Category: Power play

Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, High confidence body language, High confidence hand displays, Leadership body language, Power play, Up nonverbals

The Hidden Body Language of Hand Steepling

by Chris • October 22, 2014 • 0 Comments

The Hidden Body Language of Hand Steepling

Cue: Hand Steepling.

Synonym(s): Steepling The Hands, Tenting the Fingers, Finger Steepling, Hand Tenting.

Description: A posture where the hands are propped up by the fingers of each hand to form a bridge – like a church steeple. In this posture fingers are not interlocked and the palms do not touch. Instead, the finger tips simply touch at their tips.

In One Sentence: Hand steepling is a sign of confidence and that one knows something that another doesn’t.

How To Use it: Use hand steepling to demonstrate true or feigned confidence. This can work when portraying an image of strength is beneficial such as in business or legal negotiations. Steeple the hands when you want other people to think that you are privy to beneficial information that they are not.

Context: General.

Verbal Translation: “I have access to hidden information, and life experience, and this is the source of my power and control over you. I demonstrate this by pressing my fingertips together in a high confidence hand gesture like the roof of a church.”

Variant: Rocking might accompany the steeple where the hands move back and forth by adding and reducing pressure between them. The steeple can be placed low on a lap, or seen hovering slightly above the lap. Other times the steeple is in full view of others with the elbows propped up on the table. The steepler can hold the posture so high that they have to look through the steeple to see others. See Hand Clasping, Hand Wringing, Hand Clasping.

Cue In Action: Donald Trump performed the steeple frequently on his television show The Apprentice, in preparation, of all things, to fire his next apprentice! His steepling was an obvious cue signaling the power he had over his subordinates.

Meaning and/or Motivation: The steepler is someone that is confident, sometimes overconfident, authoritative, and particularly evaluative of others around him.

Confidence, in this case, is held in the power and control they possess and also in knowing things that other people do not. Steeplers are found carrying the gesture when around subordinates, or whenever they seem to have the upper hand. This gesture is effective if you already possess power or want others to think you do, but it is ineffective in team building, since it comes off as arrogant. It does have subconscious manipulative properties though, such as bluffing in poker but in most cases, this gesture is only as effective as that which can be backed up with real confidence and true access to valuable hidden information.

Superiors will also be seen using this gesture in meetings and when giving orders and the higher the steeple is held, the greater the arrogance it depicts. In extreme forms, the person carrying the gesture can be seen “looking right through their hands” between the triangle formed by the pent up fingers and the thumbs.

A high steepler comes off as a “know-it-all” and arrogant and smug especially when coupled with the head tilted backward. A more subtle version is the hidden steeple of which the sender could be trying to hide or shelter their opinion from view by keeping the steepled fingers below the table. The lower steeple is more often used by women and when someone is listening rather than speaking. A low steeple signifies that someone is interested and ready to respond.

Hidden steepling, such as a steeple on the lap under a table, refers to hidden confidence or a desire to limit arrogance in attempt to appear more open and accepting. When the hands are steepled, but holding support of the head, it does not signal confidence, but rather boredom, self-consciousness, or awkwardness.

Steepling can also ebb and flow along with confidence to what is being said which can be useful in negotiations or in arguments. If something is said to drop confidence the steepling might be broken in favour of interlocked hands as if praying but then quickly return when a person feels that their position has improved. Interlocked fingers is a signal of low confidence and the fingers might even be seen wringing themselves. Lawyers quickly learn to control this nonverbal cue in favour of constant steepling rather than any other gesture.

Cue Cluster: The steeple can occur in body language clusters as well, but what is important is not what happens after the steepling, as in the chin stroke and eye glass language, but rather what happens preceding the steepling. By watching for positive open postures such as palms up and arms un-crossed or closed postures such as arms crossed, touching the nose or face and avoiding eye contact, we can tell if the person is trying to be honest or manipulative with his or her apparent power. In other words, steepling is a finish posture serving to punctuate a body language clue cluster rather than the other way around.

Another example of a cue cluster is as follows: crossing the legs by bringing one foot over the opposite leg (the figure-four leg cross), fingers steepling, leaning back in the chair, and tilting the head back and looking down through the nose at others. This cluster shows arrogance and superiority.

Body Language Category: Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, High confidence body language, High confidence hand displays, Leadership body language, Power play, Up nonverbals.

Resources:

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Body size reduction, Courtship display, Eye Language, Indicator Of Sexual Interest (IOsI), Power play, Pseudo-infantile gestures, Remotivating gesture, Submissive body language

The Secrete Meaning Behind The Forehead Bow Body Language

by Chris • October 22, 2014 • 0 Comments

The Secrete Meaning Behind The Forehead Bow Body Language

Cue: Forehead Bow (The)

Synonym(s): Come-Hither-Look, Downward Titled Head With Upcast Eyes, Looking Up Through The Forehead or The Looking-Up Cluster, Dipping The Head, Looking Up Cluster, Head Down With Eyes Up.

Description: The forehead bow is a posture done by artificially lowering the head, then looking up from under the eyebrows. It is often coupled with a titling of the head at forty-five degrees to the side and when done by women in a dating context, batting the eyelashes.

In One Sentence: The forehead bow signals the desire to submit in a coy fashion.

How To Use it: The forehead bow is effective when trying to play submissive in order to gain extra favours. Children can use this effectively to gain special permission, as can women whom are trying to manipulate men. In dating, eyes cast upward makes women look childlike and this can be arousing due to its submissive origin. Cast the eyes upward whenever you wish to gain special treatment and sympathy from others. However, the cue is far less effective when done by men as compared to women and children. In other words, the cue, requires a sympathetic audience to gain any traction.

Context: a) General b) Dating.

Verbal Translation: “I’m weak and vulnerable, pleading, just watch how I look coyly and submissively up at you from my lowered position with big eyes. I need your sympathy, care, attention, permission and assistance – can you please help and care for me.”

Variant: See Sideways Glance Over Raised Shoulder.

Cue In Action: a) His daughter wanted a new pony so she stuck out her lip, cast her eyes up pleading, batted her eyes and tilted her head to the side. How could a Dad refuse? b) She wanted a new BMW so she stuck out her lip, cast her eyes up pleading, batted her eyes and tilted her head to the side. How could her husband refuse?

Meaning and/or Motivation: The forehead bow is a posture done by artificially lowering the head, then looking up under the eyebrows in a “come hither” fashion. It has roots in the bow (greeting gesture) since it exposes the top of the head making it vulnerable to attack.

Just like neck and wrist displays, it indicates that trust is present. It also comes off as a childlike gesture primarily because children are shorter than adults and habitually peer up at them.

The posture is a reflection back into early childhood as children look up at us seeking our approval or permission. It is designed to appear vulnerable and pleading. As we age, we recall these gestures and go back to them when wish to revive juvenile submissive feelings and evoke protective feelings in others. The opposite to the forehead bow happens by tilting the head back and looking down one’s nose at someone, which is a judgment posture and is seen negatively.

The forehead bow is a submissive posture and can be done by anyone but is especially prevalent during courtship. When done by women towards men it is a “come hither” look and when done by children shows shyness and submission. Either way, it is a submissive posture aimed at gaining sympathy, protection and favours from others.

Cue Cluster: It is often coupled with a titling of the head at forty-five degrees to the side and when done by women, batting the eyes.

Body Language Category: Body size reduction, Courtship displays, Eye Language, Indicators of sexual interest (IOsI), Pseudo-infantile gestures, Power play, Remotivating, Submissive body language.

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Oosterwijk, Suzanne; Mark Rotteveel; Agneta H. Fischer and Ursula Hess. Embodied Emotion Concepts: How Generating Words About Pride and Disappointment Influences Posture. European Journal of Social Psychology. 2009. 39: 457–466. DOI: 10.1002/ejsp.584
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Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Pablo Briñol; Richard E. Petty and Benjamin Wagner. Body Posture Effects on Self-Evaluation: A Self-Validation Approach. European Journal of Social Psychology. 2009. 39(6): 1099-0992. DOI: 10.1002/ejsp.607. http://dx.doi.org/10.1002/ejsp.607
http://bodylanguageproject.com/articles/fix-posture-fix-confidence/

Pitterman, Hallee ; Nowicki Jr, Stephen. A Test of the Ability to Identify Emotion in Human Standing and Sitting Postures: The Diagnostic Analysis of Nonverbal Accuracy-2 Posture Test (DANVA2-POS). Genetic, Social, and General Psychology Monographs. 2004. 130(2): 146-162.

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http://bodylanguageproject.com/articles/coy-flirtatious-smile-eye-contact-leads-shame-sex/

Riskind, John H. Manis, Melvin (editor). They stoop to conquer: Guiding and self-regulatory functions of physical posture after success and failure. Journal of Personality and Social Psychology. 1984 47(3): 479-493.

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http://bodylanguageproject.com/articles/people-can-read-dominance-split-second

Sturman, Edward D. Invluntary Subordination and Its Relation to Personality, Mood,
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Shariff, Azim F. and Jessica L. Tracy. Knowing Who’s Boss: Implicit Perceptions of Status From the Nonverbal Expression of Pride. Emotion. 2009.9(5): 631-639.
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Tracy, Jessica L. and Richard W. Robins. The Nonverbal Expression of Pride: Evidence for Cross-Cultural Recognition. Journal of Personality and Social Psychology. 2008. 94(3): 516–530. DOI: 10.1037/0022-3514.94.3.516
http://bodylanguageproject.com/articles/nonverbal-expression-pride-recognized-cross-culturally/

Tracy, Jessica L. and Alec T. Beall. Happy Guys Finish Last: The Impact of Emotion Expressions on Sexual Attraction Emotion. American Psychological Association. 2011; 11(6): 1379–1387
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Tracy, J. L., & Matsumoto, D. (2008). The spontaneous expression of pride and shame: Evidence for biologically innate nonverbal displays. Proceedings from the National Academy of Sciences, 105(33), 11655–11660.

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Walsh, Joseph ; Eccleston, Christopher ; Keogh, Edmund. Pain communication through body posture: The development and validation of a stimulus set. Pain. 2014. 155(11): 2282-2290.

Appease, Approach tell, Courtship display, Eye Language, Indicator Of Sexual Interest (IOsI), Open facial gestures, Power play, Pseudo-infantile gestures, Remotivating gesture, Signature gestures, Submissive body language, Tie signals

Body Language of Eye Widening

by Chris • October 21, 2014 • 0 Comments

Body Language of Eye Widening

Cue: Eye Widening

Synonym(s): Baby Eyes, Wide Eyes.

Description: Making the eyes appear bigger than normal through plucking the eyebrows, raising the eyebrows or lifting the eyelids.

In One Sentence: Eye widening is a signal that says one is enjoying what they are seeing.

How To Use it: Show positive emotions by keeping the eyes open and inviting. Women can effectively and near permanently increase the perception of their eye size by plucking their brows. This creates the illusion of having larger eyes that actual fact.

While men do not benefit in the same way from this cue, open eyes in women signals that they are more childlike and therefore worthy of protection. If women desire special treatment, emphasizing the size of the eyes is highly effective.

Context: General, Dating.

Verbal Translation: “By widening my eyes you can see how big and childlike my eyes are, therefore you need to help and protect me.”

Variant: Related to Eye Flash, Eye Pop and Flashbulb Eyes as well as Eye Squinting or Narrowing Eyes (for opposite cue).

Cue In Action: It was a cold morning and she didn’t want to go out to the car and warm it. She turned her head to the side, batted her eyes, raised her eyebrows and opened her eyes wide, pleading. Her Dad had no choice but to give her a hand.

Meaning and/or Motivation: Eye widening is a positive nonverbal cue indicating that someone is observing positive stimuli that bring them joy and happiness. It may indicate surprise and shock.

Raising the eyebrows and eyelids can also be used to simulate widened eyes. Plucking the eyebrows has the same effect as eye widening, except it is permanent. The appearance of big bright eyes may be why we have culturally encouraged women to shrink the size of their brow.

Have you ever noticed the size of a newborns eyes in relation to their body and face? What about cartoon characters? Eye widening evokes protective feelings in others and women will use this to gain sympathy from men during courtship. Research has shown that when women widen their eyes, men release hormones that motive them to protect and defend.

Eye widening is a form of gravity defying behaviour that is ubiquitous in showing positive emotions and joy. When true contentment is present the eyes will lack any tension at all and will appear relaxed. The size of the eyes directly indicates how positive someone feels about a topic. While making eyes bigger and flashing them means that good thoughts are held, squinting, where the eyes are compressed, means negative thought are held.

Cue Cluster: Eye widening is clustered with head to the side, batting eyelashes, raised eyebrows, eyelids opened, shoulders turned inward, head up with smiling or pouting to gain sympathy.

Body Language Category: Appease, Approach tell, Courtship display, Eye Language, Indicators of sexual interest (IOsI), Open facial gestures, Pseudo-infantile gestures, Power play, Remotivating, Signature gestures, Submissive body language, Tie signals.

Resources:

Brooks, C. I., Church, M. A., & Fraser, L. 1986. Effects of duration of eye contact on judgments of personality characteristics. Journal of Social Psychology. 126: 71–78.

Daniel H. Lee, Reza Mirza, John G. Flanagan and Adam K. Anderson. Optical Origins of Opposing Facial Expression Actions. Psychological Science published online 24 January 2014 DOI: 10.1177/0956797613514451
http://bodylanguageproject.com/articles/eyes-and-facial-expressions-may-be-biologically-controlled-serve-a-real-non-emotional-purpose-says-research/

Davis 1978. Camera Eye-Contact by the Candidates in the Presidential Debates of 1976 Source: The journalism quarterly. 55 (3): 431 -437.

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Hocking. 1985. Eye contact contrast effects in the employment interview. Communication research reports 2(1): 5-10.

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Knackstedt, G., & Kleinke, C. L. (1991). Eye contact, gender, and personality judgments. Journal of Social Psychology, 131: 303-304.

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Mobbs, N.A. 1968. Eye-contact in Relation to Social Introversion-Extraversion. British Journal of Social Clinical Psychology 7: 305-306.

Navarro, Joe. 2008. What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People. William Morrow Paperbacks.

Parzuchowski, Michal ; Szymkow-Sudziarska, Aleksandra. Well, slap my thigh: expression of surprise facilitates memory of surprising material. Emotion. 2008. 8(3): 430-4.

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Richard Tessler and Lisa Sushelsky. 1978. Effects of eye contact and social status on the perception of a job applicant in an employment interviewing situation. Journal of Vocational Behavior 13(3): 338-347.

Reisenzein, R. (2000). Exploring the strength of association between the components of emotion syndromes: the case of surprise. Cognition and Emotion, 14, 1–38.

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Appease, Arrogance or arrogant body language, Authoritative body language, Body size reduction, Closed body language, Courtship display, Defensive body language, Disengagement body language, Dislike (nonverbal), Distancing or moving away, Embarrassment (nonverbal), Escape movements, Eye Language, Fearful body language, Indicator Of Sexual Interest (IOsI), Negative body language, Nervous Body Language, Nonthreatening body language, Power play, Readiness to submit postures, Rejection body language, Shy nonverbal, Submissive body language

Body Language of Eye Aversion, Gaze Avoidance and Wandering Eyes

by Chris • October 21, 2014 • 0 Comments

Body Language of Eye Aversion, Gaze Avoidance and Wandering Eyes

Cue: Eye Aversion and Wandering Eyes

Synonym(s): Eye Avoidance, Eye Withdrawal, Gaze Avoidance, Averting Eyes, Roving Eyes.

Description: When eyes avoid making contact with other eyes on purpose.

In One Sentence: Avoiding eye contact signals that a person wants to avoid being called upon or that they want to create an air of superiority.

How To Use it: Eye contact can be powerful especially when it is avoided. You can show your disdain for someone by simply ignoring their presence on purpose. Likewise, avoiding eye contact can have the effect of making you disappear as well. For example, if you want to avoid being called upon by the teacher or your boss, simply avert your eyes. This tells them that you’re not prepared to interact with them and nonverbally suggests that they move along and pick on someone else.

In a dating context, women should avoid eye contact with potential suitors they do not find agreeable. Even a small amount of eye contact can be seen to be an invitation to solicit especially when combined with a smile. Thus, if possible, keep eyes only for the types of men you wish would approach. This isn’t to say, however, that women should be unfriendly, but women should realize that with friendliness, comes the responsibility of having to acknowledge and interact. If you (accidentally) make eye contact, follow through with a polite verbal decline. Here is an example: “Hi, I’m sorry, I have to leave, I’m supposed to meet with someone.”

Context: General.

Verbal Translation: a) “I don’t want to cause any more problems for myself so I’m going to avoid making eye contact with other more dominant people so I don’t draw attention and provoke people into attacking.” b) “I’m superior to you and so I’m withdrawing my eye contact and affection, and pretending you are an object not worthy of my attention or acknowledgment.”

Variant: Many other variants in eye language exist. See Eye Language category.

Cue In Action: a) The pupil didn’t want to draw any more attention to himself after throwing the paper air plane so he ducked his head down and averted his eyes in shame. His teacher knew that he was embarrassed for what he had done so she went easier on him. b) They went to bed angry at each other and instead of talking it out the next morning; they avoided each other – pretending that they didn’t exist. c) The seducer had eyes for her, but she wasn’t game. Instead of acknowledging him, she chose to avert her eyes by looking at the ground instead.

Meaning and/or Motivation: The general meaning of eyes avoiding is to show submission or discomfort. Averting the eyes has two primary purposes. One is to avoid conflict and other to power play. Eye avoidance might mean defensiveness, submission, defeat, or negative feelings. It may be done to tease and allure.

People who avert their eyes might also do so because of uncomfortable feelings such as sadness, shame or embarrassment.

Eye aversion is used to prevent others from resorting to an attack response and prevents others from seeing us as a threat. Subordinates commonly avoid eye contact with dominant individuals to indicate submission and respect. Eyes might wander to avoid being reprimanded. Eyes that avoid can serve to “flee” from an encounter, a protective response, as a person subconsciously tries to make distance between himself and his aggressor.

This is the case even if an argument is minor – the eyes will withdraw first showing that a person does not wish to pursue the debate. Eyes can also avoid eye contact thus demonstrating submission. For example, a pupil will look away from his teacher to avoid reprimand. As such, avoidant eyes can be used to reduce conflict, and at the same time, search for possible escape routes to vacate the threat.

Alternatively, eyes can show other people that they aren’t worthy of being acknowledged. We see this when people act passive aggressive. They will avoid eye contact with another person at all costs. When women walk down the street, they will purposely avoid eye contact with men so as to avoid initiating conversation, and their nonverbal message says “I don’t see you as a person worthy of my gaze, so don’t bother me.”

Other times eye contact withdrawal is a way to tease and play such as the peek-a-boo game where the absence of eye contact is part of the allure and so is a signal of interest.

Cue Cluster: When eye aversion is linked to negative thoughts it will be coupled with head dropping, shoulders turned inward and down, cowering, slouching, arm withdrawal and other protective and shrinking body language

During a power play we will see signs of both dominance and apathy. For example, a person might ignore personal space by brushing up against the other person or bumping into them, orient their bodies away, talk over or around them. Likewise, they may purposely show affection to someone else thereby creating discomfort in another.

Body Language Category: Appease, Arrogance or arrogant body language, Anger, Authoritative body language, Body size reduction, Courtship displays, Closed body language, Defensive, Disengagement, Dislike (nonverbal), Distancing or moving away, Embarrassment (nonverbal), Escape movements, Eye Language, Fearful body language, Indicators of sexual interest (IOsI), Nervous body language, Negative body language, Nonthreatening body language, Power play, Rejection body language, Readiness to submit postures, Shy nonverbal, Submissive body language.

Resources:

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Argyle, M., and Ingham, R. 1972. Gaze, mutual gaze, and proximity. Semiotica, 1, 32–49.

Argyle, M. and Cook, M. Gaze and Mutual Gaze. London: Cambridge University Press, 1976.

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Aguinis, Herman ; Henle, Christinea. Effects of Nonverbal Behavior on Perceptions of a Female Employee’s Power Bases. The Journal of Social Psychology. 2001 141(4): 537-549.

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Chen, Yi-Chia ; Yeh, Su-Ling. Look into my eyes and I will see you: Unconscious processing of human gaze. Consciousness and Cognition. 2012 21(4): 1703-1710.

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Foddy, Margaret 1978. Patterns of Gaze in Cooperative and Competitive Negotiation
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*No Photo, Aggressive body language, Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), High confidence hand displays, Intimate touching, Leadership body language, Palm power, Power play, Social touching

Body Language of Double Gripper Politician Handshake

by Chris • October 20, 2014 • 0 Comments

Body Language of Double Gripper Politician Handshake

Cue: Double Gripper Politician Handshake

Synonym(s): Double Hander Handshake, Two Handed Handshake.

Description: A regular handshake except both hands are used to sandwich the other person’s hand.

In One Sentence: The double gripper handshake tells others that you wish to form an intimate business relationship.

How To Use it: Use the double gripper handshake to build and maintain a strong business or political relationship. The handshake is best used between two high ranking officials, or between one high ranking official and a person he wishes to form a partnership with. When done correctly, the handshake can create warm feelings in the lower ranking person.

Context: Business, General.

Verbal Translation: “I like you a lot, let me wrap your hands up with mine in a hand embrace and show you how much I think we should do business together.”

Variant: See Country Handshake (The), Cold Dead Wet Fish Handshake, Double Gripper Politician Handshake or Double Hander (The), Short Grabber/Finger Grabber Handshake, Oddball Handshake, Palm Up, Palm Down and Palm Even Handshakes, Stiff Arm And Thrust Forward Handshake, Death Grip Handshake, Wrench Forward Handshake, Undershaker Handshake, Wrist Hold Handshake, Wrist Hold Handshake and Upper Arm Grip Handshake, Limp Fish Handshake, Teacup Handshake, Arm Twister Handshake (The), Firm handshake, Fist Bumping.

Cue In Action: a) When the politician met the business man, he used the double gripper politician handshake to show him how much support he was prepared to offer his business venture if he was elected. b) The junior associate shook hands with the boss, whom he felt close with, but the feeling, he discovered, was not mutual. When the junior worker enveloped the hands of the boss in a double handshake, his boss pulled away and grimaced. The junior member felt they had developed a connection through their golf outing.

Meaning and/or Motivation: It is an intimate handshake but in the wrong company can be taken as insincere and create negative feelings. The person doing the double hander is the top-dog and is acting superior to the single hander so this handshake should be reserved for people who are of equal or lower status.

Cue Cluster: Someone who is willing to perform the double gripper politician handshake is likely one that is boisterous and outgoing, they may use touch a lot to dominate others, they might come in closer than usual, and invite people into their personal space, they might strive for attention through dramatics stories, loud laughter, and plenty of gesticulation.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), High confidence hand displays, Intimate touching, Leadership body language, Palm power, Power play, Social touching.

Resources:

Aström, J ; Thorell, L H ; Holmlund, U ; D’Elia, G. Handshaking, personality, and psychopathology in psychiatric patients, a reliability and correlational study. Perceptual and motor skills 1993, Vol.77(3 Pt 2): 1171-86.

Bohm. 1997. Effects of interpersonal touch, degree of justification, and sex of participant on compliance with a request. The Journal of social psychology. 137: 460-469.

Chaplin William F.; Phillips Jeffrey B; Brown Jonathan D.; Clanton Nancy R.; Stein Jennifer L.; 2000. Handshaking, gender, personality, and first impressions Journal of personality and social psychology. 79(1): 110-117.

Dolcos, Sanda ; Sung, Keen ; Argo, Jennifer J ; Flor-Henry, Sophie ; Dolcos, Florin. The power of a handshake: neural correlates of evaluative judgments in observed social interactions. Journal of cognitive neuroscience. 2012 24(12): 2292-305.

Debrot, Anik ; Schoebi, Dominik ; Perrez, Meinrad ; Horn, Andrea B. Touch as an interpersonal emotion regulation process in couples’ daily lives: the mediating role of psychological intimacy. Personality & social psychology bulletin. 2013. 9(10): 1373-85.

Frumin, Idan; Ofer Perl; Yaara Endevelt-Shapira; Ami Eisen; Neetai Eshel; Iris Heller; Maya Shemesh; Aharon Ravia; Lee Sela; Anat Arzi and Noam Sobel. A Social Chemosignaling Function for Human Handshaking. eLife 2015. 4:e05154
DOI: http://dx.doi.org/10.7554/eLife.05154.
http://bodylanguageproject.com/articles/shake-hands-share-human-scent-curious-case-hand-sniffing-body-language/

Fisher, J; Rytting, M and Heslin, R. 1976. Hands touching hands: affective and evaluative effects on interpersonal touch, Sociometry 39: 416–421.

Gueguen, Nicolas. Handshaking and Compliance With a Request – A Door-to-door Setting. Social Behavior and Personality. 2013. 41(10): 1585-1588.
http://bodylanguageproject.com/articles/handshakes-lead-compliance-study/

Guéguen, N. (2007). Courtship compliance: The effect of touch on women’s behavior. Social Influence, 2, 81-97.

Guéguen, Nicolas. Nonverbal encouragement of participation in a course: the effect of touching Social Psychology of Education. 2004. 7: 89–98.
http://bodylanguageproject.com/articles/a-touching-way-to-encourage/

Greenbaum, Paul ; Rosenfeld, Howard. Varieties of touching in greetings: Sequential structure and sex-related differences. Journal of Nonverbal Behavior. 1980. 5(1): 13-25.

Ghareeb, P.A. ; Bourlai, T. ; Dutton, W. ; McClellan, W.T. Reducing pathogen transmission in a hospital setting. Handshake verses fist bump: a pilot study. Journal of Hospital Infection. 2013. 85(4): 321-323.

Hiemstra, Kathleen M. Shake My Hand: Making the Right First Impression in Business With Nonverbal Communications.(Brief Article)(Statistical Data Included). Business Communication Quarterly. 1999. 62(4): 71.

Jeffrey D. Fisher; Marvin Rytting; Richard Heslin. 1976. Hands Touching Hands: Affective and Evaluative Effects of an Interpersonal Touch. Sociometry, 39(4): 416-421.

Lipsitz, Rebecca (2000). “A Gripping Start.” In Scientific American (September), p. 32.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Maclaren, Kym. Touching matters: Embodiments of intimacy. Emotion, Space and Society. 2014. 13: 95-102.

Peck, J., & Shu, S. B. (2009). The effect of mere touch on perceived ownership. Journal of Consumer Research, 36(Oct), 434–447.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Remland, M. S. and T. S. Jones 1995. Interpersonal Distance, Body Orientation, and Touch: Effects of Culture, Gender, and Age. Journal of Social Psychology 135(3): 281-297.

Sanda Dolcos; Keen Sung; Jennifer J. Argo; Sophie Flor-Henry and Florin Dolcos. The Power of a Handshake: Neural Correlates of Evaluative Judgments in Observed Social Interactions. Journal of Cognitive Neuroscience. 24; 12: 2292–2305.
http://bodylanguageproject.com/articles/handshake-open-body-language-powerful-nonverbal-effect-brain/

Stewart, Greg L. ; Dustin, Susan L. ; Barrick, Murray R. ; Darnold, Todd C. Zedeck, Sheldon (editor). Exploring the Handshake in Employment Interviews. Journal of Applied Psychology. 2008 93(5): 1139-1146.

Spezialetti, Brian D. Do’s and don’ts for winning the job interview. (laboratory technicians). Medical Laboratory Observer. 1995. 27(7): 51-53.

Wesson, David A. The handshake as non-verbal communication in business. (marketing technique). Marketing Intelligence & Planning. 1992. 10(9): 61(6).

*No Photo, Aggressive body language, Arrogance or arrogant body language, Dominant body language, Low confidence body language, Low confidence hand displays, Masked body language, Negative body language, Power play, Social touching, Threat displays

Body Language of The Death Grip Handshake

by Chris • October 20, 2014 • 0 Comments

Body Language of The Death Grip Handshake

Cue: Death Grip Handshake.

Synonym(s): Bone Crusher Handshake.

Description: A handshake that employs a macho bone crushing grip.

In One Sentence: The death grip handshake signifies the need for dominance.

How To Use it: Use the bone crusher to show your physical strength through aggression. The application is suited to situations when you want or need to maintain authority over another person. A boss should use a higher than average amount of force over junior managers and low ranking employees especially when he wishes to assert himself.

Context: General.

Verbal Translation: “I’m really insecure and I’m displaying this by crushing the life out of your hand in hopes you will submit to the pressure of my strength and dominance.”

Cue In Action: Uncle Steve was always the guy you had to watch out for. He was a short, but stocky kind of guy, that worked out all the time and when he shook your hand – you knew he meant business. His grip was strong, firm, and often overbearing.

Meaning and/or Motivation: Those that employ a macho bone crushing grip have aggressive personalities and intend to try to dominant you from the start. However, the true origins of this handshake, usually lies in insecurity. The underlying negative feelings foster a need to prove themselves at every instant.

It says “I have the power over you and can cause you pain if I so desire.” They have no regard for how others perceive them and use pain to put people in their place.

Rings on the fingers can make matters even worse, and they know it! You can put these people in their place by verbalizing your pain, and drawing other people’s attention to it jokingly. Most people wont have enough confidence to be vocal about it, which is how the death gripper gets his power, but if done properly can make others laugh and set yourself apart.

Cue Cluster: Watch for cues of insecurity coupled with aggression such as encroaching on personal space, leaning in, elbow and finger jabs, playful punching, boisterousness, loud talking, pranks, and so forth.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Dominant body language, Low confidence body language, Low confidence hand displays, Masked body language, Negative body language, Power play, Social touching, Threat displays.

Resources:

Aström, J ; Thorell, L H ; Holmlund, U ; D’Elia, G. Handshaking, personality, and psychopathology in psychiatric patients, a reliability and correlational study. Perceptual and motor skills 1993, Vol.77(3 Pt 2): 1171-86.

Anderson, C. A., & Bushman, B. J. (2002). Human aggression. Annual Review of Psychology, 53, 27–51. http://dx.doi.org/10.1146/annurev.psych.53.100901.135231.

Bjorkqvist, K., Osterrnan, K. and Lagerspetz, K.M.I. (1994) ‘Sex Differences in Covert Aggression among Adults’, Aggressive Behaviour 20: 27–33.

Da Gloria, Jorge ; Duda, Danièle ; Pahlavan, Farzaneh ; Bonnet, Philippe. “Weapons effect” revisited: Motor effects of the reception of aversive stimulation and exposure to pictures of firearms. Aggressive Behavior. 1989 15(4): 265-271.

Fisher, J; Rytting, M and Heslin, R. 1976. Hands touching hands: affective and evaluative effects on interpersonal touch, Sociometry 39: 416–421.

Freedman, Norbert ; Blass, Thomas ; Rifkin, Arthur ; Quitkin, Frederic Lanzetta, John T. (editor). Body movements and the verbal encoding of aggressive affect. Journal of Personality and Social Psychology. 1973. 26(1): 72-85.

Greenbaum, Paul ; Rosenfeld, Howard. Varieties of touching in greetings: Sequential structure and sex-related differences. Journal of Nonverbal Behavior. 1980. 5(1): 13-25.

Hines, N.J. and Fry, D.P. (1994) ‘Indirect Modes of Aggression among Women of Buenos Aires, Argentina’, Sex Roles 30: 213–24.

Jeffrey D. Fisher; Marvin Rytting; Richard Heslin. 1976. Hands Touching Hands: Affective and Evaluative Effects of an Interpersonal Touch. Sociometry, 39(4): 416-421.

Lagerspetz, K.M.J., Bjorkqvist, K. and Peltonen, T. (1988) ‘Is Indirect Aggression Typical of Females? Gender Differences in Aggressiveness in 11- to 12-year-old Children’, Aggressive Behavior 14: 403–14.

Lipsitz, Rebecca (2000). “A Gripping Start.” In Scientific American (September), p. 32.

Morris, Desmond (1994). Bodytalk: The Meaning of Human Gestures (New York: Crown Publishers).

Nell, Victor. Crueltys rewards: The gratifications of perpetrators and spectators. Behavioral and Brain Sciences. 2006. 29(3): 211-224.

Ostrowsky, Michael K. Are violent people more likely to have low self-esteem or high self-esteem? Aggression and Violent Behavior. 2010. 15(1): 69-75.

Parker, G. A. (1974). Assessment strategy and the evolution of fighting behaviour. J. Theor. Biol. 47, 223-243.

Pease, Barbara and Allan Pease. 2006. The Definitive Book of Body Language Hardcover. Bantam.

Pailing, Andrea ; Boon, Julian ; Egan, Vincent. Personality, the Dark Triad and violence
Personality and Individual Differences. 2014. 67: 81-86.

Szamado, S. (2008). How threat displays work: species-specific fighting techniques, weaponry and proximity risk. Anim. Behav. 76, 1455-1463.

Spezialetti, Brian D. Do’s and don’ts for winning the job interview. (laboratory technicians). Medical Laboratory Observer. 1995. 27(7): 51-53.

Wesson, David A. The handshake as non-verbal communication in business. (marketing technique). Marketing Intelligence & Planning. 1992. 10(9): 61(6).

Aggressive body language, Anger body language, Arrogance or arrogant body language, Authoritative body language, Barriers, Dominant body language, Hostile body language, Ownership gesture, Power play, Space invasion, Territorial displays, Threat displays

Body Language of Cornering and Blocking

by Chris • October 20, 2014 • 0 Comments

Body Language of Cornering and Blocking

Cue: Cornering and Blocking

Synonym(s): Door Frame Proper (The), Doorway Intimidator (The), Blocking Someone In, Hand Against The Doorway, Blocking Someone In, Preventing Someone From Leaving, Cornering Someone.

Description: The act of eliminating exits by preventing people from leaving or moving about freely. Leaning against the doorway to prevent someone from exiting or cornering someone so they can’t leave are examples. Cornering can be done with the arms, legs, tables and so forth.

In One Sentence: Blocking the exits such that people can not escape is a signal that one wishes to control and dominant a person.

How To Use it: It is generally not advised to corner and block other people as it will usually cause others to feel controlled.

One exceptions exist. Here, men can use the cornering tactic on women in a dating context to arouse. However, this should only be done under conditions where trust has been built. When done properly, cornering, such as by moving a girl into a controlled situation including for example, the corner of a room, against a countertop, table, desk, and so forth, can create sexual excitement through dominance. One should be careful to heed any verbal or nonverbal signals of disapproval, as if done against another’s wishes, will result in sexual harassment charges.

Bullies often use cornering tactics to control other people. However, I can not advise such tactics. In the right context, though, as mentioned, cornering can produce desirable sexual excitement – in fact, sexual intercourse physically requires cornering.

Blocking, on the other hand, can be used to nonverbally demarcate territory. When unwanted solicitors arrive at my door, I usually prop myself against the door jam so they understand that I am not prepared to welcome them inside. Arms and legs can be used to create boundaries and private space for which you do not want others to enter.

Context: a) Dating b) Business c) General

Verbal Translation: “I’m going to stop you from exiting the situation with my body until I’m through with you.” “I’m trying to intimidate you by blocking you in.”

Variant: See Encroaching.

Cue In Action: a) She wasn’t happy and wanted to leave but he wrapped each arm around her and pinned her against the bar so she couldn’t leave. a) In effort to seduce her, he worked her into the corner and began to make out with her. His use of force turned her on.

b) Another door-to-door salesman had just solicited him at the house. To prevent this salesman from entering, he propped himself up against the jam of the front door.

c) She was set to confront her husband about his work around the house. She cornered him while he was sitting at his desk with her arms akimbo in the doorway. She used the posture to make it clear that she was prepared to barricade his exit.

Meaning and/or Motivation: The intention of the “doorway intimidator” is to control the situation through dominance. This person will habitually corner a subject and then subject them to confrontation and intimidation.

In some cases, those who corner have sexual interests. They wish to corner in effort to seduce, but the primary motive is to prevent escape and then subject them to a high level dominance.

a) A common mistake done especially by men in dating situations whereby they cut off exit points and block women. It signals aggression, dominance and a desire to control if it’s unwanted. If it is welcomed and she finds him attractive, blocking can excite her and build intimacy through closeness and dominance.

b) In business and other general context, blocking and cornering is an exercise in control and dominance. However, when people become cornered, they become nervous or aggressive due to the fight or flight response. While dominance is achieved in the short-term, the long-term results can be toxic and produce undesirable results. This person is trying to prevent escape while they espouse their thoughts upon others. It is a high confrontation posture because it traps people.

Cue Cluster: Cornering is accompanied by an invasion of space, head lowered in a judgment posture, arms pointing, physical touching, sometimes aggressive and loud or forceful voices, encroaching on space liberally, use of the index fingers to point while speaking, and holding the arms akimbo when not propped against the exit.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger, Authoritative body language, Barriers, Dominant body language, Hostile body language, Ownership gestures, Power play, Space invasion, Territorial displays, Threat displays.

Resources:

Aranguren, Martin. “Nonverbal interaction patterns in the Delhi Metro: interrogative looks and play-faces in the management of interpersonal distance.” Interaction Studies. 2016. 16(1) forthcoming.

Aranguren, Martin and Stephane Tonnelat. Emotional Transactions in the Paris Subway: Combining Naturalistic Videotaping, Objective Facial Coding and Sequential Analysis in the Study of Nonverbal Emotional Behavior. Journal of Nonverbal Behavior. 2014. 38:495–521. DOI 10.1007/s10919-014-0193-1
http://bodylanguageproject.com/articles/seriously-stop-touching-use-nonverbal-signaling-manage-unwanted-touching-busy-public

Argyle, M., & Dean, I. Eye contact, distance and affiliation. Sociometry, 1965, 28, 289-304.

Beaulieu, Catherine. Intercultural Study of Personal Space: A Case Study. Journal of Applied Social Psychology. 2004 34(4):794-805.

Cook, M. Experiments on orientation and proxemics. Human Relations, 1970, 23, 61-67.

Dolphin, Carol Zinner. Beyond hall: Variables in the use of personal space in intercultural transactions. Howard Journal of Communications. 1988. 1(1): 23-38.

Coutts, Larrym. ; Ledden, Maribeth. Nonverbal Compensatory Reactions to Changes in Interpersonal Proximity. The Journal of Social Psychology. 1977 102(2): 283-290.

Felipe, N. Interpersonal distance and small group interaction. Cornell Journal of Social Relations, 1966, 1, 59-64.

Greenberg, Carl I. ; Firestone, Ira J. Greenwald, Anthony G. (editor). Compensatory responses to crowding: Effects of personal space intrusion and privacy reduction. Journal of Personality and Social Psychology. 1977. 35(9): 637-644.

Graziano, Michael S.A. and Cooke, Dylan F. Parieto-frontal interactions, personal space, and defensive behavior. Neuropsychologia. 2006. 44(6): 845-859.

Gardin, Hershel ; Kaplan, Kalman J. ; Firestone, Ira J. ; Cowan, Gloria A. Lanzetta, John T. (editor). Proxemic effects on cooperation, attitude, and approach-avoidance in a Prisoner’s Dilemma game. Journal of Personality and Social Psychology. 1973. 27(1): 13-18.

Holt, Daphne J ; Cassidy, Brittany S ; Yue, Xiaomin ; Rauch, Scott L ; Boeke, Emily A ; Nasr, Shahin ; Tootell, Roger B H ; Coombs, Garth. Neural correlates of personal space intrusion. The Journal of neuroscience : the official journal of the Society for Neuroscience. 2014. 34(12): 4123-34.

Haase, Richard F. ; Dimattia, Dominic J. Berdie, Ralph F. (editor). Proxemic behavior: Counselor, administrator, and client preference for seating arrangement in dyadic interaction. Journal of Counseling Psychology. 1970 17(4): 319-325.

Johnson, Richard R. and Jasmine L. Aaron. Adults’ Beliefs Regarding Nonverbal Cues Predictive of Violence. Criminal Justice and Behavior. 2013. 40 (8): 881-894. DOI: 10.1177/0093854813475347.
http://bodylanguageproject.com/articles/wanna-fight-nonverbal-cues-believed-indicate-violence/

Kenner, Andrew N. ; Katsimaglis, George. Gender differences in proxemics: taxi-seat choice. Psychological Reports. 1993 72(2): 625(2).

Mcelroy, James C. ; Morrow, Paula C. Personal space, personal appearance, and personal selling. Psychological Reports. 1994 74(2): 425(2).

Mcgurk, Barry J. ; Davis, John D. ; Grehan, John. Assaultive behavior personality and personal space. Aggressive Behavior. 1981. 7(4): 317-324.

Newman, Robert C. ; Pollack, Donald Holzberg, Jules D. (editor). Proxemics in deviant adolescents. Journal of Consulting and Clinical Psychology. 1973 40(1): 6-8.

Okken, Vanessa ; Van Rompay, Thomas ; Pruyn, Ad. Room to Move. Environment and Behavior. 2013. 45(6): 737-760.

Scherer, S. E., & Schiff, M. R. Perceived intimacy, physical distance, and eye contact. Perceptual and Motor Skills, 1973, 36, 835-841.

Scott, J. A. Comfort and seating distance in living rooms: The relationship of interactants and topic of conversation. Environment and Behavior, 1984, 16, 35-54.

Sommer, R. Studies in personal space. Sociometry, 1959, 22,247-260.

Sommer, R. The distance for comfortable conversation: A further study. Sociometry, 1962, 25, 111-116.

Sommer, R. Personal space: The behavioral basis of design. Englewood Cliffs, New Jersey: Prentice Hall. 1969.

Weiss, M., & Keys, C. The influence of proxemic variables on dyadic interaction between peers. Paper presented at the meeting of the American Psychological Association; Chicago, 1975, August.

Werner, Carol ; Brown, Barbara ; Damron, Gary Steiner, Ivan D. (editor). Territorial marking in a game arcade. Journal of Personality and Social Psychology. 1981. 41(6): 1094-1104.

*No Photo, Adornments, Amplifier, Courtship display, Elective nonverbal traits, Masked body language, Power play, Relaxed body language

Body Language of Clothing

by Chris • October 20, 2014 • 0 Comments

Body Language of Clothing

Cue: Clothing.

Synonym(s): Dress, Fashion, Overdressing, Underdressing, Practical Dressing, Casual Dress, Dressing Casually, Dressing Practically, Attire, Uniform.

Description: The body language associated with ones attire.

In One Sentence: Clothing represents an elective form of nonverbal expression which indicate how a person wishes to be perceived by others.

How To Use it: Using clothing to create a desired impression. When you apply clothing, remember that regardless of your desire, certain character traits will be ascribed to you regardless of your desires. These will be either correct or incorrect. If one wishes to be viewed in one way or another, one should be conscious of how one presents oneself. For example, revealing clothing will result in others believing that you are sexually easy or promiscuous. Wearing heavy clothing during hot weather will lead others to assume that you are prudish. Use clothing to create the impression you wish is complicated and person specific, but one simply needs to understand that one has a high degree of control over the perceptions of others and these can be manipulated with nonverbal displays including fashion. Some experimentation may be required to produce the results you desire.

Context: General.

Verbal Translation: “My clothing is a reflection of my inner thoughts, feelings and values.”

Variant: See Unkept or Dowdiness, Dressing Sexy.

Cue In Action: a) The teenager usually let his underwear show above his loose pants. He didn’t care what the adults thought about him. b) The teacher sent the girls to the principle if their skirts were too short. c) She was always well put together with expensive gowns and jewelry. d) He didn’t care what people thought of him, he felt that jogging pants were the most comfortable daily attire. e) She made waves with her low cut blouse and ample cleavage.

Meaning and/or Motivation: Clothing is a very potent nonverbal cue as it gives off all sorts of vital information about its wearer. It is a nonverbal language all onto itself. Before we even speak with one another, our clothing creates an image about us, it also tells of our sex, age, occupation, origins, social class, personality and beliefs. Clothing can also tell others where we are going as well as what we are about to do. A business suit for example, indicates that one is conducting business or a summer dress indicates that one is on vacation. In other words, clothing provides context.

As a language, clothing can be conventional or eccentric, clothing can give off signals about whom one wants to be or become. Teenagers place importance on designer clothing so they can impress their friends and fit in, but as we grow older, our shift takes on a more specific role as we tailor our attire to the functions we attend and to the status we want to hold.

Clothing also sets us apart from others in terms of values. The eccentric often have flamboyant clothing to differentiate themselves from others showing that their ideas about life are different than the rest of those around them.

How one ‘wears’ what they wear also gives off indicators of their disposition. For example, the uptight employee that does his collar up to the top, or the laid back employee who fails to properly tighten his neck tie or avoids wearing one at all. Having buttons done up tight as opposed to having an open suite jacket also has meaning. Having un-pressed pants, dirty shoes or even no shoes, at all, provide details of other people’s disposition. Using inappropriately loose or tight clothing can also give us clues as to the nature of the person. Removing a tie midday under a strict dress code indicates that the person is rebellious and defiant. Unbuttoning a blouse to show more cleavage could lead to being labeled easy or a seductress.

Dress plays a big part in first and daily impressions and also provides excellent cues to be read in others.

Over dressing: Someone who is low in confidence but and tries to make up for it by using fashion as a crutch. These people may also be striving for extra attention from others to make up for their insecurities.

Under dressing: A person who feels that outward appearances are of no value or who lacks the desire to conform to social norms.

Practical dresser or practical fashion: A style that is more focused on functionality and utility instead of extravagance. People who wear practical attire are at ease with themselves. Typically they are not self-centered, are willing to go against the grain so as to feel comfortable in their clothing, or are frugal.

Dressing sexy: Someone who wishes to gain attention and power through sex appeal.

Cue Cluster: Watch for congruence between how one dresses and the body language they carry. While someone might overdress, you might find other clues to insecurity. If someone dresses sexy, they may also give off flirtatious cues. Some women might act catty toward, or challenge other women if they are looking for sexual attention from men. Someone who under-dresses, might have a lax attitude or lack the desire to conform. Watch for awkward body language and speech patterns as well as blushing or a desire to exit social gatherings. The practical dresser might have a more casual approach and seem at ease in every situation. When the attire doesn’t match the body language, you have likely spotted a rouse. This person may be trying to fake others through dress.

Body Language Category: Adornments, Amplifier, Courtship display, Elective nonverbal traits, Masked body language, Relaxed body language, Power play.

Resources:

Angela Book, Kimberly Costello and Joseph A. Camilleri Psychopathy and Victim Selection: The Use of Gait as a Cue to Vulnerability. Journal of Interpersonal Violence. 2013. 28(11): 2368-2383. DOI: 10.1177/0886260512475315jiv.sagepub.com
http://bodylanguageproject.com/articles/dont-walk-like-youre-watched-avoid-victimization-nonverbal-behavior/

Anat Rafaeli; Jane Dutton; Celia V Harquail; Stephanie Mackie-Lewis. Navigating by attire: The use of dress by female administrative employees. Academy of management journal. 1997. 40 (1): 9-45.

Abbey, A., Cozzarelli, K., McLaughlin, K., & Harnish, R. (1987). The effects of clothing and dyad sex composition on perceptions of sexual intent: Do women and men evaluate these cues differently? Journal of Applied Social Psychology. 17: 108-126.

Beiner, Theresa M. Sexy dressing revisited: does target dress play a part in sexual harassment cases? Duke Journal of Gender Law & Policy. 2007 14(1): 125(28).

Buckley, Hilda Mayer ; Roach, Mary Ellen. Clothing as a Nonverbal Communicator of Social and Political Attitudes. Home Economics Research Journal. 1974 3(2): 94-102.

Back, Mitja D. ; Schmukle, Stefan C. ; Egloff, Boris King, Laura (editor). Why Are Narcissists so Charming at First Sight? Decoding the Narcissism–Popularity Link at Zero Acquaintance. Journal of Personality and Social Psychology. 2010. 98(1): 132-145.

Cassidy, Linda ; Hurrell, Rose Marie. The influence of victim’s attire on adolescents’ judgments of date rape. Adolescence. 1995 30(118): 319(5).

Chowdhary, U. 1988. Instructor’s attire as a biasing factor in students’ ratings of an instructor. Clothing & Textiles Research Journal 6 (2): 17-22.

Cahoon, DD; Edmonds, EM 1989. Male-Female Estimates Of Opposite-Sex 1st Impressions Concerning Females Clothing Styles Bulletin of the psychonomic society. 27(3): 280-281.

Cari D. Goetz; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.
http://bodylanguageproject.com/articles/victim-blaming-or-useful-information-in-preventing-rape-and-sexual-exploitation/

Chowdhary, U. 1988. Instructor’s attire as a biasing factor in students’ ratings of an instructor. Clothing & Textiles Research Journal 6 (2): 17-22.

Cahoon, DD; Edmonds, EM 1989. Male-Female Estimates Of Opposite-Sex 1st Impressions Concerning Females Clothing Styles Bulletin of the psychonomic society. 27(3): 280-281.

Durante, Kristina M ; Li, Norman P ; Haselton, Martie G. Changes in women’s choice of dress across the ovulatory cycle: naturalistic and laboratory task-based evidence. Personality & social psychology bulletin. 2008 34(11): 1451-60.

Edmonds, Ed M.; Cahoon, Delwin D.; Hudson, Elizabeth 1992. Male-female estimates of feminine assertiveness related to females’ clothing styles. Bulletin of the Psychonomic Society. 30(2): 43-144.

Farris, Coreen ; Viken, Richard J. ; Treat, Teresa A. Perceived association between diagnostic and non-diagnostic cues of women’s sexual interest: General Recognition Theory predictors of risk for sexual coercion. Journal of Mathematical Psychology. 2010. 54(1): 137-149.

Forsythe, S. M. 1990. Effect of applicant’s clothing on interviewer’s decision to hire.
Journal of Applied Social Psychology 20 (19, 1): 1579-1595.

Forsythe, S., M. F. Drake, and C. E. Cox. 1985. Influence of applicant’s dress on interviewer’s selection decisions. Journal of Applied Psychology 70 (2): 374-378

Forsythe, S. M., M. F. Drake, and C. A. Cox Jr. 1984. Dress as an influence on the perceptions of management characteristics in women. Home Economics Research Journal 13 (2): 112-121.

Forsythe, S., M. F. Drake, and C. E. Cox. 1985. Influence of applicant’s dress on interviewer’s selection decisions. Journal of Applied Psychology 70 (2): 374-378.

Garot, Robert ; Katz, Jack. Provocative Looks: Gang Appearance and Dress Codes in an Inner-City Alternative School. Ethnography, 2003, Vol.4(3), pp.421-454

Gurung, R. A. R. and C. J. Chrouser. 2007. Predicting objectification: do provocative clothing and observer characteristics matter? Sex Roles: A Journal of Research 57 (1-2): 91-99.

Greenless, Iain ; Buscombe, Richard ; Thelwell, Richard ; Holder, Tim ; Rimmer, Matthew. Impact of opponents’ clothing and body language on impression formation and outcome expectations. Journal of Sport & Exercise Psychology. 2005 27(1): 39-52.

Greenlees, Iain ; Bradley, Andrew ; Holder, Tim ; Thelwell, Richard. The impact of opponents’ non-verbal behaviour on the first impressions and outcome expectations of table-tennis players. Psychology of Sport & Exercise. 2005 6(1): 103-115

Guéguen, Nicholas. High Heels Increase Women’s Attractiveness. Archives of Sexual Behavior. 2014. DOI 10.1007/s10508-014-0422-z
http://bodylanguageproject.com/articles/high-heels-exact-power-men-study-women-wear-heels/

Guéguen, Nicolas. Color and Women Attractiveness: When Red Clothed Women Are Perceived to Have More Intense Sexual Intent. The Journal of Social Psychology, 2012; 152(3): 261–265.
http://bodylanguageproject.com/articles/men-prefer-women-who-dress-in-red-and-wear-red-lipstick-how-to-earn-more-tips-or-favours-from-men/

Guéguen, Nicolas. The Effect Of Women’s Suggestive Clothing On Men’s Behavior And Judgment: A Field Study. Psychological Reports. 2011. 109; 2: 635-638.
http://bodylanguageproject.com/articles/sexy-clothing-source-power-women/

Guéguen, Nicolas. Color and Women Hitchhikers’ Attractiveness: Gentlemen Drivers Prefer Red. Wiley Periodicals, Inc. 2012; 37 (1): 76-78.

Glick, Peter; Sadie Larsen, Cathryn Johnson, and Heather Branstiter. Evaluations Of Sexy Women In Low – And High-Status Jobs. Psychology of Women Quarterly. 2005. 29: 389–395.
http://bodylanguageproject.com/articles/women-should-avoid-sexy-dress-for-high-status-jobs-says-research/

Grammer, Karl, LeeAnn Renninger and Bettina Fischer. Disco Clothing, Female Sexual Motivation, and Relationship Status: Is She Dressed to Impress? The Journal of Sex Research. 2004. 41(1): 66-74.
http://bodylanguageproject.com/articles/is-she-dressed-for-success-how-women-adorn-during-courtship/

Gillath, Omri; Angela J. Bahns; Fiona Ge and Christian S. Crandall. Shoes as a source of first impressions. Journal of Research in Personality. 2012; 46: 423-430.
http://bodylanguageproject.com/articles/shoes-as-a-reliable-cue-to-personality-study/

Graff, Kaitlin ; Murnen, Sarah ; Smolak, Linda. Too Sexualized to be Taken Seriously? Perceptions of a Girl in Childlike vs. Sexualizing Clothing. Sex Roles. 2012. 66(11): 764-775.

Hajo, Adam, and Adam D. Galinsky. Enclothed Cognition. Journal of Experimental Social Psychology. 2012. 48 (4): 918–925. DOI: 10.1016/j.jesp.2012.02.008 http://www.sciencedirect.com/science/article/pii/S0022103112000200
http://bodylanguageproject.com/articles/wearing-white-coat-boosts-performance-enclothed-cognition/

Haselton, M. G., M. Mortezaie, E. G. Pillsworth, A. Bleske-rechek, and D. A. Frederick. 2007. Ovulatory shifts in human female ornamentation: near ovulation, women dress to impress. Hormones and Behavior. 51(1): 40-45.

Hernandez, Jillian. “Miss, you look like a Bratz Doll”: on chonga girls and sexual-aesthetic excess.(Report). NWSA Journal. 2009 21(3): 63(28).

Karagiorgakis, Aris and Danielle Malone. The Effect of Clothing and Method of Payment on Tipping in a Bar Setting. North American Journal of Psychology. 2014. 16(3): 441-452.
http://bodylanguageproject.com/articles/skimpy-clothing-lead-larger-tips-boost-tips-using-nonverbal-communication/

Karl, Katherine A. ; Hall, Leda Mcintyre ; Peluchette, Joy V. City employee perceptions of the impact of dress and appearance: you are what you wear. Public Personnel Management. 2013 42(3): 452(19).

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Lynch, A. Expanding the Definition of Provocative Dress: An Examination of Female Flashing Behavior on a College Campus. Clothing and Textiles Research Journal. 2007. 25(2): 184-201.

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Mahmuda, Yusr and Viren Swami. The Influence of the Hijab (Islamic Head-Cover) on Perceptions of Women’s Attractiveness and Intelligence. Body Image. 2010. 7: 90-93.
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Paul H. Morris, Jenny White, Edward R. Morrison and Kayleigh Fisher. High Heels As Supernormal Stimuli: How Wearing High Heels Affects Judgements of Female Attractiveness. Evolution and Human Behavior. 2013. 34: 176-181.
http://bodylanguageproject.com/articles/high-heels-supernormal-body-language-signal

Peluchette, J. V., K. Karl, and K. Rust. 2006. Dressing to impress: beliefs and attitudes regarding workplace attire. Journal of Business and Psychology 21(1): 45-63.

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*No Photo, Aggressive body language, Anger body language, Closed facial gestures, Emotional body language, Greeting gesture, Hostile body language, Negative body language, Power play, Threat displays, Up nonverbals

Body Language of The Chin Jut and Chin Lift

by Chris • October 20, 2014 • 0 Comments

Body Language of The Chin Jut and Chin Lift

Cue: Chin Jut

Synonym(s): Chin Lift, Jutting The Chin, Lifting The Chin, Pushing The Chin Out.

Description: Pushing the chin out and up by slightly tilting the head backwards.

In One Sentence: Jutting the chin out and away from the body tells others that one is ready to confront rather than conform.

How To Use it: Use the signal to show your dominance and to intimidate others. In competition you can use the chin to taunt your opponent and tempt them into submission by demonstrating your pride and smugness. The cue can also be done during normal conversation to issue a challenge of another person’s authority. As the cue is subtle, it is often registered under conscious awareness, but the message will be received as an insult against another person and their position.

Context: General.

Verbal Translation: a) “I’m sticking my chin out to say hello there, I see and acknowledge you.” b) “I’m sticking my chin out to tempt you into punching me and fighting me. It is a challenge as I’m not going to back down.”

Variant: See Chin Stroking, Chin Tuck, Head Lowered.

Cue In Action: a) When passing each other on their bikes, the two riders tilted their chins upward as an acknowledgement. b) It almost came to blows; he stuck his chin out, balled up his first and made threatening remarks.

Meaning and/or Motivation: When the gesture is not done as a greeting or acknowledgement gesture, jutting the chin out means smugness, confidence, pride and confrontation. It is a challenge display, almost like a dare to attack. Lifting the chin exposes the neck to attack but it also puts the chin on full exposure. During physical conflict, a quick jab to the chin often puts people unconscious because it compresses the nerve that runs behind the jaw. Just ask any professional boxer! Keeping the chin tucked, on the other hand, keeps it protected and reduces it as a target making it a submissive posture.

a) A greeting gesture done by quickly forcing the chin outward and returning it to its origin. It is done to acknowledge someone else without having to directly interact with them and done most often by dominant individuals. It signifies superiority, fearlessness and arrogance. b) This is a signal used to display pride, confidence and smugness because it exposes the vulnerable neck to attack. This can be a gesture done subtly as a slight protrusion of the lower jaw.

Cue Cluster: When the chin jut is used in conflict it is accompanied by other threatening language such as balled up fists, arms either lose at the side of the body taunting, or raised and batoning.

Body Language Category: Greeting gesture, Aggressive body language, Anger, Closed facial gestures, Emotional body language, Hostile body language, Negative body language, Power play, Expansive movements, Threat displays, Up nonverbals.

Resources:

Bohns, Vanessa K. and Scott S. Wiltermuth. It Hurts When I Do This (Or You Do That): Posture And Pain tolerance. Journal of Experimental Social Psychology. 2012. 48: 341-345.
http://bodylanguageproject.com/articles/dominant-and-submissive-postures-affects-more-than-public-perception-it-also-affects-felt-pain-and-physical-strength/

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Izard, Carroll E. (1971). The Face of Emotion (New York: Appleton-Century-Crofts).

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http://bodylanguageproject.com/articles/reading-bodily-postures-facial-expressions-incorrectly-can-disastrous-just-ask-violent-offenders/

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*No Photo, Aggressive body language, Anger body language, Arrogance or arrogant body language, Authoritative body language, Confident body language, Dominant body language, Enthusiasm (nonverbal), Frustration or frustrated body language, High confidence body language, Hostile body language, Power play, Threat displays

Body Language of Chest Thumping

by Chris • October 20, 2014 • 0 Comments

Body Language of Chest Thumping

Cue: Chest Thumping

Synonym(s): Thumping The Chest.

Description: A smacking of the chest with the closed fist either lightly during low emotion or quickly and forcefully during high emotion.

In One Sentence: Chest thumping is a primitive gesture done to show animal-like dominance.

How To Use it: Use the chest thump to draw attention to the self after winning a dominance competition. It is applicable especially in sports, but it can be used when competing intellectually as well. During an argument between lovers, a single chest thump can show that you are sincere about your assertions. Chest thump can be used to show high passion. Caution should be used as the gesture is quite primitive and can backfire by appearing too animal-like.

Context: General.

Verbal Translation: a) “I’m smacking my chest because I want to emphasis something I’m saying that’s important to me.” b) “I just scored a goal or did something important, that was me that did that, I’m important, I’m the boss.” c) “I’m thumping my chest like a gorilla in a show of confidence and dominance.”

Variant: See Batoning Gesture. The fist may also pounding a table or the hand might chop violently.

Cue In Action: a) He wanted to make his point heard so when he asserted that he really needed to go fishing, he smacked his fist against his chest (each time he referenced himself) and said “I, me, I, need to get some time to myself or I’m going to explode.” b) While talking about his the recent passing of his wife, he pounded his chest with his fist as if emphasizing what he lost and how it felt to him. c) They neared blows. Clothing was removed and chests were thumped. The drunken fools acted like gorillas.

Meaning and/or Motivation: A primitive throwback to chimpanzee behaviour. Thumping the chest is a high authority and high aggression display meant to intimidate others and draw attention to the prowess of the person delivering it so as to collect adulation and attention from others as the context warrants.

Other times, chest thumping is done lightly to emphasis something that is important and dear to the heart.

Cue Cluster: Chest thumping is associated with other dominant cues such as expansive movements, arms out and away from the body, high gesticulation, arms akimbo, angry or happy facial expression, loud voice, gravity defying behaviour such as jumping up and down (in celebration) and chest puffing or broad side displays.

Body Language Category: Arrogance or arrogant body language, Aggressive body language, Anger, Authoritative body language, Confident, Dominant body language, Enthusiasm (nonverbal), Frustration or frustrated body language, High confidence body language, Hostile body language, Power play, Threat displays.

Resources:

Berkowitz, L., & Harmon-Jones, E. (2004). Toward an understanding of the determinants of anger. Emotion, 4, 107-130.

Bjorkqvist, K., Osterrnan, K. and Lagerspetz, K.M.I. (1994) ‘Sex Differences in Covert Aggression among Adults’, Aggressive Behaviour 20: 27–33.

Craig, A. D. (2002). How do you feel? Interoception: The sense of the physiological condition of the body. Nature Reviews Neuroscience, 3, 655-666.

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http://bodylanguageproject.com/articles/downside-power-posing-body-language-looking-power-posing-action-study/

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Morgan, M. H. and Carrier, D. R. (2013). Protective buttressing of the human fist and the evolution of hominin hands. J. Exp. Biol. 216, 236-244.

Nickle, David C. and Leda M. Goncharoff. Human Fist Evolution: A Critique. J Exp Biology. 2013. 216: 2359-2360. doi: 10.1242/jeb.084871.

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Parker, G. A. (1974). Assessment strategy and the evolution of fighting behaviour. J. Theor. Biol. 47, 223-243.

Topel, Eva-Maria ; Lachmann, Frankm. Nonverbal Dialogues: Orienting and Looking Behaviors Between Aggressive and Violent Children and Adolescents and Their Therapist. Journal of Infant, Child, and Adolescent Psychotherapy. 2007. 6(4): 285-307.

Young, R. W. (2003). Evolution of the human hand: the role of throwing and clubbing. J. Anat. 202, 165-174.

Yamagiwa, Juichi. Activity rhythm and the ranging of a solitary male mountain gorilla (Gorilla gorilla beringei). Primates, 1986, Vol.27(3), pp.273-282.

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