Category: Enthusiasm (nonverbal)

*No Photo, Aggressive body language, Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), High confidence hand displays, Intimate touching, Leadership body language, Palm power, Power play, Social touching

Body Language of Double Gripper Politician Handshake

by Chris • October 20, 2014 • 0 Comments

Body Language of Double Gripper Politician Handshake

Cue: Double Gripper Politician Handshake

Synonym(s): Double Hander Handshake, Two Handed Handshake.

Description: A regular handshake except both hands are used to sandwich the other person’s hand.

In One Sentence: The double gripper handshake tells others that you wish to form an intimate business relationship.

How To Use it: Use the double gripper handshake to build and maintain a strong business or political relationship. The handshake is best used between two high ranking officials, or between one high ranking official and a person he wishes to form a partnership with. When done correctly, the handshake can create warm feelings in the lower ranking person.

Context: Business, General.

Verbal Translation: “I like you a lot, let me wrap your hands up with mine in a hand embrace and show you how much I think we should do business together.”

Variant: See Country Handshake (The), Cold Dead Wet Fish Handshake, Double Gripper Politician Handshake or Double Hander (The), Short Grabber/Finger Grabber Handshake, Oddball Handshake, Palm Up, Palm Down and Palm Even Handshakes, Stiff Arm And Thrust Forward Handshake, Death Grip Handshake, Wrench Forward Handshake, Undershaker Handshake, Wrist Hold Handshake, Wrist Hold Handshake and Upper Arm Grip Handshake, Limp Fish Handshake, Teacup Handshake, Arm Twister Handshake (The), Firm handshake, Fist Bumping.

Cue In Action: a) When the politician met the business man, he used the double gripper politician handshake to show him how much support he was prepared to offer his business venture if he was elected. b) The junior associate shook hands with the boss, whom he felt close with, but the feeling, he discovered, was not mutual. When the junior worker enveloped the hands of the boss in a double handshake, his boss pulled away and grimaced. The junior member felt they had developed a connection through their golf outing.

Meaning and/or Motivation: It is an intimate handshake but in the wrong company can be taken as insincere and create negative feelings. The person doing the double hander is the top-dog and is acting superior to the single hander so this handshake should be reserved for people who are of equal or lower status.

Cue Cluster: Someone who is willing to perform the double gripper politician handshake is likely one that is boisterous and outgoing, they may use touch a lot to dominate others, they might come in closer than usual, and invite people into their personal space, they might strive for attention through dramatics stories, loud laughter, and plenty of gesticulation.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), High confidence hand displays, Intimate touching, Leadership body language, Palm power, Power play, Social touching.

Resources:

Aström, J ; Thorell, L H ; Holmlund, U ; D’Elia, G. Handshaking, personality, and psychopathology in psychiatric patients, a reliability and correlational study. Perceptual and motor skills 1993, Vol.77(3 Pt 2): 1171-86.

Bohm. 1997. Effects of interpersonal touch, degree of justification, and sex of participant on compliance with a request. The Journal of social psychology. 137: 460-469.

Chaplin William F.; Phillips Jeffrey B; Brown Jonathan D.; Clanton Nancy R.; Stein Jennifer L.; 2000. Handshaking, gender, personality, and first impressions Journal of personality and social psychology. 79(1): 110-117.

Dolcos, Sanda ; Sung, Keen ; Argo, Jennifer J ; Flor-Henry, Sophie ; Dolcos, Florin. The power of a handshake: neural correlates of evaluative judgments in observed social interactions. Journal of cognitive neuroscience. 2012 24(12): 2292-305.

Debrot, Anik ; Schoebi, Dominik ; Perrez, Meinrad ; Horn, Andrea B. Touch as an interpersonal emotion regulation process in couples’ daily lives: the mediating role of psychological intimacy. Personality & social psychology bulletin. 2013. 9(10): 1373-85.

Frumin, Idan; Ofer Perl; Yaara Endevelt-Shapira; Ami Eisen; Neetai Eshel; Iris Heller; Maya Shemesh; Aharon Ravia; Lee Sela; Anat Arzi and Noam Sobel. A Social Chemosignaling Function for Human Handshaking. eLife 2015. 4:e05154
DOI: http://dx.doi.org/10.7554/eLife.05154.
http://bodylanguageproject.com/articles/shake-hands-share-human-scent-curious-case-hand-sniffing-body-language/

Fisher, J; Rytting, M and Heslin, R. 1976. Hands touching hands: affective and evaluative effects on interpersonal touch, Sociometry 39: 416–421.

Gueguen, Nicolas. Handshaking and Compliance With a Request – A Door-to-door Setting. Social Behavior and Personality. 2013. 41(10): 1585-1588.
http://bodylanguageproject.com/articles/handshakes-lead-compliance-study/

Guéguen, N. (2007). Courtship compliance: The effect of touch on women’s behavior. Social Influence, 2, 81-97.

Guéguen, Nicolas. Nonverbal encouragement of participation in a course: the effect of touching Social Psychology of Education. 2004. 7: 89–98.
http://bodylanguageproject.com/articles/a-touching-way-to-encourage/

Greenbaum, Paul ; Rosenfeld, Howard. Varieties of touching in greetings: Sequential structure and sex-related differences. Journal of Nonverbal Behavior. 1980. 5(1): 13-25.

Ghareeb, P.A. ; Bourlai, T. ; Dutton, W. ; McClellan, W.T. Reducing pathogen transmission in a hospital setting. Handshake verses fist bump: a pilot study. Journal of Hospital Infection. 2013. 85(4): 321-323.

Hiemstra, Kathleen M. Shake My Hand: Making the Right First Impression in Business With Nonverbal Communications.(Brief Article)(Statistical Data Included). Business Communication Quarterly. 1999. 62(4): 71.

Jeffrey D. Fisher; Marvin Rytting; Richard Heslin. 1976. Hands Touching Hands: Affective and Evaluative Effects of an Interpersonal Touch. Sociometry, 39(4): 416-421.

Lipsitz, Rebecca (2000). “A Gripping Start.” In Scientific American (September), p. 32.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Maclaren, Kym. Touching matters: Embodiments of intimacy. Emotion, Space and Society. 2014. 13: 95-102.

Peck, J., & Shu, S. B. (2009). The effect of mere touch on perceived ownership. Journal of Consumer Research, 36(Oct), 434–447.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Remland, M. S. and T. S. Jones 1995. Interpersonal Distance, Body Orientation, and Touch: Effects of Culture, Gender, and Age. Journal of Social Psychology 135(3): 281-297.

Sanda Dolcos; Keen Sung; Jennifer J. Argo; Sophie Flor-Henry and Florin Dolcos. The Power of a Handshake: Neural Correlates of Evaluative Judgments in Observed Social Interactions. Journal of Cognitive Neuroscience. 24; 12: 2292–2305.
http://bodylanguageproject.com/articles/handshake-open-body-language-powerful-nonverbal-effect-brain/

Stewart, Greg L. ; Dustin, Susan L. ; Barrick, Murray R. ; Darnold, Todd C. Zedeck, Sheldon (editor). Exploring the Handshake in Employment Interviews. Journal of Applied Psychology. 2008 93(5): 1139-1146.

Spezialetti, Brian D. Do’s and don’ts for winning the job interview. (laboratory technicians). Medical Laboratory Observer. 1995. 27(7): 51-53.

Wesson, David A. The handshake as non-verbal communication in business. (marketing technique). Marketing Intelligence & Planning. 1992. 10(9): 61(6).

Courtship display, Dominant body language, Emotional body language, Enthusiasm (nonverbal)

Body Language of Dancing

by Chris • October 20, 2014 • 0 Comments

Body Language of Dancing

Cue: Dancing

Synonym(s): N/A

Description: A rhythmic movement of the body in concert with music.

In One Sentence: Dancing is a universal expression of happiness and joy, though it can also convey other emotions.

How To Use it: Use dancing to show others your good spirits and good health. Dancing does not have to be limited to the dance floor. Wiggling the hips to a tune while working, can show others that you are successful at life and are in command of your existence. Dancing is said to be the universal display of sexuality and virility. Men whom can dance, are seen as highly attractive as it cues athleticism and coordination which are two very desirable characteristics. Many of the movements in dance are much like movements during sex, so can elude to a man or woman’s sexy potency. Use dance to show off your personality.

Context: General

Verbal Translation: “I’m happy and having a good time so my body is moving to the beat.”

Variant: N/A.

Cue In Action: They picked up where they had left off, dancing to the beat.

Meaning and/or Motivation: A nonverbal expression of movement to music that is universally expressed. Dancing is a display of physical and sexual potential or an expression of art. Many different types of dancing exist throughout the world.

Cue Cluster: Dance is varied and the context will warrant various additional cues.

Body Language Category: Courtship displays, Emotional body language, Enthusiasm (nonverbal), Dominant body language.

Resources:

Atkinson AP, Dittrich WH, Gemmell AJ, Young AW (2004) Emotion perception from dynamic and static body expressions in point-light and full-light displays. Perception 33: 717–746. doi: 10.1068/p5096.

Bavelas, J. B., Black, A., Chovil, N., Lemery, C. R., & Mullett, J. (1988). Form and function in motor mimicry: Topographic evidence that the primary function is communicative. Human Communication Research, 14, 275- 299.

Bavelas, J. B., Black, A., Lemery, C. R., & Mullett, J. (1986). “I show how you feel”: Motor mimicry as a communicative act. Journal of Personality and Social Psychology, 50, 322-329.

Boone RT, Cunningham JG (1998) Children’s decoding of emotion in expressive body movement: the development of cue attunement. Dev Psychol. 34: 1007–1016. doi: 10.1037//0012-1649.34.5.1007.

Brownlow S, Dixon AR, Egbert CA, Radcliffe RD (1997) Perception of movement and dancer characteristics from point-light displays of dance. Psychol Rec 47: 411–421.

Camurri A, Lagerlo¨f I, Volpe G (2003) Recognizing emotion from dance movement: Comparison of spectator recognition and automated techniques. Int J Hum Comput Stud 59: 213–225. doi: 10.1016/S1071-5819(03)00050-8.

Davis, Martha. Movement characteristics of hospitalized psychiatric patients. American Journal of Dance Therapy. 1981. 4(1): 52-71.

de Meijer M (1989) The contribution of general features of body movement to the attribution of emotions. J Nonverbal Behav 13: 247–268. doi: 10.1007/BF00990296.

Dittrich WH, Troscianko T, Lea SEG, Morgan D (1996) Perception of emotion from dynamic point-light displays represented in dance. Perception 25: 727–738. doi: 10.1068/p250727.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/

Geoffrey Miller, Joshua M. Tybur, Brent D. Jordan. Ovulatory Cycle Effects On Tip Earnings By Lap Dancers: Economic Evidence For Human Estrus? Evolution and Human Behavior, 2007; 28: 375–381.
http://bodylanguageproject.com/articles/lap-dancers-earn-more-during-peak-ovulation-how-the-pill-affects-your-sex-drive/

Godøy R (2010) Gestural affordances of musical sound. In: Godøy R, Leman M, editors. Musical gestures: Sound, movement, and meaning. New York, NY: Routledge. 103–125.

Grammer, Karl ; Kruck, Kirsten ; Magnusson, Magnus. The Courtship Dance: Patterns of Nonverbal Synchronization in Opposite-Sex Encounters. Journal of Nonverbal Behavior, 1998, Vol.22(1), pp.3-29.

Harrigan, Jinni ; Oxman, Thomas ; Rosenthal, Robert. Rapport expressed through nonverbal behavior. Journal of Nonverbal Behavior. 1985. 9(2): 95-110.

LaFrance, M. (1979). Nonverbal synchrony and rapport: Analysis by the cross-lag panel technique. Social Psychology Quarterly, 42, 66-70.

LaFrance, M. (1982). Posture mirroring and rapport. In M. Davis (Ed.), Interaction rhythms: Periodicity in communicative behavior (pp. 279-298).New York: Human Sciences Press.

LaFrance, M., & Broadbent, M. (1976). Group rapport: Posture sharing as a nonverbal indicator. Group and Organization Studies, 1, 328-333.

Lagerlo¨f I, Djerf M (2000) Communicating emotions: Expressiveness in modern dance. Int J Psychol 35: 225–225.

Manusov, Valerie. Mimicry or synchrony: The effects of intentionality attributions for nonverbal mirroring behavior. Communication Quarterly. 1992 40(1): 69-83.

Montepare, J. M., Goldstien, S. B., & Clausen, A. (1987). The identification of emotions from gait information. Journal of Nonverbal Behavior, 11, 33–42.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Miller, G., Tybur, J. M., & Jordan, B. D. Ovulatory cycle effects on tip earning by lap dancers: Economic evidence for human estrus. Evolution and Human Behavior. 2007. 28: 375-381. http://dx.doi.org/10.1016/j.evolhumbehav.2007.06.002.

Neave, Nick; Kristofor McCarty; Jeanette Freynik; Nicholas Caplan; Johannes Hönekopp; Bernhard Fink. Male Dance Moves That Catch A Woman’s Eye. Biology Letters. 2011; 7(2): 221-224.
http://bodylanguageproject.com/articles/the-science-of-sexy-male-dance/

Nao, Misako Sawada and Motonobu Ishii. Development of the Movements Impressions Emotions Model: Evaluation of Movements and Impressions Related to the Perception of Emotions in Dance. Journal of Nonverbal Behavior. 2013. 37:107-121.
DOI 10.1007/s10919-013-0148-y
http://bodylanguageproject.com/articles/convey-emotion-nonverbally-dance-study/

Risner D (2009) What we know about boys who dance: The limitations of contemporary masculinity & dance education. In: Shay A, Fisher J, editors. When men dance: Choreographing masculinities across borders. New York, NY: Oxford University Press.

Ricard, Nathalie C. ; Beaudry, Simon G. ; Pelletier, Luc G. Lovers With Happy Feet: The Interdependence of Relationship and Activity Factors for Individuals Dancing With a Romantic Partner.(Report). Journal of Applied Social Psychology. 2012. 42(4): 939(25).

Sawada, M., Suda, K., & Ishii, M. (2003a). Expression of emotions in dance: Relation between arm movement characteristics and emotion. Perceptual and Motor Skills, 97, 697–708.

Sawada, M., Suda, K., & Ishii, M. (2003b). Relationship between leg movement quality and emotional expression in dance. Poster session presented at the annual meeting of the International Association for Dance Medicine & Science, London, England.

Van Meel J, Verburgh H, de Meijer M (1993) Children’s interpretation of dance expressions. Empirical Studies of the Arts 11: 117–133. doi: 10.2190/V69NVB0T-A9Q3-TJ04.

Van Dyck, Edith ; Vansteenkiste, Pieter ; Lenoir, Matthieu ; Lesaffre, Micheline ; Leman, Marc Canal-bruland, Rouwen. Recognizing Induced Emotions of Happiness and Sadness from Dance Movement. PLoS ONE. 2014 9(2): e89773.

Van Dyck E, Maes P-J, Hargreaves J, Lesaffre M, Leman M (2013). Expressing induced emotions through free dance movement. J Nonverbal Behav 37: 175–190. doi: 10.1007/s10919-013-0153-1.

Whittock, Trevor. The role of metaphor in dance. The British Journal of Aesthetics. 1992. 32(3): 242(8).

Energy Displacement, Enthusiasm (nonverbal), Expansive movements, Gravity defying body language, Happiness body language, Liking, Relaxed body language

Body Language of Clapping

by Chris • October 20, 2014 • 0 Comments

Body Language of Clapping

Cue: Clapping

Synonym(s): Applause

Description: The hands come together quickly and slap each other to make an audible sound.

In One Sentence: When the hands come together to make a clapping sound it shows others that we are excited or approving.

How To Use it: Use clapping to show others your approval. You may also use a slow clap to show the reverse. The slow clap is “sarcastic.”

Context: General.

Verbal Translation: “I’m happy and excited so I slap my hands together and make lots of noise.”

Variant: Feet can also be slapped if the other hand is busy, drinks clinked, fingers snapped and hands waved (a silent applause). A slow clap shows that one is sarcastic about approval thus showing the reverse message.

Cue In Action: The audience clapped their hands to show their appreciation for the wonderful song played by the orchestra.

Meaning and/or Motivation: A celebratory nonverbal signal usually done by large audiences untoward a presenter or performer. Clapping can also be done to show general happiness such as when hearing the telling a funny joke.

Cue Cluster: Clapping is accompanied by true smiles, open facial expressions, relaxed body postures and joyful screaming.

Body Language Category: Energy Displacement, Enthusiasm (nonverbal), Expansive movements, Gravity defying body language, Happiness, Liking, Relaxed body language.

Resources:

Bull, Peter. Invited and uninvited applause in political speeches. British Journal of Social Psychology, 2006, Vol.45(3), pp.563-578.

Bull, Peter. Six key indicators guaranteed to reduce audience stress and increase your applause. Records Management Quarterly. 1997. 31(3): 18(4).

Bull, Peter. Booing: The Anatomy of a Disaffiliative Response. American Sociological Review. 1993. 58(1): 110-130.

Bavelas, J. B., Black, A., Lemery, C. R., & Mullett, J. (1986). “I show how you feel”: Motor mimicry as a communicative act. Journal of Personality and Social Psychology, 50, 322-329.

Chartrand, T. L.,& Bargh, J. A. (1999). The chameleon effect: The perception behavior link and social interaction. Journal of Personality and Social Psychology, 76, 893-910.

Fitzpatrick, Paula ; Schmidt, R. C. ; Lockman, Jeffrey J. Dynamical Patterns in the Development of Clapping. Child Development. 1996. 67(6): 2691-2708.

Fletcher, Alison W. Clapping in chimpanzees: evidence of exclusive hand preference in a spontaneous, bimanual gesture. American Journal of Primatology. 2006. 68(11): 1081-1088.

LaFrance, M. (1979). Nonverbal synchrony and rapport: Analysis by the cross-lag panel technique. Social Psychology Quarterly, 42, 66-70.

Mann, Richard P ; Faria, Jolyon ; Sumpter, David J T ; Krause, Jens. The dynamics of audience applause. Journal of the Royal Society, Interface / the Royal Society. 2013. 10(85): 2013046.

Manusov, Valerie. Mimicry or synchrony: The effects of intentionality attributions for nonverbal mirroring behavior. Communication Quarterly. 1992 40(1): 69-83.

*No Photo, Aggressive body language, Anger body language, Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), Frustration or frustrated body language, High confidence body language, Hostile body language, Power play, Threat displays

Body Language of Chest Thumping

by Chris • October 20, 2014 • 0 Comments

Body Language of Chest Thumping

Cue: Chest Thumping

Synonym(s): Thumping The Chest.

Description: A smacking of the chest with the closed fist either lightly during low emotion or quickly and forcefully during high emotion.

In One Sentence: Chest thumping is a primitive gesture done to show animal-like dominance.

How To Use it: Use the chest thump to draw attention to the self after winning a dominance competition. It is applicable especially in sports, but it can be used when competing intellectually as well. During an argument between lovers, a single chest thump can show that you are sincere about your assertions. Chest thump can be used to show high passion. Caution should be used as the gesture is quite primitive and can backfire by appearing too animal-like.

Context: General.

Verbal Translation: a) “I’m smacking my chest because I want to emphasis something I’m saying that’s important to me.” b) “I just scored a goal or did something important, that was me that did that, I’m important, I’m the boss.” c) “I’m thumping my chest like a gorilla in a show of confidence and dominance.”

Variant: See Batoning Gesture. The fist may also pounding a table or the hand might chop violently.

Cue In Action: a) He wanted to make his point heard so when he asserted that he really needed to go fishing, he smacked his fist against his chest (each time he referenced himself) and said “I, me, I, need to get some time to myself or I’m going to explode.” b) While talking about his the recent passing of his wife, he pounded his chest with his fist as if emphasizing what he lost and how it felt to him. c) They neared blows. Clothing was removed and chests were thumped. The drunken fools acted like gorillas.

Meaning and/or Motivation: A primitive throwback to chimpanzee behaviour. Thumping the chest is a high authority and high aggression display meant to intimidate others and draw attention to the prowess of the person delivering it so as to collect adulation and attention from others as the context warrants.

Other times, chest thumping is done lightly to emphasis something that is important and dear to the heart.

Cue Cluster: Chest thumping is associated with other dominant cues such as expansive movements, arms out and away from the body, high gesticulation, arms akimbo, angry or happy facial expression, loud voice, gravity defying behaviour such as jumping up and down (in celebration) and chest puffing or broad side displays.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger, Authoritative body language, Confident, Dominant body language, Enthusiasm (nonverbal), Frustration or frustrated body language, High confidence body language, Hostile body language, Power play, Threat displays.

Resources:

Berkowitz, L., & Harmon-Jones, E. (2004). Toward an understanding of the determinants of anger. Emotion, 4, 107-130.

Bjorkqvist, K., Osterrnan, K. and Lagerspetz, K.M.I. (1994) ‘Sex Differences in Covert Aggression among Adults’, Aggressive Behaviour 20: 27–33.

Craig, A. D. (2002). How do you feel? Interoception: The sense of the physiological condition of the body. Nature Reviews Neuroscience, 3, 655-666.

Dixson, Barnaby J ; Vasey, Paul L. Beards augment perceptions of men’s age, social status, and aggressiveness, but not attractiveness. Behavioral Ecology. 2012. 23(3): 481-490.

Enquist, M. (1985). Communication during aggressive interactions with particular reference to variation in choice of behaviors. Anim. Behav. 33, 1152-1161.

Freedman, Norbert ; Blass, Thomas ; Rifkin, Arthur ; Quitkin, Frederic Lanzetta, John T. (editor). Body movements and the verbal encoding of aggressive affect. Journal of Personality and Social Psychology. 1973. 26(1): 72-85.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
http://bodylanguageproject.com/articles/downside-power-posing-body-language-looking-power-posing-action-study/

Ginsburg, Harvey J. ; Pollman, Vicki A. ; Wauson, Mitzi S. Odom, Richard D. (editor). An ethological analysis of nonverbal inhibitors of aggressive behavior in male elementary school children. Developmental Psychology. 1977 13(4): 417-418.

Lagerspetz, K.M.J., Bjorkqvist, K. and Peltonen, T. (1988) ‘Is Indirect Aggression Typical of Females? Gender Differences in Aggressiveness in 11- to 12-year-old Children’, Aggressive Behavior 14: 403–14.

Maestripieri, Dario ; Schino, Gabriele ; Aureli, Filippo ; Troisi, Alfonso. A modest proposal: displacement activities as an indicator of emotions in primates. Animal Behaviour, 1992, Vol.44(5), pp.967-979

Mcgurk, Barry J. ; Davis, John D. ; Grehan, John. Assaultive behavior personality and personal space. Aggressive Behavior. 1981. 7(4): 317-324.

Morgan, M. H. and Carrier, D. R. (2013). Protective buttressing of the human fist and the evolution of hominin hands. J. Exp. Biol. 216, 236-244.

Nickle, David C. and Leda M. Goncharoff. Human Fist Evolution: A Critique. J Exp Biology. 2013. 216: 2359-2360. doi: 10.1242/jeb.084871.

Nadler, Ronald. Sexual initiation in wild mountain gorillas. International Journal of Primatology. 1989. 10(2): 81-92.

Parker, G. A. (1974). Assessment strategy and the evolution of fighting behaviour. J. Theor. Biol. 47, 223-243.

Topel, Eva-Maria ; Lachmann, Frankm. Nonverbal Dialogues: Orienting and Looking Behaviors Between Aggressive and Violent Children and Adolescents and Their Therapist. Journal of Infant, Child, and Adolescent Psychotherapy. 2007. 6(4): 285-307.

Young, R. W. (2003). Evolution of the human hand: the role of throwing and clubbing. J. Anat. 202, 165-174.

Yamagiwa, Juichi. Activity rhythm and the ranging of a solitary male mountain gorilla (Gorilla gorilla beringei). Primates, 1986, Vol.27(3), pp.273-282.

Courtship display, Enthusiasm (nonverbal), Indicator Of Sexual Interest (IOsI), Ownership gesture, Power play, Space invasion, Threat displays

Body Language of Bottom Slapping or Bottom Pinching

by Chris • October 18, 2014 • 0 Comments

Body Language of Bottom Slapping or Bottom Pinching

Cue: Bottom Pinching

Synonym(s): Ass Slap, Bum Slap, Bum Pinch, Buttock Clasping

Description: A quick tap on the rear end of another person.

In One Sentence: The bottom slap is a cheeky way to show sexual intimacy or camaraderie.

How To Use it: Use the bottom slap to show your wife that you find her attractive. Women can also use the bottom slap on men they find sexually interesting. The bottom slap is also effective to build trust and companionship between men and women. Therefore, it is useful in a sporting context to build team spirit and create bonds.

Slapping someone on the bum when it is unwelcome can serve to make them uncomfortable and is therefore a power play and an assertion of dominance. This is ill advised as it can result in charges of sexual harassment.

Context: a) Dating b) General.

Verbal Translation: a) “I find you sexually attractive and am paying you an overt compliment.” a) “I own that ass and I’m touching it because I can and you are subordinate to me so you can’t object.” b) “Nice goal you scored there, now we can bond over it with an ass slap in celebration, way to go.”

Variant: Buttock clasping is a sexual display of affection usually done during copulation or while dancing. It is a firm grasping of the rear end. The rear end can be pinched rather than slapped which is universally sexual in nature.

The pinch takes on three forms and has been an Italian “pastime:” the pizzicato which is a quick tweak with the thumb and middle finger, the vivace which is more vigorous and uses several fingers and done more than once and the sostenuto which is prolonged and heavy handed with a rotation.

Cue In Action: a) A man slapped the waitress on the bum as she walked by – it was unwelcomed and was met with an ice cold glare. a) As her husband walked by without a towel after his shower his wife slapped him on the cheeks. b) After scoring a point in volleyball, the two female athletes slapped each other on the butts during a quick embrace.

Meaning and/or Motivation: Usually done by a man on a woman between husband and wife (or vice versa) or dating partners in sexually permissive cultures. At times done to strangers or between people not in a romantic relationship and therefore unwanted and considered sexual assault. It is often done between members of a sports team for bonding.

In a dating context, the bottom slap indicates ownership through touching and sends a sexual signal of interest. At times an ass slap can be seen as a threat display, aggressive in nature and even predatory if unwelcome such as between coworkers in a business setting.

In a sporting context, the bottom slap is to build team spirit and show solidarity and camaraderie. The intent of the bottom pinch or slap is not nearly as important as the feelings attached to it by the recipient and if unwelcome, is a signal of aggression and a threat display, but if welcomed, is a sign of affection and solidarity.

Cue Cluster: a) Usually combined with a cheeky or coy grin and lustful eye contact. When it is unwanted the smile might be more of a smirk with eyes cast toward the person in an objectifying fashion. b) During bonding in sports it is accompanied by other celebration such as arms up postures, excited facial expressions, and loud voices of celebration.

Body Language Category: Courtship display, Enthusiasm (nonverbal), Indicators of sexual interest (IOsI), Liking, Ownership gestures, Power play, Space invasion, Threat displays.

Resources:

Argo, J. J., Dahl, D. W., & Morales, A. C. (2006). Consumer contamination: How consumers react to products touched by others. Journal of Marketing, 70(April), 81–94.
Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public

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Authoritative body language, Enthusiasm (nonverbal), Gesticulation, Illustrator, Leadership body language, Palm power

The Hidden Meaning Baton Gestures Or Hand Chop Gesture Body Language

by Chris • October 17, 2014 • 0 Comments

The Hidden Meaning Baton Gestures Or Hand Chop Gesture Body Language

Cue: Baton Gestures

Synonym(s): Hand Chop Gesture, Power Grip, Thumb In Hand Gesture.

Description: A motion done with the hands to emphasize points in speech sometimes in rhythm with each word. It is made by balling up the fist and repeatedly and rhythmically batoning it against the palm of the other hand, or the table, as an axe would fall against a log.

In One Sentence: Batoning is a gesture done by moving the hand up and down in conjunction with speech – usually important points in speech.

How To Use it: Batoning is effectively used when addressing a crowd as it can provide emphasis to certain key words or ideas. By moving the hand up and down with each important point it serves to ‘drive the point home.’ Imagine the hand like the head of a hammer coming down as ideas are expressed. Use batoning when you want to show passion, be it in business, or in debate amongst friends.

Context: Business or General

Verbal Translation: “I’m going to hammer my point home by beating it into your brain… one, word, at, a, time!”

Variant: The hand might be palm down, or palm vertical, or balled into a fist.

Cue In Action: Bill Clinton made the batoning motion famous as he emphasized nearly each word in his denial speech against his involvement with Monica Lewinsky “I did not, have, sexual, relations, with, that, women.” as his arm pumped up and down.

Other examples include Adolf Hitler as he gestured his followers into submission and television evangelists who forcefully hammer their words onto others.

Meaning and/or Motivation: The thumb in hand or baton gesture is the “politicians gesture” since it is frequently used by various presidents and world leaders and is a less offensive way to accomplish what would otherwise be left to finger pointing.

It is designed to be a conversation ender – to be the last word spoken. It is highly authoritative in effort to add emphasis to a thought or idea. A baton or chop adds emotion to the words it is attached to. It is habitually done by powerful people who have the floor and are in charge. A person using a power grip wants to appear strong, serious, and forceful.

The type of illustrators used vary by culture and also vary in frequency. Latin cultures for example, will use more illustrators than Anglo-Saxon cultures, and they in turn, use more than Asian cultures. In business, the differences between cultures are especially important since Asian cultures might see the use of illustrators as a lack of intelligence if used too frequently and in Latin cultures it might be construed as a lack of interest or involvement to use too few.

Cue Cluster: The baton gesture is usually coupled with other authoritative and leadership body language such as a booming voice to further emphasize words, sprawled and expansive movements and other open and dominant body language.

Body Language Category: Illustrator, Palm power, Leadership body language, Enthusiasm (nonverbal), Authoritative body language, Gesticulation.

Resources:

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