Tag Archive for Amusement Parks

The Stiff Or Curved Arm

The stiff arm is an obvious signal that approach is unwelcome as it forms a solid barrier around our personal space zone.

The stiff arm is an obvious signal that approach is unwelcome as it forms a solid barrier around our personal space zone.

A more obvious defensive posture is the stiff arm which happens by thrusting the arm forward and away from the body with the palm face vertical in a “stop” type signal. Another defensive posture is the curved arm, a variation of the stiff arm, where the arm is bent and locked at the elbow and thrust outward facing down or horizontally. As a cluster, the stiff arm and curved arm is accompanied by a step backwards to reclaim stolen space, which is the true intention of the stiff arm. Both postures are called “arm-distancing” tactics because the arms are used to control space. When we say “Keeping people at arms length” this is the body language we refer to. The curved arm also creates a closed body position since the arm crosses over the middle of the body. At times, the arm fails to come up any higher than a few inches, or the hand might flip upwards slightly while being held at waist level, however, the message is the same. As the intensity of the approach increases, the hand and arm will rise even further and a person will shift their weight backwards.

Football running backs use the stiff and curved arm to provide a space buffer in order to fend off tackles by keeping the arms of defenders away from their bodies. The space created next to the body, to the inside of the elbow in the curved arm, is reserved so that no one can enter. The curved and stiff arm both serve to deflect a possible attack away from the body or when navigating crowded areas such as airports, amusement parks or nightclubs. Women can also be found doing this too, especially when men get too close for comfort. The signal is a strong indicator that personal space is being violated and the carrier of the message does not want someone to come even an inch closer. Men in dating situations should be particularly aware of this body language and treat it appropriately, back up, and give some space.

Other times, the stiff or curved arm is used to thwart closeness that is not necessarily due to physical threat. Sometimes we keep our arms out just to keep people we don’t like from getting too close. The arms can also indicate how much someone likes or dislikes someone by their proximity to other people. When someone is particularly turned off by someone else they will keep their arms away from them in-so-much as their bodies can maintain enough personal space and don’t need to be thrown in harms way, so to speak, to serve as stiff arms.

People As Objects

This body doesn't want to be noticed or disturbed, it has mentally checked out.

This body doesn’t want to be noticed or disturbed, it has mentally checked out.

This is a comfortable body ready for action.

This is a comfortable body ready for action.

When invasion of personal space is unavoidable such as crowded elevators, buses, trains, or amusement parks people tread invaders as inanimate objects in effort to tolerate them.

This is why city streets are flooded with strangers behaving like zombies with expressionless faces as they hurry about. City folk seem inhuman and unemotional, detached, despondent and more than anything else, from an outsider’s perspective, they appear unhappy. Contrast this with a small city where eye contact is met with smiles, nods or waves and where doors are held open for others with words such as “thank you” provided in exchange.

So why do busily moving city slickers seem as though they are moving about a forest of trees, instead of a sea of actual living human beings with emotions and feelings? Why do city slickers dehumanize themselves? The answer lies in phenomenon termed “masking.” Masking is a coping strategy used to detach ourselves from our bodies so as to avoid negative feelings as we intrude on the personal space of others and as our personal space is intruded upon. Sometimes we even mask with outwardly aggressive emotions typified by New York streets. Cussing, yelling and other carrying on is a way to mask sensitivity and to hide caring. This is not to say that one becomes less human in New York, it just means that you can’t appear to be a wimp.

Masking helps people protect themselves from their emotions and is so potent that it is difficult sometimes to snap people from this hypnosis. Sometimes even making eye contact with others can be seen as offensive and returned only with an expressionless face, a glare, or even a snarl as if implying that the issue is that of another and not theirs.

Just like country folk expect and appreciate amicable greetings, smiles, waves and nods, city slickers expect and appreciate emotionless faces, few or no greetings and for people to mind their own business. Don’t confuse either situation for anything other than a coping mechanism. Taken in similar context, you might just see how similar each breed of people really is.

Here is a breakdown of ways we act in crowded places like subways and elevators:
[A] We stand or sit still, unmoving. The more crowded the area, the more frozen we remain.
[B] The face becomes blank and expressionless, but it is not due to negative thoughts but rather as a coping mechanism.
[C] Eye contact is avoided by looking at the floor or ceiling.
[D] Books, newspapers and other devices appear particularly interesting and immersive, serving to detach the self emotionally from the situation.
[E] Under extremely crowded conditions where touching is unavoidable, bodies appear to jostle to make space and if possible only allow shoulders and elbows to touch.