Tag Archive for Lead

The Most Common Female Sexual Signals

Lip licking can be a cue of sexual interest, but only if other cues are present.  No cue, by itself can be taken to mean any one thing.

Lip licking can be a cue of sexual interest, but only if other cues are present. No cue, by itself can be taken to mean any one thing.

Nearly every motion of the body can be construed sexually, but only properly read as sexual within the right context. Take for example proximity, which can mean interest, but independent of context, means nothing. Getting stuffed into an elevator may lead to accidental touching but this doesn’t mean a girl fancies a guy, but in context with other signals, could mean that she does. She might go out of her way to stand next to him even if the elevator is only partially full, or she might cast intermittent gazes. Unfortunately, these low key signals are often thought to be clear signals of interest by the women who send them. Women figure they’re obvious and overt, and when the man she fancies doesn’t reciprocate, she takes this to mean that he’s disinterested. Even if she gives him the benefit of the doubt she might “ramp” things up a little bit to get him excited by looking up into his eyes and licking her lips making them glossy, but even these subtle hints can pass for normal affect. From these cues alone, should he know what is going on?

The simple answer is, no, he shouldn’t, he needs more obvious clues to discern interest. Maybe she licks her lips regularly, maybe she’s a natural close talker and ignores the personal space of those around her as part of her personality explaining her willingness to stand so close or maybe she’s just a friendly kind of person. Men need concrete reasons to solicit because what women are asking of them is risky and potentially embarrassing. Without “coming over the top” which can than be risky for women, they should offer controlled, directed and continuous signals of interest to test his willingness to pursue. Signals should begin subtly and grow in intensity with the passage of time, especially if the hint isn’t being picked up and there is a strong interest in creating attraction. Women should not assume that just because he doesn’t respond to a smile, that he’s completely without interest. He might be doing his version of being polite, or gentlemanly. Along similar lines, men should resist approaching any and all women, especially those that only put out mild cues. Men should let women dance a little too, as this will raise sexual tension, show that they are worthy as a mate because they aren’t supplicating all over them, and that they have inherent value. This isn’t to say that they should ignore cues altogether, all cues are important to recall, but it does mean that they should resist acting on vague ones.

In this chapter we first we cover the most common sexual signals for women, and then we move onto ways in which men can signal sexually in the pages that follow. For now, let’s look at what women can do to be clear about their sexual interest to men, so as to reap the results they desire, and in the same breath we outline the cues that men should be watchful of in women as cues worthy of pursuit.

Undivided Attention

An interested listener is focused on the entire person, their gestures, voice tone and the information delivered.

An interested listener is focused on the entire person, their gestures, voice tone and the information delivered.

Meeting in crowded areas offers plenty of distractions, which in and of itself might lead one to belief that measuring attention would be difficult. However, the opposite is actually true; in other words, it’s easier to measure interest in busy places because the eye can be caught wondering. As we covered earlier in the chapter on eye language, we can verify interest based on where eyes are cast. The eyes tell where the body wants to be, and when the mind is fully engaged on the presentation, the focus will be on the speaker rather then what is going on around them.

Looking away rarely happens with someone who is completely engrossed in a conversation unless they do so to concentrate. We know from an earlier discussion, that faces are complicated making it difficult to process information. However absent of complex thought, we know that when someone looks away, it’s due to disinterest in the subject matter. Take for example, a very important news item appearing suddenly on television and the sequences of events that follow. First, we try to quiet a room so we have time to tune into the broadcast, next we locate the remote and turn the volume up loud enough so that even random noises don’t supersede the broadcast. Our eyes become fixated at the exclusion of anything else in the room and our ears become finely tuned to the voice of the broadcaster. When completely engaged, there is a fear of missing something important. This doesn’t just occur while watching television or movies, but can happen when in deep conversation, while reading something interesting or any other task for that matter. Any husband will tell you how easily it is to “tune” women out when watching sports!

An interested listener is focused on the entire person, their gestures, voice tone and the information delivered. For most, the picture they pick up about the speaker’s body language is subconscious, but it does help them form an overall impression of their honesty, integrity, emotionality and so forth. Therefore the focus doesn’t stop on the words alone, but on the entire message. An attentive listener is directed, having their bodies oriented toward the speaker, their arms open and apart willing to take information in, their legs will be crossed or open but aimed at the speaker, their head might be cocked to the side at forty five degrees showing interest, and any information they add will be appropriate to the given subject rather than off topic.

There will be times, when a fully attentive person will look away, down or about the room, but these ganders are few and brief, with the primary attention placed back on the speaker. It has been shown that up to eighty percent eye of contact is made while listening and about forty to sixty percent while speaking. Thus, we can measure the level of interest simply by making note of how often the person looks away. Someone that is bored will almost seem to look everywhere but at the speaker, or will appear to glaze over in an unblinking stare. Looking away is a subconscious indication that the other person is looking for an escape route – a way out of the conversation.

The Legs and Feet Tell About Where The Mind Thinks

Or toes point to where our mind thinks.  Extending our foot in the direction of another person shows we're thinking that way.

Our toes point to where our mind thinks. Extending our foot in the direction of another person shows we’re thinking that way.

The legs and feet are excellent predictors about what our minds and bodies wish to do, but haven’t yet had the motivation to implement. Just like fingers can and do point when directing the attention of others, so too, can the feet. As it applies to the feet, however, the signal is leaked by accident, rather than on purpose. Our feet lead us everywhere we go, but even while seated they tell others the direction we plan to head once the right circumstances or opportunity presents itself. If you want to know if someone really likes you and is interested in fully inviting you in for discussion, just watch their feet. While seated, if they just swivel their hips in your direction, but keep their feet planted facing away from you, then you know that they aren’t totally immersed. This is likely so because we’ve been programmed by our culture to be polite, so we do our best to engage other people, even if we do it in jest. How rude would it be to point our bodies away from someone who wishes to speak with us? No doubt, this too happens, but is much more obvious and so requires less skill in reading.

This sort of orientation is universal across interactions, the hips up will orient to face whoever is speaking with us, but what happens below, is subject of true interest. Studies covering courtroom behaviour has shown that when juries don’t like a particular witness they will orient their feet toward the door or nearest exit, while the rest of their bodies politely face the witness. As the strength of conversations wax and wane, feet will engage and disengage. This is why we say that interested people put their “whole body into the conversation.” If you can engage them in interesting dialogue then you’ll be able to have them reorient their feet toward you and perhaps even extend a foot in your direction. If you notice feet being moved toward an exit or away from you, try to decipher the cause, as this will tell you why they’ve become disinterested. Disinterest can be for any number of factors, including hearing something offensive, disinterest in the topic or conversation as a whole, or even being late for an engagement. The feet won’t tell you why someone is disinterested, only that someone is disinterested.

His ventral display says that he's ready to leave.

His ventral display says that he’s ready to leave.

As we saw in the previous section, leg crossing predicts relationships since we tend to cross towards our spouses, and our dates, but legs and feet can also cross toward someone we feel is attractive. While we might not physically take steps in the direction of our interest due to shyness, or perhaps because we are already committed, our feet are permitted to do so because it is less obvious to others. Besides, feet pointing does not always guarantee that anything proactive will ever take place. In other words, the feet just point to where we wish to be, but won’t necessarily ever get to.

Feet are honest - these feet want to take action.

Feet are honest – these feet want to take action.

In stressful situations that people wish to avoid like waiting to see the dentist or doctor, we’ll see toes pointing to the exit. Other times we see prominent toe pointing is when someone wants to end a conversation. It can be annoying to have to do multiple good-bye sequences with someone who seems to have nothing better to do than to ramble on. So instead of reorienting your body toward them, instead aim your feet and shoulders toward the exit. If that doesn’t speed things up or send a clear message, make it more obvious by widening the gap by stepping away.

Legs and feet can also become jittery and fidget when a person is bored and wants to leave. Jittery though can also be due to nervous energy or even the result of happiness such as “happy feet.” It is the context that will help decide what feet and legs are telling in this type of body language.

Figure Four And Figure Four Hand Lock

The figure four.

The figure four.

This body position occurs as one leg is bent, oriented horizontally and pulled over the opposite knee, to form the number four. Hence the name, the figure four leg cross. It is more or less an open posture and should be taken as a mild version of the crotch display which we saw in the section on leg spreading. This posture is milder because it doesn’t fully expose the crotch because the crossed leg partially blocks the genitals from view. This again, is another one of the cues that where it’s useful to picture our targets as being nude. In essence this is the gentleman’s version of the crotch display. Women aren’t normally seen in this posture, but since pants have become more popular, it does tend to happen more often lately, than it has in the recent past. The figure four tells us that a person is relaxed, youthful (mature gentleman are seen with a full leg cross where the legs end up parallel to one another) and dominant.

The 'figure four leg' lock - note the leg forms the 4 shape with hands locking it in.

The ‘figure four leg’ lock – note the leg forms the 4 shape with hands locking it in.

The figure four seating position can be close off entirely by placing each hand on the shine so as to lock the leg in place. This posture indicates that someone is extremely stubborn and most likely apt to reject opinions of others. The person is also highly opinionated in most every way and may lead you into disagreement at every turn. The figure four hand lock is stronger as a signal if it is accompanied by negative facial expressions, scowls, or frowns. If selling an idea or product, it might be best to drop the pitch altogether and seek more agreeable company unless you are comfortable using extreme tact or are skilled at building relationships quickly.