Tag Archive for Lips

Comfort and Discomfort Body Language

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Comfort on the left side of the image, discomfort on the right.

Comfort on the left side of the image, discomfort on the right.

We have covered many signals of comfort and discomfort throughout the book and have even eluded to their use in lie detection. To simplify things, I wanted to take the time to cover the cues we can use to detect lying as it relates to comfort and discomfort. We have seen how open and closed language can signal a desire to allow access to the body. Ventral displays shows that a person is open and trusting of someone and this sort of response is difficult when we feel we are hiding emotions. Comfort is displayed through proximity and people do this by moving their torsos closer or leaning inward rather than away and will remove objects that impede their view so as to establish more intimacy.

Comfortable bodies open up and spread out.

Comfortable bodies open up and spread out.

Comfortable people will hold their bodies loose rather than rigid, and their body will move with fluidity. They will gesture with their speech instead of freezing instantly or awkwardly, called “flash frozen.” Sometimes people will slow to catch their thoughts, but this will be obvious to the body language reader and will come at appropriate times and in context when thought is actually required to produce accurate answers. Comfortable people mirror others around them instead of avoiding synchrony. Their breath rate will be similar and they will adopt like postures instead of showing differences.

Bodies show discomfort by increased heart rate, breath rate, sweating, a change in normal colour in the face or neck, trembling or shaking in the hands lips, or elsewhere, compressing the lips, fidgeting, drumming the fingers and other repetitive behaviours. Voices often crack when under stress, mouths might dry up producing noticeable swallowing, “hard swallows”, or frequent throat clearing. Liars might use objects as barriers. They might hold drinking glasses to hide parts of their face or use walls and chairs while standing to lean against to gain support. Liars might engage in eye blocking behaviours by covering their eyes with their hands or seem to talk through them or even squint so as to impede what is being said from entering their minds. The eyes might also begin to flutter or increase in overall blink rate showing an internal struggle.

Drumming fingers, fidgeting, kicking feet and so forth are burning off nervous energy - discomfort.

Drumming fingers, fidgeting, kicking feet and so forth are burning off nervous energy – discomfort.

We’ve hit on the fact that stress creates nonverbal language such as preening to show detachment from a conversation (picking lint), energy displacement gestures such as scratching the body or rubbing the neck or wiping the side of the nose. Palm up displays show that a person has some doubt, and indicates a desire for other to believe them while palm down displays show confidence and authority. Microexpressions can also be particularly revealing since they happen instantaneously and subconsciously. Watch for movements that happen first especially if they are negative in nature as these are more honest than positive body language. Positive language is used by people to appear more in control and polite instead of appearing vulnerable. Fake smiles are an excellent example of an expression that can sometimes be put on to appear to disguise stress. We know smiles are faked when they seem to last for much longer than what would be considered natural.

Lack of touching, or touch reduction also signals discomfort and a divergence of ideas. When people’s ideas differ they find it hard to come close to others as part of the natural fear response. Head movements that are inconsistent with speech such as slightly nodding affirmatively though making a denial or vice versa, or delaying head nodding until after speech is made such that speech and gestures lack synchrony can give liars away. When gestures are done out of sync they tell us that a person is adding the gesture on as support for their statement. The entire affair appears to be out of the normal order of flow in communication which liars can often do. When affirmative nodding happens during denial statements such as nodding “yes” while saying “I did not do it” usually happens very subtly, but is obvious to the conscious observer. Keep in mind while reading these cues that they do not indicate lying per se, but rather indicate discomfort and stress. The job of the body language reader is to decide why a person is stressed. Are they stressed because they are being put on the spot, because they fear being mislabeled, or because they are actually telling lies?

Nervous Body Language – The ‘Other’ Cues

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As we know nervousness plays a big part in lie detection so we habitually connect the two sentiments. Therefore, by this nature, we assume that any of the following could be associated with dishonesty. Here is a nearly comprehensive list of all cues that could be tied to lying or else associated with lying from the general public. While they don’t necessarily uncover a liar they will be tied to dishonesty and persons that perform these cues will be mistrusted. They include increased eye blink rate, stuttering, dilated pupils, fidgeting, appearing unfriendly or tense, facial fidgeting, shaking, postural shifts or unrelaxed/reserved postures, twitches, shrugs, head movements, playing with objects, sneering, scowling, frowning, smiling, biting the lower lip, pressing the lips together, wrinkling of the nose, increase in perspiration, blushing or turning pale and increased swallowing.

Hand To Mouth Gestures

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When a child lies, she might bring her hand up quickly and slap her mouth closed, but when an adult lies, she holds back and might only lightly touch the side of the mouth.

When a child lies, she might bring her hand up quickly and slap her mouth closed, but when an adult lies, she holds back and might only lightly touch the side of the mouth.

Mouth covering is another way to reduce the pain of telling a lie. In this case, it is so as to “speak no evil.” Small children perform a full cover and even slap their mouths when they say something they shouldn’t. Grown adults will sometimes cup their hands to their mouths like children in effort to “jam the words back in their mouths” but usually use more subtle gestures such as talking through their hand or placing a finger softly over their lips. Talking with ones hand covering the mouth “talking through the hand” or resting the hand around the mouth by wrapping the fingers around the top, are significant clues indicating insecurity.

Subconsciously, hand-to-mouth gestures leads people to distrust others, and see them as less honest overall. The gesture can be done with a fist, a finger, or a ‘shushing’ motion with the index finger vertically placed over the lips. Other times the subconscious mind is so powerful that the hand comes up and slaps the mouth, but to cover this ‘tell’ up, a fake cough is added.

'Talking through the mouth' is seen as dishonest.

‘Talking through the mouth’ is seen as dishonest.

The Ten Steps To Intimacy

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When men and women initiate intimacy they always follow a very specific pattern. While the list isn’t entirely rigid it represents the most universally comfortable way men and women come together. There are cases when some of the steps are skipped, but in most cases, they are simply accelerated making it appear as though steps went missing. While I have no experience with adult movies, I have been told that even therein, men and women follow these steps closely. Here are the ten steps to creating intimacy.

The arm over the shoulder is in

Hand touches shoulder. This form of touching is risky because it implies
some from of connection. If absent, can still be rebuffed with minimal damage and embarrassment, but still breaches personal space boundaries.

[A] Eye to body. The eyes first make contact with the lower part of the body, but hit the face in general, the assets – buttocks and crotch, chest or breast, the legs of women and the overall build of men. If both see mutual attraction they continue to the next step.
[B] Eye to eye. Mutual eye contact is established which includes a long intimate gaze where the eyes travel over the face including the lips.
[C] Hand touches hand. Light touching of the hand, or hand-holding is often the first way distance is breeched. The hand is intimate, yet risk-free, unlike say the breasts or the genitals! Other acceptable first touches include incidental touches such as an elbow, forearm or task directed actions such as helping to put on a coat.
[D] Hand touches shoulder. This form of touching is risky because it implies
some from of connection. If absent, can still be rebuffed with minimal damage and embarrassment, but still breaches personal space boundaries.
[E] Arm encircles waist. In this step, the arm is lowered closer to the genitals so is more intimate. This form of touching, since it requires permission and attraction, which may or may not be present, is highly risky and can spell disaster if not welcomed. However, if it is accepted, it can be used as a test to move quickly to the following step.
[F] Mouth touches mouth. This step is fairly self explanatory but is a huge milestone in a relationship. Most women remember their first kiss long after men do, but even if men forget the exact details after some time, they will always recall their conquest! When two people kiss they exchange a lot more than just spit. Chemicals in the saliva are linked to taste and if things don’t jive at this moment, everything can unravel, and quickly. Women are often heard saying “things weren’t right” or that “he was a bad kisser” and it usually has to do with pheromones they find unattractive, rather than his lack of skill. Women will let men they find attractive kiss sloppily, but mediocre men need to perform at a higher level while kissing! It has been postulated by researchers that if the unique chemical signature of men and women is too closely alike, attraction fails to materialize, most probably due to a desire to avoid inbreeding. Family members carry similar genes and therefore give off similar odors signatures and so kissing is one way to test things out before getting too heavy.
[G] Hand touches head. The head is a vulnerable part of the body so we only allow those we really trust to get close enough to play with our hair or ears or whatever. Touching and stroking the hair, plays an intimate and important role in kissing, especially the good kind of kissing.
[H] Hand touches body. Having passed all the tests listed above, couples will permit each other to explore various parts of their body, at the exclusion of the breasts and crotch and usually touching happens over the clothes. Sometimes brief forays may be permitted, but this sort of intimacy still requires caution. Touching includes stroking, fondling, tickling, caressing and are precursors to sexual intimacy. If all goes well, both bodies will become aroused to the point of no return, pushing them into the next step.
[J] Mouth touches body. Included in this step is hand under clothing. Usually either mouth or hands are permitted to touch the body. This step opens up fondling of the breasts under the clothes, and usually even permits the touching of the genitals over the clothes.
[K] Hand caresses genitals and genitals touches genitals. From steps H onward, body language lacks a visual component and so people usually dim the lights, turn them out altogether or close their eyes so they can eliminate distraction and shift their focus onto their sense of touch and smell. Intercourse is a primal activity so requires just the right ingredients in just the right ratios to work. If something isn’t quite right, then the sequence can be broken at any one stage, even at the last minute, or so I’m told!

Kiss Test And Stages In Intimacy

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Puckered lips means a woman is thinking about her lips - this might mean that she's interested in a kiss.

Puckered lips means a woman is thinking about her lips – this might mean that she’s interested in a kiss.

All nonverbal signals begin from the same origin; thoughts. The kiss is no different since it begins with a desire to take a very intimate and important step in a relationship. As arousal occurs, women will begin to draw attention to their mouths, but not just to deliver a message, it is to alleviate tension that is building. Women interested in kissing will release this energy by touching their mouth more frequently, say with a finger or by mouthing an object. They might pout by compressing their lips or they will apply lip gloss or lip stick. Escalation of these signals includes direct eye contact or glances toward the man’s mouth. Remember that looking in the direction of interest is difficult to resist and when a kiss is envisioned, it is the mouth that gets the looks. While holding hands, a quick kiss-test happens by measured response of a hand-squeeze; if he squeezes and she squeezes back, there is a good chance a kiss would be well received.

Sexual Hair Play

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Women's nearly uniquely long hair is a feature to be exploited in seduction.

Women’s nearly uniquely long hair is a feature to be exploited in seduction.

Hair tossing is done by women to show off their luxurious hair to men. Hair tosses can be done by flicking the hair over the shoulder or away from the face. Hair can be removed from a band and twirled or rolled and placed on top of the head to expose the neck. Other hair signals include running the fingers through the hair to preen it, wrapping the hair around the neck or curling it around the finger. Added sexuality can come with a lip lick or moistening of the lips with lip gloss or adding lip stick to make them appear red and seductive. Having the lips slightly parted as if blowing a small stream of air through them can escalate the cues even more dramatically.

For hair play to be a sexual cue, it will be done in association with eye contact, absent of which might just be a form of soothing auto contact. Eye contact turns a fairly random gesture like touching the hair into one that is directional, meaning the eye contact sends the message to a person of interest. Other times, women use signals to “fish and lure” where signals happen in a more broadstroke fashion, absent of eye contact and direction, sent off into the room at large. These types of signals are done by women out of their conscious awareness by women who are hopefully available, but not always, as a response to inner thoughts and desires, turned into motivators. Women will deny this last fact, but the results speak for themselves by increased male attention. Playing victim by stating male come-ones as unwanted and annoying is naïve at best as the science says that women put out these signals so that men will see them during peek sexual receptivity. I suppose this does give women a case, for while they may have subconscious sexual feelings, they may not wish to act on them, but because of their hardwiring do. However, now that you have read this (as a woman), you are more aware of the underlying reasoning, and so have no more excuses! If women don’t want to be approached, show a cold shoulder, if they want not to be approached by specific men, given them no leads or incentives. Use body language to get the results you want.

Some other examples of hair play in courtship:

BodyLanguageProjectCom - Sexual Hair PlayBodyLanguageProjectCom - Hair TwirlBodyLanguageProjectCom - Hair PlayBodyLanguageProjectCom - Hair Toss 2

Above: Have you ever wondered what the significance of the tie is in male fashion? It’s a giant arrow that points to a man’s crotch! Yes, that’s right — it’s a great, big beacon drawing women’s eyes down from a man’s face to his boys! Getting that out of the way, let’s look at the clip! Here Julie shows interest by playing with her hair. Any motion we do, even subconsciously, serves to draw attention to our features.

The Most Common Female Sexual Signals

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Lip licking can be a cue of sexual interest, but only if other cues are present. No cue, by itself can be taken to mean any one thing.

Lip licking can be a cue of sexual interest, but only if other cues are present. No cue, by itself can be taken to mean any one thing.

Nearly every motion of the body can be construed sexually, but only properly read as sexual within the right context. Take for example proximity, which can mean interest, but independent of context, means nothing. Getting stuffed into an elevator may lead to accidental touching but this doesn’t mean a girl fancies a guy, but in context with other signals, could mean that she does. She might go out of her way to stand next to him even if the elevator is only partially full, or she might cast intermittent gazes. Unfortunately, these low key signals are often thought to be clear signals of interest by the women who send them. Women figure they’re obvious and overt, and when the man she fancies doesn’t reciprocate, she takes this to mean that he’s disinterested. Even if she gives him the benefit of the doubt she might “ramp” things up a little bit to get him excited by looking up into his eyes and licking her lips making them glossy, but even these subtle hints can pass for normal affect. From these cues alone, should he know what is going on?

The simple answer is, no, he shouldn’t, he needs more obvious clues to discern interest. Maybe she licks her lips regularly, maybe she’s a natural close talker and ignores the personal space of those around her as part of her personality explaining her willingness to stand so close or maybe she’s just a friendly kind of person. Men need concrete reasons to solicit because what women are asking of them is risky and potentially embarrassing. Without “coming over the top” which can than be risky for women, they should offer controlled, directed and continuous signals of interest to test his willingness to pursue. Signals should begin subtly and grow in intensity with the passage of time, especially if the hint isn’t being picked up and there is a strong interest in creating attraction. Women should not assume that just because he doesn’t respond to a smile, that he’s completely without interest. He might be doing his version of being polite, or gentlemanly. Along similar lines, men should resist approaching any and all women, especially those that only put out mild cues. Men should let women dance a little too, as this will raise sexual tension, show that they are worthy as a mate because they aren’t supplicating all over them, and that they have inherent value. This isn’t to say that they should ignore cues altogether, all cues are important to recall, but it does mean that they should resist acting on vague ones.

In this chapter we first we cover the most common sexual signals for women, and then we move onto ways in which men can signal sexually in the pages that follow. For now, let’s look at what women can do to be clear about their sexual interest to men, so as to reap the results they desire, and in the same breath we outline the cues that men should be watchful of in women as cues worthy of pursuit.

Summary – Chapter 11

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This chapter focused on emotional body language. We began by discussing New York style body language called “displacement behaviour.” We saw that displacement behaviours include actions set to preoccupy in order to dehumanize the outside world – especially in more crowded areas. The list of behaviours included nail biting, gum chewing, grooming, tapping the does, head scratching or playing with jewelry, but can also mean looking and acting ‘out of touch’ or closed off.

Next, “fight or flight” was finally shifted to “freeze, flight or fight” finally putting it into the proper order. Following this was clenching behaviour where we found that actions such as gripping the wrist of the opposite hand in behind the back, or wringing the hands out like a wet article of clothing, are forms of restraint. We also hit on nervous hands and how shaking can tell us a lot about what sort of emotions a person is experiencing.

We then moved onto poor self image and the language that tells. Here we found that auto contacts including stroking the beard, rubbing the hands, tugging the ear, massaging the throat, pulling the fingers, rubbing the back of the neck and so forth, are linked to insecurity since they attempt to provide reassurance. We hit on eyebrow lowering and that when they are permanently lowered by the newly incarcerated it signifies easy prey for existing inmates. Interlaced fingers and palm finger stroking, on the other “hand”, were both labeled as emitted by those with negative thoughts. In the section on suckling and mouthing we saw that the mouth and lips provide a target for tactile gratification to provide comfort. Here we saw that anytime the fingers go to the mouth or lips to suckle, that our target is regressing to an infantile stage, and is trying to regain the security they felt as a child.

We found that compressed lips indicate stress, down-turned smile unhappiness, anger or tension, and lip pursing indicates that a thought, usually negative, is being processed. We found that tongues can depict deep concentration or a cheeky attitude, and that sneering signals contempt, disapproval and disrespect the world over. Ear language was covered next and we learned that ear grabbing refers to “hearing no evil” showing disbelief or an attempt to close off communication by blocking the ears. Hostile body language, on the other hand, was found to be more similar to sexual body language, but only in so much as the body language showed through figuratively onto ourselves when we would much rather inflict it onto others. Examples of such hostile body language included pulling or pinching at one’s own ears, cheeks, hair, or face. Next we covered the sequence by which bodies reject and then how they relax.

We discovered that the neck becomes particularly sensitive under pressure and like the cheeks, it becomes red and engorged with blood when we become nervous. Thus when people are under pressure they tend to touch or cover it so as to pacify. Women also tend to cover their “suprasternal notch” when they are experiencing anxiety. We found that people who don’t cross their legs are generally uncomfortable because crossing significantly reduces the ability to act quickly during confrontation and exit. Next we found that the eyes and the body can block unwanted thoughts and images, that blushing indicates emotion and anxiety, and that asymmetry can show when emotions are faked, gravity defying behaviours means people are happy, and that there are six universal facial expressions. We learned that asymmetry is what tells us honest expressions from fake ones. We also discovered that everyone, no matter how extroverted, requires emotional downtime, that timid people will cocoon and that guilty people will turtle. We also found in this chapter that full body hugs, where the chest and hips make contact, shows sexual intimacy, and that light hugs, where the shoulders touch shows friendship. Lastly we covered the “hug-ender cue” or the “tap out” that tells others that the hug has run its full course and one party wishes to submit. We concluded with a list of additional emotional body language.

Additional Emotional Body Language

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A whole host of other body language is associated with emotion and fear such as a pale face, dry mouth, damp eyes, avoiding eye contact, trembling, speech errors, voice tremors, varying speech tone, increases in sweating, tension and jerky movements, gasping or holding breath, red face or neck, widening of the eyes or raised eyebrows, grimacing and trying to change the topic. Be aware too, of smiles that are dishonest or faked or stress filled as these can be a dead giveaway which was covered in an earlier chapter. These smiles will be quickly flashed across the face or permanently held under extreme anxiety where only the lips are stretched across the face.

Emotional Downtime

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We all check out and spend some time inside our own heads - even while out in public.

We all check out and spend some time inside our own heads – even while out in public.

It might not surprise you to know that everyone needs time alone every once in a while, or even once a day, but what might surprise you is that we actually need time to ourselves minute by minute. All day long we are bombarded with a multitude of people, from our coworkers, to our spouses, friends, to cashiers at stores and those who share our commute with us in the streets. Even with almost seemingly endless social interaction the research shows that every three seconds, on average, we ‘slip away’ to be with our own thoughts and to internalize what is happening around us. This ‘downtime’ allows our brains the time it needs to process, the information that is happening all around us.

We know someone is in downtime by their body language which includes having the head titled away or to the side, shifting the shoulders at an angle, or looking to the right or left for a fraction of a second. The eye patterns in downtime are what psychologists call ‘conjugate lateral eye movements.’ All these cues are tells that the mind has moved into processing mode and is no longer accepting new information. Other cues indicating emotional downtime include pauses in breathing, subtle chewing of the lips, or very brief eye freezes or glazing over.

Knowing about downtime can be used to our advantage so as to give people enough time to take in the new information presented rather than overwhelming them, confusing them and possibly putting them off for good. The simplest way to do this is to watch for downtime cues and then pause or slow speech accordingly. This will give the listener enough time to look away momentarily and process the information. Once we learn about someone, and their character, it will be easy to find their cues to downtime and therefore proceed at a reasonable pace for them specifically.

A second type of downtime is more extended, and happens in the absence of other people. The purpose of this downtime is to escape daily stress and pressure, and to help us recover. The need for downtime is obvious. We become stressed or over-stimulated, our thought process becomes hazy and we can’t think straight. Our faces will also become blank and expressionless, and our eyes will glaze over and be unmoving. Other times we feel under-stimulated and detached from what is going on around us, and feel that we need to get away to re-connect. During this period we begin to withdraw by avoiding eye contact, dropping our heads and shoulders, and switching off our ears. We may zone out in such a significant way that we have trouble even feeling someone if they happen to brush up against us. When downtime like this happens around other people we’re asked to ‘snap out of it’ only to reply with “Sorry, I was zoned out” or “I must have spaced out.” The most respectful thing to do when you notice someone in this state, is to leave them be, instead of interrupting them. Remember that they slipped into downtime for good reason, it’s not just to ignore you! In fact, as we saw, it has much less to do with negative reasons, than personal constructive ones. Downtime serves to relax the minds and set it back onto the right course before getting back to business.