{"id":671,"date":"2014-10-23T14:03:33","date_gmt":"2014-10-23T14:03:33","guid":{"rendered":"http:\/\/bodylanguageproject.com\/nonverbal-dictionary\/?p=671"},"modified":"2015-06-04T20:48:46","modified_gmt":"2015-06-04T20:48:46","slug":"body-language-of-the-head-toss","status":"publish","type":"post","link":"http:\/\/bodylanguageproject.com\/nonverbal-dictionary\/body-language-of-the-head-toss\/","title":{"rendered":"Body Language of The Head Toss"},"content":{"rendered":"

Body Language of The Head Toss<\/p>\n

\"No<\/a>Cue<\/strong>: Head Toss<\/p>\n

Synonym(s)<\/strong>: Flicking The Head.<\/p>\n

Description<\/strong>: The head is tossed forward or backward.<\/p>\n

In One Sentence<\/strong>: Tossing the head shows distain, or conversely, is a way to show off luscious hair (in a dating context).<\/p>\n

How To Use it<\/strong>: Toss the head back and shake it to show that you disagree. You can use this in any context to send a strong nonverbal message of disapproval. Simply toss the head backward or from side-to-side to show that you do not approve. When you do so, imagine being \u201chit in the head\u201d with a bad idea.<\/p>\n

In dating, tossing the head is a way women (mostly) can show off their hair. This is especially so if it is long and free-flowing. Putting the hair in motion is a way to draw attention to it and its qualities. Television commercials use the hair toss effectively to show off their shampoo products. You can also produce a like effect. The hair toss is boosted in effectiveness when it is coupled with direct eye contact with whom you wish would notice. When the hair toss is done without eye contact, it is not anchored and therefore is a broadcast signal to anyone to which is visible.<\/p>\n

Context<\/strong>: a) General, b) Dating.<\/p>\n

Verbal Translation<\/strong>: a) \u201cI\u2019m not happy with you so I\u2019m tossing my head back and shaking it from side to side showing my disdain and haughtiness.\u201d b) \u201cI\u2019m sexually aroused and showing off my luscious hair by flicking and tossing it and hopefully you find that appealing.\u201d<\/p>\n

Variant<\/strong>: Sometimes the head is held high and tossed back showing extra verbal charge. See Hair Play<\/a>.<\/p>\n

Cue In Action<\/strong>: a) Eighteen year old Maggie wasn\u2019t happy with her mom and made it known that she had no intension of serving her full punishment. She tossed her head back and shook it at the mere suggestion of being grounded. b) Eighteen year old Maggie tossed her head back while flicking her hair, batted her eyelashes and smiled coyly at the cute boy in her class.<\/p>\n

Meaning and\/or Motivation<\/strong>: Depending on context can be sexually suggestive or show disdain or haughtiness.<\/p>\n

a) Disdain is usually done by women through a combination of a head backward with a small headshake. Sometimes the head is held high and shot forward to deliver a potent message. This shows no interest and no intention of complying, engaging further and certainly no interest in what is being said. b) When the head is meant to remove long hair from the face and coy eye contact is delivered to punctuate it, can mean a sexual invitation. c) Other times, the head is tossed back to remove hair from the eyes and has no other meaning.<\/p>\n

Cue Cluster<\/strong>: See Meaning and Motivation for cue cluster.<\/p>\n

Body Language Category<\/strong>: Adaptors, Arrogance or arrogant body language, Approach tell, Courtship display, Disengagement body language, Dislike (nonverbal), Frustration or frustrated body language, Hostile body language, Stubborn body language.<\/p>\n

Resources:<\/strong><\/p>\n

Abrahams, Matthewf.. Perceiving flirtatious communication: An exploration of the perceptual dimensions underlying judgments of flirtatiousness. Journal of Sex Research. 1994. 31(4): 283-292.<\/p>\n

Abbey, A., and Melby, C. (1986). The effects of nonverbal cues on gender differences in perceptions of sexual intent. Sex Roles, 15, 283-298.<\/p>\n

Costa, M., Menzani, M., & Ricci Bitti, P. E. Head canting in paintings: An historical study. Journal of Nonverbal Behavior. 2001. 25: 63\u201373.<\/p>\n

Costa, M., & Ricci Bitti, P. E. Face-ism effect and head canting in one\u2019s own and others\u2019 photographs. European Psychologist. 2000. 5: 293\u2013301.<\/p>\n

Cari D. Goetz; Judith A. Easton; David M.G. Lewis; David M. Buss. Sexual Exploitability: Observable Cues And Their Link To Sexual Attraction. Evolution and Human Behavior. 2012; 33: 417-426.<\/p>\n

Victim Blaming, Or, Useful Information In Preventing Rape And Sexual Exploitation<\/a><\/p><\/blockquote>\n