Tag Archive for Extreme Cases

Hand On The Chin For Evaluation Or Negative Thoughts

by  • March 6, 2013 • 0 Comments

an eval

A classic evaluative gesture done by producing an “L” shape with the thumb and index fingers, but where the chin is not carrying any weight.

We can measure the level of interest or negativity our listeners have by how much pressure is held by the hand during conversation. Under average evaluative body language, the index finger is placed to the side of the head and only lightly supports the weight of the head, or the hands are left and placed on the table with palms up or uncrossed to the front of the body. When the hands touch the face and interest is present, the index and thumb will form an “L” shape and the chin is placed in the crux of the “L” but is not supported by it. Conversely, with genuine interest, the hand will barely touch the side of the face. In this case, the hand curls and the knuckles gently rests against the side of the face, and in other cases, the hand remains open with the finger tips of the index and middle finger gently resting on the cheek. As the listener becomes bored or tired, the hand will bear more and more of the weight and the body will seem to slump completely over the hand and be supported by it. As boredom sets in, the thumb will move under the chin to help the person hold their head even further, or the chin will seem to compress into the palm. When the index finger is found playing with or rubbing the corner of the eyes it indicates fatigue or disbelief as in “I can’t see that.” Movements to the eye like also serve to show negative thoughts and emotions. We should be careful to watch for them.

She's growing bored - we know because her "L" hand is taking on some the weight of her head.

She’s growing bored – we know because her “L” hand is taking on some the weight of her head.

Now she's checking out as the head is clearly being supported by the palm.

Now she’s checking out as the head is clearly being supported by the palm.

Seeing these cues develop tells us that it’s time to change the subject to revive interest, change locations to get the blood flowing again, or take a break to try to recover, and in extreme cases, throw in the towel and give up. Boredom is a negative thought indicator and the cues used to indicate it tell us that rapport is being lost between the listener and the speaker. Interested individuals inject themselves and their body completely into the conversation, rather than detaching themselves.

Fidgeting, The Feet, Jiggling and Kicking

by  • March 6, 2013 • 0 Comments

A classic boredom cue cluster, fingers tapping, blank face looking away.

A classic boredom cue cluster, fingers tapping, blank face looking away.

When a listener is still, it implies that they are focused on the speaker and interested, although in extreme cases it means they are sleeping! Conversely fidgeting is an indication of boredom as the body is given signals to take action and leave the conversation – like the body revving its engine in preparation. Fidgeting is therefore a substitute to walking or running where neither is socially acceptable or the situation warrants otherwise. Being stuck in a lecture is one of them! Repeated checking of a watch or clock is another symptom of a desire to leave. With some forethought, an artificial time constraint gives us an excuse to preempt longer than desire visits which can be made useful when visiting in-laws, an advanced use of body language. Watch checking in this case, helps solidify the nonverbal message.

A slouched appearance is a clear message of boredom.

A slouched appearance is a clear message of boredom.

When boredom really sets in we find repetitive behaviours such as tapping the toes, swinging the feet with one crossed over the other, or drumming the fingers. The body may begin to sag or slouch in a seat, or they may lean against the wall. The head will droop showing fatigue or be supported by the hand. The more support is given to the head the more likely it is that the person is bored. A fully supported head holding the majority of the weight is a tell-tale signal that your listener is bored and that a shift in the conversation is in order. On the flip side, if feet suddenly freeze from a jitter, it indicates an emotional change has occurred and that a person is experiencing threat. This is part of the freeze response where people wish to go under the radar in the face of danger. Freezing, in this way, can happen as a result of being confronted with an embarrassing question or situation, or being the subject of a childhood tale that one is not particularly fond about.

Anytime foot jiggling suddenly turns to foot kicking while seated shows that a person has heard something negative and is a response to discomfort. Jiggling usually depicts nervousness, but kicking on the other hand, is used to fight off unpleasant thoughts. This gesture is subconscious and visceral so is a reliable predictor because under most circumstances people don’t realize that they do it. Foot kicking can therefore tell you what people really think about what sort of questions you are asking them because once posed, they will readily begin to kick if it makes them uncomfortable.

The Unblinking Eyes

by  • March 6, 2013 • 0 Comments

Scary!

Scary!

Research shows us that a steady stare of more than ten seconds creates anxiety and discomfort especially in subordinates. When done on more dominant individuals it can lead to feelings of aggression and in extreme cases, even physical altercations.

Holding eye contact for slightly longer than normal can send a powerful message. When looking at strangers, it’s a common courtesy to look away when the eyes meet, at least after a few milliseconds have elapsed. Staring is only permitted while looking at inanimate objects (and celebrities). By holding an extended or even unblinking gaze toward strangers, we are telling them that we think of them no more important than objects, a phenomenon celebrities know only too well. Naturally, eye contact and staring means one thing to men, and something else entirely to women. When the sexes stare at each other, it’s usually due to competitiveness or envy, as in, sizing up the competition and other times out of pure curiousity. When the sexes stare at each other, it’s usually driven by sexual interest, however, women are far less prone to staring in any case.

We covered proper eye gaze patterns in an earlier chapter and saw that the intimate gaze happens when the eyes travel around the face and body of someone we care about. Staring, on the other hand, is unmoving. The eyes are piercing and intense, unblinking, and seem to want to penetrate the eyes of another. An aggressive stare is even more intense and happens by narrowing the eyelids creating a deep focus. Second to the unblinking eyes is the “slow blink”. This one can be imagined, but must really be seen to understand its true intensity. While a slow blink done with a tilt of the head can appear alluring when done by an attractive woman, it does nothing to arouse positive emotions when done head on. The slow blink is intensified by tilted the head forward revealing the crown, and especially intense when the head is tilted backwards while looking down at an opponent “through” the bridge of the nose. The final cue in the slow blink cue cluster is pursed lips and the cue cluster, as a whole, signals disapproval and contempt.

You’ve probably never made conscious the universal “stare test” but it goes something like this. First you use proper eye language cast around a busy room, perhaps a grocery store, horizontally focusing on whatever is of interest. By accident, you make eye contact with someone and to show that you are no threat, you quickly shift your eyes to the left or right and continue a normal eye pattern. If no “eye flash” happens, as we saw earlier, we understand them to be a stranger. To make sure you haven’t been targeted by eye assault, you return your gaze after a few moments to see if that person is still fixated on you. If they are, you drop eye contact again, but then quickly look back. If eye contact is met again, this will set you on alert, and so you begin a very minor fight or flight response by keeping your distance. At a subconscious level you have identified a possibly dangerous individual.

This isn't going well - she looks right through him.

This isn’t going well – she looks right through him.

We call the appropriate eye contact that doesn’t violate someone’s privacy the “moral looking time.” This is the length of time gaze is permitted before creating anxiety through offensiveness and in strangers is usually only one or two seconds. To be sure that you aren’t still being assaulted by someone else you will usually repeatedly look in the direction of the person who caught your eyes several times, and at random intervals. This is because we all subconsciously realize that the other person is measuring the same threat in us, as we are in them. If their eyes are continuously met with yours, you will show aggressive or “rude” facial expressions as a warning to cease eye contact. Women do this type of expression best and we call them “dirty looks.” They are meant to indicate a desire to be left alone, and that conversation and approaching is not welcome. Other times, women will know that staring is taking place but will purposely avoid eye contact. Just because a dirty look hasn’t been given, does not mean she hasn’t noticed, and does not mean that staring is welcomed. When eye contact is avoided, and gaze pattern rules aren’t properly engaged, the intent of this message is the same, give women space and don’t stare!