Tag Archive for Cue

The Most Common Female Sexual Signals

by  • March 6, 2013 • 0 Comments

Lip licking can be a cue of sexual interest, but only if other cues are present. No cue, by itself can be taken to mean any one thing.

Lip licking can be a cue of sexual interest, but only if other cues are present. No cue, by itself can be taken to mean any one thing.

Nearly every motion of the body can be construed sexually, but only properly read as sexual within the right context. Take for example proximity, which can mean interest, but independent of context, means nothing. Getting stuffed into an elevator may lead to accidental touching but this doesn’t mean a girl fancies a guy, but in context with other signals, could mean that she does. She might go out of her way to stand next to him even if the elevator is only partially full, or she might cast intermittent gazes. Unfortunately, these low key signals are often thought to be clear signals of interest by the women who send them. Women figure they’re obvious and overt, and when the man she fancies doesn’t reciprocate, she takes this to mean that he’s disinterested. Even if she gives him the benefit of the doubt she might “ramp” things up a little bit to get him excited by looking up into his eyes and licking her lips making them glossy, but even these subtle hints can pass for normal affect. From these cues alone, should he know what is going on?

The simple answer is, no, he shouldn’t, he needs more obvious clues to discern interest. Maybe she licks her lips regularly, maybe she’s a natural close talker and ignores the personal space of those around her as part of her personality explaining her willingness to stand so close or maybe she’s just a friendly kind of person. Men need concrete reasons to solicit because what women are asking of them is risky and potentially embarrassing. Without “coming over the top” which can than be risky for women, they should offer controlled, directed and continuous signals of interest to test his willingness to pursue. Signals should begin subtly and grow in intensity with the passage of time, especially if the hint isn’t being picked up and there is a strong interest in creating attraction. Women should not assume that just because he doesn’t respond to a smile, that he’s completely without interest. He might be doing his version of being polite, or gentlemanly. Along similar lines, men should resist approaching any and all women, especially those that only put out mild cues. Men should let women dance a little too, as this will raise sexual tension, show that they are worthy as a mate because they aren’t supplicating all over them, and that they have inherent value. This isn’t to say that they should ignore cues altogether, all cues are important to recall, but it does mean that they should resist acting on vague ones.

In this chapter we first we cover the most common sexual signals for women, and then we move onto ways in which men can signal sexually in the pages that follow. For now, let’s look at what women can do to be clear about their sexual interest to men, so as to reap the results they desire, and in the same breath we outline the cues that men should be watchful of in women as cues worthy of pursuit.

Introduction – Chapter 13

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He could learn a thing or two from this chapter.

He could learn a thing or two from this chapter.

In dating, men are the initiators, or aggressors, right? Wrong! In fact, the vast majority of the time women are the ones to give off signals first which cue men to approach rather than the other way around, and men usually don’t approach unless they perceive some form of attraction. I suppose the problem as women see it, is that the signals they give off are often under subconscious control so they never realize they are actually compelling men to approach them. This is what makes this chapter so important for both men and women who are newly entering, still playing, or even those who are re-entering the dating game. It will help men identify sexual cues from the cues we’ve seen so far which are non-sexual, and will help women focus on delivering the message they truly wish to communicate, or don’t wish to communicate, so as to avoid any confusion or unwanted solicitation.

She could learn a thing or two from this chapter.

She could learn a thing or two from this chapter.

Dating and courtship is ultimately about testing the willingness of a particular man to invest in a particular woman, with the net result producing children and hence a family. Sometime we fool ourselves into thinking there is much more than this involved, or that family creation has nothing to do with dating and courtship, but in reality there isn’t so. Some feel that dating is just for fun and nothing serious is at hand, and while some encounters are aimed in that direction, inevitably with brains that are evolutionarily hardwired to assess and realize the real risk of pregnancy stemming from sexual encounters, everyone considers and catalogs this risks with each and every partner. Thus, at play are cues to our fitness, health, vigor, sexiness and attractiveness which we evaluate as spoils which may be passed onto our children through our sexual partners. Birth control has played an effect on us, and we do treat sex more casually, but we still don’t choose partners willy-nilly. Women, try to draw courtship out by putting off sex, so as to solidify her bond with potential mates. Courtship, especially long ones, give women cues to a man’s ability and desire to invest in her with our form of resource; money. In our evolutionary history, men would have been good catches if they could build and maintain shelters, protect women from dangers such as other men and predators, had various skills like fire building, and of course the ability to regularly predating other animals for meat. The more time he invests initially, she thinks, the greater investment she will receive from him in the future.

Body language is a fundamental part of courtship. As we have learned, verbal language is risky and not only because it may lead to embarrassment, but because it often requires a verbal response from others, which can turn out to be tragically embarrassing. Keeping spoken words out of courtship initiation process and therefore out of consciousness will save us plenty of grief from being openly rejected, or perhaps even worse, negative feelings with having to reject. Using and reading nonverbal cues therefore is important in courtship, so pay particular attention to the following signals so you can judge interest yourself, without saying a word. Courtship signals are extensive and complex, perhaps numbering in the thousands, so I will only cover the basics here. For those that want more detail, they may wish to read my e-book Body Language Project: Dating, Attraction and Sexual Body Language (2007). Much more emphasis is placed on instruction for men to help them read women better, although it can be helpful to women who wish to send more appropriate signals of attraction, rejection or to simply bring from the subconscious the signals they use all the time.

How Can We Tell If An Emotion Is Faked?

by  • March 6, 2013 • 1 Comment

The uneven smile. This one is a fake!

The uneven smile. This one is a fake!

Being able to tell the difference between real emotions and the body language that follows is a very useful skill in reading people. Being able to detect fake emotions can help us decide who we can trust and who is actually in agreement with us, versus those who are simply faking it. Liars and their body language are covered more extensively later in the book, so it is of no direct concern here. Rather, here we present rules of thumb that help us decide if facial expressions and emotions such as fear, sadness, happiness, shame, guilt and disgust are real and genuine or feigned. Emotional fakery of sadness is used to generate sympathy in order to gain various resources, and fake sadness is used to generate leniency and therefore receive help in the form of favours. Being able to detect real from fake is a useful skill because it gives the body language reader the power to decide what course of action is merited.

So how can we tell if a facial expression is fake versus real? While body language readers can never really know for certain, the face does subconsciously give us some clues that it’s not being honest. For example, a fake emotion is one where there are symmetrical differences between the right and left side of the face. That is, when the left and right side don’t match. A smiling face, where the smile is uneven is a perfect example of a false smile and one that was covered in great detail earlier. The second telltale sign of a fake expression is when it appears and disappears in a jerky, non-fluid manner. This tells us there is doubt and uncertainty. The third cue that an emotion is faked has to do with eye movements and directions. Looking downward and away indicates shame, guilt or disgust, looking down indicates sadness. The final way to detect false emotions is by catching those that seem to be held for too long, or seem over-exaggerated. Expressions that are so big that they are “over-the-top” or seem “out of this world” and don’t flow with context or match timing expectations, meaning they don’t go with what is being said, are more than likely fake.

The fear facial expression.

The fear facial expression.

Sadness.

Sadness.

Other times, emotions are difficult to decipher. For example, when the eyebrows go up, they sometimes indicate fear, but other times they are raised to indicate surprise. Fear is usually shown by showing the whites of the eyes, raising the upper eyelids, raising the inner brow and tightening the eyelid. However it is important to note that raising the inner brow can show sadness, lowering the brow can show anger or mental effort and tightening the eyelid can show anger or disgust.

 

Anger

Anger

Disgust.

Disgust.

Some expressions are only seen very rarely, which is the case with the more extreme expressions making them difficult to study. These facial expressions also happen very quickly, so it’s not always easy to spot them. Usually the expressions are encoded by the viewer in large part to the context in which we find them. For example, jumping out of the bushes and yelling at someone is bound to create a surprised look, but can you decide if a face absent of context shows fear or surprise, what about sadness? It’s not always that easy, but absent of slow motion photography and mind reading, the rules of thumb covered here can make the process simpler and more manageable.

The Ear Grabber

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When ear grabbing is done while listening to others speak it is due to disbelief, as in “I can’t believe what I’m hearing.”

When ear grabbing is done while listening to others speak it is due to disbelief, as in “I can’t believe what I’m hearing.”

The ear grab refers to a subconscious desire to “hear no evil” and is done by reaching up and pulling the ear in response to, either hearing something disagreeable, or saying something disagreeable. Children make no bones about blocking their ears when being teased or scolded by parents, but as we grow older, we drop the cue short because it is seen as juvenile, so instead we pull our ear, or earlobe. The gesture is an attempt at preventing the sounds from reaching a deeper part of the brain. It also sometimes represents anxiety and nervousness, and is classified as a defensive posture. We may see this gesture arise just as a performer is about to take the stage in front of thousands of people.

The ear grab can be use not only at the conclusion of the lies of others, but also at the conclusion of our own lies as well, and this is why it is referred to as a gesture that shows a desire to “hear no evil.” The gesture used at the conclusion of our own lies serves to reduce what is called “cognitive dissonance” which is the uncomfortable feeling that comes from holding two contradictory ideas simultaneously. For example, a used car salesman might talk about the quality of a certain car, than pull on his ear lobe, or more subtly, he might be found rubbing the edge of the ear, indicating that what he has just said is untrue. In this case, cognitive dissonance stems from the telling of a lie which is inherently bad, while a person feels that they are inherently good (it might seem odd, but everyone feels they are inherently good, even murders justify their actions). So lie tellers bridge their bad thoughts due to cognitive dissonance with the ear grab, until they have time to justify the lie to themselves. Therefore, it is the pain of the dissonance that causes the ear grab in liars.

When ear grabbing is done while listening to others speak it is due to disbelief as in “I can’t believe what I’m hearing” and the same “hearing no evil” is at play. In this case though, it is the receiver, not the sender, who wishes not to hear the lie. By touching or scratching the ears we hope that we can satisfy the nerve endings and end the discomfort. In other words, when we hear bad things, we go to our ears to try to turn the volume down. Other times, touching the ear means nothing at all and is simply the result of nervousness or boredom.

Ears flush as a sign of stress - indicated by a tug on the lobe.

Ears flush as a sign of stress – indicated by a tug on the lobe.

The ears often flush red when people are nervous which can be the case when they are worried about getting caught in a lie. This is why the ear grab and flushing, can be great poker tells when people are stressed about bluffing. The ear grab is a way that our bodies respond to the extra stimulation they get when agitated and we go to them to scratch or pull on them as stress relievers. Think of the ear grab like rubbing sore muscles or massaging a stiff back, except in this case the damage done is internal and it’s due to something that has been heard, which “hurts” the ears. Anytime someone shows the desire to touch their ear means that they are thinking about hearing, and it will be up to you to tie them to context and decide what it is they are really saying.

Compressed Lips, Down-turned Smile And Lip Pursing

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When the mouth becomes inverted in an upside down “u” shape (down-turned smile) the facial expression turns into a high stress indicator.

When the mouth becomes inverted in an upside down “u” shape (down-turned smile) the facial expression turns into a high stress indicator.

Compressing the lips to make them disappear is a universal trait done to signify stress. The subconscious mind is essentially telling the body to close down and not let anything in. Babies do this when we try to feed them yucky vegetables and when adults do it it’s because they want to shut out the outside world. Tight compressed lips happen honestly and immediately so reflect true stress sentiments revealing a troubled mind. When the mouth becomes inverted in an upside down “u” shape (down-turned smile) the facial expression turns into a high stress indicator. In 2008 at Eliot Spitzer’s news conference where he discussed the matters of his involvement in a prostitution scandal he was photographed quite obviously with a down turned mouth. The down-turned smile can show unhappiness, anger, tension and depression when held for any permanent length of time. However, Mr. Spitzer only briefly flashes this expression indicating the high level of stress he was experiencing as he made his comments.

Lip pursing is done to indicate thought processing. It usually happens when someone is trying to come up with an alternative idea. Catching this cue is highly useful during a proposal, such as reviewing a contract, or a sales document, since it tells us that someone is at least considering our offer, but that they might not be in total agreement. This can be useful while reading the document aloud because lip pursing will happen in real time as judgment arises. Other adjoining cues will tell you whether or not someone is prepared to accept or reject the offer and tell you how best to carry on. Other times, lip pursing is done to show outright disagreement. Usually the eyebrows will frown in unison with pursed lips. Lip pursing is a very reliable indicator of different thought processing, and it would be foolish to ignore it. The reverse to lip pursing-judgment is full-lips which indicates contentment. Watch the lips for these quick flashes will tell you a lot about what is going on inside someone’s head. In review, compressed lips show stress, u-shaped mouth shows high stress, pursing shows that a person is considering an alternative or when accompanied by frowning or additional negative cues, disagreement.

Hand Steepling

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She knows something you don't.

She knows something you don’t.

The hand steeple happens by propping up the fingers of on hand, with the finger of the other hand, to form a bridge. In this posture fingers are not interlocked and the palms do not touch. The word steepling comes from their similarity to the pointed roof of a church steeple. Rocking, might accompany the steeple where the hands move back and forth by adding and reducing pressure between them. The steeple can be placed low on a lap, or seen hovering slightly above the lap. Other times the steeple is in full view of others with the elbows propped up on the table. The steepler can hold the posture so high that they have to look through the steeple to see others. Hand steeples frequently occur by themselves as standalone cues, and don’t require additional body language in a cluster to have predictable meaning.

The steepler is someone that is confident, sometime overconfident, genuine, authoritative, and particularly evaluative of others around him. Confidence, in this case, is held in the power and control they possess and also in knowing things that other people do not, so steepling says “I have access to hidden information (and life experience) and this is the source of my power and control over you.” Steeplers are found carrying the gesture when around subordinates, or whenever they seem to have the upper hand. Donald Trump performed the steeple frequently on his television show The Apprentice, in preparation, of all things, to fire his next apprentice! His steepling was an obvious cue to the power he had over his subordinates. This gesture is effective if you already possess power or want others to think you do, but it is ineffective in team building, since it comes off as arrogant. It does have subconscious manipulative properties though, such as bluffing in poker but in most cases, this gesture is only as effective as that which can be backed up with real confidence and true access to valuable hidden information.

Superiors will also be seen using this gesture in meetings and when giving orders and the higher the steeple is held, the greater the arrogance it depicts. In extreme forms, the person carrying the gesture can be seen “looking right through their hands” between the triangle formed by the pent up fingers and the thumbs. A more subtle version is the hidden steeple of which the sender could be trying to hide or shelter their opinion from view by keeping the steepled fingers below the table. The lower steeple is more often used by women and when someone is listening rather than speaking. Hidden steepling refers to hidden confidence or a desire to limit arrogance in attempt to appear more open and accepting. The underlying meaning of the steeple is still present however, yet women should show more overt confidence by actively mirroring or initiating steepling on their own to gain an advantage in office situation, rather than letting their confidence fall to the way side. In all confident steepling the hands remain stand-alone, or the elbows serve to prop the hands up from a table. When the hands are steepled, but holding support to the head, it does not signal confidence, but rather boredom, self consciousness, or awkwardness.

BodyLanguageProjectCom - Hand Steepling 3The steeple can occur in body language clusters as well, but what is important is not what happens after the steepling, as in the chin stroke and eye glass language, but rather what happens preceding the steepling. Therefore, by watching for positive open postures such as palms up and arms un-crossed or closed postures such as arms crossed, touching the nose or face and avoiding eye contact, we can tell if the person is trying to be honest or manipulative with his or her apparent power. In other words, steepling is a finish posture serving to punctuate a body language clue cluster rather than the other way around. Steepling can also ebb and flow along with confidence to what is being said which can be useful in negotiations or in arguments. If something is said to drop confidence the steepling might be broken in favour of interlocked hands as if praying but then quickly return when a person feels that their position has improved. Interlocked fingers is a signal of low confidence and the fingers might even be seen wringing themselves. Lawyers quickly learn to control this nonverbal cue in favour of constant steepling rather than any other gesture.

Fidgeting, The Feet, Jiggling and Kicking

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A classic boredom cue cluster, fingers tapping, blank face looking away.

A classic boredom cue cluster, fingers tapping, blank face looking away.

When a listener is still, it implies that they are focused on the speaker and interested, although in extreme cases it means they are sleeping! Conversely fidgeting is an indication of boredom as the body is given signals to take action and leave the conversation – like the body revving its engine in preparation. Fidgeting is therefore a substitute to walking or running where neither is socially acceptable or the situation warrants otherwise. Being stuck in a lecture is one of them! Repeated checking of a watch or clock is another symptom of a desire to leave. With some forethought, an artificial time constraint gives us an excuse to preempt longer than desire visits which can be made useful when visiting in-laws, an advanced use of body language. Watch checking in this case, helps solidify the nonverbal message.

A slouched appearance is a clear message of boredom.

A slouched appearance is a clear message of boredom.

When boredom really sets in we find repetitive behaviours such as tapping the toes, swinging the feet with one crossed over the other, or drumming the fingers. The body may begin to sag or slouch in a seat, or they may lean against the wall. The head will droop showing fatigue or be supported by the hand. The more support is given to the head the more likely it is that the person is bored. A fully supported head holding the majority of the weight is a tell-tale signal that your listener is bored and that a shift in the conversation is in order. On the flip side, if feet suddenly freeze from a jitter, it indicates an emotional change has occurred and that a person is experiencing threat. This is part of the freeze response where people wish to go under the radar in the face of danger. Freezing, in this way, can happen as a result of being confronted with an embarrassing question or situation, or being the subject of a childhood tale that one is not particularly fond about.

Anytime foot jiggling suddenly turns to foot kicking while seated shows that a person has heard something negative and is a response to discomfort. Jiggling usually depicts nervousness, but kicking on the other hand, is used to fight off unpleasant thoughts. This gesture is subconscious and visceral so is a reliable predictor because under most circumstances people don’t realize that they do it. Foot kicking can therefore tell you what people really think about what sort of questions you are asking them because once posed, they will readily begin to kick if it makes them uncomfortable.

Head Back And Peering Over Glasses

by  • March 5, 2013 • 0 Comments

You wouldn't mess with this chick. Head back spells confidence and authority.

You wouldn’t mess with this chick. Head back spells confidence and authority.

This head position prompts phrases such as “She looked down her nose at him in disapproval.” It is the classic eye-glass wearing domineering teacher or librarian look when a student has done something she does not approve of, so she stares him down. The gesture can be done by looking over the glasses or simply by looking down the bridge of the nose. The posture elicits a prey response in others because it puts them in an aggressive relationship with the predator peering down on them. Tilting the head back is a way to adjust the height levels between people because by doing so it raises the level of the eyes by a few inches. Looking down the nose is indicative of someone that is condescending or pushy and is an authoritarian posture but is also a gravity defying body language so shows confidence and positivity. It’s where the phrase “Keep your chin up” come from when we wish others to frame their outlook in a more constructive light. Conversely the chin down shows negativity and destructive thoughts such as judgement.

While the cue can be done without glasses, peering over them by slightly pulling them down as if to get a better view is even stronger. A friend of mine who is a photographer explained to me that he felt turned off by a client that habitually held this posture. For whatever reason, it was her natural tendency to tilt her head back and look down the bridge of her nose at the camera. Since the nose and chin move together they both signal the same sort of high confidence dominant signal. At the time he didn’t know why but was quick to have the model drop this posture because it didn’t feel right to him. I explained to him that he likely felt put off by the posture because it made her appear dominant and authoritative when he was likely looking for a coy pose instead. I was right after all. His reply “Why would anyone want to look at a domineering model peering down on her subjects?” He then explained that he wasn’t doing a stock photo for a fluff editorial, rather “She wanted to look attractive for her boyfriend!” We both found this amusing; he would have received an interesting surprise!

Head Lowered Judgment

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Head down means judgement.

Head down means judgement.

The head down shows a judgment or negative internal emotion. In fact, my son who is just nine months old, will pull his chin in and put his head down so that I can’t see his eyes when I instruct him not to touch the buttons on my desktop computer tower. He also smirks when he doesn’t want to internalize and obey me. Next, he raises his left arm (usually) to the back of his neck and either (short) grabs his ear or the hair at the side of his head, or reaches all the way and scratches the back of his neck showing restraint. I say short-grab because the real cue is the grab the back of the neck, but his arms, being a baby are short and inflexible. Scratching the back of the neck is like “holding yourself back” by the scruff of the neck. This cue cluster has been important for my wife and I as we ascertain what level of obedience we should expect based on whether or not he has actually internalized our instructions.

As with any head motion it is important to examine the adjoining clusters of body language to determine it’s true origins. For example, adding arm crossed to head down would signify more prominently that there was negativity present. Bending the head down, but looking up, can easily be confused with a lowered head yet means something totally different. The bent head means agreement, confirmation, or even shame.

Avoiding The Eyes

by  • March 5, 2013 • 0 Comments

Avoiding eye contact is usually bad news.

Avoiding eye contact is usually bad news.

The eyes can also signal that someone is closed-off. We turn our heads when we wish to avoid being singled out in a lecture hall or boardroom meeting. To represent a closed attitude we might pull our chins in and tuck our heads down. In theory this is to protect our vulnerable necks from attack so it also indicates and fearful state. When we wish to scold children we make sure they give us full eye contact in order to measures their reaction and to ensure they’ve given us their undivided attention. This trait is culturally specific however, as some parents require that children avoid eye contact precisely for the same reason other parents require it; to show respect for authority.

That being said, a lack of direct eye contact during a conversation is not always to be taken as a negative cue or rejection. Research has shown that concentrating on faces takes a lot of effort so we look away in order to properly analyze what is being said. Looking away is also a signal that we are comfortable with our company because we can safely look away with no risk of being attacked. In other words, looking away shows that we trust those around us. As such, looking away is a “comfort display.” The distinction between rude eye avoidance and a comfort display should be obvious. For example, dropping the eyes in order to focus on picking the dirt from beneath the nails to “preen”, removing lint from clothing while avoiding a topic, or glazing over expressionless in boredom is not the same as looking away during a conversation to focus more deeply.

While this type of eye avoidance is normal and acceptable in casual situations, do avoid it during job interviews as potential employers have noted they prefer candidates to focus on them rather than casting their gaze all over their office as if they own it. In a subordinate dominant situation freely moving eyes leave bad impressions and make potential employees appear disinterested which turn interviewers off.