Author: Chris

Energy Displacement, Enthusiasm (nonverbal), Expansive movements, Gravity defying body language, Happiness body language, Liking, Relaxed body language

Body Language of Clapping

by Chris • October 20, 2014 • 0 Comments

Body Language of Clapping

Cue: Clapping

Synonym(s): Applause

Description: The hands come together quickly and slap each other to make an audible sound.

In One Sentence: When the hands come together to make a clapping sound it shows others that we are excited or approving.

How To Use it: Use clapping to show others your approval. You may also use a slow clap to show the reverse. The slow clap is “sarcastic.”

Context: General.

Verbal Translation: “I’m happy and excited so I slap my hands together and make lots of noise.”

Variant: Feet can also be slapped if the other hand is busy, drinks clinked, fingers snapped and hands waved (a silent applause). A slow clap shows that one is sarcastic about approval thus showing the reverse message.

Cue In Action: The audience clapped their hands to show their appreciation for the wonderful song played by the orchestra.

Meaning and/or Motivation: A celebratory nonverbal signal usually done by large audiences untoward a presenter or performer. Clapping can also be done to show general happiness such as when hearing the telling a funny joke.

Cue Cluster: Clapping is accompanied by true smiles, open facial expressions, relaxed body postures and joyful screaming.

Body Language Category: Energy Displacement, Enthusiasm (nonverbal), Expansive movements, Gravity defying body language, Happiness, Liking, Relaxed body language.

Resources:

Bull, Peter. Invited and uninvited applause in political speeches. British Journal of Social Psychology, 2006, Vol.45(3), pp.563-578.

Bull, Peter. Six key indicators guaranteed to reduce audience stress and increase your applause. Records Management Quarterly. 1997. 31(3): 18(4).

Bull, Peter. Booing: The Anatomy of a Disaffiliative Response. American Sociological Review. 1993. 58(1): 110-130.

Bavelas, J. B., Black, A., Chovil, N., Lemery, C. R., & Mullett, J. (1988). Form and function in motor mimicry: Topographic evidence that the primary function is communicative. Human Communication Research, 14, 275- 299.

Bavelas, J. B., Black, A., Lemery, C. R., & Mullett, J. (1986). “I show how you feel”: Motor mimicry as a communicative act. Journal of Personality and Social Psychology, 50, 322-329.

Chartrand, T. L.,& Bargh, J. A. (1999). The chameleon effect: The perception behavior link and social interaction. Journal of Personality and Social Psychology, 76, 893-910.

Fitzpatrick, Paula ; Schmidt, R. C. ; Lockman, Jeffrey J. Dynamical Patterns in the Development of Clapping. Child Development. 1996. 67(6): 2691-2708.

Fletcher, Alison W. Clapping in chimpanzees: evidence of exclusive hand preference in a spontaneous, bimanual gesture. American Journal of Primatology. 2006. 68(11): 1081-1088.

LaFrance, M. (1979). Nonverbal synchrony and rapport: Analysis by the cross-lag panel technique. Social Psychology Quarterly, 42, 66-70.

Mann, Richard P ; Faria, Jolyon ; Sumpter, David J T ; Krause, Jens. The dynamics of audience applause. Journal of the Royal Society, Interface / the Royal Society. 2013. 10(85): 2013046.

Manusov, Valerie. Mimicry or synchrony: The effects of intentionality attributions for nonverbal mirroring behavior. Communication Quarterly. 1992 40(1): 69-83.

Closed body language, Defensive body language, Dislike (nonverbal), Escape movements, Negative body language, Submissive body language

What Does Body Language of Chin Tuck Mean?

by Chris • October 20, 2014 • 0 Comments

What Does Body Language of Chin Tuck Mean?

Cue: Chin Tuck

Synonym(s): N/A

Description: When the chin is pulled down toward the sternum.

In One Sentence: Tucking the chin shows that one is taken aback.

How To Use it: Use the chin tuck to show that you are not in agreement with what was said. Tucking in the chin can also signal submission especially if combined with lowering the head. When you want to raise an objection without verbally stating it, quickly tucking the chin in shows others that you have been ‘punched’ in the chin by their thoughts. Performing this gesture, therefore, may cause them to backtrack on their suggestion, or put them on their heels trying to justify what they have said. Regardless, it can make them act more conservatively.

Context: a) General b) Dating

Verbal Translation: a) “I don’t like what I just heard so I’m tucking my chin down in disdain.” b) “To appear smaller, I’m tucking my chin and lowering my eyes so you don’t hurt me.”

Variant: See Disgust Facial Expression and Contempt Facial Expression, Head Lowered in Judgement, Chin Jut and Chin Lift.

Cue In Action: a) Bill tucked his chin in as he had a look of disdain on his face. b) She pulled her chin in to appear more childlike and submissive.

Meaning and/or Motivation: Pulling the chin in spells anger and disdain or when used in courtship submission, innocent and childlike.

As the profile of the chin is reduced, it eliminates the exposure it suffers during an attack. The chin is particularly vulnerable to injury and a quick blow can send someone unconscious. Therefore, a tucked chin indicates that a person does not wish to engage in conflict. When someone wants to confront an attacker, they will perform the opposite cue by jutting the chin out as a challenge.

Cue Cluster: The chin tuck is accompanied by a sneering nose and looking downward or eyes averted, head turned away, shoulders slumped cowering. When it is used in courtship it is accompanied by a coy smile and eyes cast upward.

Body Language Category: Closed body language, Defensive, Dislike (nonverbal), Escape movements, Negative body language, Submissive body language.

Resources:

Beall, Alec and Jessica L. Tracy. The Puzzling Attractiveness of Male Shame. Manuscript submitted to Evolutionary Psychology. www.epjournal.net – 2014. 12(x): 1-39
http://bodylanguageproject.com/articles/male-nonverbal-shame-attractive/

Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

Blidstein, Gerald J. The Nonverbal Language of Prayer (review).Shofar: An Interdisciplinary Journal of Jewish Studies. 2007 25(2): 195-196.

Cunha, U. ; Leduc, M. ; Nayak, U.S.L. ; Isaacs, B.. Why do old people stoop?
Archives of Gerontology and Geriatrics. 1987 6(4): 363-369.

Conti, Richard P ; Conti, Melanie A. Mock jurors’ perceptions of facial hair on criminal offenders. Perceptual and motor skills. 2004 98:(3 Pt 2): 1356-8

Dunn, Cynthia Dickel. Speaking politely, kindly, and beautifully: ideologies of politeness in Japanese business etiquette training. Multilingua: Journal of Cross-Cultural and Interlanguage Communication. 2013. 32(2): 225(21).

De Souza, Altay Alves Lino ; Baião, Vera Baumgarten Ulyssea ; Otta, Emma
Perception of men’s personal qualities and prospect of employment as a function of facial hair. Psychological reports. 2003. 92(1): 201-8.

Dixson, Barnaby J ; Tam, Jamie C ; Awasthy, Monica. Do women’s preferences for men’s facial hair change with reproductive status? Behavioral Ecology. 2013 24(3): 708-716.

Grezes, Julie; Le´onor Philip; Michele Chadwick; Guillaume Dezecache; Robert Soussignan and Laurence Conty. Self-Relevance Appraisal Influences Facial Reactions to Emotional Body Expressions. PLoS ONE. 2013. 8(2): e55885. doi:10.1371/journal.pone.0055885
http://bodylanguageproject.com/articles/face-reacts-body-anger-brains-wired-process-emotional-body-language

Gröning, Flora ; Liu, Jia ; Fagan, Michael J ; O’Higgins, Paul. Why do humans have chins? Testing the mechanical significance of modern human symphyseal morphology with finite element analysis. American journal of physical anthropology 2011. 144(4): 593-606.

Ginsburg, Harvey J. ; Pollman, Vicki A. ; Wauson, Mitzi S. Odom, Richard D. (editor). An ethological analysis of nonverbal inhibitors of aggressive behavior in male elementary school children. Developmental Psychology. 1977 13(4): 417-418.

Hall, Judith ; LeBeau, Lavonia ; Reinoso, Jeannette ; Thayer, Frank. Status, Gender, and Nonverbal Behavior in Candid and Posed Photographs: A Study of Conversations Between University Employees. Sex Roles. 2001 44(11): 677-692.

Hehman, Eric; Jordan B. Leitner and Samuel L. Gaertner. Enhancing Static Facial Features Increases Intimidation. Journal of Experimental Social Psychology. 2013; 49: 747-754.
http://bodylanguageproject.com/articles/tilting-the-head-is-display-of-intimidation-study/

Izard, Carroll E. (1971). The Face of Emotion (New York: Appleton-Century-Crofts).

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence

Kret, M. E. and B. de Gelder. When a Smile Becomes a Fist: The Perception of Facial and Bodily Expressions of Emotion in Violent Offenders. Exp Brain Res. 2013. 228: 399-410. DOI 10.1007/s00221-013-3557-6.
http://bodylanguageproject.com/articles/reading-bodily-postures-facial-expressions-incorrectly-can-disastrous-just-ask-violent-offenders/

Katza, Carmit; Irit Hershkowitz; Lindsay C. Malloya; Michael E. Lamba; Armita Atabakia and Sabine Spindlera. Non-Verbal Behavior of Children Who Disclose or do not Disclose Child Abuse in Investigative Interviews. Child Abuse & Neglect. 2012. 36: 12-20.
http://bodylanguageproject.com/articles/reading-nonverbal-behaviour-child-abuse-cases-encourage-children-divulge-information-truth-telling/

Krumhuber, Eva ; Manstead, Antony ; Kappas, Arvid. Temporal Aspects of Facial Displays in Person and Expression Perception: The Effects of Smile Dynamics, Head-tilt, and Gender. Journal of Nonverbal Behavior. 2007. (1): 39-56

Li Huang, Adam D. Galinsky, Deborah H Gruenfeld and Lucia E. Guillory. Powerful Postures Versus Powerful Roles: Which Is the Proximate Correlate of Thought and Behavior? 2011, Psychological Science; 22(1): 95–102.
http://bodylanguageproject.com/articles/whats-more-powerful-nonverbal-power-or-real-power/

Mignault, Alain and Chaudhuri, Avi. The Many Faces of a Neutral Face: Head Tilt and Perception of Dominance and Emotion. Journal of Nonverbal Behavior. 2003 27(2): 111-132.

Marshall, Steven D. ; Low, Laura E. ; Holton, Nathan E. ; Franciscus, Robert G. ; Frazier, Mike ; Qian, Fang ; Mann, Kyle ; Schneider, Galen ; Scott, Jill E. ; Southard, Thomas E. Chin development as a result of differential jaw growth American Journal of Orthodontics & Dentofacial Orthopedics. 2011 139(4): 456-464.

Martens, Jason P.; Jessica L. Tracy and Azim F. Shariff. Status signals: Adaptive
benefits of displaying and observing the nonverbal expressions of pride and shame, Cognition & Emotion. 2012. 26(3): 390-406. DOI: 10.1080/02699931.2011.645281
http://bodylanguageproject.com/articles/significant-nonverbal-expression-pride-shame-body-language-detailed-examination-origin-function/

Middleton, Jacob. Bearded patriarchs: Jacob Middleton investigates the eccentric set of prejudices against shaving that led our Victorian forefathers to adorn their chins with a lush growth of facial hair. History Today. 2006, Vol.56(2), p.26(2).

Neave, Nick and Shields, Kerry. The effects of facial hair manipulation on female perceptions of attractiveness, masculinity, and dominance in male faces. Personality and Individual Differences. 2008 45(5): 373-377.

Nelson, Nicole L. and James A. Russell. Preschoolers’ Use of Dynamic Facial, Bodily, and Vocal Cues to Emotion. Journal of Experimental Child Psychology. 2011; 110: 52-61.
http://bodylanguageproject.com/articles/children-read-body-language-study/

Pitterman, Hallee ; Nowicki Jr, Stephen. A Test of the Ability to Identify Emotion in Human Standing and Sitting Postures: The Diagnostic Analysis of Nonverbal Accuracy-2 Posture Test (DANVA2-POS). Genetic, Social, and General Psychology Monographs. 2004. 130(2): 146-162.

Riskind, John H. Manis, Melvin (editor). They stoop to conquer: Guiding and self-regulatory functions of physical posture after success and failure. Journal of Personality and Social Psychology. 1984 47(3): 479-493.

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Shariff, Azim F. and Jessica L. Tracy. Knowing Who’s Boss: Implicit Perceptions of Status From the Nonverbal Expression of Pride. Emotion. 2009.9(5): 631-639.
http://bodylanguageproject.com/articles/can-you-tell-whos-boss-by-the-nonverbal-expression-of-pride/

Stienen, Bernard M. C.; Akihiro Tanaka and Beatrice de Gelder. Emotional Voice and Emotional Body Postures Influence Each Other Independently of Visual Awareness. PLoS ONE. 2011. 6(10): e25517. doi:10.1371/journal.pone.0025517.
http://bodylanguageproject.com/articles/body-language-read-quickly-subconsciously-study/

Schubert, T. W. (2005). Your highness: Vertical positions as perceptual symbols of power. Journal of Personality and Social Psychology. 89, 1–21.

Teixeira Fiquer, Juliana; Paulo Sérgio Boggio and Clarice Gorenstein. Talking Bodies: Nonverbal Behavior in the Assessment of Depression Severity. Journal of Affective Disorders. 2013. 150: 1114-1119.
http://bodylanguageproject.com/articles/using-nonverbal-behaviour-to-assess-depression-severity/

Tracy, Jessica L. and Richard W. Robins. The Nonverbal Expression of Pride: Evidence for Cross-Cultural Recognition. Journal of Personality and Social Psychology. 2008. 94(3): 516–530. DOI: 10.1037/0022-3514.94.3.516
http://bodylanguageproject.com/articles/nonverbal-expression-pride-recognized-cross-culturally/

Weisfeld, Glenn E. and Jody M. Beresford. Erectness of Posture as an Indicator of Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
http://bodylanguageproject.com/articles/body-language-cues-dominance-submission-children/

Welker, Keith M.; Stefan M.M.; Goetz, Shyneth Galicia; Jordan Liphardt and Justin M. Carré. An Examination of the Associations Between Facial Structure, Aggressive Behavior, and Performance in the 2010 World Cup Association Football Players. Adaptive Human Behavior and Physiology (forthcoming in print, online July).
http://bodylanguageproject.com/articles/facial-width-predicts-strength-soccer-field

Weisbuch, Max ; Slepian, Michael L ; Eccleston, Collette P ; Ambady, Nalini. Nonverbal Expressions of Status and System Legitimacy. Psychological Science. 2013. 24(11): 2315-2321.

Wogalter, Michaels. ; Hosie, Juditha. Effects of Cranial and Facial Hair on Perceptions of Age and Person. The Journal of Social Psychology. 1991 131(4): 589-591.

Walsh, Joseph ; Eccleston, Christopher ; Keogh, Edmund. Pain communication through body posture: The development and validation of a stimulus set. Pain. 2014. 155(11): 2282-2290.

Zeinstra, Gertrude G.; M.A. Koelen; D. Colindres ; F.J. Kok; C de Graaf. Facial Expressions in School-Aged Children are a Good Indicator of ‘Dislikes’, but not of ‘Likes.’ Food Quality and Preference. 2009. 20: 620-624.
http://bodylanguageproject.com/articles/read-kids-dislike-food-facial-expressions-accurate-detecting-dislike-not-like-children/

Welker, Keith M. ; Oberleitner, David E. ; Cain, Samantha ; Carré, Justin M. Upright and left out: Posture moderates the effects of social exclusion on mood and threats to basic needs. European Journal of Social Psychology. 2013 43(5): 355-361.

Auto contact or self touching, Buy signals, Displacement behaviour, Energy Displacement, Pensive displays

Body Language of Chin Stroking

by Chris • October 20, 2014 • 0 Comments

Body Language of Chin Stroking

Cue: Chin Stroking.

Synonym(s): Beard Stroking, Rubbing The Moustache.

Description: Rubbing the chin or beard with the hand.

In One Sentence: Rubbing the chin signifies evaluation and thought process.

How To Use it: When trying to come up with a solution, rubbing the chin can activate the mind to seek creative and profound solutions to problems. During negotiation you might use the chin rub to show that you are contemplating options and weighing the benefits. Rubbing the chin can buy you some time to think as it is universally seen as contemplation gesture.

Context: General.

Verbal Translation: “I am thinking or evaluating and I show this by grooming my chin as my source of wisdom.”

Variant: Often the hand is lightly rested on the thumb and index finger when evaluating and thinking. See Hand Supporting The Chin.

Cue In Action: He couldn’t make up his mind between plain vanilla or cookies and cream. He stroked his chin for some time while contemplating the difficult decision.

Meaning and/or Motivation: Chin stroking is an evaluative gesture which was made popular by movies, television shows and cartoons. The cliché says that the chin scratcher is old, wise and bearded! Beard or chin stroking signifies that the decision making process has begun, but that a conclusion hasn’t yet been reached.

Cue Cluster: Decision making can often be accompanied by other evaluative gestures such as rubbing the head, cheek or temple, head tapping, tapping a pen against the chin. Pacifying such as brushing the arms, rubbing the back of the head and neck may also be observed.

Body Language Category: Auto contact or self touching, Buy signals, Displacement behaviour, Energy Displacement, Pensive displays.

Resources:

Barnaby J. Dixson and Robert C. Brooks. The Role Of Facial Hair In Women’s Perceptions Of Men’s Attractiveness, Health, Masculinity And Parenting Abilities. Evolution and Human Behavior, 2013; 34 (3): 236–241.
http://bodylanguageproject.com/articles/study-finds-that-men-are-most-attractive-with-heavy-stubble-beards/

Bond, Michael H., and Hiroshi Komai (1976). “Targets of Gazing and Eye Contact During Interviews: Effects on Japanese Nonverbal Behavior.” In Journal of Personality and Social Psychology (Vol. 34), pp. 1276-84.

Blakeslee, Sandra (1995). “In Brain’s Early Growth, Timetable Maybe Crucial.” In New York Times (“Science Times,” August 29), pp. C1, C3.

Conti, Richard P ; Conti, Melanie A. Mock jurors’ perceptions of facial hair on criminal offenders. Perceptual and motor skills. 2004 98:(3 Pt 2): 1356-8

Dixson, Barnaby J ; Tam, Jamie C ; Awasthy, Monica. Do women’s preferences for men’s facial hair change with reproductive status? Behavioral Ecology. 2013 24(3): 708-716.

Dixson, Barnaby J ; Vasey, Paul L. Beards augment perceptions of men’s age, social status, and aggressiveness, but not attractiveness. Behavioral Ecology. 2012. 23(3): 481-490.

Ekman, Paul, and Wallace V. Friesen (1969). “Nonverbal Leakage and Clues to Deception.” In Psychiatry (Vol. 32), pp. 88-106.

Goodall, Jane (1986). The Chimpanzees of Gombe: Patterns of Behavior (Cambridge: Belknap Press of Harvard University).

Givens, David B. (1976). An Ethological Approach to the Study of Human Nonverbal Communication (University of Washington Ph.D. dissertation in Anthropology, Ann Arbor: University Microfilms).

Grand, Stanley (1977). “On Hand Movements During Speech: Studies of the Role of Self-Stimulation in Communication Under Conditions of Psychopathology, Sensory Deficit, and Bilingualism.” In Norbert Freedman and Stanley Grand, eds., Communicative Structures and Psychic Structures: A Psycholanalytic Interpretation of Communication (New York: Plenum Press), pp. 199-221.

Geniole, Shawn N. ; Mccormick, Cheryl M. Facing our ancestors: judgements of aggression are consistent and related to the facial width-to-height ratio in men irrespective of beards. Evolution and Human Behavior. 2014. 1090-5138.

Kenner, Andrew N. (1993). “A Cross-Cultural Study of Body-Focused Hand Movement.” In Journal of Nonverbal Behavior (Vol. 17, No. 4, Winter), pp. 263-79.

Lee Ann Renninger, T. Joel Wade, Karl Grammer. Getting that female glance: Patterns and consequences of male nonverbal behavior in courtship contexts. Evolution and Human Behavior. 2004; 25: 416–431.
http://bodylanguageproject.com/articles/part-i-how-to-read-male-sexual-body-language-a-study-for-women-and-the-men-who-wish-to-cheat-the-system/

Mignault, Alain and Chaudhuri, Avi. The Many Faces of a Neutral Face: Head Tilt and Perception of Dominance and Emotion. Journal of Nonverbal Behavior. 2003 27(2): 111-132.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

McGrew, W. C. (1972). “Aspects of Social Development in Nursery School Children with Emphasis on Introduction to the Group.” In N. G. Blurton Jones, ed., Ethological Studies of Child Behaviour (Cambridge: University Press), pp. 129-56.

Neave Nick and Kerry Shields. The Effects of Facial Hair Manipulation on Female Perceptions of Attractiveness, Masculinity, and Dominance in Male Faces. Personality and Individual Differences. 2008. 45(5): 373–377. DOI: 10.1016/j.paid.2008.05.007.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Pugh, George E. (1977). The Biological Origin of Human Values (New York: Basic Books).

Rosenfeld, Howard (1973). “Nonverbal Reciprocation of Approval: An Experimental Analysis.” In Argyle *, pp. 163-72.

Sommer, Robert (1969). Personal Space: The Behavioral Basis of Design (Englewood Cliffs, New Jersey: Prentice-Hall).

Schubert, T. W. (2005). Your highness: Vertical positions as perceptual symbols of power. Journal of Personality and Social Psychology. 89, 1–21.

Weisbuch, Max ; Slepian, Michael L ; Eccleston, Collette P ; Ambady, Nalini. Nonverbal Expressions of Status and System Legitimacy. Psychological Science. 2013. 24(11): 2315-2321.

Wogalter, Michaels. ; Hosie, Juditha. Effects of Cranial and Facial Hair on Perceptions of Age and Person. The Journal of Social Psychology. 1991 131(4): 589-591.

Zinnia J. Janif, Robert C. Brooks, Barnaby J. Dixson. Negative Frequency-Dependent Preferences and Variation in Male Facial Hair. Biology Letters. Published online April 16, 2014. DOI: 10.1098/rsbl.2013.0958.

*No Photo, Aggressive body language, Anger body language, Closed facial gestures, Emotional body language, Greeting gesture, Hostile body language, Negative body language, Power play, Threat displays, Up nonverbals

Body Language of The Chin Jut and Chin Lift

by Chris • October 20, 2014 • 0 Comments

Body Language of The Chin Jut and Chin Lift

Cue: Chin Jut

Synonym(s): Chin Lift, Jutting The Chin, Lifting The Chin, Pushing The Chin Out.

Description: Pushing the chin out and up by slightly tilting the head backwards.

In One Sentence: Jutting the chin out and away from the body tells others that one is ready to confront rather than conform.

How To Use it: Use the signal to show your dominance and to intimidate others. In competition you can use the chin to taunt your opponent and tempt them into submission by demonstrating your pride and smugness. The cue can also be done during normal conversation to issue a challenge of another person’s authority. As the cue is subtle, it is often registered under conscious awareness, but the message will be received as an insult against another person and their position.

Context: General.

Verbal Translation: a) “I’m sticking my chin out to say hello there, I see and acknowledge you.” b) “I’m sticking my chin out to tempt you into punching me and fighting me. It is a challenge as I’m not going to back down.”

Variant: See Chin Stroking, Chin Tuck, Head Lowered.

Cue In Action: a) When passing each other on their bikes, the two riders tilted their chins upward as an acknowledgement. b) It almost came to blows; he stuck his chin out, balled up his first and made threatening remarks.

Meaning and/or Motivation: When the gesture is not done as a greeting or acknowledgement gesture, jutting the chin out means smugness, confidence, pride and confrontation. It is a challenge display, almost like a dare to attack. Lifting the chin exposes the neck to attack but it also puts the chin on full exposure. During physical conflict, a quick jab to the chin often puts people unconscious because it compresses the nerve that runs behind the jaw. Just ask any professional boxer! Keeping the chin tucked, on the other hand, keeps it protected and reduces it as a target making it a submissive posture.

a) A greeting gesture done by quickly forcing the chin outward and returning it to its origin. It is done to acknowledge someone else without having to directly interact with them and done most often by dominant individuals. It signifies superiority, fearlessness and arrogance. b) This is a signal used to display pride, confidence and smugness because it exposes the vulnerable neck to attack. This can be a gesture done subtly as a slight protrusion of the lower jaw.

Cue Cluster: When the chin jut is used in conflict it is accompanied by other threatening language such as balled up fists, arms either lose at the side of the body taunting, or raised and batoning.

Body Language Category: Greeting gesture, Aggressive body language, Anger, Closed facial gestures, Emotional body language, Hostile body language, Negative body language, Power play, Expansive movements, Threat displays, Up nonverbals.

Resources:

Conti, Richard P ; Conti, Melanie A. Mock jurors’ perceptions of facial hair on criminal offenders. Perceptual and motor skills. 2004 98:(3 Pt 2): 1356-8

Dixson, Barnaby J ; Tam, Jamie C ; Awasthy, Monica. Do women’s preferences for men’s facial hair change with reproductive status? Behavioral Ecology. 2013 24(3): 708-716.

Dixson, Barnaby J ; Vasey, Paul L. Beards augment perceptions of men’s age, social status, and aggressiveness, but not attractiveness. Behavioral Ecology. 2012. 23(3): 481-490.

Izard, Carroll E. (1971). The Face of Emotion (New York: Appleton-Century-Crofts).

Menzel, Charles R. Head-cocking and visual perception in primates. Animal Behaviour. 1980. 28(1): 151-159.

Matsumoto, D., & Willingham, B. (2006). The thrill of victory and the agony of defeat: Spontaneous expressions of medal winners of the 2004 Athens Olympic Games. Journal of Personality and Social Psychology, 91(3), 568–581.

Mouterde, S. C., Duganzich, D. M., Molles, L. E., Helps, S., Helps, R., & Waas, J. R. (2012). Triumph displays inform eavesdropping little blue penguins of new dominance asymmetries. Animal Behaviour, 83, 605–611.

Mignault, Alain and Chaudhuri, Avi. The Many Faces of a Neutral Face: Head Tilt and Perception of Dominance and Emotion. Journal of Nonverbal Behavior. 2003 27(2): 111-132.

Otta, E., Lira, B. B. P., Delevati, N. M., Cesar, O. P., & Pires, C. S. G. (1994). The effect of smiling and of head tilting on person perception. The Journal of Psychology, 128, 323–331.

Schubert, T. W. (2005). Your highness: Vertical positions as perceptual symbols of power. Journal of Personality and Social Psychology. 89, 1–21.

Tracy, J. L., & Matsumoto, D. (2008). The spontaneous expression of pride and shame: Evidence for biologically innate nonverbal displays. Proceedings from the National Academy of Sciences, 105(33), 11655–11660.

Tracy, J. L., & Robins, R. W. (2007). The prototypical pride expression: Development of a nonverbal behavior coding system. Emotion, 7(4), 789–801.

Weisbuch, Max ; Slepian, Michael L ; Eccleston, Collette P ; Ambady, Nalini. Nonverbal Expressions of Status and System Legitimacy. Psychological Science. 2013. 24(11): 2315-2321.

Wogalter, Michaels. ; Hosie, Juditha. Effects of Cranial and Facial Hair on Perceptions of Age and Person. The Journal of Social Psychology. 1991 131(4): 589-591.

*No Photo, Aggressive body language, Anger body language, Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), Frustration or frustrated body language, High confidence body language, Hostile body language, Power play, Threat displays

Body Language of Chest Thumping

by Chris • October 20, 2014 • 0 Comments

Body Language of Chest Thumping

Cue: Chest Thumping

Synonym(s): Thumping The Chest.

Description: A smacking of the chest with the closed fist either lightly during low emotion or quickly and forcefully during high emotion.

In One Sentence: Chest thumping is a primitive gesture done to show animal-like dominance.

How To Use it: Use the chest thump to draw attention to the self after winning a dominance competition. It is applicable especially in sports, but it can be used when competing intellectually as well. During an argument between lovers, a single chest thump can show that you are sincere about your assertions. Chest thump can be used to show high passion. Caution should be used as the gesture is quite primitive and can backfire by appearing too animal-like.

Context: General.

Verbal Translation: a) “I’m smacking my chest because I want to emphasis something I’m saying that’s important to me.” b) “I just scored a goal or did something important, that was me that did that, I’m important, I’m the boss.” c) “I’m thumping my chest like a gorilla in a show of confidence and dominance.”

Variant: See Batoning Gesture. The fist may also pounding a table or the hand might chop violently.

Cue In Action: a) He wanted to make his point heard so when he asserted that he really needed to go fishing, he smacked his fist against his chest (each time he referenced himself) and said “I, me, I, need to get some time to myself or I’m going to explode.” b) While talking about his the recent passing of his wife, he pounded his chest with his fist as if emphasizing what he lost and how it felt to him. c) They neared blows. Clothing was removed and chests were thumped. The drunken fools acted like gorillas.

Meaning and/or Motivation: A primitive throwback to chimpanzee behaviour. Thumping the chest is a high authority and high aggression display meant to intimidate others and draw attention to the prowess of the person delivering it so as to collect adulation and attention from others as the context warrants.

Other times, chest thumping is done lightly to emphasis something that is important and dear to the heart.

Cue Cluster: Chest thumping is associated with other dominant cues such as expansive movements, arms out and away from the body, high gesticulation, arms akimbo, angry or happy facial expression, loud voice, gravity defying behaviour such as jumping up and down (in celebration) and chest puffing or broad side displays.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger, Authoritative body language, Confident, Dominant body language, Enthusiasm (nonverbal), Frustration or frustrated body language, High confidence body language, Hostile body language, Power play, Threat displays.

Resources:

Berkowitz, L., & Harmon-Jones, E. (2004). Toward an understanding of the determinants of anger. Emotion, 4, 107-130.

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Enquist, M. (1985). Communication during aggressive interactions with particular reference to variation in choice of behaviors. Anim. Behav. 33, 1152-1161.

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Aggressive body language, Arrogance or arrogant body language, Barriers, Crotch display, Defensive body language, Dominant body language, Expansive movements, Low confidence body language, Threat displays

Body Language of The Chair Straddler or Seat Straddling

by Chris • October 20, 2014 • 0 Comments

Body Language of The Chair Straddler or Seat Straddling

Cue: Chair Straddling

Synonym(s): Seat Straddling

Description: A sitting posture where a person sits on a chair backwards with their legs spread wide open and the forearms rested on the back of the chair.

In One Sentence: The chair straddler is perceived as cowardly as his genitals are on display, but he hides behind the shield of the chair.

How To Use it: Use this posture to appear timid and cowardly, but also dominant and aggressive. In other words, its use is limited to appearing socially awkward. Perhaps its use is best left to television characters trying to appear socially challenged.

Context: General

Verbal Translation: “I’m going to spread my legs behind this protective barrier showing myself to be dominant, authoritative and yes cowardly at the same time.”

Variant: See Leg Spreading.

Cue In Action: Charles made himself comfortable by pulling up a chair from another table, turning it around and sitting in it. His folded arms were placed on the back of the chair and his legs spread wide open facing everyone else.

Meaning and/or Motivation: A dominant body position where the back of the chair is utilized as a barrier or shield to separate the individual from others. So while leg spreading appears dominant since the genitals are fully exposed, the back of the chair acts like a shield making the chair straddler appear cowardly. Chair straddlers are people who wish to remain protected while interacting with others.

If the straddler is the type who habitually tosses figurative spears or flings arrows from behind his barrier, then he may be read as insecure and lacking in confidence. The chair straddler might defend his seating style by saying “it’s comfortable,” but the body language reader should ask himself “what it is about the posture, that makes the straddler feel so comfortable?”

Cue Cluster: The arms are usually folded across the back of the chair coupled with a crooked smile, leaning in to invade space, and a boisterous attitude.

Body Language Category: Dominant body language, Arrogance or arrogant body language, Aggressive body language, Barriers, Defensive, Low confidence body language, Expansive movements, Threat displays, Crotch Display.

Resources:

Allen, Jill; Sarah J. Gervais and Jessi L. Smith. Sit Big to Eat Big: The Interaction of Body Posture and Body Concern on Restrained Eating. Psychology of Women Quarterly 2013. 37(3): 325-336. DOI: 10.1177/0361684313476477pwq.sagepub.com
http://bodylanguageproject.com/articles/sit-big-to-eat-big-how-constrictive-postures-reduce-food-consumption/

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http://bodylanguageproject.com/articles/body-posture-physical-environment-determine-feelings-and-behaviour-study/

*No Photo, Barriers, Blading, Body pointing, Orienting reflex or orienting response, Rapport or rapport building, Seating arrangements

Body Language Casual Corner Seating Arrangement

by Chris • October 20, 2014 • 0 Comments

Body Language Casual Corner Seating Arrangement

Cue: Casual Corner Seating Arrangement

Synonym(s): Kitty Corner, Right Angle Seating, Sitting At The Corner Of The Table, Across The Corner Of The Table.

Description: A seating arrangement where people sit at the corner of rectangular tables.

In One Sentence: The casual corner seating arrangement is defined by sitting across the corners of the table and is a way to maintain separation but also collaborate.

How To Use it: Use the casual corner seating arrangement when you want to provide a client with some privacy but also want to be relatively intimate. This is effective when working on a project that requires independent thought such as brainstorming new ideas or when going over fine details. Friends and family should also meet this way as it is creates a less confrontational feeling.

Context: Social, Business

Verbal Translation: “We sit close to one another in a casual way but still maintain our separation by having the corner of the table between us.”

Variant: The chairs can face forward toward the table reduce eye contact or at angles so as to face the other person directly which is more intimate. See other seating arrangements for variants such as Competitive Head-To-Head Seating Position Arrangement and Cooperative Side-By-Side Seating Arrangement.

Cue In Action: a) When meeting to discuss the acquisition of a new business, the partners sat at the corner of the table to share information and discuss the possibilities amicably. b) When interviewing for the new position, the boss decided to meet over the corner of the table to build comfort and rapport rather than interview in her office across her desk.

Meaning and/or Motivation: Sitting across the corner of the table preserves closeness, but also offers a partial barrier to maintain privacy. This seating position is unique because it allows for independent thought, but the proximity still permits intimacy through closeness rather than aggression and secrecy as with a head-to-head arrangement.

Cue Cluster: We usually see cooperative and engagement cues such as leaning in, business eye contact and head tilted at forty-five degrees to show interest and so forth.

Body Language Category: Barriers, Body pointing, Blading, Orienting reflex or orienting response, Rapport or rapport building, Seating arrangements.

Resources:

Argyle, M., & Dean, I. Eye contact, distance and affiliation. Sociometry, 1965, 28, 289-304.

Beaulieu, Catherine. Intercultural Study of Personal Space: A Case Study. Journal of Applied Social Psychology. 2004 34(4):794-805.

Boucher, Michael L. Holzberg, Jules D. (editor). Effect of seating distance on interpersonal attraction in an interview situation. Journal of Consulting and Clinical Psychology. 1972 38(1): 15-19.

Cook, M. Experiments on orientation and proxemics. Human Relations, 1970, 23, 61-67.

Clack, B., Dixon, J., & Tredoux, C. (2005). Eating together apart: Patterns of segregation in a multi-ethnic cafeteria. Journal of Community & Applied Social Psychology, 15, 1-16. doi:10.1002/casp.787

Castelli, Luigi ; Carraro, Luciana ; Pavan, Giulia ; Murelli, Elisa ; Carraro, Alessia. The Power of the Unsaid: The Influence of Nonverbal Cues on Implicit Attitudes. Journal of Applied Social Psychology. 2012 42(6): 1376-1393.

Coutts, Larrym. ; Ledden, Maribeth. Nonverbal Compensatory Reactions to Changes in Interpersonal Proximity. The Journal of Social Psychology. 1977 102(2): 283-290.

Dolphin, Carol Zinner. Beyond hall: Variables in the use of personal space in intercultural transactions. Howard Journal of Communications. 1988. 1(1): 23-38.

Danielle Jackson, Erika Engstrom and Tara Emmers-Sommer. 2007. Think Leader, Think Male and Female: Sex vs. Seating Arrangement as Leadership Cues. Sex Roles. 57 (9/10): 713-723.

Felipe, N. Interpersonal distance and small group interaction. Cornell Journal of Social Relations, 1966, 1, 59-64.

Felipe, N. Connotations of seating arrangements. Cornell Journal of Social Relations, 1967, 2, 37-44.

Gifford, Robert ; O’Connor, Brian. Nonverbal intimacy: Clarifying the role of seating distance and orientation. Journal of Nonverbal Behavior. 1986 10(4): 207-214.

Greenberg, J. 1976. The role of seating position in group interaction: a review, with applications for group trainers. Group & Organization Management 1 (3): 310-327.

Graziano, Michael S.A. and Cooke, Dylan F. Parieto-frontal interactions, personal space, and defensive behavior. Neuropsychologia. 2006. 44(6): 845-859.

Howells, L. T. and S. W. Becker. 1962. Seating arrangement and leadership emergence.
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Jackson, Danielle ; Engstrom, Erika ; Hassenzahl, David M. Effects of sex and seating arrangement on selection of leader. Perceptual and motor skills. 2005. 100(3 Pt 1): 815-8

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Scherer, S. E., & Schiff, M. R. Perceived intimacy, physical distance, and eye contact. Perceptual and Motor Skills, 1973, 36, 835-841.

Scott, J. A. Comfort and seating distance in living rooms: The relationship of interactants and topic of conversation. Environment and Behavior, 1984, 16, 35-54.

Sommer, R. Studies in personal space. Sociometry, 1959, 22,247-260.

Sommer, R. The distance for comfortable conversation: A further study. Sociometry, 1962, 25, 111-116.

Sommer, R. Personal space: The behavioral basis of design. Englewood Cliffs, New Jersey: Prentice Hall. 1969.

Stephenson, G. M. and B. K. Kniveton. 1978. Interpersonal and interparty exchange: an experimental study of the effect of seating position on the outcome of negotiations between teams representing parties in dispute. Human Relations 31(6): 555-566.

Weiss, M., & Keys, C. The influence of proxemic variables on dyadic interaction between peers. Paper presented at the meeting of the American Psychological Association; Chicago, 1975, August.

Werner, Carol ; Brown, Barbara ; Damron, Gary Steiner, Ivan D. (editor). Territorial marking in a game arcade. Journal of Personality and Social Psychology. 1981. 41(6): 1094-1104.

Body pointing, Distancing or moving away, Escape movements, Indicators of disinterest (IOD), Orienting reflex or orienting response, Ready posture

The Body Language of The Buttress Stance or Foot Forward Leg Stance

by Chris • October 18, 2014 • 0 Comments

The Body Language of The Buttress Stance or Foot Forward Leg Stance

Cue: Buttress Stance

Synonym(s): Pointing Feet, Foot Forward Leg Stance.

Description: A buttress is an architectural feature of buildings designed to support or reinforce a wall. The buttress stance is a standing posture where the leg bearing the body’s weight is straight, while the other leg is extended forward and outward away from the body. The extended leg can either be bent at the knee or straight.

In One Sentence: The buttress stance is a ready stance that indicates one is emotionally sturdy and also prepared for action.

How To Use it: Use the buttress stance to show others that you are in control of your body, but also that you are prepared to leave at any time. The cue find use in any context, but is valued with extroverted friends and when facing a high energy boss. The posture will work to show that you should be taken seriously and also that communication should be expedient because you have things to do and places to be.

Context: General.

Verbal Translation: “I’m getting ready to go in the direction my feet are pointed.”

Variant: Ventral orientation can also depict the desire to leave, as does leaning away, and body rocking (shifting the weight from one foot to the other). See Rocking The Body, Blading Body Language, Body Angling or Ventral Displays.

Cue In Action: When the topic got headed, James aimed his extended foot to the door and readied himself to vacate.

Meaning and/or Motivation: It indicates a readiness to depart as the legs orient toward an exit and the legs take on a preliminary walking stance. People seen in the buttress stance are sending a clear message that they wish to leave.

Cue Cluster: Used in accompaniment with eye aversion, head lowered, reduced gestures, and body angled away.

Body Language Category: Body pointing, Distancing or moving away, Escape movements, Indicators of disinterest (IOD), Orienting reflex or orienting response, Ready language.

Resources:

Argyle, M., & Dean, I. Eye contact, distance and affiliation. Sociometry, 1965, 28, 289-304.

Astrom, Jan. Introductory greeting behavior: a laboratory investigation of approaching and closing salutation phases. Perceptual and Motor Skills. 1994. 79(2): 863(35).

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*No Photo, Attentive body language, Confident body language, Rapport or rapport building

The Body Language of Business Gaze

by Chris • October 18, 2014 • 0 Comments

The Body Language of Business Gaze

Cue: Business Gaze

Synonym(s): N/A

Description: An eye pattern where the eyes never leave the face and spend the majority of the time between the forehead and the eyes, never below. Eye contact in a business gaze is held about 80-90% of the total time when it involves men and women and two women, but when two men speak the rate drops to 60-70% of the time.

In One Sentence: The business gaze happens when the eyes remain above the level of the chin so as to remain non-sexual.

How To Use it: Use the business gaze to create solid business relationship and avoid muddying the waters with sexual feelings. The business gaze is also best used between male and female friends to avoid misconceptions about the relationship intended.

Context: Business

Verbal Translation: “I want to keep this business in nature, so I’m keeping my eyes above chin level so as not to appear sexually interested.”

Variant: See Staring or The Evil Eye, Downcast Eyes or Eyes Down, Eye Aversion, Gaze Avoidance and Wandering Eyes, Face Gaze, Friendly Social Gaze, Gaze Omission, Intimate Gaze (The) or Triangular Gaze Pattern.

Cue In Action: When meeting over lunch, Mark and Debbie kept their eyes on each other’s faces despite a strong chemistry between the two.

Meaning and/or Motivation: Gaze patterns often define the context through duration and pattern. If the eyes travel below the face to other parts of the body they signal a person’s desire to explore the possibilities of a sexual relationship. Where eyes look signal what the mind thinks. If business is kept professional, then eyes will be kept on the face alone and not travel to other parts of the body or only briefly out of curiosity. If eyes travel frequently to the breast, chest, shoulders, crotch or rear end, then there is a sexual message attached.

Gaze duration in a business setting also has meaning. If eye contact between men and women is any less than 80-90% it means that both sexes are disinterested. On the other hand, if gaze is held too long amongst men, it is read as aggression, or if too short, as a lack of confidence or shiftiness. If the eyes begin to wander from the face to other parts of the body it is read as sexual interest.

Cue Cluster: Various cues will appear while speaking in a business context and will vary depending on the specific context.

Body Language Category: Attentive, Confident, Rapport or rapport building.

Resources:

Argyle, Michael; Lefebvre, Luc; Cook, Mark 1974. The meaning of five patterns of gaze. European Journal of Social Psychology. 4(2): 125-136.

Argyle, M., and Ingham, R. 1972. Gaze, mutual gaze, and proximity. Semiotica, 1, 32–49.

Argyle, M. and Cook, M. Gaze and Mutual Gaze. London: Cambridge University Press, 1976.

Allan Mazur; Eugene Rosa; Mark Faupel; Joshua Heller; Russell Leen; Blake Thurman. Physiological Aspects of Communication Via Mutual Gaze. The American Journal of Sociology. 1980; 86(1): 50-74.

Breed, G., Christiansen, E., & Larson, D. 1972. Effect of lecturer’s gaze direction upon
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Foddy, Margaret 1978. Patterns of Gaze in Cooperative and Competitive Negotiation
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Leeb. 2004. Here’s Looking at You, Kid! A Longitudinal Study of Perceived Gender Differences in Mutual Gaze Behavior in Young Infants Source: Sex Roles. 50(1-2): 1-14.

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Authoritative body language, Confident body language, Courtship display, Dominant body language, Emotional body language, Expansive movements, High confidence body language, Indicator Of Sexual Interest (IOsI), Threat displays

Body Language of The Broadside Display or Chest Protrusion.

by Chris • October 18, 2014 • 0 Comments

Body Language of The Broadside Display or Chest Protrusion.

Cue: Broadside Display or Chest Protrusion.

Synonym(s): Chest Protrusion, Peacocking, Chest Puffing, Chest Thrust, Chest Arch, Chest Puff, Breast Protrusion, Torso Splay, Puffing Out The Chest, Baring The Torso, Removing A Shirt, Shirt Removal, Protruding The Breast.

Description: A flaring of the torso and chest by bringing air into the lungs to puff out and appear larger. Read more about coding for the expression of pride here: http://bodylanguageproject.com/articles/nonverbal-coding-scheme-pride-shame-objectively-read-pride-shame-body-language/

In One Sentence: Puffing out the chest is a signal that one is dominant and virile and for a part of the universal expression of pride.

How To Use it: Men should use the broadside display to intimidate other men or to express pride. If female, a broadside display can also be used to appear in control and confident, however, the effect will be muddied by the protrusion of breasts which can be seen as sexually inviting. That being the case a confident posture in women can help thwart approaches from lesser quality men whom are not able rise to her level. This can give her the advantage. Overall, this posture should be used with care. It is most useful when one wishes to show that one is proud, healthy, and virile.

Context: a) Dating (male) b) Dating (female) c) Business and General

Verbal Translation: a) and c) “I’m large with a big chest and so I’m dominant and you will submit to me.” “I’m puffing out my chest, see how large I am, you better back down and give me the respect I command.” b) “I am confident, proud of my breasts, youthful with good posture, and therefore I’m a good mate. I want you to notice.”

Variant: See Arms Akimbo, Military Man or Regal Stance, Cowboy Pose Stance.

Cue In Action: a) As he walked by a girl on the beach wearing a skimpy bikini he sucked up his gut, took in a deep breath and arched his shoulders back. b) While waiting for a drink, she leaned back on the bar-top with her elbows, puffed out her chest and looked down submissively as a broadcast signal of her availability. c) The male boxers entered the pre-match weigh-in each with their shoulders held back and chest puffed out. c) A security guard, bouncer or police officer standing guard will perform a broadside display in effort to dissuade an attack. c) We also might see this in business when two conflicting ideas have been presented where each party defends and asserts themselves.

Meaning and/or Motivation: a), b) and c) The intent is to intimidate by appearing larger and therefore more dominant, powerful and also to express pride. It is a high comfort display, opened and bare, inviting challenge and attack that is assumed to never come. a) and b) A sexual or aggressive body language posture depending on the sex.

When done by men, it means dominance regardless of the context as the aim is to impress women and intimidate men. This is meant to appeal to women and repel other aggressive men. In more aggressive contexts, chest puffing is a posture that indicates conflict is nearing and is an advertisement of such. It might seem primitive but chest thumping can find itself during the preamble to a fistfight. Men will sometimes remove a jacket or even a shirt when they prepare for physical confrontation.

When done by women, it is aimed at drawing attention to the breast by making them appear larger and more prominent. Women who puff out their chest are trying to secure the attention of nearby men.

Cue Cluster: Chest protrusion is normally coupled with good upright posture. a) Men will often have a swagger in their step and keep gesturing to a minimum with arms kept around waste level, never much higher. b) Women might subconsciously look down, seemingly at their own breasts as a cue for others to do it as well. In the lowered head position women may gaze upward coyly further strengthening the appeal. c) In a business context, chest puffing will appear with more expansive movements such as greater animation in the arms, encroaching on personal space of others, a loud voice, touching to show ownership, fixed unblinking eye contact and a stern face. Usually the back is also arched and the head is held high.

Body Language Category: Authoritative body language, Courtship display, Confident, Dominant body language, Expansive movements, High confidence body language, Indicators of sexual interest (IOsI), Emotional body language, Threat displays.

Resources:

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