Category: Power play

Body Language of Bottom Slapping or Bottom Pinching

Body Language of Bottom Slapping or Bottom Pinching

BodyLanguageProjectCom - Bottom Slapping or Bottom Pinching 1 flattenCue: Bottom Pinching

Synonym(s): Ass Slap, Bum Slap, Bum Pinch, Buttock Clasping

Description: A quick tap on the rear end of another person.

In One Sentence: The bottom slap is a cheeky way to show sexual intimacy or camaraderie.

How To Use it: Use the bottom slap to show your wife that you find her attractive. Women can also use the bottom slap on men they find sexually interesting. The bottom slap is also effective to build trust and companionship between men and women. Therefore, it is useful in a sporting context to build team spirit and create bonds.

Slapping someone on the bum when it is unwelcome can serve to make them uncomfortable and is therefore a power play and an assertion of dominance. This is ill advised as it can result in charges of sexual harassment.

Context: a) Dating b) General.

Verbal Translation: a) “I find you sexually attractive and am paying you an overt compliment.” a) “I own that ass and I’m touching it because I can and you are subordinate to me so you can’t object.” b) “Nice goal you scored there, now we can bond over it with an ass slap in celebration, way to go.”

Variant: Buttock clasping is a sexual display of affection usually done during copulation or while dancing. It is a firm grasping of the rear end. The rear end can be pinched rather than slapped which is universally sexual in nature.

The pinch takes on three forms and has been an Italian “pastime:” the pizzicato which is a quick tweak with the thumb and middle finger, the vivace which is more vigorous and uses several fingers and done more than once and the sostenuto which is prolonged and heavy handed with a rotation.

Cue In Action: a) A man slapped the waitress on the bum as she walked by – it was unwelcomed and was met with an ice cold glare. a) As her husband walked by without a towel after his shower his wife slapped him on the cheeks. b) After scoring a point in volleyball, the two female athletes slapped each other on the butts during a quick embrace.

Meaning and/or Motivation: Usually done by a man on a woman between husband and wife (or vice versa) or dating partners in sexually permissive cultures. At times done to strangers or between people not in a romantic relationship and therefore unwanted and considered sexual assault. It is often done between members of a sports team for bonding.

In a dating context, the bottom slap indicates ownership through touching and sends a sexual signal of interest. At times an ass slap can be seen as a threat display, aggressive in nature and even predatory if unwelcome such as between coworkers in a business setting.

In a sporting context, the bottom slap is to build team spirit and show solidarity and camaraderie. The intent of the bottom pinch or slap is not nearly as important as the feelings attached to it by the recipient and if unwelcome, is a signal of aggression and a threat display, but if welcomed, is a sign of affection and solidarity.

Cue Cluster: a) Usually combined with a cheeky or coy grin and lustful eye contact. When it is unwanted the smile might be more of a smirk with eyes cast toward the person in an objectifying fashion. b) During bonding in sports it is accompanied by other celebration such as arms up postures, excited facial expressions, and loud voices of celebration.

Body Language Category: Courtship display, Enthusiasm (nonverbal), Indicators of sexual interest (IOsI), Liking, Ownership gestures, Power play, Space invasion, Threat displays.

Resources:

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Guéguen, N. (2007). Courtship compliance: The effect of touch on women’s behavior. Social Influence, 2, 81-97.

Guéguen, Nicolas. Nonverbal encouragement of participation in a course: the effect of touching Social Psychology of Education. 2004. 7: 89–98.
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Guéguen, N and C. Jacob 2006, Touch and consumer behavior: A new experimental evidence in a field setting, International Journal of Management 23: 24–33.

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Gue´guen, N., & Jacob, C. The effect of touch on tipping: An evaluation in a French’s bar. International Journal of Hospitality Management. 2005. 24(2): 295-299.
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The Body Language of Body Raising or Body Elevating

The Body Language of Body Raising or Body Elevating

BodyLanguageProjectCom - Body Raising 3Cue: Body Raising

Synonym(s): Body Elevating, Raising The Body, Standing Tall, Erect Body Posture.

Description: Any action that raises the body in relation to others.

In One Sentence: Body raising is a way to appear more dominant and authoritative.

How To Use it: Use body raising when you want to show that you are in command of a situation. A stage is a good example of the power of raising the body. Make-shift stages in life include the front stoop of a house. To intimidate solicitors simple take on a higher body position by raising one step higher. When friends appear at your front stoop, you may wish to “level the playing field” by taking on the same step height. When gaining a height advantage is not as easily manipulated (you are short, they are tall) taking on a seated position will help create a more even level. Likewise, standing over taller people as they sit has the same effect. Whatever the case, use height to create the illusion of dominance.

Context: a) General b) Dating, c) Business

Verbal Translation: a) c) “I’m raising my body in effort to be viewed as a threat and source of authority so you listen and obey me.” b) “I’m raising my body so you see me as more attractive.”

Variant: Variants include an increase in relative height by overall body and posture, the head raised high for example, standing up from a seated position, or forcing other people to sit. See Body Lowering for opposite cue.

Cue In Action: a) Instead of asking his suspect to get out of the car, the officer, kept him in the car and peered down at him from his standing position to maintain his position of authority. b) Because he was short, he would always be sure to approach women seated rather than standing to appear more dominant.

Meaning and/or Motivation: A technique whereby a person takes a higher position relative to another to show that they wish to dominate. Status and dominance are closely related to the relative height of a person. This is why people are naturally seen as leaders when they are taller rather than when they are shorter.

Height can be artificially raised with high heels or special footwear for men, by using situation specific features such as staircases, using chairs which are taller or elevated platforms. We habitually see judges high on their bench so as to command authority over their court.

Cue Cluster: Body raising is usually associated with other dominant cues such as head held high, an upright posture, expansive movements of the arms and legs such as arms akimbo, genital framing in the cowboy pose, strong eye contact, leaning in so as to intimidate and so forth.

Body Language Category: High confidence body language, Threat displays, Dominant body language, Expansive movements, Gravity defying body language, Indicators of sexual interest (IOsI), Leadership body language, Open body language, Power play, Authoritative body language.

Resources:

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http://bodylanguageproject.com/articles/emotions-read-context-study/

Aggarwal, Pankaj and Min Zhao. Seeing the Big Picture: The Effect of Height on the Level of Construal. Journal of Marketing Research, forthcoming; 2014
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Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
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Brin, Pablo and Oli Richard. Body Posture Effects On Self-Evaluation: A self-Validation Approach. European Journal of Social Psychology. 2009; 39: 1053–1064.

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Eddie Harmon-Jones and Carly K. Peterson. Supine Body Position Reduces Neural Response to Anger. Association for Psychological Science. 2009; 20 (10): 1209-1210.
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Wilson P.R. 1968. Perceptual distortion of height as a function of ascribed academic status. Journal of Social Psychology 74: 97-107.

Woll S. 1986. So many to choose from: decision strategies in videodating. Journal of Social and Personality Relationships 3: 43-52

Weisfeld, Glenn E. and Jody M. Beresford. Erectness of Posture as an Indicator of Dominance or Success in Humans. Motivation and Emotion. 1982. 6(2): 113-130.
http://bodylanguageproject.com/articles/body-language-cues-dominance-submission-children/

Welker, Keith M. ; Oberleitner, David E. ; Cain, Samantha ; Carré, Justin M. Upright and left out: Posture moderates the effects of social exclusion on mood and threats to basic needs. European Journal of Social Psychology. 2013 43(5): 355-361.

The Body Language Meaning Of Becoming Quiet or Whispering

The Body Language Meaning Of Becoming Quiet or Whispering

BodyLanguageProjectCom - Becoming Quiet or Whispering 2Cue: Becoming Quiet or Whispering.

Synonym(s): Soft Voice, Quiet Voice, Whispering, Hushed Voice.

Description: A sudden or sustained decrease in the volume of the voice making the voice barely audible or audible only to selected individuals rather than to a wider audience.

In One Sentence: A soft voice is a voice that is timid and does not want to be noticed or wants to bring people closer together and isolate them with secrete shared information.

How To Use it: Use a soft voice in dating to draw your date in closer to create an intimate interaction. A soft voice can also be used to demonstrate a caring and gentle personality. You may also use a soft voice to bring the level of intensity down in an interaction. This is particularly effective when the conversation volume has intensified to the point where screaming is in order just to be heard. When interacting with a scream toddler, for example, a soft voice forces them to struggle to listen, and as they do so, will tend to mirror your voice volume in return. This has the effect of creating a more peaceful dialogue. Finally, a soft voice can also force other people to struggle to listen to you. When done on purpose, a soft voice is a power play and can be used to control a situation. In this case, power is achieved by the omission of volume.

Context: a) General b) Dating.

Verbal Translation: a) “I’m talking below the normal range of voice volume so people don’t pay attention to me or notice me.” a) “I’m speaking quietly because I’m embarrassed.” b) “I’m using a quiet voice to draw you in to my intimate space.”

Variant: Becoming Loud.

Cue In Action: a) When the spotlight turned to Linda, she became quiet and was barely audible – she didn’t want people to know she hadn’t done her research. b) The bar was really loud, but rather than try to speak over the music, he leaned in and whispered into her ear.

Meaning and/or Motivation: Becoming quiet is an attempt to go unnoticed due to shyness, timidity, embarrassment, or uncertainty. Becoming quiet can be due to a variety of reasons including trying to keep secrets and remain private, to create intimacy, to inhibit drawing attention to the self, to power play people into drawing them into personal space and forcing them to listen hard. Whispering can create intimacy also as it requires that a person move into the personal space zone of another. It can therefore be a tactic used in dating and attraction.

Other times a soft voice implies a quiet confidence from a person who lacks a desire to control a conversation. Other meanings of soft voice includes a withdrawal from a conversation due to confrontation, discomfort or nervousness, grief or sorrow, that a person is lying. It may also forcing a person to move closer (power play), to limit what is being heard, tiredness or illness.

Using a soft voice is sometimes used to manipulate others who strain to hear what is being said or mean that the speaker lacks confidence and assertiveness. This is considered a nonverbal power play as it uses tactics that are barely noticeable by others to influence their behaviours and perceptions.

Cue Cluster: Becoming quiet is usually accompanied with other meek body language such as eye aversion, chin tucked in, slumped shoulders and arm freezing.

Body Language Category: Shy nonverbal, Nervous Body Language, Submissive body language, Emotional body language, Power play.

Resources:

Apicella, Coren L. and David R. Feinberg. Voice Pitch Alters Mate-Choice-Relevant Perception in Hunter–Gatherers. Proc. R. Soc. B. 2009. 276: 1077–1082
doi:10.1098/rspb.2008.1542
http://bodylanguageproject.com/articles/impress-higher-pitched-voice/

Apicella C. L.; D. R. Feinberg and F. W. Marlowe. Voice Pitch Predicts Reproductive Success in Male Hunter-Gatherers. Biology Letters. 2007. 3:682–684. doi:10.1098/rsbl.2007.0410
http://bodylanguageproject.com/articles/hes-got-deep-voice-larger-family-tree-voice-pitch-predictor-reproductive-success-men/

Abitbol, J., Abitbol, P., & Abitbol, B. (1999). Sex hormones and the female voice. Journal of Voice, 13, 424–446.

Burriss. Intrasexual Competition Among Women: Vocal Femininity Affects Perceptions of Attractiveness And Flirtatiousness. Personality and Individual Differences. 2011; 50: 111-115.
http://bodylanguageproject.com/articles/women-use-voice-pitch-flirt-compete-men

Bachorowski, J., & Owren, M. J. (1995). Vocal expression of emotion: Acoustic properties of speech are associated with emotional intensity and context. Psychological Science, 6, 219–224.

David A. Puts, Coren L. Apicella and Rodrigo A. Cárdenas. Masculine Voices Signal Men’s Threat Potential in Forager and Industrial Societies. Proceedings of the Royal Society. 2011. doi: 10.1098/rspb.2011.0829
http://bodylanguageproject.com/articles/deep-voice-signals-potential-threat-use-body-language-dominance/

Fraccaro, Paul J.; Jillian J. M. O’Connor; Daniel E. Re; Benedict C. Jones; Lisa M. DeBruine and David R. Feinberg. Faking it: Deliberately Altered Voice Pitch and Vocal Attractiveness. Animal Behaviour. 2013. 85: 127e136.
http://bodylanguageproject.com/articles/sound-little-atypical-measuring-artificial-lowering-raising-voice-pitch-men-women/

Fraccaro, Paul J.; Benedict C. Jones; Jovana Vukovic; Finlay G. Smith; Christopher D. Watkins; David R. Feinberg; Anthony C. Little and Lisa M. Debruine. Experimental Evidence That Women Speak in a Higher Voice Pitch to Men They Find Attractive. Journal of Evolutionary Psychology. 2011. 9(1): 57-67.
http://bodylanguageproject.com/articles/women-raise-voice-pitch-men-find-attractive/

Gobl C, Nı´ Chasaide A (2003) The role of voice quality in communicating emotion, mood and attitude. Speech Commun 40: 189–212. doi: 10.1016/ S0167-6393(02)00082-1.

Herold, Debora S. ; Nygaard, Lynne C. ; Namy, Laura L. Say It like You Mean It: Mothers’ Use of Prosody to Convey Word Meaning. Language and Speech. 2012. 55(3): 423-436.

Hughes, Susan M.; Franco Dispenza and Gordon G. Gallup Jr.. Ratings of voice attractiveness predict sexual behavior and body configuration. Evolution and Human Behavior. 2004; 25: 295–304.
http://bodylanguageproject.com/articles/sexy-voices-linked-sexy-bodies-sexual-success/

Hughes, S. M., & Gallup Jr., G. G. (2003). Sex differences in morphological predictors of sexual behavior: shoulder to hip and waist to hip ratios. Evolution and Human Behavior, 24, 173–178.

Hughes, S. M., Harrison, M. A., & Gallup Jr., G. G. (2002). The sound of symmetry: voice as a marker of developmental instability. Evolution and Human Behavior, 23, 173–180.

Hughes, Susan M.; Franco Dispenza and Gordon G. Gallup Jr.. Ratings of voice attractiveness predict sexual behavior and body configuration. Evolution and Human Behavior. 2004; 25: 295–304. http://bodylanguageproject.com/articles/sexy-voices-linked-to-sexy-bodies-and-sexual-success/

Hughes, S. M., & Gallup Jr., G. G. (2003). Sex differences in morphological predictors of sexual behavior: shoulder to hip and waist to hip ratios. Evolution and Human Behavior, 24, 173–178.

Hughes, S. M., Harrison, M. A., & Gallup Jr., G. G. (2002). The sound of symmetry: voice as a marker of developmental instability. Evolution and Human Behavior, 23, 173–180.

Herold, Debora S.; Nygaard, Lynne C.; Chicos, Kelly A. and Namy, Laura L. The Developing Role of Prosody in Novel Word Interpretation. Journal of Experimental Child Psychology. 2011. 108(2): 229-241.

Krauss, R. M., Freyberg, R., & Morsella, E. (2002). Inferring speakers’ physical attributes from their voices. Journal of Experimental Social Psychology, 38, 618–625.

Lass, N. J., & Davis, M. (1976). An investigation of speaker height and weight identification. Journal of the Acoustical Society of America, 60, 700–704.

Lass, N. J., & Colt, E. G. (1980). A comparative study of the effect of visual and auditory cues on speaker height and weight identification. Journal of Phonetics, 8, 277–285.

Laukkanen A-M, Vilkman E, Alku P, Oksanen H (1997) On the perception of emotions in speech: The role of voice quality. Logoped Phoniatr Vocol 22: 157– 168. doi: 10.3109/14015439709075330.

Leongómez, Juan David; Jakub Binter; Lydie Kubicová; Petra Stolarová; Katerina Klapilová and Jan Havlícek, S. Craig Roberts. Vocal Modulation During Courtship Increases Proceptivity Even in Naive Listeners. Evolution and Human Behavior. 2014. doi: 10.1016/j.evolhumbehav.2014.06.008.
http://bodylanguageproject.com/articles/voice-pitching-courtship-competition/

Lass, N. J., & Davis, M. (1976). An investigation of speaker height and weight identification. Journal of the Acoustical Society of America, 60, 700–704.

Mikach, S. M., & Bailey, M. (1999). What distinguishes women with unusually high numbers of sex partners? Evolution and Human Behavior, 20, 141–150.

Mikach, S. M., & Bailey, M. (1999). What distinguishes women with unusually high numbers of sex partners? Evolution and Human Behavior, 20, 141–150.

Nygaard, L. C., & Queen, J. S. (2008). Communicating emotion: Linking affective prosody and word meaning. Journal of Experimental Psychology: Human Perception and Performance, 34, 1017–1030.

Puts, David A.; Julia L. Barnd; Lisa L.M.; Welling, Khytam Dawood; and Robert P.

Puts, D.A. 2007. Men’s voices as dominance signals: Vocal fundamental and formant frequencies influence dominance attributions among men. Source: Evolution and human behavior 28(5): 340-344.

Puts, D.A. 2005. Mating context and menstrual phase affect women’s preference for male voice pitch. Evolution and Human Behavior 26: 388-397.

Sally D. Farley, Susan M. Hughes, Jack N. LaFayette. People Will Know We Are in Love: Evidence of Differences Between Vocal Samples Directed Toward Lovers and Friends. Journal of Nonverbal Behavior, 2013; 37 (3): 123.
http://bodylanguageproject.com/articles/are-they-cheating-research-says-voice-may-betray-them/

Susan Hughes, Justin Mogilski, Marissa Harrison. The Perception and Parameters of Intentional Voice Manipulation. Journal of Nonverbal Behavior, 2014 DOI: 10.1007/s10919-013-0163
http://bodylanguageproject.com/articles/her-voice-is-hot-his-is-not/

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Sei Jin Ko; Melody S. Sadler and Adam D. Galinsky. The Sound of Power Conveying and Detecting Hierarchical Rank Through Voice. Psychological Science. 2014. DOI: 956797614553009
http://bodylanguageproject.com/articles/power-produces-dominance-voice-study/

Scherer, K., Banse, R., Wallbott, H., & Goldbeck, T. (1991). Vocal cues in emotion encoding and decoding. Motivation and Emotion, 15, 123–148.

Scherer, Klaus R. Personality inference from voice quality: The loud voice of extroversion. European Journal of Social Psychology. 1978 8(4): 467-487.

Scherer KR (2003) Vocal communication of emotion: A review of research paradigms. Speech Commun 40: 227–256. doi: 10.1016/S0167-6393(02)00084-5.

Singh, L., Morgan, J. L., & Best, C. T. (2002). Infants’ listening preferences: Baby talk or happy talk? Infancy, 3, 365–394.

Scherer, Klaus R. Personality inference from voice quality: The loud voice of extroversion. European Journal of Social Psychology. 1978 8(4): 467-487.

Siegman, Aron Wolfe ; Boyle and Stephen Mineka. Voices of Fear and Anxiety and Sadness and Depression: The Effects of Speech Rate and Loudness on Fear and Anxiety and Sadness and Depression. Journal of Abnormal Psychology. 1993. 102(3): 430-437.

Trainor, L. J., Austin, C. M., & Desjardins, R. N. (2000). Is infant-directed speech prosody a result of the vocal expression of
emotion? Psychological Science, 11, 188–195.

Walker-Andrews, A., & Grolnick, W. (1983). Discrimination of vocal expressions by young infants. Infant Behavior and Development, 6, 491–498.

Zuckerman, M., & Driver, R. (1989). What sounds beautiful is good: the vocal attractiveness stereotype. Journal of Nonverbal Behavior, 13, 67–82.

The Body Language Meaning Of Becoming Loud

The Body Language Meaning Of Becoming Loud

Cue: Becoming Loud

Synonym(s): Loud Voice, Screaming, Shouting, Yelling.

Description: A sudden or sustained increase in the volume of the voice.

In One Sentence: Yelling implies that there is a rise in emotion which signals a heightened state of emotions including joy or anger.

How To Use it: Use a loud voice to boost your dominance over other people. It is most effective if used with a baritone voice. A loud screechy voice can make one noticed and feared, but does nothing to boost credibility. You may also decide to use a loud voice to show your excitement.

Context: General.

Verbal Translation: “I’m here and I’m talking right now, the more people that notice my booming voice, the better!”, “I am raising my voice to validate my argument, boost my dominance, and really drive my point home through vocal force.”

Variant: See Becoming Quiet or Whispering.

Cue In Action: When she got really angry, her voice turned from meek and pleasant to a deafening shriek.

Meaning and/or Motivation: Becoming loud can be due to a variety of reasons including an attempt to be noticed, to dominate a room, to express anger or frustration, act out aggressively, berate, scorn, celebrate and show excitement, display enjoyment, or due to inebriation.

Cue Cluster: Coupled with a loud voice, the arms might begin to motion erratically. When this occurs it shows that a person has lost control of their emotions and is expressing frustration and anger.

Body Language Category: Anger, Dominant body language, Emotional body language, Frustration or frustrated body language, Threat displays, Power play, Authoritative body language.

Resources:

Aaron, Sell; Cosmides, Leda and Tooby, John. The Human Anger Face Evolved to Enhance Cues of Strength. Evolution and Human Behavior. 2014. 35(5): 425-429.
http://bodylanguageproject.com/articles/the-universal-anger-face/

Abitbol, J., Abitbol, P., & Abitbol, B. (1999). Sex hormones and the female voice. Journal of Voice, 13, 424–446.

Apicella, Coren L. and David R. Feinberg. Voice Pitch Alters Mate-Choice-Relevant Perception in Hunter–Gatherers. Proc. R. Soc. B. 2009. 276: 1077–1082 doi:10.1098/rspb.2008.1542
http://bodylanguageproject.com/articles/impress-higher-pitched-voice/

Bachorowski, J., & Owren, M. J. (1995). Vocal expression of emotion: Acoustic properties of speech are associated with emotional intensity and context. Psychological Science, 6, 219–224.

Brown, L.M. (1998) Raising their Voices: The Politics of Girls’ Anger. Cambridge, MA: Harvard University Press.

Fraccaro, Paul J.; Benedict C. Jones; Jovana Vukovic; Finlay G. Smith; Christopher D. Watkins; David R. Feinberg; Anthony C. Little and Lisa M. Debruine. Experimental Evidence That Women Speak in a Higher Voice Pitch to Men They Find Attractive. Journal of Evolutionary Psychology. 2011. 9(1): 57-67.
http://bodylanguageproject.com/articles/women-raise-voice-pitch-men-find-attractive/

Fraccaro, Paul J.; Jillian J. M. O’Connor; Daniel E. Re; Benedict C. Jones; Lisa M. DeBruine and David R. Feinberg. Faking it: Deliberately Altered Voice Pitch and Vocal Attractiveness. Animal Behaviour. 2013. 85: 127e136. http://bodylanguageproject.com/articles/sound-little-atypical-measuring-artificial-lowering-raising-voice-pitch-men-women/

Gobl C, Nı´ Chasaide A (2003) The role of voice quality in communicating emotion, mood and attitude. Speech Commun 40: 189–212. doi: 10.1016/ S0167-6393(02)00082-1.

Herold, Debora S.; Nygaard, Lynne C.; Chicos, Kelly A. and Namy, Laura L. The Developing Role of Prosody in Novel Word Interpretation. Journal of Experimental Child Psychology. 2011. 108(2): 229-241.

Hughes, Susan M.; Franco Dispenza and Gordon G. Gallup Jr.. Ratings of voice attractiveness predict sexual behavior and body configuration. Evolution and Human Behavior. 2004; 25: 295–304.
http://bodylanguageproject.com/articles/sexy-voices-linked-sexy-bodies-sexual-success/

Hughes, S. M., and Gallup Jr., G. G. (2003). Sex differences in morphological predictors of sexual behavior: shoulder to hip and waist to hip ratios. Evolution and Human Behavior, 24, 173–178.

Hughes, S. M., Harrison, M. A., & Gallup Jr., G. G. (2002). The sound of symmetry: voice as a marker of developmental instability. Evolution and Human Behavior, 23, 173–180.

Hughes, Susan M.; Franco Dispenza and Gordon G. Gallup Jr.. Ratings of voice attractiveness predict sexual behavior and body configuration. Evolution and Human Behavior. 2004; 25: 295–304.
http://bodylanguageproject.com/articles/sexy-voices-linked-to-sexy-bodies-and-sexual-success/

Hughes, S. M., & Gallup Jr., G. G. (2003). Sex differences in morphological predictors of sexual behavior: shoulder to hip and waist to hip ratios. Evolution and Human Behavior, 24, 173–178.

Herold, Debora S. ; Nygaard, Lynne C. ; Namy, Laura L. Say It like You Mean It: Mothers’ Use of Prosody to Convey Word Meaning. Language and Speech. 2012. 55(3): 423-436.

Krauss, R. M., Freyberg, R., & Morsella, E. (2002). Inferring speakers’ physical attributes from their voices. Journal of Experimental Social Psychology, 38, 618–625.

Lass, N. J., & Colt, E. G. (1980). A comparative study of the effect of visual and auditory cues on speaker height and weight identification. Journal of Phonetics, 8, 277–285.

Laukkanen A-M, Vilkman E, Alku P, Oksanen H (1997) On the perception of emotions in speech: The role of voice quality. Logoped Phoniatr Vocol 22: 157– 168. doi: 10.3109/14015439709075330.

Lass, N. J., & Davis, M. (1976). An investigation of speaker height and weight identification. Journal of the Acoustical Society of America, 60, 700–704.

Leongómez, Juan David; Jakub Binter; Lydie Kubicová; Petra Stolarová; Katerina Klapilová and Jan Havlícek, S. Craig Roberts. Vocal Modulation During Courtship Increases Proceptivity Even in Naive Listeners. Evolution and Human Behavior. 2014. doi: 10.1016/j.evolhumbehav.2014.06.008.
http://bodylanguageproject.com/articles/voice-pitching-courtship-competition/

Mikach, S. M., and Bailey, M. (1999). What distinguishes women with unusually high numbers of sex partners? Evolution and Human Behavior, 20, 141–150.

Nygaard, L. C., & Queen, J. S. (2008). Communicating emotion: Linking affective prosody and word meaning. Journal of Experimental Psychology: Human Perception and Performance, 34, 1017–1030.

Puts, David A.; Julia L. Barnd; Lisa L.M.; Welling, Khytam Dawood; and Robert P. Burriss. Intrasexual Competition Among Women: Vocal Femininity Affects Perceptions of Attractiveness And Flirtatiousness. Personality and Individual Differences. 2011; 50: 111-115.
http://bodylanguageproject.com/articles/women-use-voice-pitch-flirt-compete-men

Puts, David A; Coren L. Apicella and Rodrigo A. Cárdenas. Masculine Voices Signal Men’s Threat Potential in Forager and Industrial Societies. Proceedings of the Royal Society. 2011. doi: 10.1098/rspb.2011.0829
http://bodylanguageproject.com/articles/deep-voice-signals-potential-threat-use-body-language-dominance/

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
and Submissive Behavior. Psychological Assessment. 2011. 23(1): 262-276 DOI: 10.1037/a0021499
http://bodylanguageproject.com/articles/nonverbal-submission-men-women-depression-critical-examination-use-disuse-submission/

Sei Jin Ko; Melody S. Sadler and Adam D. Galinsky. The Sound of Power Conveying and Detecting Hierarchical Rank Through Voice. Psychological Science. 2014. DOI: 956797614553009
http://bodylanguageproject.com/articles/power-produces-dominance-voice-study/

Sally D. Farley, Susan M. Hughes, Jack N. LaFayette. People Will Know We Are in Love: Evidence of Differences Between Vocal Samples Directed Toward Lovers and Friends. Journal of Nonverbal Behavior, 2013; 37 (3): 123.
http://bodylanguageproject.com/articles/are-they-cheating-research-says-voice-may-betray-them/

Susan Hughes, Justin Mogilski, Marissa Harrison. The Perception and Parameters of Intentional Voice Manipulation. Journal of Nonverbal Behavior, 2014 DOI: 10.1007/s10919-013-0163
http://bodylanguageproject.com/articles/her-voice-is-hot-his-is-not/

Scherer, K., Banse, R., Wallbott, H., & Goldbeck, T. (1991). Vocal cues in emotion encoding and decoding. Motivation and Emotion, 15, 123–148.

Scherer, Klaus R. Personality inference from voice quality: The loud voice of extroversion. European Journal of Social Psychology. 1978 8(4): 467-487.

Scherer KR (2003) Vocal communication of emotion: A review of research paradigms. Speech Commun 40: 227–256. doi: 10.1016/S0167-6393(02)00084-5.

Singh, L., Morgan, J. L., & Best, C. T. (2002). Infants’ listening preferences: Baby talk or happy talk? Infancy, 3, 365–394.

Scherer, Klaus R. Personality inference from voice quality: The loud voice of extroversion. European Journal of Social Psychology. 1978 8(4): 467-487.

Siegman, Aron Wolfe ; Boyle and Stephen Mineka. Voices of Fear and Anxiety and Sadness and Depression: The Effects of Speech Rate and Loudness on Fear and Anxiety and Sadness and Depression. Journal of Abnormal Psychology. 1993. 102(3): 430-437.

Trainor, L. J., Austin, C. M., & Desjardins, R. N. (2000). Is infant-directed speech prosody a result of the vocal expression of emotion? Psychological Science, 11, 188–195.

Walker-Andrews, A., & Grolnick, W. (1983). Discrimination of vocal expressions by young infants. Infant Behavior and Development, 6, 491–498.

Zuckerman, M., & Driver, R. (1989). What sounds beautiful is good: the vocal attractiveness stereotype. Journal of Nonverbal Behavior, 13, 67–82.