Tag Archive for Displeasure

Hiking The Skirt And Showing Skin

The 'skirt hike' happens totally subconsciously.  When a woman gets hot and bothered she might begin to play with the bottom of her skirt to show a bit of extra leg.

The ‘skirt hike’ happens totally subconsciously. When a woman gets hot and bothered she might begin to play with the bottom of her skirt to show a bit of extra leg.

The skirt hike is an interesting body language cue because it happens completely subconsciously with little, and usually no awareness at all. It is so subtle though that only those looking specifically for it will actually see it.

The “skirt hike” happens by fingering and play with the bottom ridge of the skirt. Other times, the skirt hike happens in a more pronounced way by grabbing the bottom of the skirt and pulling it up a few inches or more, to reveal more leg. This motion is usually done toward a man of interest and followed by eye contact, but other times like the parade, happens as advertisement of the woman’s availability. If she catches someone else notice this gesture which she isn’t interested in, she will quickly force it back down and break eye contact.

Any gesture like the skirt hike that exposes more skin can be a sexual signal. We are all familiar with the cliché scene in movies where the woman suggestively says that she’ll return in something more comfortable. As always, she reappears in sexy lingerie. Most times, men don’t get such an obvious cue of interest but women still remove clothing to peek interest. Removing a heavy shirt or jacket to be more comfortable, or loosening buttons from a shirt, or even removing shoes or dangling the shoes from the toe, all show comfort at worst, and interest at best. “Shoe play” is also a great indicator of the level of comfort experienced between a man and women and is a way for a woman to get noticed because movement draws attention. Movement is the opposite to the fear-freeze response when people are scared. While in conversation, if the man does something to startle the woman, she’ll pull her shoe back on in short order! It’s also a good way to measure a cold approach because she’ll slip her shoe back on immediately if she doesn’t like the approach. She’ll make her displeasure more salient by slightly or fully turning away, holding a fixed gaze with her friends or across the room or pretend to be distracted. Her movements will also minimize so as to become less noticeable in the hopes that her “male predator” moves onto new prey.

Seated skirt hike.

Seated skirt hike.

'Shoe play' indicates high comfort.  Test it by doing something creepy and watch just how fast the shoes go back on in preparation for escape!

‘Shoe play’ indicates high comfort. Test it by doing something creepy and watch just how fast the shoes go back on in preparation for escape!

Eyebrow Lowering

Eyebrows lowered is a sign of pain - here we see grief.

Eyebrows lowered is a sign of pain – here we see grief.

Eyebrows can squint just like eyes can and have many different meanings. Eyebrows can be lowered to indicate confrontation due to anger or aggression, fear from threats, when we feel displeasure or are annoyed. If eyebrows are dropped low enough and kept there it indicates weakness and insecurity. This is true universally and so can even appear in children especially those who are abused. Lowered eyebrows is submissive, cowering, facial expression.

Inmate report seeking the gesture when new prisoners arrive as clues to which will make easy targets. Lowered eyebrows is a sign of being defeated and weak and shows that one is unlikely to put up a fight. Bullies at school will also look for the expression to single out children as prey and so will social predators and psychopaths. Victims are rarely chosen at random and I’ve witnessed the body language myself from a woman who reported suffering abuse as a child and several times as an adult. She carried herself in vulnerable ways and stood out for this reason so she likely attracted attention as an easy target. In business, eyebrow lowering can indicate the relative strength of a position and in negotiation show that someone is willing to surrender with little fight.

Signs Of Aggression

She's displeased and thinks you should know better.

She’s displeased and thinks you should know better.

We’ve seen the hands-on-hips posture before but it resurfaces again in the aggression classification because it is ready posture. In this case, the hands on hips, feet together at attention is accompanied by leaning forward with the head and chin up, or out, and exposed. The hands-on-hips puffs the person out making them seem larger and the feet spread at shoulder width increases stability putting them in a fighting stance. Observations have shown us that ignoring the puffed out chest is to be done at one’s own peril as it is a very strong indicator that a person is about to strike out in aggression. The classic ‘in-your-face’ type of posture indicates readiness for fight and isn’t to be confused with a business ready posture. The accompanying clues which are discussed next, shows an intent to fight, but also tension so there is overlap in fighting nonverbal language and that which stems from other negative emotions such as displeasure, fear, anger, antipathy and disgust. Therefore it is the context, once again, that will tell us the root source of the body language, be it fight or flight.

As aggression nears, our blood “boils” and rushes to the surface of the body making our faces and ears turn red with anger. While blood doesn’t actually boil there is some truth to it. As our nervous system is shifted in the “fight or flight” response our blood pressure increases through a faster heart rate preparing us for action. Since our faces have a high concentration of capillaries and vessels, and the vessels, especially in the cheeks are much wider in diameter than other areas of the body, coupled with the thin skin in the face, permit the redness of the blood to show through in the characteristic “flushing.” This anger reaction shouldn’t be confused with feeling embarrassed or the blushing we see through exercise. The accompanying cues in cluster will tell us which emotional response we are seeing.

Fists clenching is an early sign of aggression.  It shows that the body is ready to fight - even if not literally by punching someone.

Fists clenching is an early sign of aggression. It shows that the body is ready to fight – even if not literally by punching someone.

During aggression we might see the arms show defensive postures by becoming crossed showing a negative emotion, or dropped to the side and clenching. Fists clenching is an important cue to aggression since it indicates the underlying thought process that one is nearing physical action. Other cues in the cluster include finger pointing, overall tensing of the body or extreme body loosening to ready for fighting, tightening of the jaw and lips (called “lip occlusion”), quivering in the lips, frowning, furrowing, or lowering the eyebrows, dilated pupils, squinting of the eyes, crotch displays such as legs open, sneering or flared nostrils.

The technical term for flared nostrils as mentioned before is “nasal wing dilation” and is of particular in the fight and flight response because it tells us that someone is actively oxygenating their bodies in preparation to do something important. Our bodies consume oxygen during work, and we can get our bodies ready by loading up hemoglobin which is the carrier of the oxygen molecule, just in case it’s needed for a condense bout of work. As people get ready to fight their chests can be seen rapidly expanding and contracting as if panting. The body is essentially saying “We’ve probably got a problem on our hands, time to load up on oxygen as we might need to fight or take flight!” Sometimes though, nasal wing dilation is in response to doing anything physical at all, be it to move a heavy sofa or taking to a flight of stairs. Other times, nostrils flare when aroused by a potential mate who is seeking to take up an alluring scent laced with sexual pheromones. However, as mentioned this cue can be very important in certain context as it may provide clues to potentially aggression. School aged children should learn this nonverbal cue early on so as to diffuse aggression by bullies.

Nose flaring signals displeasure and negative thoughts.

Nose flaring or “nasal wing dilation” signals displeasure and negative thoughts. Noses flare because extra oxygen is being consumed to prepare for battle.

It might be counter-intuitive to think that opening the body up and keeping it loose, is a sign of aggression, since it exposing the body to attack, but in this cue cluster, the posture challenges others to attack. The limbs can seem to dangle from the body and the upper torso might begin to sway back and forth, or bob, similar to what a boxer does seeking an angle to attack. Only in this case, it happens much more discretely such that a surprise attack might be possible.

Conversely, the arms and body can become stiff and rigid as they prepare to defend whereas others will visibly start shaking. As a last resort, aggressive individuals may begin expressing the same thoughts over and over again to assert their position in effort to have their opponent back down. Under more extreme cases, people fall back into more primitive displays of aggression such as banging fists against a table, slamming doors, and even throwing objects. Figuratively, the message being advertised is that the table, the door being slammed, or the chair being thrown, will soon be you!

As the person nears aggression they will begin to invade your personal space, sometimes even ‘head-to-head’ and issue verbal challenges and might burst into nervous laughter even though nothing funny has been said. The solution to aggression is to always back away and give the person as much space as possible while showing defensive postures. Nearly all individuals will cease aggressive behaviour given the proper cues and switches, while other times, the only avoidance to physical combat is the flight response. In other words, run!

The Eyebrows In Communication

The eyebrow cock - something you said was interesting.

The eyebrow cock – something you said was interesting.

The eyebrows are very active in conversation. They can furrow to show anger or be turned inward and down to show disgust or a crucial view. Even still, the eyebrows can be raised fully to express surprise or be singly raised and lower to indicate suspicion. One eyebrow raised and the other level or neutral is a widespread sign of skepticism or displeasure and is called the eyebrow cock but if done subtly with a slightly cocked head and a cheeky smile means “interesting”.

Disappointingly, very few actors have control over their eyebrows, and if you don’t believe me just watch for yourself. I’m not sure they could use their faces very efficiently even if they tried, as the use of eyebrows is not something that is easily consciously controlled. I have noticed that female television news anchors will flash away during most of their reports but men won’t. This is also the case with male actors who favour control, presumably to appear more dominant especially in lead roles.

Placement, size, and shape of the eyebrows also portray different meaning. Lower eyebrows appear more dominant whereas high eyebrows make for a more subordinate yet perpetually surprised look. Eyebrows that are turned in near the outside of the face also called “medially downturned” make the face appear more concerned or empathetic. Bushy eyebrows signal dominance, and thin brows remind us of children so appear more neotenous whereas the uni-brow where the eyebrow forms one single brow across both eyes appears archaic, unsophisticated and un-groomed.

The eyebrows also have a language all to themselves. The eyebrow raise, where the eyebrows come straight up and then back down in one motion, happens in speech to emphasis certain words, to punctuate a point or in accompaniment with questions. The eyebrows raise can also appear as a request for approval when unsure how our thoughts stand with others, or can even be meant as a measure to verify if what we have said is being understood. In this case, the eyebrows will come up and pause for a second and seek some sort of gesture of approval such as a head nod or vocal agreement before being lowered. If there is no approval, then we might see the “eyebrow hold” which is akin to the shrugging of the shoulders, indicating a lack of knowledge or even helplessness. Politicians and children do this often when they seek approval, it says “So, what do you think, have I don’t a good job?”

Other times the eyebrows will move almost continuously throughout a conversation when we really want to impress someone, flirt with them, or act particularly animated. If eyebrows are raised with a slight tilt of the head at the end of the sentence it is to check to see if the message was understood but if it is done with a slow raise of the head, it means disapproval saying “What you have just said, surprises me”. Disapproval is even stronger if the head is lowered with the lips pursed tightly accompanied by raised eyebrows. This signals a desire to end communication altogether.