Tag Archive for Genitals

The Hip Tilt and Parade, The Hip-To-Waist Radio, Breasts and Buttocks

by  • March 6, 2013 • 0 Comments

Puffing out the chest can give the bosom the extra bit of attention needed to seal the deal. Like most signals, this one happens subconsciously.

Puffing out the chest can give the bosom the extra bit of attention needed to seal the deal. Like most signals, this one happens subconsciously.

Women naturally have wider hips than men in order to accommodate childbirth and it is the exaggeration of the differences between men and women the makes them sexy. Women emphasize their hips with a walk called the “parade” which happens when a woman walks with exaggerated swinging or rolling of the hips, back arched, stomach flat, breasts protruding, and head held high. Studies show us that women out of committed relationship naturally walk in this manner to attract attention. Out of consciousness the parade is not overt or striking, but now that you understand the characteristics, you can watch for it. Women can also roll their hips while standing drawing attention to their pelvic region. The gesture might be accompanied by a sideways glance and slightly parted wet lips which could be unconsciously exaggerated by saliva or lipstick.

The hip emphasis posture is pervasive in fashion and advertising. We see women slouching to one side forcing their hips out to emphasize their curves, or walk in an exaggerated way, bouncing their hips up and down as if on a pendulum. Picturing this parade or “cat-walk” in the nude and you get the sense that there is an obviously hypnotic purpose to the method. Because the hips move about a center pivot, the eye is drawn front and center to the woman’s genitals which act as a beacon.

The little black dress is a perfect example that emphasizes the hip-to-waist-ratio differences in women. Studies show us over and over again that men prefer a hip-to-waist ratio of about seventy percent. That is, men prefer women who’s waist is thirty percent smaller than their hips. Women on the other hand, prefer men’s hip-to-waist ratio to be about ninety percent or in other words, their hips are only ten percent larger than their waste. This stems from the fact that it makes them better athletes, evolutionarily linked to their ability to catch food. Female athletes, particularly world class runners, also tend to carry low hip-to-waist ratios. Research also tells us that the waist is the last place women tend to add fat so as to preserve the sexiness of their curves. These changes happen rapidly after about age eighteen, where fat is added to the buttocks and legs but stays off the stomach until much later in life at around menopause. Only with great diligence are women able to keep their stomachs flat after their childbearing years. Once again though, after childbirth the area tends to be most resilient to fat deposits and the legs and butt tend to hold the most amount of fat, serving only to further emphasize the hip-waste ratio.

Having said this, digitally altered images and women who naturally carry a higher hip-to-waist ratio, are often seen as even more alluring. It is a play on the minds of men where everything is better if bigger, and if some is good, more is best. When it comes to men, if something is worth doing at all, it’s worth overdoing! The size of women’s breast is a prime example, and came about through evolution specifically to attract and keep the attention of men. Women are rare in the animal kingdom as they have what scientist refer to as permanently swollen breasts, or breasts that are large outside of lactation, and seem to have absolutely no desirable function at all, but as a sexual selection characteristic. Interestingly though, we aren’t alone in terms of exaggeration preferences, for example, mother birds who’s eggs have been swapped for larger ones (of another species), even freakishly large ones, will tend to sit on them longer and more frequently, even sometimes abandoning other eggs in their clutch. So it appears that even mom’s like more of things, especially when some of that things is great, more is seen as greater. Universally however, men do prefer the golden hip-to-waist ratio of seventy percent and tend to prefer a c-cup sized breast which amounts to about five percent of women’s total body mass – if you really want to get technical! The point being that exaggeration tends to mesmerize and sexual body language is no different.

The Types Of Hugs

by  • March 6, 2013 • 6 Comments

An intimate hug is obvious be checking the distance between the hips. The smaller the distance, the more intimacy is present. When we hug grandma, we might only touch shoulders and lean in!

An intimate hug is obvious by checking the distance between the hips. The smaller the distance, the more intimacy is present. When we hug grandma, we might only touch shoulders by leaning in!

There are two types of hugs and each one indicates a different level of intimacy. The first is called the “full body hug” and is reserved for sexual partners. This type of hug is characterized by full chest to chest and hip to hip contact. Since the bodies are so tightly pressed together, the genitals might also touch incidentally. The second type of huge is the “light social hug”, the main hug for acquaintances and friends, and happens when the shoulders come together as the torso hunches forward, but the hips remain apart.

Hugs have a secondary hidden meaning as well. The longer the hug, the more intimate and affectionate is the relationship. A pat at the end of the hug indicates that one party would like to “submit” from the hug and terminate it. This gesture is similar to the actions wrestlers to do “tap out.” Taps also show feigned or meaningless hugs, or even unwelcome hugs, especially if the tap happens early. Most people think tapping while hugging shows comfort, but sexually romantic partners and close family members do not pat, they embrace deeply and squeeze tight.

The hips, during a hug, also have a very significant hidden meaning. That meaning is conveyed directly through the distance to which they remain separated and that distance tells us a lot about the type of relationship two people have. Hugs that happen between family and friends will have at least six inches between the pelvic regions of each person, whereas hugs from lovers have no, or very little space between the hips. The torsos of lovers also move tightly into each other’s intimate zones enveloping each other. The degree to which hips remain separate, or rear-ends are extended outward, whichever you prefer, and the amount of contact that takes place in the upper chest, tells us what degree of intimacy is present between huggers. Light hugs as we saw, can include only light shoulder contact, and in extreme light hugging, the bodies might not press together at all. The arms and hands might form a closed loop from shoulder to shoulder “around” them, but the chest and shoulders might only seem to move slightly closer, or seem to bob in quickly before moving out, not coming any closer than a foot. The hidden language of hugs can tell us a lot about the relationships around us, even potentially juicy ones like those brewing amongst staff members. A careful eye at the next social affair might uncover some cheeky relationships!

Partial Arm Cross

by  • March 6, 2013 • 0 Comments

One variation of the partial arm cross.

One variation of the partial arm cross.

This is a typically female posture and happens by holding reaching across the body to grab the opposite elbow in the hand while that arm is left vertically dangling to the side.

A variation of the posture happens by reaching across the body and grab the opposite shoulder rather than the opposite arm. While the double arm huge is a defensive postures, the partial arm cross is a subtle posture that indicates fear, timidity, shyness and lack of self confidence. Both are barrier type postures which protect the core of the body like a shield to signals to others that we don’t wish for them to come close. The origins of the partial arm cross likely stems from the comfort felt by a child who’s hand was held or who’s shoulder was grasped by a parent, when in novel situations.

The posture feels natural and comfortable when in fearful situations because it provides the sensation of being hugged and protected, like having our hand held. It might have a childhood throwback when our parents scooped us up when visiting unfamiliar houses, distant relatives to help sooth us over our fears. While men can be seen to perform this posture, it is much more rare, likely due to their broader shoulders. Men will instead take up the fig leaf position by holding their hand-in-hand to cover their most coveted assets, their genitals.

We see the posture when people meet for the first time, when being singled out of a crowd or any other stressful situation that causes fear. Sometimes this posture is by default as it is with particularly shy individuals who take some time to warm up to other people. To reduce this posture in others and help them ease up, use more submissive body language and tone down dominant language. You might also experiment with acting timid yourself which will help quickly build rapport. It is nearly universal that people feel most confident surrounded by people who similarly match our own self-esteem and ideologies.

Hands On Hips

by  • March 5, 2013 • 2 Comments

Strutting like a peacock. The hands draw attention to our manhood.

Strutting like a peacock. The hands draw attention to our manhood.

Having the hands on the hips or “arms akimbo” is to display like a peacock, even in people! It makes the body take up more space and hence appear larger so as to assert dominance. All the fingers also curl inward so that they point toward the crotch drawing attention in that direction which punctuates the point even further. The thumbs might also be tucked into the belt or into belt loops serving to “frame the genitals.” The message said is “There are issues here”, “Things are not right”, “I’m standing my ground” or “I’m a virile male so check me out!” Women can also be seen holding the posture although more rarely, and when they do, they will hold their hands on their hips and point their fingers to their buttocks. Pointing therefore, puts emphasis on our best assets while we state our case. Fingers pointed backwards as women do more often is a more inquisitive posture than an authoritarian one.

She's displeased and thinks you should know better.

She’s displeased and thinks you should know better.

Sexual dimorphism is a word used to describe the differences in form between males and females within the same species. In other animals, it includes horns and antlers, tusks, waddles, elaborate coloration and plumage, amongst many, many others. In humans, the dimorphism includes hairiness, perpetually swollen breasts versus muscular chests, square jaws and manly noses, internal versus external genitals, muscle mass differences, amount of fatty tissue, and hip to waste ratios (where the ratio produces an hour glass in women). In most cases, the differences between men and women are not very pronounced compared to many other animals. But when we do differ, men and women tend to display (exploit) their differences in effort to attract attention.

Like most of life’s endeavors, attention is competition based. We compete both against our own sex and for attention from the other sex. This seems like one in the same, but it is not. For example, appearing larger, heavier, taller or more muscular can serve to pique the interest of women, but also to repel nearby rivals. This is not to say that our species is cutthroat where everything boils down to competition. Instead, a large part of life involves cooperation. However, how would we know who best to cooperate with, if it wasn’t for their advantages in competition!

The hands on hips gesture is one of the ways men puff out to appear more dominant and attractive to the opposite sex and repel competition from the same sex. The cue cluster accompanying the hands-on-hips also includes an upright posture, chin up, chest out and the legs at slightly wider than shoulder width. The hands-on-hips is also a ready posture when it does not accompany more dominant cues in the cluster. In this case, it appears like a runner at the gate prepared to jump at an opportunity whatever it might be.

Territoriality and ownership is a part of the hands on hips gestures, just like placing a flag into the soil indicates a territorial line. Holding the body erect, planted, shows that the pieces of land on which we stands is ours. We occasionally see this posture in children too, as they assert their point to their adult counterparts. The referee at a sporting event will be seen holding ground with his hands on his hips as he’s met with protest from the team’s coach. He’s made a bad call, but instead of admitting it, of which let’s face it, he can’t, he instead says “I’m not going to leave, I’m the boss, what I say goes.” Meanwhile the coach will mirror this posture saying “I’m not going anywhere until I’m done doing what I came here for, so you are just going to hear me out.” Therefore the hands-on-hips body language also represents defiance. The abbreviation for the hands on hip gesture is to drop one hand, yet it remains just as potent. The other hand is usually busy gesturing more than colourful language.

The Chair Straddler

by  • March 5, 2013 • 0 Comments

The chair straddler is a dominant, yet cowardly sitting position, because for one, the seating position requires one to spread their legs wide open exposing the genitals, and two, because symbolically it is as if they were holding a shield against their chest. Crotch displays are typical for dominant people, especially men. Women can also sometimes display authority in this fashion but if done improperly it appears like a sexual invitation rather than a dominance display. Figuratively, chair straddlers are spears throwers or arrows flingers as they toss words at others from behind their barricade. It might not always be the intention of the staddler to come across this way, so it is our duty as good body language readers, to reserve judgment until we catalog enough cues in clusters. For every rule there are always exceptions. The point here though, is that other people will judge us poorly if we become the person that straddles chairs. Certain dominant body language is acceptable, but this isn’t one of them.

If you find yourself (over) exposed to a straddler, there are a few ways to disarm him from his shield. The first is to change your seating location so that he no longer faces you directly, exposing his genitals. You can also stand up altogether and even move behind him making his posture totally ineffective. By moving behind him, his back will become exposed and unprotected, causing him to tense up. The height differences will also force him to try to remain more erect and upright, so to speak, causing him to feel uncomfortable and annoyed in short order. A proficient straddler will then turn his chair (and his member) to face you, and just like a real-life chess game the pieces move strategically. This brings about the third technique, which is to overcrowd his personal space by standing over him, being careful to continuing the conversation. If all these techniques fail, and in most cases they won’t, you can always call him out on his attitudes and body language. Like calling anyone out for any reason, this is risky and can easily backfire alienate him altogether. In extreme situations, you might see no risk at all since all you stand to lose is an arrogant acquaintance.

Summary – Chapter 7

by  • March 5, 2013 • 0 Comments

In this chapter we looked at how open body positions indicate an open or closed mind. Specifically, we saw that that by having arms and legs that cross the midpoint of the body we indicate a closed mind, negative attitude or disposition, and conversely, that open postures indicate an open mind. This is evident most often through what is called “ventral displays” where the chest and front is exposed. We saw that the hands can convey honesty by showing that “no weapon is present”, that rubbing the hands is figuratively a preparation to receive something (or that we’re cold), and that sudden changes in the hands has real meaning, that pointing is rude and as if throwing a spear, but can and are blocked, by arm crossing which works as a shield.

Next, we examined techniques to open people when they show closed body positions in an attempt to close the “closed”, the meaning of leg crossing and how spreading means dominance, and how the ankle cross indicates a negative, but hidden emotion. The figure-four-leg-position, we found, happens by pulling one leg over the other knee and represents disagreement, the fig leaf is a shameful posture since it hides the genitals from view, and parallel legs which happens by pressed one leg against the other making the legs appear sexier and more youthful. Next we looked at pigeons toes or “tibial torsion”, a submissive body posture indicating meekness, then how the legs tell where the mind thinks through pointing and the four main ways a person might stand; straight up and feet together (attentive), feet apart (a crotch display), one foot forward (shows direction of interest) and legs crossed at the ankle (a submissive posture). We then examined the progression from closed to open as a sequence when meeting new people or being in novel situations, how eye aversion or avoidance can indicate a lack of receptiveness, that the fetal position can be abbreviated by simply pulling limbs to the center of the body and finally how openness is related to status.

Fig Leaf Position

by  • March 5, 2013 • 0 Comments

The 'fig leaf' protects the genitals. Imagine the posture nude for full effect!

The ‘fig leaf’ protects the genitals. Imagine the posture nude for full effect!

The fig leaf by either sex is a closed body position. It blocks the private mid section from view. This posture occurs by placing one or both hands in front of the midsection and takes its ‘fig leaf’ name from Adam and Eve’s traditionally portrayed posture in the Garden of Eden artwork. Modest men and women who find themselves accidentally disrobed will instinctively clasp their hands over their private areas. Naked women will split their attention from both breasts with one arm and hand, with the other hand over their genitals. Men will exclusively protect their genitals from view with both hands.

In real life however, will rarely find ourselves nude and exposed in public, but our minds are still hardwired to harbour feelings of insecurity from overexposure. In day to day situations women won’t be fund covering their breasts by clasping them and men won’t grab their genitals a-la Micheal Jackson, but they will claps both hands together either tightly by interlocking their fingers, or loosely with hand in hand and then casually placing them over their mid-section. Standing is the most obvious and common way that the fig leaf position shows itself, but it can also find its way in a seated position as the hands are rested on the lap. Women can and do block their chests from view, as well, but not in an offensive or obvious way. Rather, women cross their arms in front of their chests as a barrier or block their breasts from view when threatened with whatever objects they have handy, a textbook, a jacket or scarf, even bar tops.

These postures, of course, show insecurity and occur when we find ourselves in novel environments or around people we aren’t familiar with. We will often see this from less confident speakers who find themselves exposed to large audiences or when a presenter requires a participant (victim) to demonstrate a concept.

Figure Four And Figure Four Hand Lock

by  • March 5, 2013 • 0 Comments

The figure four.

The figure four.

This body position occurs as one leg is bent, oriented horizontally and pulled over the opposite knee, to form the number four. Hence the name, the figure four leg cross. It is more or less an open posture and should be taken as a mild version of the crotch display which we saw in the section on leg spreading. This posture is milder because it doesn’t fully expose the crotch because the crossed leg partially blocks the genitals from view. This again, is another one of the cues that where it’s useful to picture our targets as being nude. In essence this is the gentleman’s version of the crotch display. Women aren’t normally seen in this posture, but since pants have become more popular, it does tend to happen more often lately, than it has in the recent past. The figure four tells us that a person is relaxed, youthful (mature gentleman are seen with a full leg cross where the legs end up parallel to one another) and dominant.

The 'figure four leg' lock - note the leg forms the 4 shape with hands locking it in.

The ‘figure four leg’ lock – note the leg forms the 4 shape with hands locking it in.

The figure four seating position can be close off entirely by placing each hand on the shine so as to lock the leg in place. This posture indicates that someone is extremely stubborn and most likely apt to reject opinions of others. The person is also highly opinionated in most every way and may lead you into disagreement at every turn. The figure four hand lock is stronger as a signal if it is accompanied by negative facial expressions, scowls, or frowns. If selling an idea or product, it might be best to drop the pitch altogether and seek more agreeable company unless you are comfortable using extreme tact or are skilled at building relationships quickly.

Ventral Displays

by  • March 5, 2013 • 0 Comments

When the chest is turned away, this is called "ventral denial." It says, "I don't like what you're saying."

When the chest is turned away, this is called “ventral denial.” It says, “I don’t like what you’re saying.”

Torsos house important organs that are vital to keeping us alive. Our heart, lungs, liver, intestines and so forth are all easily accessible through a thin layer of skin, fat, muscle and sometimes ribs and a sternum although even these have spaces by which damage may be inflicted. Exposing our ventral side means that we trust we won’t be attacked. Laying on our backs is something we do only in our own houses because it exposes our bodies to attack and paralyzes us from defending ourselves.

Women, in the wrong company will feel particularly sensitive about exposing their breasts and both sexes will avoid displaying their genitals when nervous or timid. This is where arm and leg crossing is prevalent creating shields so as to reduce threatening exposure. Other times, bodies may turn away from people with whom we lack trust, or we may distance our torsos to give us a time and space buffer so that if a threat should be advanced, we have enough of a cushion to escape.

His ventral display says that he's ready to leave.

His ventral display says that he’s ready to leave.

When in conversation people will orient their ventral side to those they trust the most and away from those they trust least. They’ll also favour those with whom they agree with most and away from people they disagree with or have contempt for. People can be seen changing their orientation more and more over the course of a conversation as ideas diverge. In dating, as women are turned off by an approach they will first shift their feet toward the exit, followed by the torso. If they wish to remain polite so as not to offend, they might keep their faces oriented toward their solicitor, yet the rest of their body, the important parts, will face away. Even slight disagreement can produce ventral shifts as bodies orient away from the speaker based on topics of lessor interest or topics we wish not do discuss.

Ventral distancing.

Ventral distancing shows a lack of commonality.

Ventral distancing is also a nonverbal cue that indicates agreement. When people don’t like what they are hearing, they will slouch or lean backward to indicate that they aren’t seeing eye-to-eye on matters. On the other hand, when people agree, they will move toward each other to shrink the distance. When presenting a lecture, it’s easy to measure audience interest because those most keen will be sitting “at the edge of their seat” hanging onto every word. The bored or disinterested will be slouching or sitting low in their seats perhaps awkwardly to one side as if ready to take flight.

When we are reunited with loved ones we take part in hugs which is intimate precisely because the torsos are sandwiched together. We even move our arms away from our fronts so that we can get even closer. Children love to receive “raspberries” where air is blown onto their stomachs and will permit it because they trust their parents or family members. However, even with children they’ll “turn their backs on us” when they are upset with us as we enforce rules. This is a nonverbal way to show disagreement. Lovers in deep conversations will move closer to each other and face head on indicating a trust and showing no desire to leave or exit the situation which might happen by turning the torso away. Orienting the torso forward says that this is the direction in which someone is thinking about moving and when lovers do this, it means they wish to move into one another; to kiss. In a business context, people who agree with turn their bodies so they more closely face each other, even while sitting, and away from those whom they disagree with. This is called “ventral fronting” or “ventral denial.”

To use ventral language best, lean forward and drop the arms to the side when you wish to project agreement but when the opposite is desired feel free to side back in a chair or lean back or turn to the side and cross the arms. Making friends with all people is not always desirable especially when someone is malicious and unpopular. Being courteous all the time, to all people is a misuse of proper body language so use the nonverbal language that is most appropriate for the feelings you want to convey.

Why We Should Picture People Naked!

by  • March 5, 2013 • 0 Comments

How does this posture appear fully nude?

How does this posture appear fully nude?

My final thought in this opening chapter should keep your imagination in full gear because I am about to recommend that you do something naughty to become more proficient at reading body language. I’m instructing you to picture your body language subjects as if they were totally nude! Body language cues came about over our evolutionary history, so it naturally follows that they developed without clothing or coverings. Imagine, for example, a full body steeple where the arms are placed behind the head and the body leans back with the legs spread wide open – a crotch display! It is the way a proud (or arrogant) man sits to put his full package on display. True, it is slightly less offensive with clothing on, but it still carries the exact same meaning since its true intentions were delivered as if the clothing were absent. Picturing people naked helps us to think about not just the message, but also the route behind the message. Men who hold their legs spread wide open are perceived as arrogant but women who hold the exact same posture will be thought of as sexually open or “easy.” While each party might not specifically intend to deliver this message, it matters little to how others subconsciously perceive them.

What is her body saying with it's "openness."

What is her body saying with it’s “openness.”

Arrogance and sexual openness are not the only gestures that are made more salient by picturing people naked but they are the most dramatic. We can also picture meek gestures in the same way. Women that place their hands over their laps are doing so for just the opposite reason as do women who spread their legs, they do so to hide or protect their genitals for view or from access. The same intention is obvious when women fold their arms over their chest. They are trying to hide and protect their breasts since someone or something has made them withdraw and has made them insecure. Naturally, their arms fold, one over the other, and they hide from view something important to them. There will be times though, when protection isn’t the reason, arm crossing due to being cold is one of them. We will discuss the importance of context in this regard in more detail later. There are other times still, when women put themselves on full display. Women do so by walking with their hips forward and chest back. This is called the parade and her intension is to have men and subordinate women take notice. If you have trouble visualizing this, put it in the context of the local nightclub. Suddenly you see that it follows naturally, and next time at a bar, you might actually notice it in an authentic context.

While we are on the subject of nudity, think about how and where we hold our possessions. A handbag can be held to our sides, but equally, it can be placed on our laps or held to our chest. Handbags therefore, can have a protective shielding purpose, as do other objects in our environment and some women will even admit this as fact by tell you that they feel naked without one! Desks can be used as barricades to block ourselves from view and chairs with backs can be used in full on assault by turning them backwards and straddling them, putting the “boys” or “girls”, on full display. Then from the security of our seated position we can toss verbal arrows and spears. People who sit in this way are obviously aware of being fully clothed and most certainly wouldn’t sit this way while naked, but that’s not the point. The point is that people continue to sit this way despite holding the evolutionary hardwiring telling them that the way they are sitting is offensive. Someone that is defensive, on the other hand, will use desks, walls, doors, or other barriers to protect and hide themselves rather than flaunt. You can think of shields such as handbags or jackets like towels, objects that we use fresh out of the shower to block our private areas from view and appropriately conceal our modesty. An excellent example of a real life “towel” and one that is very commonly used during presentations is the podium. Most would say that it is a great place to store our notes and an area to place the microphone, and nothing more, but in reality it’s a place of refuge that public speakers us to escape full view of the crowd. Only the most confident speakers who are accustomed to being exposed in front of large audiences will move about a stage for everyone to see.

So in summary, do as any amateur public speaker is recommended to do, when in doubt, and to make the points expressed in this book more salient, picture your targets naked!