Tag Archive for Ten Seconds

How Women Can Avoid Solicitation By Men

by  • March 6, 2013 • 1 Comment

She's just not that into you.

She’s just not that into you.

The chapter has a heavy focus on ways that women attract sexual attention, but there were a few hints dropper here and there with regards to ways women can avoid attention. The problem as women might view it is that most of the tactics involved dropping cues, or ‘inaction’ rather than actionable body language. Because there are times when women require the opposite result, I have devoted this section to ways women can actively send rejection signals. It is far easier and less embarrassing to use nonverbal language to send negative signals and they can be implemented earlier to reduce escalation before it’s too late. Women far too often make the mistake of placating others to their own detriment. When men are bored, they feel no pain, no discomfort, no desire to offer anything other than a barren despondent look on their face. It might surprise you to hear me say to this, congratulations! Men who show their true emotions have mastered, all-be-it passively, the use of effective body language and use it to convey their boredom to others. When men are bored, they say “shape up or ship out”, women should heed this and follow. So women, please pay careful attention to the tips that follow to avoid unwanted approaches.

My conclusions are drawn in large part from the research of Dr. Monica Moore in 1998 who looked at rejection patterns in women. She found seventeen main behaviours in her study that indicated rejection of potential male partners. They included facial expressions such as yawning, frowning, sneering, gaze avoidance, upward gaze, hair gaze (looking at one’s own hair), looking away, and staring, as well as gestures such as negative head shaking, nail cleaning, teeth picking or pocketing hands, and finally, posture patterns such as arm crossing, holding the trunk rigidly, closed legs, body contact avoidance or pulling away. Here they are by category in a bit more detail.

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Avoiding eye contact shows men that we're not interested in interacting.

Avoiding eye contact shows men that we’re not interested in interacting.

Gaze avoidance happens when the woman refused to make eye contact with the man, despite him looking directly at her. She will look at other people, make eye contact with someone else, or pretend to be taken by something else in the room. This can and in fact, should be done while a man is currently speaking. Buck up women, grow some and spell it out! Look at it this way, you’re saving him time by being direct and upfront and in the long run, he might even thank you if it gives him the time to pursue someone else. To display disinterest a women can also look upward by raising the chin only a quarter inch or look at the ends of her hair which is a strong signal of boredom and detachment. Any behaviours should include prolonged inattention, lasting at least ten seconds, but more is always better! Staring is also used, in this case staring lasts multiple seconds or until the man looks away, but when he does, don’t look him over, start a conversation with someone else or leave altogether without saying anything. If none of these messages seem to be working, add frowns or sneers to your repertoire. The sneer happens with furrowed brows and the mouth is compressed and turned downward. The sneer happens when the mouth is twisted and the nose wrinkled. Next you can use head shaking and yawning which shows negative thoughts rather than using more affirmative head movements such as nods.

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Turning the body away and taking a step amplifies disinterest.

Turning the body away and taking a step amplifies disinterest.

Gestures are nonverbal rejection patterns that involved movement of the hands and arms. Interested women perform palm displays, however, disinterested women will pocket their hands instead, or cross their arms over their chest. To further disinterest, an increase in distance would occur by taking steps backwards or using barriers to reduce closeness. Self grooming can also be used to show disinterest, but not in a flirtatious way. Instead picking the nails, or teeth is used to turn men off and efficiently display disinterest.

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Crossing the arms denies a man exposure to your torso - an unwelcome signal.

Crossing the arms denies a man exposure to your torso – an unwelcome signal.

Posture patterns involve movement and positioning of the body. These are tied to closed body positions and include such items as tightly crossing the legs, legs crossed at the ankles or hidden under a chair. Other postures include a rigid upright torso and positions that avoided body contact and if contact was initiated the women would pull away. Leaning back and turning the back to the man is also effective.

 

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Whatever cues you plan on using, be sure of your intent before emitting them. If you are serious about rejecting someone it is important that you be deliberate, predictable and consistent. If you flip-flop from positive to negative cues, he’ll just think that you are “moody” which will create a situation that makes negative cues less effective in the future. It will also prolong pursuit because the positive cues mixed into the interaction will provide him incentives to continue. Finally, be prepared to be called bad names like “grumpy” and of course “bitch.” It is unfortunate for women that they aren’t given the same latitude as men in terms of their ability to display negative emotions in an outward fashion, but this is the world we live in and no amount of complaining will change it. The research tells us that women are expected to smile even if unhappy, and be chipper when depressed, but when it comes to rejecting someone, it’s best done quickly and without remorse. Afterall, when it comes to rejection, do you really care what their opinion is of you?

If this sort of tactic makes you uncomfortable, you are welcome to use an integrity based, verbal rejection. “Sorry, I’m not interested” will work just fine in most cases. Whatever method you choose, it will be you that has to live by it.

The Room Encompassing Glance

by  • March 6, 2013 • 0 Comments

Caught in a glance.

Caught in a glance.

The “room encompassing glance” is a body language sequence used to attract the attention of men. It is done subconsciously, yet in a very specific manner, by women who are available and seeking. To begin the sequence, woman look or scan the room, which is usually a club, bar, or other social gathering, containing plenty of likely targets. This first glance serves an assessment purpose to see what is going on, who is about, and to satisfy her curiousity. In other words, it isn’t anything unique as a sexual cue but does serve a sort of “shopping” or browsing purpose. More frequent shopping forays where eyes are cast around the room lasting five to ten seconds begins to have more meaning. This is a woman who is in a seeking phase and really wishes to find a solid target.

If she spots someone she is interested in she will quickly avert her eyes downward, to show that she isn’t a threat and to show submission, and then she will take a second look. This second glance is directed only toward a man of interest and is not cast around the room. It will be short and she will rotate her head twenty-five to forty degrees to the side then look away (usually downward) within about three seconds. Women usually continue this behavior until they meet their target’s eyes. At this point, the target and the woman will hold a mutual gaze lasting about three seconds. If eye contact isn’t met or the man does not properly receive the signal she will continue to repeat eye contact until he gets the idea. Sometimes it will require upwards of four to six times ladies, so be prepared! Eye contact of any kind is usually a signal of interest. On most occasions, this eye contact alone is powerful enough to entice men to approach, but not always.

Above: The room encompassing glance.

Summary – Chapter 9

by  • March 6, 2013 • 0 Comments

In this chapter we covered defensive and aggressive body language. We found that double arm hug or arm crossing, partial arm crossing, arm gripping, fists and arm clenching, stiff or curved arms, or even cufflinks can be used to signal defensiveness. We learned that objects are used to shield the insecure by affording fewer angles of attack which is the case when we lean against a wall or bar top, hold a drink near our face or against our chest, or hide behind a podium whilst presenting. We discovered that headphones can be great tools for women who don’t want to be bothered, how pens, books, or newspapers indicate division between people and how conversations can be ended or avoided simply by raising a book. We found that other cues such as head bows, looking up to the side or through the forehead, avoiding eye contact, seeking escape routes with darting eyes, or reduce body size among others, show defensiveness.

On the other hand, we cut through defensiveness to study aggression which can include the in-your-face posture characterized by the hands on hips, feet together at attention, leaning forward with the head and chin up or out and exposed. We also saw that an aggressive person might get red in the face, cross or drop their arms to the side and clench their fists, finger point, become tense overall, clamp their jaw, tighten their lips, frown and lower their eyebrows. We learned that a stare lasting ten seconds or longer invokes anxiety and discomfort in subordinates in the ‘unblinking eyes’, and that overstepping boundaries can lead to conflict.

The Unblinking Eyes

by  • March 6, 2013 • 0 Comments

Scary!

Scary!

Research shows us that a steady stare of more than ten seconds creates anxiety and discomfort especially in subordinates. When done on more dominant individuals it can lead to feelings of aggression and in extreme cases, even physical altercations.

Holding eye contact for slightly longer than normal can send a powerful message. When looking at strangers, it’s a common courtesy to look away when the eyes meet, at least after a few milliseconds have elapsed. Staring is only permitted while looking at inanimate objects (and celebrities). By holding an extended or even unblinking gaze toward strangers, we are telling them that we think of them no more important than objects, a phenomenon celebrities know only too well. Naturally, eye contact and staring means one thing to men, and something else entirely to women. When the sexes stare at each other, it’s usually due to competitiveness or envy, as in, sizing up the competition and other times out of pure curiousity. When the sexes stare at each other, it’s usually driven by sexual interest, however, women are far less prone to staring in any case.

We covered proper eye gaze patterns in an earlier chapter and saw that the intimate gaze happens when the eyes travel around the face and body of someone we care about. Staring, on the other hand, is unmoving. The eyes are piercing and intense, unblinking, and seem to want to penetrate the eyes of another. An aggressive stare is even more intense and happens by narrowing the eyelids creating a deep focus. Second to the unblinking eyes is the “slow blink”. This one can be imagined, but must really be seen to understand its true intensity. While a slow blink done with a tilt of the head can appear alluring when done by an attractive woman, it does nothing to arouse positive emotions when done head on. The slow blink is intensified by tilted the head forward revealing the crown, and especially intense when the head is tilted backwards while looking down at an opponent “through” the bridge of the nose. The final cue in the slow blink cue cluster is pursed lips and the cue cluster, as a whole, signals disapproval and contempt.

You’ve probably never made conscious the universal “stare test” but it goes something like this. First you use proper eye language cast around a busy room, perhaps a grocery store, horizontally focusing on whatever is of interest. By accident, you make eye contact with someone and to show that you are no threat, you quickly shift your eyes to the left or right and continue a normal eye pattern. If no “eye flash” happens, as we saw earlier, we understand them to be a stranger. To make sure you haven’t been targeted by eye assault, you return your gaze after a few moments to see if that person is still fixated on you. If they are, you drop eye contact again, but then quickly look back. If eye contact is met again, this will set you on alert, and so you begin a very minor fight or flight response by keeping your distance. At a subconscious level you have identified a possibly dangerous individual.

This isn't going well - she looks right through him.

This isn’t going well – she looks right through him.

We call the appropriate eye contact that doesn’t violate someone’s privacy the “moral looking time.” This is the length of time gaze is permitted before creating anxiety through offensiveness and in strangers is usually only one or two seconds. To be sure that you aren’t still being assaulted by someone else you will usually repeatedly look in the direction of the person who caught your eyes several times, and at random intervals. This is because we all subconsciously realize that the other person is measuring the same threat in us, as we are in them. If their eyes are continuously met with yours, you will show aggressive or “rude” facial expressions as a warning to cease eye contact. Women do this type of expression best and we call them “dirty looks.” They are meant to indicate a desire to be left alone, and that conversation and approaching is not welcome. Other times, women will know that staring is taking place but will purposely avoid eye contact. Just because a dirty look hasn’t been given, does not mean she hasn’t noticed, and does not mean that staring is welcomed. When eye contact is avoided, and gaze pattern rules aren’t properly engaged, the intent of this message is the same, give women space and don’t stare!

The Room Encompassing Glance

by  • March 5, 2013 • 0 Comments

There's no mystery in these eyes.

There’s no mystery in these eyes.

The room encompassing glance is a sexual signal performed by women interested in being pursued. More specifically, it is done by women who are “checking out” potential suitors and it is done totally unconsciously as is most all other body language. It is very subtle and also very specific. The glance occurs by first casting her eyes around the room for five to ten seconds. If she spots someone she is interested in, she will take a second look. This second glance is not directed at the entire room, but rather in the direction of a specific man. It will be short, and she will rotate her head twenty-five to forty degrees to the side then look away, usually downward, within about three seconds. Women usually continue this behavior until they meet their target’s eyes. At this point, the target and the woman will hold a mutual gaze lasting about three seconds which is normally broken by the woman. It should be noted also that most men are fairly clueless in reading this signal and usually miss it. If women wish to make it more powerful and obvious they should add a slight smile. The light bulb usually goes off with this more overt signal.