language Category: Amplifier, Arousal, Autonomic signal, Buy signals, Courtship display, Dislike (nonverbal), Emotional body language, Eye Language, Excited body language, Indicators of disinterest (IOD), Indicator of interest (IoI), Indicators of sexual disinterest (IOsD), Indicators of sexual interest (IOsI), Leaked or involuntary body language, Liking, Microexpressions.

Resources:

Ariel, Robert and Castel, Alan. Eyes wide open: enhanced pupil dilation when selectively studying important information. Experimental Brain Research, 2014. 232(1):.337-344.

Ahern S, Beatty J (1979) Pupillary responses during information processing vary with scholastic aptitude test scores. Science 205:1289–1292

Adolphs, Ralph A. 2006. Landmark study finds that when we look at sad faces, the size of the pupil we look at influences the size of our own pupil Social Cognitive and Affective Neuroscience. 1(1): 3-4

Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public-areas

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1

Beatty J (1982) Task-evoked pupillary responses, processing load, and the structure of processing resources. Psychol Bull 91:276–292

Bijleveld E, Custers R, Aarts H (2009) The unconscious eye opener: pupil size reveals strategic recruitment of resources upon presentation of subliminal reward cues. Psychol Sci 20:1313–1315

Bradley MM, Miccoli L, Escrig MA, Lang PJ (2008) The pupil as a measure of emotional arousal and autonomic activation. Psychophysiology 45: 602–607.

Daniel J. Kruger and Jory S. Piglowski. The Effect of Eyelid Constriction on Perceptions of Mating Strategy: Beware of the Squinty-Eyed Guy! Personality and Individual Differences. 2012. 52: 576-580.
http://bodylanguageproject.com/articles/beware-squinty-eyed-guy-studying-body-language-narrowed-eyes

Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
http://bodylanguageproject.com/articles/eyes-and-facial-expressions-may-be-biologically-controlled-serve-a-real-non-emotional-purpose-says-research/

Daniele Marzoli, Mariagrazia Custodero, Alessandra Pagliara, and Luca Tommasi. Sun-Induced Frowning Fosters Aggressive Feelings. Cognition And Emotion. 2013; 27 (8): 1513-1521.
http://bodylanguageproject.com/articles/the-sun-can-produce-feelings-of-anger-and-aggression-it-makes-us-frown/

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991a). Confusions about context in the judgment of facial expression: A reply to “The contempt expression and the relativity thesis.”. Motivation & Emotion, 15(2), 169-176.

Ekman, P., O’Sullivan, M., & Matsumoto, D. (1991b). Contradictions in the study of contempt: What’s it all about? Reply to Russell. Motivation & Emotion, 15(4), 293-296.

Girard, Jeffrey M.; Jeffrey F. Cohna; Mohammad H.Mahoor S.; Mohammad Mavadati;
Zakia Hammal; and Dean P. Rosenwalda. Nonverbal Social Withdrawal In Depression: Evidence From Manual And Automatic Analyses. Image and Vision Computing. 2013.
http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression

Geangu, Elena; Petra Hauf; Rishi Bhardwaj and Wolfram Bentz. Infant Pupil Diameter Changes in Response to Others’ Positive and Negative Emotions. 2011. PLoS ONE 6(11): e27132. doi:10.1371/journal.pone.0027132
http://bodylanguageproject.com/articles/distress-happiness-reflected-infants-eyes/

Goldinger SD, Papesh MH (2012) Pupil Dilation Reflects the Creation and Retrieval of Memories. Current Directions in Psychological Science 21: 90–95.

Heaver B, Hutton SB (2011) Keeping an eye on the truth? Pupil size changes associated with recognition memory. Memory 19: 398–405.

Hoeks B, Levelt W (1993) Pupillary dilation as a measure of attention: A quantitative system analysis. Behav Res Methods 25:16–26.

Hamel, R. F (1974). Female subjective and pupillary reactions to nude male and female figures. Journal of Psychology. 87: 171-175.

Harrison, Neil A.; Wilson, C. Ellie; Critchley, Hugo D. 2007. Processing of observed pupil size modulates perception of sadness and predicts empathy. Emotion. 7(4): 724-729.

Hess, E. H., & Polt, J. M. (1960). Pupil size as related to the interest value of visual stimuli. Science, 132: 349-350.

Hess, E. H. 1965. Attitude and pupil size. Scientific American, 212 (4): 46–54.

Hess, E. H. 1975. The role of pupil size in communication. Scientific American. 233(5): 110–119.

Janisse, Michel Pierre. 1973. Pupil Size and Affect: A Critical Review of the Literature Since 1960. Canadian Psychologist Psychologie Canadienne. 14(4): 311-329.

Marzoli, Daniele; Mariagrazia Custodero; Alessandra Pagliara and Luca Tommasi. Sun-Induced Frowning Fosters Aggressive Feelings. Cognition And Emotion. 2013; 27 (8): 1513-1521. http://bodylanguageproject.com/articles/avoid-anger-sunny-days/

Otero SC, Weekes BS, Hutton SB (2011) Pupil size changes during recognition. memory. Psychophysiology 48: 1346–1353.

Reed, Lawrence Ian; Katharine N. Zeglen and Karen L. Schmidt. Facial Expressions as Honest Signals of Cooperative Intent in a One-Shot Anonymous Prisoner’s Dilemma Game. Evolution and Human Behavior. 2012. 33: 200-209. http://bodylanguageproject.com/articles/body-language-signals-withdrawal-depression/

Rieger, Gerulf ; Savin-Williams, Ritch C Kemp, Andrew H. (Editor). The Eyes Have It: Sex and Sexual Orientation Differences in Pupil Dilation Patterns (The Eyes Have It). PLoS ONE, 2012, Vol.7(8), p.e40256.

Privitera CM, Renninger LW, Carney T, Klein S, Aguilar M (2010) Pupil dilation during visual target detection. J Vis 10(10):3.

Steinhauer SR, Siegle GJ, Condray R, Pless M (2004) Sympathetic and parasympathetic innervation of pupillary dilation during sustained processing. International Journal of Psychophysiology 52: 77–86.

Tombs, Selina; Silverman, Irwin 2004. Pupillometry: A sexual selection approach. Evolution and Human Behavior. 25(4): 221-228.

Weisfeld, Glenn E. and Jody M. Beresford. Erectness of Posture as an Indicator of Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
http://bodylanguageproject.com/articles/body-language-cues-dominance-submission-children/

Wierda , Stefan M.; Van Rijn; Hedderik; Taatgen; Niels A.; Martens, Sander. Pupil dilation deconvolution reveals the dynamics of attention at high temporal resolution. Proceedings of the National Academy of Sciences of the United States of America, 2012. Vol.109(22): 8456-8460.

Wang, Joseph Tao-yi ; Spezio, Michael ; Camerer, Colin F. Pinocchio’s Pupil: Using Eyetracking and Pupil Dilation to Understand Truth Telling and Deception in Sender-Receiver Games. American Economic Review, 2010. 100(3): 984-1007
Raul, Muresan. Pupil dilation and visual object recognition. Frontiers in Human Neuroscience, 2011, Vol.5.

Zellin, Martina; Pannekamp, Ann; Toepel, Ulrike; van der Meer, Elke. In the eye of the listener: Pupil dilation elucidates discourse processing. International Journal of Psychophysiology, 2011, Vol.81(3): 133-141.

*No Photo, Amplifier, Childlike playfulness, Confident body language, Enthusiasm (nonverbal), Excited body language, Gravity defying body language, Happiness body language, High confidence body language, Up nonverbals

Body Language of the Prance Gait

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Body Language of the Prance Gait

No picCue: Prance Gait (the).

Synonym(s): Prancing, Walking On Air, Walking With A Bounce In The Step, Bound In The Gait.

Description: A playful gait which is peppered with unnecessary leaps and bounces.

In One Sentence: The prance gait signals a high degree of femininity due to happiness and health.

How To Use it: Children can use the prance for best effect to show their good spirits. Women are also permitted by our culture to prance and when men prance, they can use it for comedic effect.

A more muted prance can work in both woman and men, however, and is useful in showing others your good health and good spirits. Rather than an exaggerated prance, a mute prance is simply a youthful gait which produces a slight leap in the steps as if floating on air.

Use the prance in any context in which health and virility will be seen as a positive trait. In dating, a bound in the step will show your partner that you have good character and good genetics. This is especially useful to women whom can show off their youth, and hence fertility, with a bound in their step.

Context: a) General b) Dating.

Verbal Translation: “I’m so happy and healthy and want everyone to notice. When I walk, I like to expend more energy than is practical or necessary.”

Variant: A woman may use the parade style of walking which exaggerates the motion of the hips, forcing them to cant from side-to-side. A playful prance intermixed with a parade style of walking shows a person in good spirit who has good childbearing hips. See Gait or Walking Styles.

Cue In Action: a) The girls and boys happily pranced around the playground while the parents ambled after them – barely keeping up. a) He just won the lottery and you could tell. His head was held high, it was as if he was walking on the clouds with a confident stride, buoyant, and youthful. b) Her youth was apparent. When she walked, she had a noticeable bound in her step indicating her health, vigor and good spirit. She advertised her sexuality with her prance.

Meaning and/or Motivation: The prance indicates good spirit and confidence usually associated with youth and thus health.

A bound in the gait indicates a persons ability and desire to fight the effects of gravity. When people win, they celebrate by thrusting their arms up in the air to draw attention to themselves. The same is true about our gait. It is often found in adults who feel that they have control over their lives and those who have enjoyed successes.

Conversely, those who lack confidence or who are depressed will hang their shoulders and saunter about instead. The prance is a type of gait that advertises to the world that a person is happy and content is worthy of our association.

The prancing gait also indicates the virility of a person when carried by those of sexual maturity. Prancing is a sign that they make a good sexual partner partially due to their optimism and good spirit, but also their youthfulness and health. This makes the prance a strong indicator of physical and mental fitness.

Cue Cluster: Watch for head held high with chin up, smiling face and a smooth stride with straight back.

Body Language Category: Amplifier, Confident body language, Childlike playfulness, Enthusiasm (nonverbal), Excited body language, Gravity defying body language, Happiness, High confidence body language, Up nonverbals.

Resources:

Angela Book, Kimberly Costello and Joseph A. Camilleri Psychopathy and Victim Selection: The Use of Gait as a Cue to Vulnerability. Journal of Interpersonal Violence. 2013. 28(11): 2368-2383. DOI: 10.1177/0886260512475315jiv.sagepub.com
http://bodylanguageproject.com/articles/dont-walk-like-youre-watched-avoid-victimization-nonverbal-behavior/

Atkinson AP, Dittrich WH, Gemmell AJ, Young AW (2004) Emotion perception from dynamic and static body expressions in point-light and full-light displays. Perception 33: 717–746. doi: 10.1068/p5096.

Boone RT, Cunningham JG (1998) Children’s decoding of emotion in expressive body movement: the development of cue attunement. Dev Psychol 34: 1007–1016. doi: 10.1037//0012-1649.34.5.1007.

Brownlow S, Dixon AR, Egbert CA, Radcliffe RD (1997) Perception of movement and dancer characteristics from point-light displays of dance. Psychol Rec 47: 411–421.

Camurri A, Lagerlo¨f I, Volpe G (2003) Recognizing emotion from dance movement: Comparison of spectator recognition and automated techniques. Int J Hum Comput Stud 59: 213–225. doi: 10.1016/S1071-5819(03)00050-8.

Crane, Elizabeth ; Gross, M. Effort-Shape Characteristics of Emotion-Related Body Movement. Journal of Nonverbal Behavior. 2013. 37(2): 91-105.

de Meijer M (1989) The contribution of general features of body movement to the attribution of emotions. J Nonverbal Behav 13: 247–268. doi: 10.1007/BF00990296.

Dittrich WH, Troscianko T, Lea SEG, Morgan D (1996) Perception of emotion from dynamic point-light displays represented in dance. Perception 25: 727–738. doi: 10.1068/p250727.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/

Godøy R (2010) Gestural affordances of musical sound. In: Godøy R, Leman M, editors. Musical gestures: Sound, movement, and meaning. New York, NY: Routledge. 103–125.

Gunns, Rebekah E; Lucy Johnston; and Stephen M. Hudson. Victim Selection And Kinematics: A Point-Light Investigation Of Vulnerability To Attack. Journal of Nonverbal Behavior. 2002. 26(3): 129-158.
http://bodylanguageproject.com/articles/how-to-avoid-an-attack-just-by-changing-how-you-walk-study/

Guéguen N. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
http://bodylanguageproject.com/articles/gait-as-bait-women-walk-sexy-during-high-sexual-receptivity/

Gross, M Melissa ; Crane, Elizabeth A ; Fredrickson, Barbara L. Effort-Shape and kinematic assessment of bodily expression of emotion during gait. Human movement science. 2012. 31(1): 202-21.

Hasegawa, T. and K. Sakaguchi. 2006. Person perception through gait information and target choice for sexual advances: comparison of likely targets in experiments and real life. Journal of Nonverbal Behavior 30(2): 63-85.

Johnson, Kerri L.; Gill, Simone; Reichman, Victoria and Tassinary, Louis G. Swagger, Sway, and Sexuality: Judging Sexual Orientation from Body Motion and Morphology. Journal of Personality and Social Psychology. 2007. 93(3): 321-334. doi: 10.1037/0022-3514.93.3.321
http://bodylanguageproject.com/articles/heterosexual-vs-homosexual-swagger-can-you-spot-the-difference/

Janssen, Daniel ; Schöllhorn, Wolfgang ; Lubienetzki, Jessica ; Fölling, Karina ; Kokenge, Henrike ; Davids, Keith. Recognition of Emotions in Gait Patterns by Means of Artificial Neural Nets. Journal of Nonverbal Behavior. 2008. 32(2): 79-92.

Lagerlo¨f I, Djerf M (2000) Communicating emotions: Expressiveness in modern dance. Int J Psychol 35: 225–225.

Montepare, J. M., Goldstien, S. B., & Clausen, A. (1987). The identification of emotions from gait information. Journal of Nonverbal Behavior, 11, 33–42.

Miller, G., Tybur, J. M., & Jordan, B. D. Ovulatory cycle effects on tip earning by lap dancers: Economic evidence for human estrus. Evolution and Human Behavior. 2007. 28: 375-381. http://dx.doi.org/10.1016/j.evolhumbehav.2007.06.002.

Michalak, J., Rohde, K., Troje, N. F. How We Walk Affects What We Remember: Gait Modifications Through Biofeedback Change Negative Affective Memory Bias. Journal of Behavior Therapy and Experimental Psychiatry. 2015. 46:121-125.
http://bodylanguageproject.com/articles/walking-happy-leads-actual-happiness-game-emotions-body-language/

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Moore, M. M. and D. L. Butler. 1989. Predictive aspects of nonverbal courtship behavior in women. Semiotica 76(3/4): 205-215.

Moore, M. M. 2001. Flirting. In C. G. Waugh (Ed.) Let’s talk: A cognitive skills approach to interpersonal communication. Newark, Kendall-Hunt.

Moore, M. M. 1985. Nonverbal courtship patterns in women: context and consequences. Ethology and Sociobiology 64: 237-247.

Montepare, Joann ; Zebrowitz, Leslie. A cross-cultural comparison of impressions created by age-related variations in gait. Journal of Nonverbal Behavior. 1993. 17(1): 55-68.

Montepare, Joann ; Goldstein, Sabra ; Clausen, Annmarie. The identification of emotions from gait information. Journal of Nonverbal Behavior. 1987. 11(1): 33-42.

Montepare, J. M., & Zebrowitz-McArthur, L. (1988). Impressions of people created by age-related qualities of their gaits. Journal of Personality and Social Psychology, 55(4), 547–556. http://dx.doi.org/10.1037/ 0022-3514.55.4.547.

Negriff, Sonya ; Noll, Jennie G ; Shenk, Chad E ; Putnam, Frank W ; Trickett, Penelope K. Associations between nonverbal behaviors and subsequent sexual attitudes and behaviors of sexually abused and comparison girls. Child maltreatment. 2010. 15(2): 180-9.

Prasad, S., & Shiffrar, M. (2009). Viewpoint and the recognition of people from their movements. Journal of Experimental Psychology – Human Perception and Performance, 35(1), 39–49. http://dx.doi.org/10.1037/A0012728.

Roether, C. L., Omlor, L., Christensen, A., & Giese, M. A. (2009). Critical features for the perception of emotion from gait. Journal of Vision, 9(6), 1–32. http://dx.doi.org/10.1167/9.6.15.

Risner D (2009) What we know about boys who dance: The limitations of contemporary masculinity & dance education. In: Shay A, Fisher J, editors. When men dance: Choreographing masculinities across borders. New York, NY: Oxford University Press.

Sawada, M., Suda, K., & Ishii, M. (2003a). Expression of emotions in dance: Relation between arm movement characteristics and emotion. Perceptual and Motor Skills, 97, 697–708.

Sawada, M., Suda, K., & Ishii, M. (2003b). Relationship between leg movement quality and emotional expression in dance. Poster session presented at the annual meeting of the International Association for Dance Medicine & Science, London, England.

Sakaguchi, Kikue and Toshikazu Hasegawa. Person Perception Through Gait Information And Target Choice For Sexual Advances: Comparison Of Likely Targets In Experiments And Real Life. Journal of Nonverbal Behavior. 2006; 30:63-85. DOI 10.1007/s10919-006-0006-2
http://bodylanguageproject.com/articles/dont-walk-like-youre-asking-targets-sexual-approach-based-walking-style-personality-study/

Schneider, Sabrina ; Christensen, Andrea ; Hau[sz]inger, Florian B. ; Fallgatter, Andreas J. ; Giese, Martin A. ; Ehlis, Ann – Christine. Show me how you walk and I tell you how you feel — A functional near-infrared spectroscopy study on emotion perception based on human gait. Neuroimage. 2014. 85: 380(11).

Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271 Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271
http://bodylanguageproject.com/articles/walk-drives-first-impressions/

van der Zwan, Rick and Natasha Herbert. “I Like The Way You Move”: How Hormonal Changes Across The Menstrual Cycle Affect Female Perceptions of Gait. Research Notes. 2012; 5: 453.
http://bodylanguageproject.com/articles/women-at-peak-fertility-rate-other-female-walkers-less-favorably/

Van Meel J, Verburgh H, de Meijer M (1993) Children’s interpretation of dance
expressions. Empirical Studies of the Arts 11: 117–133. doi: 10.2190/V69NVB0T-
A9Q3-TJ04.

Van Dyck, Edith ; Vansteenkiste, Pieter ; Lenoir, Matthieu ; Lesaffre, Micheline ; Leman, Marc Canal-bruland, Rouwen. Recognizing Induced Emotions of Happiness and Sadness from Dance Movement. PLoS ONE. 2014 9(2): e89773.

Van Dyck E, Maes P-J, Hargreaves J, Lesaffre M, Leman M (2013). Expressing induced emotions through free dance movement. J Nonverbal Behav 37: 175–190. doi: 10.1007/s10919-013-0153-1.

Arousal, Courtship display, Indicator Of Sexual Interest (IOsI), Intention movements, Leaked or involuntary body language, Masked emotions, Microexpression

Body Language of Pouting Lips or Lip Parting

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Body Language of Pouting Lips or Lip Parting

BodyLanguageProjectCom - Pouting Lips or Lip Parting 2Cue: Pouting Lips.

Synonym(s): Lip Parting, Parting Lips, Bottom Lip Jut.

Description: a) When the lips form a pout or kiss and are pushed forward. Sometimes the cue is barely detectable where the lips only press together slightly. b) A facial gesture done by pressing the lips together and pushing them forward and crunching the eyebrows downward and inward as if in grief. A childlike facial expression where the bottom lip is pushed out.

In One Sentence: Pouting lips signals a negative though or the desire to kiss.

How To Use it: In dating, eyes to the lips of another coupled with lip pouting signals that one is ready to kiss. Women can use this gesture with good results at the end of a date to signal to their partner that they are ready for intimacy.

Pouting can also be used to manipulate the emotions of others. Children, like adults, can use the expression to show sadness. When viewed, others are likely to offer a caring response which can help you get what you want.

Context: a) Dating b) General.

Verbal Translation: a) “I really want to kiss someone, and I’m puckering in anticipation.” b) “I’m upset and it’s causing me grief forcing me to press my lips together.”

Variant: See Compressed Lips.

Cue In Action: a) She was aroused by Dave and found herself subconsciously pressing her lips together as if she was already kissing him – the anticipation was driving her mad. b) She was only 3 years old, but knew full well that if she pouted for long enough with sad eyes, Dad would do anything she wanted.

Meaning and/or Motivation: a) Lip puckering is a sexual cue, or desire to kiss, when in context.

b) Bottom lip jut is a negative thought indicator or that disagreement is present especially if accompanied by frowning, scrunched eyebrows, or other negative cues. This gesture is usually done by small children or by adults resorting to juvenile characteristics trying to secure affection, privilege, resource, or reward of some kind from another person. The lip jut is also called pouting and shows helplessness and lack of agency. This is the case when done by adults or children.

Cue Cluster: Lip puckering is usually associated with a) Other sexual cues of interest such as strong eye contact or eye to mouth, neck titled to the side and neck displays, lip licking and self touching or b) With hung or hunched shoulders, sad droopy eyes, scrunched up eyebrows, head down, verbal sighs and other helpless and dejected body language.

Body Language Category: Arousal, Courtship display, Indicators of sexual interest (IOsI), Leaked or involuntary body language, Masked emotions, Microexpressions, Intention movements.

Resources:

Darwin, Charles (1872). The Expression of the Emotions in Man and Animals, third editionn (New York: Oxford University Press, 1998).

Eibl-Eibesfeldt, Irenaus (1973). “The Expressive Behaviour of the Deaf-and-Blind-Born.” In Mario von Cranach and Ian Vine (Eds.), Social Communication and Movement (European Monographs in Social Psychology 4, New York: Academic Press), pp. 163-94.

Gaarder, Emily ; Rodriguez, Nancy ; Zatz, Marjories. Criers, liars, and manipulators: Probation officers’ views of girls. Justice Quarterly. 2004. 21(3): 547-578.

Izard, Carroll E. (1971). The Face of Emotion (New York: Appleton-Century-Crofts).

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Moore, Monica. M. Nonverbal Courtship Patterns in Women: Context and consequences. Ethology and Sociobiology. 1985. 6:237- 247.

Moore, M. M. Courtship Communication and Perception. Perceptual and Motor Skills. 2002. 94(1): 97-105. doi:10.2466/PMS.94.1.97-105.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Negriff, Sonya ; Noll, Jennie G ; Shenk, Chad E ; Putnam, Frank W ; Trickett, Penelope K. Associations between nonverbal behaviors and subsequent sexual attitudes and behaviors of sexually abused and comparison girls. Child maltreatment. 2010. 15(2): 180-9.

Nam, Kyoungtae ; Lee, Guiohk ; Hwang, Jang-Sun. Gender Stereotypes Depicted by Western and Korean Advertising Models in Korean Adolescent Girls’ Magazines. Sex Roles. 2011. 64(3): 223-237.

Rudd, Jille. ; Burant, Patriciaa. ; Beatty, Michaelj. Battered women’s compliance-gaining strategies as a function of argumentativeness and verbal aggression. Communication Research Reports. 1994. 11(1): 13-22.

Umiker, William O. How to neutralize manipulators. (manipulation in the healthcare environment). Medical Laboratory Observer. 1997. 29(8): 90(5).