Tag Archive for Legs

Body language And Energy displacement

Tapping a table is a form of energy displacement because it burns extra energy to relieve tension.

Tapping a table is a form of energy displacement because it burns extra energy to relieve tension.

When someone talks about energy displacement and body language they are talking about movements that create relief. Someone that is nervous or excited will find relief in rubbing their legs with their hands called “leg cleansing”, or they might rub their hands together or stroke an object vigorously. Leg cleansing is a gesture that usually goes unnoticed because it happens underneath the table, but an astute observer will see the upper body move serving to give it away. An example of leg cleaning is that of a baseball player that is on deck and getting ready to bat. His hands might be sweaty from the excitement so he rubs his hands on his thighs, soon enough this becomes a habit and he does this every time he comes to bat regardless of whether his hands are sweaty. With repetition he has conditioned himself to seek comfort by performing this gesture. Self touching also produces relaxing chemicals in his body to help him deal with the stress and burns up nervous energy. Self touching isn’t always related to energy displacement although in this case it is. Energy displacement means the same thing as stress motivated energy burning. It is the burning of energy that provides a trickle release that occupies the mind and produces soothing neurochemicals.

Extreme anxiety causes the desire to control the pain by inflicting it against ourselves.  It gives back our sense of control over our anxiety.  People who resort to cutting also seek to displace their anxiety and control it.

Extreme anxiety causes the desire to control the pain by inflicting it against ourselves. It gives back our sense of control. People who resort to ‘cutting’ also seek to displace their anxiety and control it.

Energy displacement isn’t just for athletes, it happens all over the place from the boardroom to the classroom. We see people rubbing their hands together in excitement or wringing their hands showing inner turmoil and in during extreme stress, pacing, or even self inflicted pain such as ear pulling, scratching, or pinching. Energy displacement allows for a controlled release of tension without creating fatigue. Energy displacement is akin to the natural high that is achieved through punishing physical exercise except in this case the endorphin rush comes much less potently but the action still provides a stress reducer.

When a woman suddenly becomes “cold” as a decision gets close in a meeting they might begin by cross their arms and begin to stroke their elbows or forearms. The temperature in the room hasn’t dropping though, what she is feeling is an emotional change creating an uneasy feeling. To sooth herself, she strokes her body and this reminds her of childhood feelings where mom comforted her. A nervous husband who waits outside a delivery room will pace back and forth. His movement gives him something to do and also burns up excess energy. Generally men’s displacement actions will be easier to spot then women’s since they will be more aggressive. Men feel that when something is good, more is better, and take almost everything to extremes. In fact, one of the leading causes of preventable gum disease is brushing the teeth too hard or for too long, and men are often most at fault for this. Women’s postures, on the other hand, will melt into their regular body language and can therefore be harder to spot.

An entire host of gestures can be used for energy displacement and they vary from person to person and culture to culture. Any movement that has no inherent or immediate function and that is done when faced with stress can be called energy displacement. With observation, you can catalog energy displacement cues in family members, friends and even bosses. If you observe energy displacement body language in friends, an appropriate response is to offer comfort, but if it is found in a boss or employee, or during a sale, then it is usually time to back off and give them time to think things over. Allow a stressed out individual some time to reach a conclusion on their own.

The Feet Are Honest

Feet aimed toward another person says "I'm interested in YOU."

Feet aimed toward another person says “I’m interested in YOU.”

It has been said that the feet are the most honest part of the body as it applies to the language they emit. Millions of years ago, we gave up quadrupedalism to walk upright leaving our feet to the dirt. While our hands busied themselves with other complex tasks like fire building, making clothing and shelters, throwing spears our legs were relegated to more primitive activities like locomotion. The hands, because of their opposable thumbs are more useful to complex tasks putting the thinking neocortex in charge. This in turn hampers honest language because the thinking mind can, within reason, eliminate the type of body language it desires.

These feet want to escape and so are turned away.

These feet want to escape and so are turned toward the escape route.

The feet on the other hand, carried out more traditional tasks like escaping predators, avoiding hot sand or coals from the fire, leaping from slithering snakes or poisonous spiders, or navigating rough rocking river bottoms. The feet were therefore connected more to the reptilian brain which reacts to stimuli directly instead of contemplating higher order tasks that require planning. When we’re frightened it doesn’t take much to put our feet in gear by getting them tucked under our legs and coiled up, or freezing instantly or get pulled up onto a chair when startled by a mouse that catches our eye scampering across the shadows of a room. Our feet carry the flight or fight reaction to the letter, although they tend to first freeze, then take flight through distancing them from negative stimuli, and if neither is possible will begin to kick or fight. None of these tasks require high order thinking, they are based on reaction and are immediate.

The same sorts of positive reactions can be read in the feet. For example, we know that children are interested in play rather then eating when their legs bounce at the dinner table quickly trying to eat their food so they don’t miss the next inning in street ball. Even if they don’t fidget the feet will still point, or inch toward to door in effort to prepare for escape. Even the feet of adults reveal true emotions by pointing away from boring conversations or toward a lover. Adults can also be seen “Jumping for joy”, even if rarely such as when they are surprised by winnings at the casino slots, or are when met with a grandson at the airport. People of all ages can seem to float on their feet showing joy, which is an important “gravity defying” body language showing that they are excited. Young babies and toddlers, when held by a parent who’s been absent for a short while, will kick up and down and the entire body will jump with joy despite being confined in an embrace. None of a child’s body is as exuberant as their legs and feet!

It is not all that surprising that our feet go unnoticed. Our faces are complicated and at times expressive, even though we quickly learn to hide our emotions so as to deceive others. We learn early enough that when cameras are shoved in our faces, to smile, even though we have nothing to smile about or to “turn that frown upside down” when we are in a bad mood. Naturally we get good at feigning emotions with our “poker faces.” Yet throughout the years, our feet pass under the radar, tucked under tables, hidden under clothing and shoes to do menial tasks like bring us from point A to point B and back again. Our feet and legs can display boredom through repetitive motions, joy by lifting the body up and down, fear by being tucked under a chair, depression by laying lazily or motionless and sensuality by being uncovered and flaunted. The list goes on.

As you read this book pay particular attention to foot and leg language which is peppered throughout, as these will be cues that indicate true hidden meaning and emotions that is much more reliable than other body language cues.

Baselining

Does he always sit on his hands or is he hiding something?

Does he always sit on his hands or is he hiding something?

Baselining is probably one of the most important and often overlooked aspects of reading body language. It refers to the “normal” motions that populate the repertoire of each and every person on the planet. Normal here is the operative word. We can’t even begin to read someone until we first have their baseline pegged. For example, to read someone that is normally flighty and constantly moving, as agitated is wrong since they are merely acting out their particular “idiosyncratic nonverbal behaviour.” That is, the body language that is particular to specific people and that makes up their repertoire, or basket of cues considered normal for them. This person might be flighty or high strung by nature but they certainly can’t be constantly agitated by nature as our nervous systems can’t tolerate perpetual stress. A person high strung by nature who seemingly freezes instantly is telling us based on their baseline that something is up. Baselining tells us that a condition in their environment has changed and it has affected them. It now becomes our job to detect the cause for the change.

Baselining involves learning about how a person usually sits, how they use their hands to gesture, where they place their hands while at rest and relaxed or when nervous, how they place their feet when standing, their overall posture, how they prefer to cross their legs such as whether they cross them equally left over right as right over left, and so on. The list to baselining is utterly endless as are the myriad of cues that can be emitted from the human body, fraught with or, absent of, meaning.

By establishing a baseline it will be possible to catch sudden changes in body language. This is the ultimate purpose to establishing a person’s baseline. Without catching the changes, body language loses its ability to indicate exactly what is going on. For example, a younger brother that is acting exuberant and ecstatic who is jumping around with joy and happiness, who, at a moments notice, finds himself in the presence of an older brother only to suddenly cease his joyful movements, turtles his head into his shoulders, and becomes quiet, says a lot about what kind of relationship they have been having lately. Body language is directly linked to emotions, and so when it changes, we know that something has cause the change, and more often than not, it will be precisely the event that preceded it.

These changes aren’t just limited to events either, they can also be tied to words spoken, or even topics. A married couple might be carrying on amicably, but when there is mention of an ex-girlfriend, even casually, the wife might begin to display dominant and closed body language such as crossing arms, wagging fingers, or scolding eyes. She is indicating that this women or topic is a particular sore spot between them and the sudden change in mood, from good to bad, tells us that it is the topic that is the issue. Criminal investigators will frequently steer suspects off-topic (and seemingly off the record) by talking about favourite pass-times or hobbies by example. This serves the investigator by producing relaxed body language. Once a baseline is established interrogators begin to introduce facts surrounding the investigation to measure their effects. They might begin with items not even connected to the trial and then suddenly introduce a murder weapon, for example, to see if nervous body language appears. During criminal investigations the murder weapon can be kept a secret from the public especially early on, so only the real criminal would exhibit a visceral response to viewing it. While these sorts of interrogations won’t directly lead to a conviction, it does provide clues for further exploration. Like all body language, clues tell us if we are on the right track or if we’ve eliminated leads, at least for the time being.

Those who don’t know about baselining will find it difficult to read other people who lack similar affect to themselves since their only reference of normal is what they do or what the average person they associate with do (which more often then not is very similar to themselves anyway since we tend to hang out with those of like mind). People that don’t baseline won’t see people for their individual characteristics, idiosyncrasies, culture and habits. As we work through life we should have our family, friends, coworkers, bosses, instructors, or anyone else we interact with regularly pegged for their baseline. This will not only make reading them easier, it will also give us “archetypes” that can be cross referenced as comparisons. This in turn, gives us a better chance at evaluating others, even strangers, on the spot, and in real time.

The Rule Of Four

Are there enough cues to justify a conclusion in this case?

Are there enough cues to justify a conclusion in this case?

The rule of four, and it’s an important one, says that you can’t attach meaning to a single gesture and accurately judge a person. The rule of four calls on us to read cues alongside other cues commonly referred to as “cue clusters” before drawing conclusions. The more cues that appear in association with other cues, the more accurate one can be about the underlying meaning. It isn’t impossible to see cue clusters in the six’s and sevens or higher. However, most agree that four independent signals is enough to positively identify true meaning.

Sitting with arms tightly pressed against the chest can mean that a person is uncomfortable, but it can also mean that a person is cold! Scratching the nose or face can mean that a person is lying or it could actually have an obvious purpose; to alleviate an itch! However, touching the nose, wiping the mouth in a down-stroke, avoiding eye contact and fidgeting tells us that something dishonest is probably going on. Another example of a cue cluster is as follows: crossing the legs by bringing one foot over the opposite leg (the figure-four leg cross), fingers interlinked together (steepling), leaning back in the chair, and tilting the head back and looking down through the nose at others. This cluster shows arrogance and superiority. However, just the figure four, which is a mild crotch display on its own, means very little. The figure-four-leg-cross only tells us that the crotch has been put on display, but does not necessarily attach meaning to the gesture and indicate arrogance. To some, this posture might not even mean that, it just may be a comfortable way for them to sit.

In all cases, gestures are just gestures and nothing more. It is our targets, the creators, who, knowingly or accidentally, attach meaning or emotions to gestures; it is the senders who are in charge of the delivery phase, and we, as readers, who are in charge of the deciphering phase of the transaction. In other words, it is the sender who is responsible for the message and the meaning entirely, the reader is a passive entity that should never project meaning, especially from that which is not present. That’s not to say that a reader would try to create emotions inaccurately, as this would be counterproductive, but rather that it would be a mistake to bring a gestures to the consciousness of a target and then try to persuade them that their intentions are different from that which is actually true. In many cases, however, you may find that targets won’t be aware of their true emotions anyway and will generally be uncomfortable to be made aware of their subconscious gestures, so reads are best kept to one’s self. Just like you wouldn’t show your cards in poker game, you shouldn’t actively show off your body language skills. Reads, and the skills in this book, are much more powerful if kept a secret.

Not all body movement has hidden meaning either. Sometimes our bodies are quiet and do no talking at all. It is normal for novice readers of body language to immediately begin to see body language cues creep into consciousness, but it’s a mistake to assume that all gestures suddenly have hidden meaning and get carried away with reckless diagnosis.

Let’s take another cue cluster: arms crossed tightly over the chest, legs crossed, head down and shoulders pulled inward. Our conclusion here is that our target is uncomfortable and is closing off the outside world. As signals are removed from this cluster we can be less certain of their emotional origins. Legs crossed with head down can mean just about anything, but even if we add in shoulders pulled inward, it does not provide solid evidence of anything underlying. What we really need here is the fourth, the arms pulled in tight against the body, to really give us enough information to justify a conclusion. The other cues by themselves are closed body postures, but they can be due to other factors. Leg crossing can sometimes even demonstrate interest, as is the case when they are crossed toward a girlfriend or boyfriend (rather then away) for example. The rule-of-four says that we need a “preponderance of evidence”, a term borrowed from the civil judiciary system. We have preponderance of evidence, not when we have achieved absolute unquestionable or irrefutable data, but instead, happens when we have superior weight in our favour and in this case, four independent cues is plenty of weight.

This doesn’t mean that it’s impossible, or that we shouldn’t read people who only exhibit one or two cues. Reason being that the damage that might occur from an inaccurate read is likely very small so long as we keep it internalized. We can still make educated guesses or employ “working hypothesis” that can change with additional information as it is collected. One or two cues is sometimes all we get. Older people, who naturally have more controlled and subtle affect, and people learned at controlling their body language, such as public figures, only emit very subtle, fleeting or few nonverbal cues. In this subset of very controlled and practiced people, we often only see cues that are accidentally leaked, which in and of themselves are important, perhaps even more so then complete cue clusters in regular people. The caution here is to avoid premature conclusions on weak data especially when the stakes are high and that sometimes a gesture isn’t anything more than a gesture.

Why We Should Picture People Naked!

How does this posture appear fully nude?

How does this posture appear fully nude?

My final thought in this opening chapter should keep your imagination in full gear because I am about to recommend that you do something naughty to become more proficient at reading body language. I’m instructing you to picture your body language subjects as if they were totally nude! Body language cues came about over our evolutionary history, so it naturally follows that they developed without clothing or coverings. Imagine, for example, a full body steeple where the arms are placed behind the head and the body leans back with the legs spread wide open – a crotch display! It is the way a proud (or arrogant) man sits to put his full package on display. True, it is slightly less offensive with clothing on, but it still carries the exact same meaning since its true intentions were delivered as if the clothing were absent. Picturing people naked helps us to think about not just the message, but also the route behind the message. Men who hold their legs spread wide open are perceived as arrogant but women who hold the exact same posture will be thought of as sexually open or “easy.” While each party might not specifically intend to deliver this message, it matters little to how others subconsciously perceive them.

What is her body saying with it's "openness."

What is her body saying with it’s “openness.”

Arrogance and sexual openness are not the only gestures that are made more salient by picturing people naked but they are the most dramatic. We can also picture meek gestures in the same way. Women that place their hands over their laps are doing so for just the opposite reason as do women who spread their legs, they do so to hide or protect their genitals for view or from access. The same intention is obvious when women fold their arms over their chest. They are trying to hide and protect their breasts since someone or something has made them withdraw and has made them insecure. Naturally, their arms fold, one over the other, and they hide from view something important to them. There will be times though, when protection isn’t the reason, arm crossing due to being cold is one of them. We will discuss the importance of context in this regard in more detail later. There are other times still, when women put themselves on full display. Women do so by walking with their hips forward and chest back. This is called the parade and her intension is to have men and subordinate women take notice. If you have trouble visualizing this, put it in the context of the local nightclub. Suddenly you see that it follows naturally, and next time at a bar, you might actually notice it in an authentic context.

While we are on the subject of nudity, think about how and where we hold our possessions. A handbag can be held to our sides, but equally, it can be placed on our laps or held to our chest. Handbags therefore, can have a protective shielding purpose, as do other objects in our environment and some women will even admit this as fact by tell you that they feel naked without one! Desks can be used as barricades to block ourselves from view and chairs with backs can be used in full on assault by turning them backwards and straddling them, putting the “boys” or “girls”, on full display. Then from the security of our seated position we can toss verbal arrows and spears. People who sit in this way are obviously aware of being fully clothed and most certainly wouldn’t sit this way while naked, but that’s not the point. The point is that people continue to sit this way despite holding the evolutionary hardwiring telling them that the way they are sitting is offensive. Someone that is defensive, on the other hand, will use desks, walls, doors, or other barriers to protect and hide themselves rather than flaunt. You can think of shields such as handbags or jackets like towels, objects that we use fresh out of the shower to block our private areas from view and appropriately conceal our modesty. An excellent example of a real life “towel” and one that is very commonly used during presentations is the podium. Most would say that it is a great place to store our notes and an area to place the microphone, and nothing more, but in reality it’s a place of refuge that public speakers us to escape full view of the crowd. Only the most confident speakers who are accustomed to being exposed in front of large audiences will move about a stage for everyone to see.

So in summary, do as any amateur public speaker is recommended to do, when in doubt, and to make the points expressed in this book more salient, picture your targets naked!