Category: High confidence body language

Aggressive body language, Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, Expansive movements, Gravity defying body language, High confidence body language, Open body language

Body Language of Hooding or The Catapult

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Body Language of Hooding or The Catapult

BodyLanguageProjectCom - Hooding 4Cue: Hooding or The Catapult.

Synonym(s): Full Body Steeple, Catapult (The), Interlaced Hands Behind The Head.

Description: Hooding is a body posture that occurs by placing both hands up and clasped behind the head, elbows back, and chest puffed out while in a seated position. Think of making a hood with your arms and hands.

In One Sentence: Hooding is a posture signaling high dominance.

How To Use it: Use hooding to expand the body and make it appear larger than it is in reality. This will be viewed by others as dominance and confidence therefore it should be reserved for higher ranking individuals who will not be challenged by others.

Bosses, should feel free to assert their dominance with the hooding posture, whereas lower ranking employees should not.

Women should generally not carry the posture due to its high perceived dominance. When done by women it can appear overbearing. If women do choose to do it, they should be expecting to be viewed as capable of backing their dominance with not only verbal counterarguments, but also supportive action. When dominance lacks substance it is viewed in a negative light rather than a positive one.

Context: General.

Verbal Translation: “I’m so dominant and confident that I’m placing my hands on my head where they can’t be used for defense, splaying wide open and taking up a bunch of space and leaning back to be comfortable.”

Variant: See Military Man or Regal Stance and Cowboy Pose Stance for two similarly dominant postures.

Cue In Action: The boss was cocky and confident. When meeting with employees he always placed his hands up behind his head and leaned back in his chair. When the owner of the company showed up and surprised him, he quickly shot forward, took his hands off the back of his head and made a point of shaking hands with him. He didn’t get back to his hooding posture until the owner was safely out of the office.

Meaning and/or Motivation: Hooding or interlaced hands behind the head is an extremely dominant and possibly arrogant, self-satisfied, even threatening display.

The arms behind the head posture shows arrogance because it openly exposes the body to attack through its expansiveness. Dominant people don’t worry about being attacked and often show this confidence by overexposing themselves and their vulnerable areas to challengers.

The full body steeple is common to professionals such as lawyers, accountants, managers, bosses, and others that feel more superior then their counterparts.

Hooding can be used to intimidate others, or convey a relaxed, cocky disposition, but as always, body language needs to be taken in context. The accompanying dialogue will help tell us what is really going on.

Professionals, such as lawyers, accountants, managers, bosses, and others that tend to take their superiority to higher levels than the rest of us, will be seen using the full body steeple. This is the hooding posture coupled with a figure four leg cross and leaning back in the chair.

Cue Cluster: When seated hooding is coupled with body leaning backward with the legs spread wide open we have a very dominant crotch display. The postures is completed by combining it with the figure-four-leg cross which happens by placing the ankle of the opposite foot across the knee.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Authoritative body language, Confident body language, Dominant body language, Expansive movements, Gravity defying body language, High confidence body language, Open body language.

Resources:

Allen, Jill; Sarah J. Gervais and Jessi L. Smith. Sit Big to Eat Big: The Interaction of Body Posture and Body Concern on Restrained Eating. Psychology of Women Quarterly 2013. 37(3): 325-336. DOI: 10.1177/0361684313476477pwq.sagepub.com
http://bodylanguageproject.com/articles/sit-big-to-eat-big-how-constrictive-postures-reduce-food-consumption/

Arnette, S. L., & Pettijohn, T. F., II. (2012). The effects of posture on self-perceived leadership. International Journal of Business and Social Science, 3, 8–13.

Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

Briñol, P., Petty, R. E., & Wagner, B. (2009). Body posture effects on self-evaluation: A self-validation approach. European Journal of Social Psychology, 39, 1053–1064.

Bartholomewn, Morgan E.; Sheri L. Johnson. Nonverbal Dominance Behavior Among Individuals at Risk for Mania. Journal of Affective Disorders. 2014. 159: 133-138.

Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cashdan, Elizabeth. Smiles, Speech, and Body Posture: How Women and Men Display Sociometric Status and Power. Journal of Nonverbal Behavior. 1998. 22(4): 209-228.

Cesario, J., & McDonald, M. M. (2013). Bodies in context: Power poses as a computation of action possibility. Social Cognition, 31, 260–274.

de Lemus, Soledad; Russell Spears and and Miguel Moya. The Power of a Smile to Move You: Complementary Submissiveness in Women’s Posture as a Function of Gender Salience and Facial Expression. Personality and Social Psychology Bulletin. 2012. 38(11): 1480-1494.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
http://bodylanguageproject.com/articles/downside-power-posing-body-language-looking-power-posing-action-study/?preview=true

Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Huang, L., Galinsky, A. D., Gruenfeld, D. H., & Guillory, L. E. (2011). Powerful postures versus powerful roles: Which is the proximate correlate of thought and behavior? Psychological Science, 22, 95–102.

Locke, Connson C. and Cameron Anderson. The Downside of Looking Like a Leader: Leader’s Powerful Demeanor Stifles Follower Voice in Participative Decision-Making.. Academy of Management Annual Meeting Proceedings. 2010. 8(1): 1-6.
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Laird, J. D., & Lacasse, K. (2014). Bodily influences on emotional feelings: Accumulating evidence and extensions of William James’s theory of emotion. Emotion Review, 6, 27–34.

Lee, E. H., & Schnall, S. (2014). The influence of social power on weight perception. Journal of Experimental Psychology: General, 143, 1719–1725.

Michalak, J., Mischnat, J., & Teismann, T. (2014). Sitting posture makes a difference: Embodiment effects on depressive memory bias. Clinical Psychology & Psychotherapy, 21, 519–524.

Minvaleev, R. S., Nozdrachev, A. D., Kir’yanova, V. V., & Ivanov, A. I. (2004). Postural influences on the hormone level in healthy subjects: I. The cobra posture and steroid hormones. Human Physiology, 30, 452–456.

Marsh, Abigail A; Henry H. Yu; Julia C. Schechter and R. J. R. Blair. Larger than Life: Humans’ Nonverbal Status Cues Alter Perceived Size. PLoS ONE. 2009. 4(5): e5707. doi:10.1371/journal.pone.0005707. http://bodylanguageproject.com/articles/large-life-nonverbal-dominance-affects-perception-size/?preview=true

Roberts, Tomi-Ann and Yousef Arefi-Afshar. Not All Who Stand Tall Are Proud: Gender Differences in the Proprioceptive Effects of Upright Posture. Cognition and Emtion. 2007. 21(4):714-727.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Nair, S., Sagar, M., Sollers, J., III, Consedine, N., & Broadbent, E. (2014). Do slumped and upright postures affect stress responses? A randomized trial. Health Psychology. Advance online publication. doi:10.1037/hea0000146

Park, Lora E.; Lindsey Streamer; Li Huang and Adam D. Galinsky. Stand Tall, But Don’t Put Your Feet Up: Universal and Culturally-Specific Effects of Expansive Postures On Power. Journal of Experimental Social Psychology. 2013; 49: 965–971.
http://bodylanguageproject.com/articles/are-expansive-postures-of-power-universal-or-cultural/

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Ranehill, Eva; Anna Dreber; Magnus Johannesson; Susanne Leiberg; Sunhae Sul and Roberto A. Weber. Assessing the Robustness of Power Posing: No Effect on Hormones and Risk Tolerance in a Large Sample of Men and Women. Psychological Science, March, 2015. doi: 10.1177/0956797614553946
http://pss.sagepub.com/content/early/2015/03/30/0956797614553946.full.pdf
http://bodylanguageproject.com/articles/power-posing-no-effect-hormones-amy-cuddy-wrong/

Riskind, J. H. (1984). They stoop to conquer: Guiding and selfregulatory functions of physical posture after success and failure. Journal of Personality and Social Psychology, 47, 479–493.

Riskind, J. H., & Gotay, C. C. (1982). Physical posture: Could it have regulatory or feedback effects on motivation and emotion? Motivation and Emotion, 6, 273–298.

Roberts, Tomi-Ann and Yousef Arefi-Afshar. Not All Who Stand Tall Are Proud: Gender Differences in the Proprioceptive Effects of Upright Posture. Cognition and Emtion. 2007. 21(4):714-727.
http://bodylanguageproject.com/articles/do-women-benefit-from-power-posing-study-suggests-not/

Stepper, S., & Strack, F. (1993). Proprioceptive determinants of emotional and nonemotional feelings. Journal of Personality and Social Psychology, 64, 211–220.

Strelan, P., Weick, M., & Vasiljevic, M. (2013). Power and revenge. British Journal of Social Psychology, 53, 521–540.

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
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Stanton, Steven J. and Robin S. Edelstein. The Physiology of Women’s Power Motive: Implicit Power Motivation is Positively Associated With Estradiol Levels in Women. Journal of Research in Personality. 2009. 43: 1109-1113.
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Welker, K. M., Oberleitner, D. E., Cain, S., & Carré, J. M. (2013). Upright and left out: Posture moderates the effects of social exclusion on mood and threats to basic needs. European Journal of Social Psychology, 43, 355–361.

Yap, Andy J. Abbie S. Wazlawek, Brian J. Lucas, Amy J. C. Cuddy, Dana R. Carney. The Ergonomics of Dishonesty: The Effect of Incidental Posture on Stealing, Cheating, and Traffic Violations, 24(11); 2281-2289.
http://bodylanguageproject.com/articles/body-posture-physical-environment-determine-feelings-and-behaviour-study/

Adornments, Confident body language, Courtship display, Gravity defying body language, High confidence body language, Masked emotions, Power play

Body Language of High Heels

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Body Language of High Heels

BodyLanguageProjectCom - High Heels Body Language 1Cue: High Heels Body Language.

Synonym(s): Stilettos Body Language.

Description: A type of footwear worn by women where the heel is raise higher than the toe.

In One Sentence: High heels are a super normal nonverbal cue signaling the desire for sexual power and appeal.

How To Use it: High heels are advantageous to women. High heels should be used to attract taller more desirable men. While men are not overly concerned with taller women, research shows that men and women tend to pair relatively. That is, in most relationships, men are normally about 2” taller than women and overall. This may be because, given the choice, men, like women, prefer their counterpart to be tall. Therefore, like short men, short women find it difficult to compete with taller counterparts in dating.

High heels work to make women more attractive because they seem to elongate the legs and at the same time make them appear more toned. Women can use high heels to create the illusion of fitness as they work to thrust the hips forward and protrude the breast.

Sexualizing the body is double edged, however, as it will create a desire in men to take part in benevolent sexism, but will also reduce women’s perceived competence. Thus, high heels should be coupled with conservative dress to preserve the image of professionalism.

The height advantage can also work to a woman’s benefit in a business context by stepping them up to the average height of men and therefore eliminating the dominance advantage that height brings. Further, aiming the heel toward men while sitting, legs cross, toward that whom a woman feels discontent, is akin to striking with a dagger – a power-play.

Context: a) Business b) Dating.

Verbal Translation: “I’m trying to make my legs appear sexy and alluring to gain an advantage over men and women by hyper sexualizing my female features as well as to gain a height advantage over others.”

Variant: Women sometimes use their high heels as daggers especially while sitting where they can be aimed squarely at potential “prey.” See Adornments and Bodifications, Dressing Sexy.

Cue In Action: a) The female boss always made a point of wearing high spikes so she could stand over her employees. None of the female employees dared best her with anything taller. b) Whilst still out of sight, men on the quiet walkway waited with eager anticipation as they heard the unmistakable sound of stilettos. Each step produced a click-and-clock. It was only a matter of time before the object of their attention would reveal itself – an alluring woman.

Meaning and/or Motivation: The high heel is a type of shoe worn by women in effort to draw attention to their sexuality. The high heel lifts the butt by contracting it, tilts the pelvis forward, arches the back thus protruding the chest and breast, makes the legs appear longer, toned and produces a tight flexed calf muscle.

The high heel emphasizes women’s already long legs and hyper-sexualizes them and also gives women the illusion of slimness, virility, youth and hence fertility, by imitating the leg proportions of girls in their upper teens and early twenties. The stiletto also creates the illusion of smaller feet which is universally deemed submissive and ladylike.

Women will use heels during dating and courtship as well as in business in order to fix the height gap between them, and the men in their association, which points to their function as a power play.

Cue Cluster: The high heel is usually accompanied with confident postures as the high heel commands attention. Expect to see an upright posture, head held high, confident and relaxed facial expression, business or club attire, usually skirts, or business pants. Tall boots with high heels over jeans have recently become fashionable.

Body Language Category: Adornments, Courtship displays, Confident body language, Gravity defying body language, High confidence body language, Masked emotions, Power play.

Resources:

Abbey, A., and Melby, C. (1986). The effects of nonverbal cues on gender differences in perceptions of sexual intent. Sex Roles, 15, 283-298.

Crane, Elizabeth ; Gross, M. Effort-Shape Characteristics of Emotion-Related Body Movement. Journal of Nonverbal Behavior. 2013. 37(2): 91-105.

Cari D. Goetz; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
http://bodylanguageproject.com/articles/victim-blaming-or-useful-information-in-preventing-rape-and-sexual-exploitation/

Cho, S. H., Park, J. M., & Kwon, O. Y. (2004). Gender differences in three dimensional gait analysis data from 98 healthy Korean adults. Clinical Biomechanics, 19, 145–152.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait
perception without familiarity cues. Bulletin of the Psychonomic Society, 9, 353–356.

Dietz, P., & Evans, B. (1982). Pornographic imagery and prevalence of paraphilia. The
American Journal of Psychiatry, 139, 1493–1495.

Durante, Kristina M ; Li, Norman P ; Haselton, Martie G. Changes in women’s choice of dress across the ovulatory cycle: naturalistic and laboratory task-based evidence. Personality & social psychology bulletin. 2008 34(11): 1451-60.

Etcoff, N. L., Stock, S., Haley, L. E., Vickery, S. A., & House, D. M. (2011). Cosmetics as a feature of the extended human phenotype: Modulation of the perception of
biologically important facial signals. PLoS One, 6, e25656.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/?preview=true

Gunns, Rebekah E; Lucy Johnston; and Stephen M. Hudson. Victim Selection And Kinematics: A Point-Light Investigation Of Vulnerability To Attack. Journal of Nonverbal Behavior. 2002. 26(3): 129-158.
http://bodylanguageproject.com/articles/how-to-avoid-an-attack-just-by-changing-how-you-walk-study/

Guéguen, Nicholas. High Heels Increase Women’s Attractiveness. Archives of Sexual Behavior. 2014. DOI 10.1007/s10508-014-0422-z
http://bodylanguageproject.com/articles/high-heels-exact-power-men-study-women-wear-heels/

Guéguen Nicolas. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
http://bodylanguageproject.com/articles/gait-as-bait-women-walk-sexy-during-high-sexual-receptivity/

Grammer, Karl, LeeAnn Renninger and Bettina Fischer. Disco Clothing, Female Sexual Motivation, and Relationship Status: Is She Dressed to Impress? The Journal of Sex Research. 2004. 41(1): 66-74.
http://bodylanguageproject.com/articles/is-she-dressed-for-success-how-women-adorn-during-courtship/

Givens D. The nonverbal basis of attraction: Flirtation, courtship, and seduction. Psychiatry. 1978. 41: 346.

Goetz, Cari D.; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
http://bodylanguageproject.com/articles/victim-blaming-or-useful-information-in-preventing-rape-and-sexual-exploitation/

Goetz, Cari D.; Judith A. Easton; Cindy M. Meston. The Allure of Vulnerability: Advertising Cues to Exploitability as a Signal of Sexual Accessibility. Personality and Individual Differences. 2013. 62: 121-125. http://dx.doi.org/10.1016/j.paid.2014.02.019
http://bodylanguageproject.com/articles/allure-sexual-vulnerability-move/

Haselton, M. G., M. Mortezaie, E. G. Pillsworth, A. Bleske-rechek, and D. A. Frederick. 2007. Ovulatory shifts in human female ornamentation: near ovulation, women dress to impress. Hormones and Behavior. 51(1): 40-45.

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Lynch, A. Expanding the Definition of Provocative Dress: An Examination of Female Flashing Behavior on a College Campus. Clothing and Textiles Research Journal. 2007. 25(2): 184-201.

Moore, Monicam. Human Nonverbal Courtship Behavior—A Brief Historical Review. Journal of Sex Research. 2010 47(2-3): 171-180.

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

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Morris, Paul H.; Jenny White, Edward R. Morrison and Kayleigh Fisher. High Heels As Supernormal Stimuli: How Wearing High Heels Affects Judgements of Female Attractiveness. Evolution and Human Behavior. 2013. 34: 176-181.
http://bodylanguageproject.com/articles/high-heels-supernormal-body-language-signal

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Schneider, Sabrina ; Christensen, Andrea ; Hau[sz]inger, Florian B. ; Fallgatter, Andreas J. ; Giese, Martin A. ; Ehlis, Ann – Christine. Show me how you walk and I tell you how you feel — A functional near-infrared spectroscopy study on emotion perception based on human gait. Neuroimage. 2014. 85: 380(11).

Sakaguchi, Kikue and Toshikazu Hasegawa. Person Perception Through Gait Information And Target Choice For Sexual Advances: Comparison Of Likely Targets In Experiments And Real Life. Journal of Nonverbal Behavior. 2006; 30:63-85. DOI 10.1007/s10919-006-0006-2
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Smith, E. O. (1999). High heels and evolution: Natural selection, sexual selection and
high heels. Psychology, Evolution and Gender, 30, 245–277. Smith, E. O., & Helms, W. S. (1999). Natural selection and high heels. Foot and Ankle International, 20, 55–57.

Walter, K. D., Brownlow, S., Ervin, S. L., & Williamson, N. (1998). Something in the way she moves: The influence of shoe altered gait on motion and trait impressions of women. PSI CHI Journal of Undergraduate Research, 3, 163–169.

Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, High confidence body language, High confidence hand displays, Leadership body language, Power play, Up nonverbals

The Hidden Body Language of Hand Steepling

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The Hidden Body Language of Hand Steepling

BodyLanguageProjectCom - Hand Steepling 1Cue: Hand Steepling.

Synonym(s): Steepling The Hands, Tenting the Fingers, Finger Steepling, Hand Tenting.

Description: A posture where the hands are propped up by the fingers of each hand to form a bridge – like a church steeple. In this posture fingers are not interlocked and the palms do not touch. Instead, the finger tips simply touch at their tips.

In One Sentence: Hand steepling is a sign of confidence and that one knows something that another doesn’t.

How To Use it: Use hand steepling to demonstrate true or feigned confidence. This can work when portraying an image of strength is beneficial such as in business or legal negotiations. Steeple the hands when you want other people to think that you are privy to beneficial information that they are not.

Context: General.

Verbal Translation: “I have access to hidden information, and life experience, and this is the source of my power and control over you. I demonstrate this by pressing my fingertips together in a high confidence hand gesture like the roof of a church.”

Variant: Rocking might accompany the steeple where the hands move back and forth by adding and reducing pressure between them. The steeple can be placed low on a lap, or seen hovering slightly above the lap. Other times the steeple is in full view of others with the elbows propped up on the table. The steepler can hold the posture so high that they have to look through the steeple to see others. See Hand Clasping, Hand Wringing, Hand Clasping.

Cue In Action: Donald Trump performed the steeple frequently on his television show The Apprentice, in preparation, of all things, to fire his next apprentice! His steepling was an obvious cue signaling the power he had over his subordinates.

Meaning and/or Motivation: The steepler is someone that is confident, sometimes overconfident, authoritative, and particularly evaluative of others around him.

Confidence, in this case, is held in the power and control they possess and also in knowing things that other people do not. Steeplers are found carrying the gesture when around subordinates, or whenever they seem to have the upper hand. This gesture is effective if you already possess power or want others to think you do, but it is ineffective in team building, since it comes off as arrogant. It does have subconscious manipulative properties though, such as bluffing in poker but in most cases, this gesture is only as effective as that which can be backed up with real confidence and true access to valuable hidden information.

Superiors will also be seen using this gesture in meetings and when giving orders and the higher the steeple is held, the greater the arrogance it depicts. In extreme forms, the person carrying the gesture can be seen “looking right through their hands” between the triangle formed by the pent up fingers and the thumbs.

A high steepler comes off as a “know-it-all” and arrogant and smug especially when coupled with the head tilted backward. A more subtle version is the hidden steeple of which the sender could be trying to hide or shelter their opinion from view by keeping the steepled fingers below the table. The lower steeple is more often used by women and when someone is listening rather than speaking. A low steeple signifies that someone is interested and ready to respond.

Hidden steepling, such as a steeple on the lap under a table, refers to hidden confidence or a desire to limit arrogance in attempt to appear more open and accepting. When the hands are steepled, but holding support of the head, it does not signal confidence, but rather boredom, self-consciousness, or awkwardness.

Steepling can also ebb and flow along with confidence to what is being said which can be useful in negotiations or in arguments. If something is said to drop confidence the steepling might be broken in favour of interlocked hands as if praying but then quickly return when a person feels that their position has improved. Interlocked fingers is a signal of low confidence and the fingers might even be seen wringing themselves. Lawyers quickly learn to control this nonverbal cue in favour of constant steepling rather than any other gesture.

Cue Cluster: The steeple can occur in body language clusters as well, but what is important is not what happens after the steepling, as in the chin stroke and eye glass language, but rather what happens preceding the steepling. By watching for positive open postures such as palms up and arms un-crossed or closed postures such as arms crossed, touching the nose or face and avoiding eye contact, we can tell if the person is trying to be honest or manipulative with his or her apparent power. In other words, steepling is a finish posture serving to punctuate a body language clue cluster rather than the other way around.

Another example of a cue cluster is as follows: crossing the legs by bringing one foot over the opposite leg (the figure-four leg cross), fingers steepling, leaning back in the chair, and tilting the head back and looking down through the nose at others. This cluster shows arrogance and superiority.

Body Language Category: Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, High confidence body language, High confidence hand displays, Leadership body language, Power play, Up nonverbals.

Resources:

Alibali, M.W., Heath, D.C., and Myers,H.J. (2001). Effects of visibility between speaker and listener on gesture production: Some gestures are meant to be seen. Journal of Memory and Language, 44, 169–188.

Andric, Michael ; Solodkin, Ana ; Buccino, Giovanni ; Goldin-Meadow, Susan ; Rizzolatti, Giacomo ; Small, Steven L. Brain function overlaps when people observe emblems, speech, and grasping. Neuropsychologia, 2013, Vol.51(8), pp.1619-1629

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Krahmer,E., & Swerts, M.(2007).The effects of visual beats on prosodic prominence: Acoustic analyses, auditory perception and visual perception. Journal of Memory and Language, 57, 396–414.

Krauss, R. M., Dushay, R.A., Chen,Y., & Rauscher, F.(1995).The communicative value of conversational hand gesture. Journal of Experimental Social Psychology, 31(6), 533–552.

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*No Photo, Amplifier, Confident body language, Depressive body language, Emotional body language, Enthusiasm (nonverbal), Excited body language, Gravity defying body language, Happiness body language, High confidence body language, Low confidence body language

Body Language of Gait or Walking Styles

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Body Language of Gait or Walking Styles

No picCue: Gait or Walking Styles

Synonym(s): Walking Styles.

Description: Refers to the style or mechanics of locomotion in humans and its hidden meaning.

In One Sentence: Gait is highly unique to each person much like a fingerprint and it’s style is connected to various personality traits.

How To Use it: Use your gait to signal desired qualities to others. A bouncy gait signals joy and happiness, a swagger shows sexual energy, hobble shows age, darting shows impatience, prancing shows femininity. Use the type of gait that suits your personality best.

Context: General

Verbal Translation: “How I walk gives clues to my health, emotions, character and accomplishments.”

Variant: N/A

Cue In Action: He just won the lottery. Not only did he carry a huge grin on his face, but he also walked with an exaggerated bounce in his step. It was as if he had been transported back to his youth.

Meaning and/or Motivation: Scientists have identified thirty six different types of gait in the human species. They include the hobble, the mince, the glide, the bounce, the stride, the wiggle, the dart, the prance and the run. People can shuffle along or drag their feet, bounce up and down, or seem to float on air.

How one walks gives clues to the internal workings of people, their emotions and rhythm, character and even their accomplishments not to mention their health and age.

Those who are positive will tend to walk energetically while those who are down and depressed or elderly will saunter or hobble about. The effect is particularly pronounced between the old and young, but it can easily be seen between those who expect good things to happen and those who do not.

Cue Cluster: Watch for additional cues coupled with gait types to decide the overall mental attitude and disposition people carry.

Body Language Category: Amplifier, Confident body language, Depressive body language, Emotional body language, Enthusiasm (nonverbal), Excited body language, Gravity defying body language, Happiness, High confidence body language, Low confidence body language.

Resources:

Angela Book, Kimberly Costello and Joseph A. Camilleri Psychopathy and Victim Selection: The Use of Gait as a Cue to Vulnerability. Journal of Interpersonal Violence. 2013. 28(11): 2368-2383. DOI: 10.1177/0886260512475315jiv.sagepub.com
http://bodylanguageproject.com/articles/dont-walk-like-youre-watched-avoid-victimization-nonverbal-behavior/

Brownlow, S., Dixon, A. R., Egbert, C. A., & Radcliffe, R. D. (1997). Perception of movement and dancer characteristics from point-light displays of dance. The sychological Record, 47(3), 411–421. http://dx.doi.org/10.1068/p250727.

Crane, Elizabeth ; Gross, M. Effort-Shape Characteristics of Emotion-Related Body Movement. Journal of Nonverbal Behavior. 2013. 37(2): 91-105.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait perception without familiarity cues. Bulletin of the Psychonomic Society, 9(5), 353–356.

Cho, S. H., Park, J. M., & Kwon, O. Y. (2004). Gender differences in three dimensional gait analysis data from 98 healthy Korean adults. Clinical Biomechanics, 19, 145–152.

Cutting, J. E., & Kozlowski, L. T. (1977). Recognizing friends by their walk: Gait
perception without familiarity cues. Bulletin of the Psychonomic Society, 9, 353–356.

Eisenberg, Philip ; Reichline, Philipb. Judging Expressive Movement: II. Judgments of Dominance-Feeling from Motion Pictures of Gait. The Journal of Social Psychology. 1939. 10(3): 345-357.

Fink, Bernhard; Nadine Hugill and Benjamin P. Lange. Women’s Body Movements Are a Potential Cue to Ovulation. Personality and Individual Differences. 2012. 53: 759-763.
http://bodylanguageproject.com/articles/women-use-sexier-body-language-indicate-ovulation-fertility-women-dance-walk-sexier/

Gunns, Rebekah E; Lucy Johnston; and Stephen M. Hudson. Victim Selection And Kinematics: A Point-Light Investigation Of Vulnerability To Attack. Journal of Nonverbal Behavior. 2002. 26(3): 129-158.
http://bodylanguageproject.com/articles/how-to-avoid-an-attack-just-by-changing-how-you-walk-study/

Guéguen N. Gait and menstrual cycle: ovulating women use sexier gaits and walk slowly ahead of men. Gait Posture. 2012; 35(4): 621-4.
http://bodylanguageproject.com/articles/gait-as-bait-women-walk-sexy-during-high-sexual-receptivity/

Gross, M Melissa ; Crane, Elizabeth A ; Fredrickson, Barbara L. Effort-Shape and kinematic assessment of bodily expression of emotion during gait. Human movement science. 2012. 31(1): 202-21.

Hasegawa, T. and K. Sakaguchi. 2006. Person perception through gait information and target choice for sexual advances: comparison of likely targets in experiments and real life. Journal of Nonverbal Behavior 30(2): 63-85.

Johnson, Kerri L.; Gill, Simone; Reichman, Victoria and Tassinary, Louis G. Swagger, Sway, and Sexuality: Judging Sexual Orientation from Body Motion and Morphology. Journal of Personality and Social Psychology. 2007. 93(3): 321-334. doi: 10.1037/0022-3514.93.3.321
http://bodylanguageproject.com/articles/heterosexual-vs-homosexual-swagger-can-you-spot-the-difference/

Janssen, Daniel ; Schöllhorn, Wolfgang ; Lubienetzki, Jessica ; Fölling, Karina ; Kokenge, Henrike ; Davids, Keith. Recognition of Emotions in Gait Patterns by Means of Artificial Neural Nets. Journal of Nonverbal Behavior. 2008. 32(2): 79-92.

Johnson, Kerri L ; Gill, Simone ; Reichman, Victoria ; Tassinary, Louis G. Swagger, sway, and sexuality: Judging sexual orientation from body motion and morphology. Journal of personality and social psychology. 2007. 93(3): 321-34.

Johnson, Kerri L ; Tassinary, Louis G. Perceiving sex directly and indirectly: meaning in motion and morphology. Psychological science. 2005. 16(11): 890-7.

Kito, Tomonori ; Yoneda, Tsugutake. Dominance of gait cycle duration in casual walking. Human Movement Science. 2006. 25(3): 383-392.

Kozlowski, L. T., & Cutting, J. E. (1977). Recognizing the sex of a walker from a dynamic point-light display. Perception and Psychophysics, 21(6), 575–580.

Montepare, Joann ; Zebrowitz, Leslie. A cross-cultural comparison of impressions created by age-related variations in gait. Journal of Nonverbal Behavior. 1993. 17(1): 55-68.

Montepare, Joann ; Goldstein, Sabra ; Clausen, Annmarie. The identification of emotions from gait information. Journal of Nonverbal Behavior. 1987. 11(1): 33-42.

Montepare, J. M., & Zebrowitz-McArthur, L. (1988). Impressions of people created by age-related qualities of their gaits. Journal of Personality and Social Psychology, 55(4), 547–556. http://dx.doi.org/10.1037/ 0022-3514.55.4.547.

Miller, G., Tybur, J. M., & Jordan, B. D. Ovulatory cycle effects on tip earning by lap dancers: Economic evidence for human estrus. Evolution and Human Behavior. 2007. 28: 375-381. http://dx.doi.org/10.1016/j.evolhumbehav.2007.06.002.

Montepare, J. M., Goldstien, S. B., & Clausen, A. (1987). The identification of emotions from gait information. Journal of Nonverbal Behavior, 11, 33–42.

Michalak, J., Rohde, K., Troje, N. F. How We Walk Affects What We Remember: Gait Modifications Through Biofeedback Change Negative Affective Memory Bias. Journal of Behavior Therapy and Experimental Psychiatry. 2015. 46:121-125.
http://bodylanguageproject.com/articles/walking-happy-leads-actual-happiness-game-emotions-body-language/

Moore, Monica. Courtship Signaling and Adolescents: Girls Just Wanna Have Fun. Journal of Sex Research. 1995. 32(4): 319-328.
http://bodylanguageproject.com/articles/girls-just-want-to-have-fun-the-origins-of-courtship-cues-in-girls-and-women/

Opila-Correia, K. A. (1990). Kinematics of high-heeled gait. Archives of Physical Medicine and Rehabilitation, 71, 304–309.

Prasad, S., & Shiffrar, M. (2009). Viewpoint and the recognition of people from their movements. Journal of Experimental Psychology – Human Perception and Performance, 35(1), 39–49. http://dx.doi.org/10.1037/A0012728.

Roether, C. L., Omlor, L., Christensen, A., & Giese, M. A. (2009). Critical features for the perception of emotion from gait. Journal of Vision, 9(6), 1–32. http://dx.doi.org/10.1167/9.6.15.

Sakaguchi, Kikue and Toshikazu Hasegawa. Person Perception Through Gait Information And Target Choice For Sexual Advances: Comparison Of Likely Targets In Experiments And Real Life. Journal of Nonverbal Behavior. 2006; 30:63-85. DOI 10.1007/s10919-006-0006-2
http://bodylanguageproject.com/articles/dont-walk-like-youre-asking-targets-sexual-approach-based-walking-style-personality-study/

Schneider, Sabrina ; Christensen, Andrea ; Hau[sz]inger, Florian B. ; Fallgatter, Andreas J. ; Giese, Martin A. ; Ehlis, Ann – Christine. Show me how you walk and I tell you how you feel — A functional near-infrared spectroscopy study on emotion perception based on human gait. Neuroimage. 2014. 85: 380(11).

Smith, E. O. (1999). High heels and evolution: Natural selection, sexual selection and high heels. Psychology, Evolution and Gender, 30, 245–277. Smith, E. O., & Helms, W. S. (1999). Natural selection and high heels. Foot and Ankle International, 20, 55–57.

Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271 Thoresen, John C.; Quoc C. Vuong and Anthony P. Atkinson. First Impressions: Gait Cues Drive Reliable Trait Judgements. Cognition. 2012. 261–271
http://bodylanguageproject.com/articles/walk-drives-first-impressions/

van der Zwan, Rick and Natasha Herbert. “I Like The Way You Move”: How Hormonal Changes Across The Menstrual Cycle Affect Female Perceptions of Gait. Research Notes. 2012; 5: 453.
http://bodylanguageproject.com/articles/women-at-peak-fertility-rate-other-female-walkers-less-favorably/

Walter, K. D., Brownlow, S., Ervin, S. L., & Williamson, N. (1998). Something in the way she moves: The influence of shoe altered gait on motion and trait impressions of women. PSI CHI Journal of Undergraduate Research, 3, 163–169.

Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), Excited body language, Expansive movements, Gravity defying body language, High confidence body language, Leadership body language, Open body language, Palm power, Rapport or rapport building, Remotivating gesture

Body Language of Finger Spreading

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Body Language of Finger Spreading

BodyLanguageProjectCom - Finger Spreader 1Cue: Finger Spreading

Synonym(s): Finger Spreader (The)

Description: The hands are held out and fingers splayed apart facing palm to the audience.

In One Sentence: Spreading the fingers is a way to capture the attention of other people like a large embrace.

How To Use it: Spread the fingers out when trying to connect with a wide audience. Use the posture to show others that you are confident and willing to embrace them fully and have the dominance to put yourself out on full display. This posture is best used during presentations to a large audience.

Context: General.

Verbal Translation: “I’m spreading my fingers and extending my arms to try to touch and feel each one of you, connect with you, and massage my ideas into your minds.”

Variant: See Baton Gesture, Finger Pointing.

Cue In Action: The presenter spreads his fingers and extends his arms as he tries to explain his concept. His desire to connect demonstrates authority, confidence, dominance and enthusiasm.

Meaning and/or Motivation: This is an attempt to make contact with the entire audience.

Cue Cluster: N/A

Body Language Category: Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), Expansive movements, Excited, Gravity defying body language, High confidence body language, Leadership body language, Open body language, Palm power, Rapport or rapport building, Remotivating.

Resources:

Adams, E.S., Mesterton-Gibbons, M., 1995. The cost of threat displays and the stability of deceptive communication. J. Theor. Biol. 175, 405–421.

Alibali, M.W., Heath, D.C., and Myers,H.J. (2001). Effects of visibility between speaker and listener on gesture production: Some gestures are meant to be seen. Journal of Memory and Language, 44, 169–188.

Allen, Jill; Sarah J. Gervais and Jessi L. Smith. Sit Big to Eat Big: The Interaction of Body Posture and Body Concern on Restrained Eating. Psychology of Women Quarterly 2013. 37(3): 325-336. DOI: 10.1177/0361684313476477pwq.sagepub.com
http://bodylanguageproject.com/articles/sit-big-to-eat-big-how-constrictive-postures-reduce-food-consumption/

Arnette, S. L., & Pettijohn, T. F., II. (2012). The effects of posture on self-perceived leadership. International Journal of Business and Social Science, 3, 8–13.

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Authoritative body language, Confident body language, Dominant body language, Expansive movements, Gravity defying body language, High confidence body language, Leadership body language, Up nonverbals

Body Language of Erect Posture or Good Posture

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Body Language of Erect Posture or Good Posture

BodyLanguageProjectCom - Erect Posture or Good Posture 1Cue: Erect Posture or Good Posture.

Synonym(s): Postural Tonus, Good Posture, High Stand Display.

Description: Good posture happens when the joints are not bent, the spine is aligned and not twisted and the person is able to optimally balance the mass of the body over its framework without stress.

In One Sentence: Good posture signifies health, confidence, pride, dominance and a body that is in control of itself.

How To Use it: Use good posture to tell others that life is treating you well and that you have conquered past hardships without letting it weigh you down. Good posture should be a default body position as it works to your advantage in nearly every situation. However, in some cases, you may wish to use bad posture such as when trying to convince others to provide you with sympathy. In this case, being slumped over is likely to best provide that kind of support.

Therefore, use good posture when trying to appear authoritative such as when trying to rise in the ranks in employment, in view of a dating partner to show virility, and amongst friends to show them you are in good spirits.

Context: General.

Verbal Translation: “Because life has treated me well I hold an erect posture full of confidence and pride.”

Variant: See Cocooning, Shoulder Shrugs or Shoulder Rise, Asymmetry, Bad Posture.

Cue In Action: Mark carried his body with pride. His shoulders were back and chest held high. You just knew looking at him that he would never let life dictate how he felt about himself and he would overcome any obstacle in his way on his way to success.

Meaning and/or Motivation: A gravity defying body posture where the head is raised, legs locked and back stiffened in order to appear taller with high vigor.

It signifies a desire to appear more dominant, authoritative, and in control.

Posture is a term derived from the Latin verb “ponere” meaning “to put in place” and refers to the way the body is held including the arms, legs and spine. Posture refers not only to the erectness of our bodies, but also to our body orientation, direction of lean, and the degree to which our bodies are open and inviting.

Posture tells us a lot about a person and their history and feelings about themselves and how they feel about others. For example, shoulders hunched carries negative sentiments whereas shoulders back mean confidence. Posture can give way to feelings of like or dislike, interest or disinterest as well as many other sentiments.

Postural tonus is a term referring to the relative rigidity and erectness of the body and its overall posture. A “slopper” holds his shoulders rounded and head hanging downward proving to be depressed, drowsy or ill. Whereas “the scout” carries himself fully erect with shoulders back and head held high depicting confidence and good spirit. Having an erect posture is a sign of high confidence, strength and vigor. People with erect postures are seen as leaders, content and positive. Erect posture contrasts a slouched or limp posture.

Cue Cluster: Other positive cues are associated with an erect posture such as strong eye contact, good gesticulation, open body language such as arms uncrossed and legs open, as well as relaxed facial expressions.

Body Language Category: Authoritative body language, Confident body language, Dominant body language, Expansive movements, Gravity defying body language, High confidence body language, Leadership body language, Up nonverbals.

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Aggressive body language, Amplifier, Anger body language, Attentive body language, Authoritative body language, Confident body language, Courtship display, Dominant body language, High confidence body language, Indicator of interest (IoI), Leadership body language, Liking, Rapport or rapport building

Body Language of Direct Eye Contact

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Body Language of Direct Eye Contact

BodyLanguageProjectCom - Direct Eye ContactCue: Direct Eye Contact

Synonym(s): Eye Contact

Description: Eyes that meet someone else’s (versus looking away or at the mouth, chin, or body).

In One Sentence: Direct eye contact signals to others that one is intently listening and focused on the person whose eyes they have met.

How To Use it: Use direct eye contact to signal that you are dominant and can withstand reciprocal eye contact without wavering. Alternatively, use eye contact in dating to signal sexual interest. While with friends, eye contact can also send a warm glow when it is not done in a piercing fashion. Various cultures use direct eye contact in different ways – therefore, it would pay to be conscious of these social norms when traveling.

Context: a) General, b) Dating.

Verbal Translation: “I’m interested in you and I want you to know that so my eyes are meeting yours.”

Variant: Eyes are an important source of information; see other eye cues for more details. See Friendly Social Gaze, Staring or The Evil Eye, Gaze Omission, Gazing Adoringly, Intimate Gaze (The) or Triangular Gaze Pattern.

Cue In Action: When speaking, the lovers made frequent eye contact.

Meaning and/or Motivation: An indication of active honest listening. Practiced liars feign eye contact to study whether or not a lie is being rejected or accepted. In a dating context, direct eye contact is a sign of interest. The meaning of direct eye contact is hugely varied and one should look at the associated cues to determine the true intent of direct eye contact.

Eye contact can be piercing and studied, an attack, or alluring and coy such as gazing. See variants for more specific meaning of eye contact.

Cue Cluster: Varied depending on context.

Body Language Category: Amplifier, Arousal, Attentive, Aggressive body language, Anger, Authoritative body language, Courtship display, Confident, Dominant body language, High confidence body language, Indicator of interest (IoI), Leadership body language, Liking, Rapport or rapport building.

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Vrij, A., & Semin, G. R. (1996). Lie experts’ beliefs about nonverbal indicators of deception. Journal of Nonverbal Behaviour, 20, 65–81. doi: 10.1007/BF02248715

Wu, D.W-L.; Walter Bischof and Alan Kingstone. Natural Gaze Signaling in a Social Context. Evolution and Human Behavior. 2014. http://dx.doi.org/10.1016/j.evolhumbehav.2014.01.005
http://bodylanguageproject.com/articles/dont-look-at-me-im-chewing-dont-worry-i-wont-eye-language-and-the-white-of-your-eyes/

Wirth, James H ; Sacco, Donald F ; Hugenberg, Kurt ; Williams, Kipling D. Eye gaze as relational evaluation: averted eye gaze leads to feelings of ostracism and relational devaluation. Personality & social psychology bulletin. 2010 36(7): 869-82.

Wang, Yin ; Newport, Roger ; Hamilton, Antonia F De C. Eye contact enhances mimicry of intransitive hand movements. Biology letters. 2011. 7(1): 7-10.

Wirth, James H ; Sacco, Donald F ; Hugenberg, Kurt ; Williams, Kipling D. Eye gaze as relational evaluation: averted eye gaze leads to feelings of ostracism and relational devaluation. Personality & social psychology bulletin. 2010 36(7): 869-82.

Walsh, D. G., & Hewitt, J. (1985). Giving Men The Come-On: Effect Of Eye Contact And Smiling In A Bar Environment. Perceptual and Motor Skills, 61, 873-874.

Confident body language, Courtship display, Crotch display, Dominant body language, Expansive movements, High confidence body language, Indicator Of Sexual Interest (IOsI), Open body language

Body Language Of The Cowboy Pose Stance

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Body Language Of The Cowboy Pose Stance

BodyLanguageProjectCom - Cowboy Pose Stance 2Cue: The Cowboy Pose Stance

Synonym(s): Male Crotch Display (The), The Standing Crotch Display, Thumbs In Belt Loops, Framing The Genitals.

Description: This posture happens by placing the thumbs in the waistband/belt/belt loops with the remaining fingers pointed downwards towards the crotch.

In One Sentence: Placing the hands in the loops of the belt is a dominance display serving to draw attention to the groin area.

How To Use it: Use this posture to show that you are in control and are self-assured. While the cue is generally permissible for men, it should be used cautiously by women. While men derive much of their power from their genitals, it can appear overly crass when done by women. However, in recent times, the gesture has been more acceptable for women of the West.

If women should wish to adopt a ‘near-posture’ they should consider aiming their fingers backwards such that they point to their buttocks, thus drawing attention backwards. When done facing children, it will have the affect of appearing dominant, but inquisitive.

Men can boost their dominance further by propping up their leg on the cross-brace of a chair. This puts their genitals on full display.

Context: General.

Verbal Translation: “I’m dominant and in charge and to prove that I’m going to lock my thumbs in my belt loops with the rest of my fingers pointed toward my genitals – notice them!” “There are issues here”, “Things are not right”, “I’m standing my ground” or “I’m a virile male so check me out!”

Variant: See Arms Akimbo, Leg Spreading.

Cue In Action: While standing at the bar he put his fingers into his belt loops and faced away from the bar. He was sending a broadcast signal to the room hoping to attract some sexual attention.

Meaning and/or Motivation: The cowboy pose was popularized by old western movies. Cowboys would use a combination of this posture and the hands on hips (or arms akimbo) to show how macho they were. Because it draws attention to the crotch, it is infrequently used by women.

When women are seen holding the posture they will hold their hands on their hips and point their fingers to their buttocks rather than to their genitals. Pointing therefore, puts emphasis on our best assets while we state our case. Fingers pointed backwards as women do, is perceived as more of an inquisitive posture than an authoritarian one. It also draws less attention to the genital area which is not normally associated with a source of power and dominance.

A second version of the crotch display is to keep the legs spread open where the hand may be found on the inside of the thigh in a “ready position” or propped up on a knee (The Captain Morgan). These signals are less of a sexual invitation than they are signal of their dominance over others in the room, which in and of itself, makes them appear more attractive to women.

Cue Cluster: The cowboy pose is accompanied by head held high, rigid posture, a stern or confident face, reduced gesticulation, legs spread at or wider than shoulder width and other confident indicators.

Body Language Category: Courtship displays, Confident, Crotch display, Dominant body language, Expansive movements, High confidence body language, Indicators of sexual interest (IOsI), Open body language.

Resources:

Allen, Jill; Sarah J. Gervais and Jessi L. Smith. Sit Big to Eat Big: The Interaction of Body Posture and Body Concern on Restrained Eating. Psychology of Women Quarterly 2013. 37(3): 325-336. DOI: 10.1177/0361684313476477pwq.sagepub.com
http://bodylanguageproject.com/articles/sit-big-to-eat-big-how-constrictive-postures-reduce-food-consumption/

Arnette, S. L., & Pettijohn, T. F., II. (2012). The effects of posture on self-perceived leadership. International Journal of Business and Social Science, 3, 8–13.

Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

Briñol, P., Petty, R. E., & Wagner, B. (2009). Body posture effects on self-evaluation: A self-validation approach. European Journal of Social Psychology, 39, 1053–1064.

Bartholomewn, Morgan E.; Sheri L. Johnson. Nonverbal Dominance Behavior Among Individuals at Risk for Mania. Journal of Affective Disorders. 2014. 159: 133-138.

Cashdan, Elizabeth. Smiles, Speech, and Body Posture: How Women and Men Display Sociometric Status and Power. Journal of Nonverbal Behavior. 1998. 22(4): 209-228.

Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cuddy, Amy J.C., Caroline A. Wilmuth, and Dana R. Carney. The Benefit of Power Posing Before a High-Stakes Social Evaluation. Harvard Business School Working Paper, No. 13-027, September 2012.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cesario, J., & McDonald, M. M. (2013). Bodies in context: Power poses as a computation of action possibility. Social Cognition, 31, 260–274.

Cuddy, A. J. C., Wilmuth, C., Yap, A. J., & Carney, D. R. (in press). Preparatory power posing affects nonverbal presence and job interview performance. Journal of Applied Psychology.

de Lemus, Soledad; Russell Spears and and Miguel Moya. The Power of a Smile to Move You: Complementary Submissiveness in Women’s Posture as a Function of Gender Salience and Facial Expression. Personality and Social Psychology Bulletin. 2012. 38(11): 1480-1494.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
http://bodylanguageproject.com/articles/downside-power-posing-body-language-looking-power-posing-action-study/?preview=true

Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Huang, L., Galinsky, A. D., Gruenfeld, D. H., & Guillory, L. E. (2011). Powerful postures versus powerful roles: Which is the proximate correlate of thought and behavior? Psychological Science, 22, 95–102.

Lee Ann Renninger, T. Joel Wade, Karl Grammer. Getting that female glance: Patterns and consequences of male nonverbal behavior in courtship contexts. Evolution and Human Behavior. 2004; 25: 416–431.
http://bodylanguageproject.com/articles/part-i-how-to-read-male-sexual-body-language-a-study-for-women-and-the-men-who-wish-to-cheat-the-system/

Laird, J. D., & Lacasse, K. (2014). Bodily influences on emotional feelings: Accumulating evidence and extensions of William James’s theory of emotion. Emotion Review, 6, 27–34.

Lee, E. H., & Schnall, S. (2014). The influence of social power on weight perception. Journal of Experimental Psychology: General, 143, 1719–1725.

Michalak, J., Mischnat, J., & Teismann, T. (2014). Sitting posture makes a difference: Embodiment effects on depressive memory bias. Clinical Psychology & Psychotherapy, 21, 519–524.

Minvaleev, R. S., Nozdrachev, A. D., Kir’yanova, V. V., & Ivanov, A. I. (2004). Postural influences on the hormone level in healthy subjects: I. The cobra posture and steroid hormones. Human Physiology, 30, 452–456.

Nair, S., Sagar, M., Sollers, J., III, Consedine, N., & Broadbent, E. (2014). Do slumped and upright postures affect stress responses? A randomized trial. Health Psychology. Advance online publication. doi:10.1037/hea0000146

Park, Lora E.; Lindsey Streamer; Li Huang and Adam D. Galinsky. Stand Tall, But Don’t Put Your Feet Up: Universal and Culturally-Specific Effects of Expansive Postures On Power. Journal of Experimental Social Psychology. 2013; 49: 965–971.
http://bodylanguageproject.com/articles/are-expansive-postures-of-power-universal-or-cultural/

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Rule, Nicholas, O.; Reginald B. Adams Jr.; Nalini Ambady and Jonathan B. Freeman. Perceptions Of Dominance Following Glimpses Of Faces And Bodies. Perception. 2012; 41: 687-706 doi:10.1068/p7023
http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Ranehill, Eva; Anna Dreber; Magnus Johannesson; Susanne Leiberg; Sunhae Sul and Roberto A. Weber. Assessing the Robustness of Power Posing: No Effect on Hormones and Risk Tolerance in a Large Sample of Men and Women. Psychological Science, March, 2015. doi: 10.1177/0956797614553946
http://pss.sagepub.com/content/early/2015/03/30/0956797614553946.full.pdf
http://bodylanguageproject.com/articles/power-posing-no-effect-hormones-amy-cuddy-wrong/

Riskind, J. H. (1984). They stoop to conquer: Guiding and selfregulatory functions of physical posture after success and failure. Journal of Personality and Social Psychology, 47, 479–493.

Riskind, J. H., & Gotay, C. C. (1982). Physical posture: Could it have regulatory or feedback effects on motivation and emotion? Motivation and Emotion, 6, 273–298.

Roberts, Tomi-Ann and Yousef Arefi-Afshar. Not All Who Stand Tall Are Proud: Gender Differences in the Proprioceptive Effects of Upright Posture. Cognition and Emtion. 2007. 21(4):714-727.
http://bodylanguageproject.com/articles/do-women-benefit-from-power-posing-study-suggests-not/

Stepper, S., & Strack, F. (1993). Proprioceptive determinants of emotional and nonemotional feelings. Journal of Personality and Social Psychology, 64, 211–220.

Strelan, P., Weick, M., & Vasiljevic, M. (2013). Power and revenge. British Journal of Social Psychology, 53, 521–540.

Stanton, Steven J. and Robin S. Edelstein. The Physiology of Women’s Power Motive: Implicit Power Motivation is Positively Associated With Estradiol Levels in Women. Journal of Research in Personality. 2009. 43: 1109-1113.
http://bodylanguageproject.com/articles/the-estrogen-factor-the-search-for-nonverbal-power-in-women/

Stanton, Steven J. The Essential Implications of Gender in Human Behavioral Endocrinology Studies. Frontiers in Behavioral Neuroscience. 2011. 5(9): 1-3. doi: 10.3389/fnbeh.2011.00009
http://bodylanguageproject.com/articles/a-critical-commentary-on-amy-cuddys-power-posing/

Tiedens, Larissa Z. and Alison R. Fragale. Power Moves: Complementarity in Dominant and Submissive Nonverbal Behavior. Journal of Personality and Social Psychology. 2003, 84(3): 558–568.

Locke, Connson C. and Cameron Anderson. The Downside of Looking Like a Leader: Leader’s Powerful Demeanor Stifles Follower Voice in Participative Decision-Making.. Academy of Management Annual Meeting Proceedings. 2010. 8(1): 1-6.
http://bodylanguageproject.com/articles/power-body-language-goes-far/

Welker, K. M., Oberleitner, D. E., Cain, S., & Carré, J. M. (2013). Upright and left out: Posture moderates the effects of social exclusion on mood and threats to basic needs. European Journal of Social Psychology, 43, 355–361.

Yap, Andy J. Abbie S. Wazlawek, Brian J. Lucas, Amy J. C. Cuddy, Dana R. Carney. The Ergonomics of Dishonesty: The Effect of Incidental Posture on Stealing, Cheating, and Traffic Violations, 24(11); 2281-2289.
http://bodylanguageproject.com/articles/body-posture-physical-environment-determine-feelings-and-behaviour-study/

*No Photo, Aggressive body language, Anger body language, Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), Frustration or frustrated body language, High confidence body language, Hostile body language, Power play, Threat displays

Body Language of Chest Thumping

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Body Language of Chest Thumping

No picCue: Chest Thumping

Synonym(s): Thumping The Chest.

Description: A smacking of the chest with the closed fist either lightly during low emotion or quickly and forcefully during high emotion.

In One Sentence: Chest thumping is a primitive gesture done to show animal-like dominance.

How To Use it: Use the chest thump to draw attention to the self after winning a dominance competition. It is applicable especially in sports, but it can be used when competing intellectually as well. During an argument between lovers, a single chest thump can show that you are sincere about your assertions. Chest thump can be used to show high passion. Caution should be used as the gesture is quite primitive and can backfire by appearing too animal-like.

Context: General.

Verbal Translation: a) “I’m smacking my chest because I want to emphasis something I’m saying that’s important to me.” b) “I just scored a goal or did something important, that was me that did that, I’m important, I’m the boss.” c) “I’m thumping my chest like a gorilla in a show of confidence and dominance.”

Variant: See Batoning Gesture.  The fist may also pounding a table or the hand might chop violently.

Cue In Action: a) He wanted to make his point heard so when he asserted that he really needed to go fishing, he smacked his fist against his chest (each time he referenced himself) and said “I, me, I, need to get some time to myself or I’m going to explode.” b) While talking about his the recent passing of his wife, he pounded his chest with his fist as if emphasizing what he lost and how it felt to him. c) They neared blows. Clothing was removed and chests were thumped. The drunken fools acted like gorillas.

Meaning and/or Motivation: A primitive throwback to chimpanzee behaviour. Thumping the chest is a high authority and high aggression display meant to intimidate others and draw attention to the prowess of the person delivering it so as to collect adulation and attention from others as the context warrants.

Other times, chest thumping is done lightly to emphasis something that is important and dear to the heart.

Cue Cluster: Chest thumping is associated with other dominant cues such as expansive movements, arms out and away from the body, high gesticulation, arms akimbo, angry or happy facial expression, loud voice, gravity defying behaviour such as jumping up and down (in celebration) and chest puffing or broad side displays.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger, Authoritative body language, Confident, Dominant body language, Enthusiasm (nonverbal), Frustration or frustrated body language, High confidence body language, Hostile body language, Power play, Threat displays.

Resources:

Berkowitz, L., & Harmon-Jones, E. (2004). Toward an understanding of the determinants of anger. Emotion, 4, 107-130.

Bjorkqvist, K., Osterrnan, K. and Lagerspetz, K.M.I. (1994) ‘Sex Differences in Covert Aggression among Adults’, Aggressive Behaviour 20: 27–33.

Craig, A. D. (2002). How do you feel? Interoception: The sense of the physiological condition of the body. Nature Reviews Neuroscience, 3, 655-666.

Dixson, Barnaby J ; Vasey, Paul L. Beards augment perceptions of men’s age, social status, and aggressiveness, but not attractiveness. Behavioral Ecology. 2012. 23(3): 481-490.

Enquist, M. (1985). Communication during aggressive interactions with particular reference to variation in choice of behaviors. Anim. Behav. 33, 1152-1161.

Freedman, Norbert ; Blass, Thomas ; Rifkin, Arthur ; Quitkin, Frederic Lanzetta, John T. (editor). Body movements and the verbal encoding of aggressive affect. Journal of Personality and Social Psychology. 1973. 26(1): 72-85.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
http://bodylanguageproject.com/articles/downside-power-posing-body-language-looking-power-posing-action-study/

Ginsburg, Harvey J. ; Pollman, Vicki A. ; Wauson, Mitzi S. Odom, Richard D. (editor). An ethological analysis of nonverbal inhibitors of aggressive behavior in male elementary school children. Developmental Psychology. 1977 13(4): 417-418.

Lagerspetz, K.M.J., Bjorkqvist, K. and Peltonen, T. (1988) ‘Is Indirect Aggression Typical of Females? Gender Differences in Aggressiveness in 11- to 12-year-old Children’, Aggressive Behavior 14: 403–14.

Maestripieri, Dario ; Schino, Gabriele ; Aureli, Filippo ; Troisi, Alfonso. A modest proposal: displacement activities as an indicator of emotions in primates. Animal Behaviour, 1992, Vol.44(5), pp.967-979

Mcgurk, Barry J. ; Davis, John D. ; Grehan, John. Assaultive behavior personality and personal space. Aggressive Behavior. 1981. 7(4): 317-324.

Morgan, M. H. and Carrier, D. R. (2013). Protective buttressing of the human fist and the evolution of hominin hands. J. Exp. Biol. 216, 236-244.

Nickle, David C. and Leda M. Goncharoff. Human Fist Evolution: A Critique. J Exp Biology. 2013. 216: 2359-2360. doi: 10.1242/jeb.084871.

Nadler, Ronald. Sexual initiation in wild mountain gorillas. International Journal of Primatology. 1989. 10(2): 81-92.

Parker, G. A. (1974). Assessment strategy and the evolution of fighting behaviour. J. Theor. Biol. 47, 223-243.

Topel, Eva-Maria ; Lachmann, Frankm. Nonverbal Dialogues: Orienting and Looking Behaviors Between Aggressive and Violent Children and Adolescents and Their Therapist. Journal of Infant, Child, and Adolescent Psychotherapy. 2007. 6(4): 285-307.

Young, R. W. (2003). Evolution of the human hand: the role of throwing and clubbing. J. Anat. 202, 165-174.

Yamagiwa, Juichi. Activity rhythm and the ranging of a solitary male mountain gorilla (Gorilla gorilla beringei). Primates, 1986, Vol.27(3), pp.273-282.

Authoritative body language, Confident body language, Courtship display, Dominant body language, Emotional body language, Expansive movements, High confidence body language, Indicator Of Sexual Interest (IOsI), Threat displays

Body Language of The Broadside Display or Chest Protrusion.

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Body Language of The Broadside Display or Chest Protrusion.

BodyLanguageProjectCom - Broadside Display or Chest Protrusion 2Cue: Broadside Display or Chest Protrusion.

Synonym(s): Chest Protrusion, Peacocking, Chest Puffing, Chest Thrust, Chest Arch, Chest Puff, Breast Protrusion, Torso Splay, Puffing Out The Chest, Baring The Torso, Removing A Shirt, Shirt Removal, Protruding The Breast.

Description: A flaring of the torso and chest by bringing air into the lungs to puff out and appear larger. Read more about coding for the expression of pride here: http://bodylanguageproject.com/articles/nonverbal-coding-scheme-pride-shame-objectively-read-pride-shame-body-language/

In One Sentence: Puffing out the chest is a signal that one is dominant and virile and for a part of the universal expression of pride.

How To Use it: Men should use the broadside display to intimidate other men or to express pride. If female, a broadside display can also be used to appear in control and confident, however, the effect will be muddied by the protrusion of breasts which can be seen as sexually inviting. That being the case a confident posture in women can help thwart approaches from lesser quality men whom are not able rise to her level. This can give her the advantage. Overall, this posture should be used with care. It is most useful when one wishes to show that one is proud, healthy, and virile.

Context: a) Dating (male) b) Dating (female) c) Business and General

Verbal Translation: a) and c) “I’m large with a big chest and so I’m dominant and you will submit to me.” “I’m puffing out my chest, see how large I am, you better back down and give me the respect I command.” b) “I am confident, proud of my breasts, youthful with good posture, and therefore I’m a good mate. I want you to notice.”

Variant: See Arms Akimbo, Military Man or Regal Stance, Cowboy Pose Stance.

Cue In Action: a) As he walked by a girl on the beach wearing a skimpy bikini he sucked up his gut, took in a deep breath and arched his shoulders back. b) While waiting for a drink, she leaned back on the bar-top with her elbows, puffed out her chest and looked down submissively as a broadcast signal of her availability. c) The male boxers entered the pre-match weigh-in each with their shoulders held back and chest puffed out. c) A security guard, bouncer or police officer standing guard will perform a broadside display in effort to dissuade an attack. c) We also might see this in business when two conflicting ideas have been presented where each party defends and asserts themselves.

Meaning and/or Motivation: a), b) and c) The intent is to intimidate by appearing larger and therefore more dominant, powerful and also to express pride. It is a high comfort display, opened and bare, inviting challenge and attack that is assumed to never come. a) and b) A sexual or aggressive body language posture depending on the sex.

When done by men, it means dominance regardless of the context as the aim is to impress women and intimidate men. This is meant to appeal to women and repel other aggressive men. In more aggressive contexts, chest puffing is a posture that indicates conflict is nearing and is an advertisement of such. It might seem primitive but chest thumping can find itself during the preamble to a fistfight. Men will sometimes remove a jacket or even a shirt when they prepare for physical confrontation.

When done by women, it is aimed at drawing attention to the breast by making them appear larger and more prominent. Women who puff out their chest are trying to secure the attention of nearby men.

Cue Cluster: Chest protrusion is normally coupled with good upright posture. a) Men will often have a swagger in their step and keep gesturing to a minimum with arms kept around waste level, never much higher. b) Women might subconsciously look down, seemingly at their own breasts as a cue for others to do it as well. In the lowered head position women may gaze upward coyly further strengthening the appeal. c) In a business context, chest puffing will appear with more expansive movements such as greater animation in the arms, encroaching on personal space of others, a loud voice, touching to show ownership, fixed unblinking eye contact and a stern face. Usually the back is also arched and the head is held high.

Body Language Category: Authoritative body language, Courtship display, Confident, Dominant body language, Expansive movements, High confidence body language, Indicators of sexual interest (IOsI), Emotional body language, Threat displays.

Resources:

Allen, Jill; Sarah J. Gervais and Jessi L. Smith. Sit Big to Eat Big: The Interaction of Body Posture and Body Concern on Restrained Eating. Psychology of Women Quarterly 2013. 37(3): 325-336. DOI: 10.1177/0361684313476477pwq.sagepub.com
http://bodylanguageproject.com/articles/sit-big-to-eat-big-how-constrictive-postures-reduce-food-consumption/

Arnette, S. L., & Pettijohn, T. F., II. (2012). The effects of posture on self-perceived leadership. International Journal of Business and Social Science, 3, 8–13.

Beall, Alec and Jessica L. Tracy. The Puzzling Attractiveness of Male Shame. Manuscript submitted to Evolutionary Psychology. www.epjournal.net – 2014. 12(x): 1-39
http://bodylanguageproject.com/articles/male-nonverbal-shame-attractive/?preview=true

Briñol, P., Petty, R. E., & Wagner, B. (2009). Body posture effects on self-evaluation: A self-validation approach. European Journal of Social Psychology, 39, 1053–1064.

Bartholomewn, Morgan E.; Sheri L. Johnson. Nonverbal Dominance Behavior Among Individuals at Risk for Mania. Journal of Affective Disorders. 2014. 159: 133-138.
Barber N. 1995. The evolutionary psychology of physical attractiveness: sexual selection and human morphology. Ethology and Sociobiology 16: 395-424.

Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

Cashdan, Elizabeth. Smiles, Speech, and Body Posture: How Women and Men Display Sociometric Status and Power. Journal of Nonverbal Behavior. 1998. 22(4): 209-228.

Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Carney, Dana R.; Amy J.C. Cuddy; Andy J. Yap. Power Posing: Brief Nonverbal Displays Affect Neuroendocrine Levels and Risk Tolerance. Psychological Science, 2010; 21 (10): 1363-1368.
http://bodylanguageproject.com/articles/benefits-power-posing-high-stakes-performance/

Cesario, J., & McDonald, M. M. (2013). Bodies in context: Power poses as a computation of action possibility. Social Cognition, 31, 260–274.

Cuddy, A. J. C., Wilmuth, C., Yap, A. J., & Carney, D. R. (in press). Preparatory power posing affects nonverbal presence and job interview performance. Journal of Applied Psychology.

Coreen Farris; Teresa A. Treat; Richard J. Viken; and Richard M. McFall. 2008. Perceptual Mechanisms That Characterize Gender Differences in Decoding Women’s Sexual Intent Psychological Science. 2008. 19(4): 348-354.

de Lemus, Soledad; Russell Spears and and Miguel Moya. The Power of a Smile to Move You: Complementary Submissiveness in Women’s Posture as a Function of Gender Salience and Facial Expression. Personality and Social Psychology Bulletin. 2012. 38(11): 1480-1494.

Fischer, Julia; Peter Fischer; Birte Englich; Nilüfer Aydin and Dieter Frey. Empower My Decisions: The Effects of Power Gestures on Confirmatory Information Processing. Journal of Experimental Social Psychology. 2011. 47: 1146-1154.
http://bodylanguageproject.com/articles/downside-power-posing-body-language-looking-power-posing-action-study/

Gorkan Ahmetoglu, Viren Swami. Do Women Prefer “Nice Guys?” The Effect Of Male Dominance Behavior On Women’s Ratings. Social Behavior And Personality, 2012; 40(4), 667-672.
http://bodylanguageproject.com/articles/how-to-significantly-increase-male-attractiveness-with-simple-body-language-nice-guys-finish-last-once-again/

Gangestad, S.W., Thornhill, R., Garver, C., 2002. Changes in women’s sexual interests and their partners’ mate retention tactics across the menstrual cycle: Evidence for shifting conflicts of interest. Proc. R. Soc. London, B 269: 975–982.

Gangestad, S.W., Thornhill, R., Garver-Apgar, C.E., 2005b. Women’s sexual interests across the ovulatory cycle depend on primary partner fluctuating asymmetry. Proc. R. Soc. London, B 272: 2023–2027.

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