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Examples of Microexpression

Keep in mind that microexpressions are useful when they appear out of congruency with other gestures or language. It is when the facial expression is out of tune with what is being said. For example, telling a positive story while smiling and momentarily flashing a microexpression can mean that the person is lying. Here are some microexpressions with respect to emotions. [note that images show true expressions which might be held for a time, whereas a microexpression will not persist, only flash quickly before disappearing]

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Copy of BodyLanguageProjectCom - Anger 1Anger: Lowering the brow, flaring of the eyes and tightening of the mouth.

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Copy (2) of BodyLanguageProjectCom - Fear Facial ExpressionFear: Raising the upper eyelids and showing the whites of the eyes, raising the inner brow and folding the eyebrows inward (activation of the grief muscle), lowering the brow and or tightening of the eyelid. A grimace usually comes across the face.

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BodyLanguageProjectCom - Surprised Facial Expression Or SurprisedSurprise: Straight upward lift of the brows.

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BodyLanguageProjectCom - DisgustDisgust: Baring of the teeth, lower of the eyebrows, tightening the eyelid, and wrinkling the nose.

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Copy of BodyLanguageProjectCom - ScornScorn: A combination of anger and disgust that happens by wrinkling of the nose, raising and tightening of the upper lip. To visualize this expression think of a bad smell.

 

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Copy of BodyLanguageProjectCom - Down-Turned Smile Or Reverse SmileReverse smile: While smiling the corners of the mouth curl downwards momentarily displaying a caught/suppressed frown.

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BodyLanguageProjectCom - False Smile Or Ohoney SmileFalse smile: Where the eyes play no part (no wrinkles in the corners of the eyes as in the Duchenne smile and the mouth is stretched across the face).

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Doubt or disbelief: While answering a question in the affirmative saying “yes” the head is seen shaking from side-to-side in a ‘no-gesture.’

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Microexpressions

Micro

Microexpressions, such as this furrowed forehead (a negative thought indicator) are called “leaked” because they happen quickly and last only fractions of a second before disappearing. Because they are difficult to control, they tend to be reliable indicators of truly felt emotions.

 

Microexpressions are facial movements or expressions that flash across the face at such a fast rate that they are barely perceivable. Slow motion replays of high speed videography easily shows what is difficult to see in real time. The persistence of these cues range from 1/25 to 1/5 of a second. It is the study of microexpressions that assumes that certain aspects of facial expressions reveal this duplicity to betray the liar. The research was originally pioneer by Guillaume Duchenne in the 1800s as we saw in an earlier chapter who discerned the difference between real and fake smiles from the use of the zygomatic major muscles which pull the corners of the mouth upward and the orbicularis oculi, the muscle around the eye that pulls the cheek up while lowering the brow. This was the true smile and in the same way, other unconscious microgestures reveal negative emotions. Presumably it is more difficult to prevent a felt emotion in addition to creating a false emotion than to simply neutralize the face. The term “masked” refers to any facial emotion that is either replaced by a different falsified expression, or is neutralized with no emotion present. This is when microexpressions should be most evident.

Microexpressions, on the other hand, are tied to leakage in so much as they are an attempt to hide our true feelings. When we tell a lie, and if we hold any remorse for that lie, repressed or otherwise, our faces should reveal these cues through facial expressions. When a deceiver tries to repress an emotion caused by lying, the result is a micro display that briefly comes across the face instead. Other times these cues happen at a much slower rate and are perceivable by the naked eye. Those that can intuitively detect lies often score high on the ability to recognize microexpressions.

Lies can be betrayed by signs of emotions as they relate to microexpressions or in other words, it is difficult for a liar to create emotions that don’t exist. For example, it is difficult to consciously narrow the red margins of the lips so this can be an indicator of feigned anger. Rarely do we detect these fake emotions though, which is partly due to the fact that we simply don’t care to know the truth as it serves no useful purpose to us; there is no reward or incentive.

A study conducted in 2008 by Stephen Porter and Leanne Brinke of Dalhouse University who examined microexpressions through the examination of high speed video cameras found some, but incomplete support, for their use in detecting feigned emotions. In fact the emotions they did uncover occurred over a much longer time which could suggest that they might be easier to detect than previously though. They also found that it was far easier to neutralize the face (show no expression) than to create an artificial emotion. In the neutral face, they found a lower blink rate, possibly due to the effects of claming up, but where a masked face appeared, they found increased blinking likely due to the stress associated with faking a face. Other studies suggest that liars increase blink rate, as we recall. They also found that all participants showed at least one inconsistent emotion during deception showing that leakage might be ubiquitous, but the overall success rate was still only sixty percent. Confusing the findings further, they found that microexpressions were found throughout positive emotions.

To date very little study has gone into microexpressions which is surprising given the widespread attention is had been given. It is currently being utilized as a massive foundation for the U.S. transportation agency to help identify suspicious passengers. While the science is incomplete with regards to microexpressions, it is important to realize their existence, real or not, because the next time we wait to board a plane, the eye in the sky and the personnel on the floor are eagerly watching for our nervous ticks for the opportunity to pull us aside for more questioning. The rational of course is that while nervous ticks might not accurately betray a liar all the time, it does form a basis to increase the level of investigation even if there are occasional misses. The (not too?) distant future might hold recognition software that reads all levels of being, from gait to blood pressure, voice inconsistencies and perhaps microexpressions. Most experts agree that this technology, due to its complex nature, won’t be in production for some time though.

The Eyebrows In Communication

The eyebrow cock - something you said was interesting.

The eyebrow cock – something you said was interesting.

The eyebrows are very active in conversation. They can furrow to show anger or be turned inward and down to show disgust or a crucial view. Even still, the eyebrows can be raised fully to express surprise or be singly raised and lower to indicate suspicion. One eyebrow raised and the other level or neutral is a widespread sign of skepticism or displeasure and is called the eyebrow cock but if done subtly with a slightly cocked head and a cheeky smile means “interesting”.

Disappointingly, very few actors have control over their eyebrows, and if you don’t believe me just watch for yourself. I’m not sure they could use their faces very efficiently even if they tried, as the use of eyebrows is not something that is easily consciously controlled. I have noticed that female television news anchors will flash away during most of their reports but men won’t. This is also the case with male actors who favour control, presumably to appear more dominant especially in lead roles.

Placement, size, and shape of the eyebrows also portray different meaning. Lower eyebrows appear more dominant whereas high eyebrows make for a more subordinate yet perpetually surprised look. Eyebrows that are turned in near the outside of the face also called “medially downturned” make the face appear more concerned or empathetic. Bushy eyebrows signal dominance, and thin brows remind us of children so appear more neotenous whereas the uni-brow where the eyebrow forms one single brow across both eyes appears archaic, unsophisticated and un-groomed.

The eyebrows also have a language all to themselves. The eyebrow raise, where the eyebrows come straight up and then back down in one motion, happens in speech to emphasis certain words, to punctuate a point or in accompaniment with questions. The eyebrows raise can also appear as a request for approval when unsure how our thoughts stand with others, or can even be meant as a measure to verify if what we have said is being understood. In this case, the eyebrows will come up and pause for a second and seek some sort of gesture of approval such as a head nod or vocal agreement before being lowered. If there is no approval, then we might see the “eyebrow hold” which is akin to the shrugging of the shoulders, indicating a lack of knowledge or even helplessness. Politicians and children do this often when they seek approval, it says “So, what do you think, have I don’t a good job?”

Other times the eyebrows will move almost continuously throughout a conversation when we really want to impress someone, flirt with them, or act particularly animated. If eyebrows are raised with a slight tilt of the head at the end of the sentence it is to check to see if the message was understood but if it is done with a slow raise of the head, it means disapproval saying “What you have just said, surprises me”. Disapproval is even stronger if the head is lowered with the lips pursed tightly accompanied by raised eyebrows. This signals a desire to end communication altogether.

Catching People Who Fail To Recognize You

It’s your twenty-five year class reunion and you’ve shed over thirty pounds and dropped your geeky look. From across the room you recognize an old crush so you make your way over. You give her an eyebrow flash at a few paces and she flashes back but then draws her brow into a wrinkle. She’s shown that she recognizes you, through the eyebrow flash, but isn’t sure how, hence the flexing of the grief muscle between the eyes.

When the eyebrow flash is done outside of a class reunion, it can be even more confusing because a person has many more variables to consider when trying to place you. Chance meetings happen all the time, but the further they happen from a context in which we expect, the more difficult it is to place people. Sometimes we get stuck hanging because we eyebrow flash and the person doesn’t flash us back. But even then, and usually subconsciously, their mind will begin to fire and they will automatically try to place you. In the meantime we naturally feel embarrassed for not being recognized, even though we haven’t verbally acknowledged them. Trying to start a conversation with an ex-classmate who hasn’t returned an eyebrow flash can be risky and embarrassing producing an awkward conversation. The eyebrow flash, therefore, is an excellent tool to help us avoid even more pronounced embarrassment than necessary. Simply put, if you don’t get a flash back, don’t bother starting a conversation because they don’t remember you!