Tag Archive for Eyebrow

Summary – Chapter 11

This chapter focused on emotional body language. We began by discussing New York style body language called “displacement behaviour.” We saw that displacement behaviours include actions set to preoccupy in order to dehumanize the outside world – especially in more crowded areas. The list of behaviours included nail biting, gum chewing, grooming, tapping the does, head scratching or playing with jewelry, but can also mean looking and acting ‘out of touch’ or closed off.

Next, “fight or flight” was finally shifted to “freeze, flight or fight” finally putting it into the proper order. Following this was clenching behaviour where we found that actions such as gripping the wrist of the opposite hand in behind the back, or wringing the hands out like a wet article of clothing, are forms of restraint. We also hit on nervous hands and how shaking can tell us a lot about what sort of emotions a person is experiencing.

We then moved onto poor self image and the language that tells. Here we found that auto contacts including stroking the beard, rubbing the hands, tugging the ear, massaging the throat, pulling the fingers, rubbing the back of the neck and so forth, are linked to insecurity since they attempt to provide reassurance. We hit on eyebrow lowering and that when they are permanently lowered by the newly incarcerated it signifies easy prey for existing inmates. Interlaced fingers and palm finger stroking, on the other “hand”, were both labeled as emitted by those with negative thoughts. In the section on suckling and mouthing we saw that the mouth and lips provide a target for tactile gratification to provide comfort. Here we saw that anytime the fingers go to the mouth or lips to suckle, that our target is regressing to an infantile stage, and is trying to regain the security they felt as a child.

We found that compressed lips indicate stress, down-turned smile unhappiness, anger or tension, and lip pursing indicates that a thought, usually negative, is being processed. We found that tongues can depict deep concentration or a cheeky attitude, and that sneering signals contempt, disapproval and disrespect the world over. Ear language was covered next and we learned that ear grabbing refers to “hearing no evil” showing disbelief or an attempt to close off communication by blocking the ears. Hostile body language, on the other hand, was found to be more similar to sexual body language, but only in so much as the body language showed through figuratively onto ourselves when we would much rather inflict it onto others. Examples of such hostile body language included pulling or pinching at one’s own ears, cheeks, hair, or face. Next we covered the sequence by which bodies reject and then how they relax.

We discovered that the neck becomes particularly sensitive under pressure and like the cheeks, it becomes red and engorged with blood when we become nervous. Thus when people are under pressure they tend to touch or cover it so as to pacify. Women also tend to cover their “suprasternal notch” when they are experiencing anxiety. We found that people who don’t cross their legs are generally uncomfortable because crossing significantly reduces the ability to act quickly during confrontation and exit. Next we found that the eyes and the body can block unwanted thoughts and images, that blushing indicates emotion and anxiety, and that asymmetry can show when emotions are faked, gravity defying behaviours means people are happy, and that there are six universal facial expressions. We learned that asymmetry is what tells us honest expressions from fake ones. We also discovered that everyone, no matter how extroverted, requires emotional downtime, that timid people will cocoon and that guilty people will turtle. We also found in this chapter that full body hugs, where the chest and hips make contact, shows sexual intimacy, and that light hugs, where the shoulders touch shows friendship. Lastly we covered the “hug-ender cue” or the “tap out” that tells others that the hug has run its full course and one party wishes to submit. We concluded with a list of additional emotional body language.

Eyebrow Lowering

Eyebrows lowered is a sign of pain - here we see grief.

Eyebrows lowered is a sign of pain – here we see grief.

Eyebrows can squint just like eyes can and have many different meanings. Eyebrows can be lowered to indicate confrontation due to anger or aggression, fear from threats, when we feel displeasure or are annoyed. If eyebrows are dropped low enough and kept there it indicates weakness and insecurity. This is true universally and so can even appear in children especially those who are abused. Lowered eyebrows is submissive, cowering, facial expression.

Inmate report seeking the gesture when new prisoners arrive as clues to which will make easy targets. Lowered eyebrows is a sign of being defeated and weak and shows that one is unlikely to put up a fight. Bullies at school will also look for the expression to single out children as prey and so will social predators and psychopaths. Victims are rarely chosen at random and I’ve witnessed the body language myself from a woman who reported suffering abuse as a child and several times as an adult. She carried herself in vulnerable ways and stood out for this reason so she likely attracted attention as an easy target. In business, eyebrow lowering can indicate the relative strength of a position and in negotiation show that someone is willing to surrender with little fight.

The Eyebrows In Communication

The eyebrow cock - something you said was interesting.

The eyebrow cock – something you said was interesting.

The eyebrows are very active in conversation. They can furrow to show anger or be turned inward and down to show disgust or a crucial view. Even still, the eyebrows can be raised fully to express surprise or be singly raised and lower to indicate suspicion. One eyebrow raised and the other level or neutral is a widespread sign of skepticism or displeasure and is called the eyebrow cock but if done subtly with a slightly cocked head and a cheeky smile means “interesting”.

Disappointingly, very few actors have control over their eyebrows, and if you don’t believe me just watch for yourself. I’m not sure they could use their faces very efficiently even if they tried, as the use of eyebrows is not something that is easily consciously controlled. I have noticed that female television news anchors will flash away during most of their reports but men won’t. This is also the case with male actors who favour control, presumably to appear more dominant especially in lead roles.

Placement, size, and shape of the eyebrows also portray different meaning. Lower eyebrows appear more dominant whereas high eyebrows make for a more subordinate yet perpetually surprised look. Eyebrows that are turned in near the outside of the face also called “medially downturned” make the face appear more concerned or empathetic. Bushy eyebrows signal dominance, and thin brows remind us of children so appear more neotenous whereas the uni-brow where the eyebrow forms one single brow across both eyes appears archaic, unsophisticated and un-groomed.

The eyebrows also have a language all to themselves. The eyebrow raise, where the eyebrows come straight up and then back down in one motion, happens in speech to emphasis certain words, to punctuate a point or in accompaniment with questions. The eyebrows raise can also appear as a request for approval when unsure how our thoughts stand with others, or can even be meant as a measure to verify if what we have said is being understood. In this case, the eyebrows will come up and pause for a second and seek some sort of gesture of approval such as a head nod or vocal agreement before being lowered. If there is no approval, then we might see the “eyebrow hold” which is akin to the shrugging of the shoulders, indicating a lack of knowledge or even helplessness. Politicians and children do this often when they seek approval, it says “So, what do you think, have I don’t a good job?”

Other times the eyebrows will move almost continuously throughout a conversation when we really want to impress someone, flirt with them, or act particularly animated. If eyebrows are raised with a slight tilt of the head at the end of the sentence it is to check to see if the message was understood but if it is done with a slow raise of the head, it means disapproval saying “What you have just said, surprises me”. Disapproval is even stronger if the head is lowered with the lips pursed tightly accompanied by raised eyebrows. This signals a desire to end communication altogether.